Songs like Where Do We Go From Here? by Buffy the Vampire Slayer Cast
Based on a tempo of (+/- 10%) and a similar genre
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Rachel Bloom
Feelin' Kinda Naughty
133 bpm • A# min • 01:49 • -4.73db
33% Popularity • 86% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 86% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Nikki Blonsky
Good Morning Baltimore
133 bpm • E Maj • 03:54 • -4.37db
56% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Chameleon Circuit
An Awful Lot Of Running
133 bpm • D Maj • 03:48 • -6.67db
25% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Christian Campbell
Romeo & Juliet
133 bpm • D Maj • 02:18 • -10db
20% Popularity • 71% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 71% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Anthony Rapp
What You Own
133 bpm • D Maj • 03:55 • -6.59db
33% Popularity • 56% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 56% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Renée Zellweger
Roxie
133 bpm • F min • 03:20 • -9db
38% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Neil Patrick Harris
A Man's Gotta Do
134 bpm • D# Maj • 02:20 • -7.72db
38% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Adam Searles
Consider Yourself
134 bpm • C Maj • 05:40 • -13.37db
37% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
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Michelle Pfeiffer
(The Legend Of) Miss Baltimore Crabs
134 bpm • F min • 04:07 • -7db
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Joseph Loduca
War And Peace / Gab Is Stabbed
132 bpm • D Maj • 05:50 • -11.48db
10% Popularity • 49% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 49% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Rachel Bloom
West Covina - Reprise
132 bpm • B Maj • 01:14 • -10.84db
28% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Gere
All I Care About
133 bpm • F# Maj • 03:48 • -8.87db
30% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Red Buttons
Every Little Piece
132 bpm • G Maj • 04:25 • -17db
29% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Burt Reynolds
Let's Make Music Together
132 bpm • F Maj • 02:27 • -11db
23% Popularity • 64% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 64% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Ensemble
So They Say
134 bpm • F# Maj • 02:12 • -9.93db
34% Popularity • 85% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 85% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Adam Pascal
What You Own
134 bpm • D Maj • 03:58 • -3.36db
43% Popularity • 54% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 54% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Crazy Ex-Girlfriend Cast
Oh My God I Think I Like You
132 bpm • D Maj • 02:34 • -6.41db
35% Popularity • 92% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 92% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Stephanie D'Abruzzo
I Wish I Could Go Back to College
132 bpm • A Maj • 02:09 • -8.8db
11% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Edwards Sanders
Pirelli's Miracle Elixir
134 bpm • F Maj • 02:00 • -10.55db
27% Popularity • 59% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 59% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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StarKid
Granger Danger
134 bpm • C# Maj • 03:30 • -7db
33% Popularity • 50% Danceability • 71% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 50% Danceability • 71% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
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John Gallagher Jr.
Don't Do Sadness/Blue Wind - Original Br...
132 bpm • F Maj • 05:05 • -8.67db
40% Popularity • 45% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 45% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jesse L. Martin
Today 4 U
132 bpm • G Maj • 02:44 • -3.16db
43% Popularity • 72% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 72% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Antonio Banderas
Peron's Latest Flame
132 bpm • C Maj • 05:17 • -10.75db
30% Popularity • 74% Danceability • 47% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 74% Danceability • 47% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Rema Webb
Joseph Smith American Moses
132 bpm • A# min • 06:12 • -10.38db
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Aimee Allen
Cooties
131 bpm • A min • 02:41 • -6.97db
37% Popularity • 74% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 74% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
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Kristin Chenoweth
The Girl in 14-G* - Vocal
131 bpm • A min • 04:02 • -6.78db
25% Popularity • 53% Danceability • 33% Energy • 46% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 53% Danceability • 33% Energy • 46% Liveness
0% Instrumentalness • 35% Positiveness
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Chameleon Circuit
Travelling Man
135 bpm • F Maj • 03:59 • -11.79db
19% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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Adam Pascal
Light My Candle
131 bpm • C min • 04:10 • -6.43db
48% Popularity • 81% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 81% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Joseph Loduca
Hate Is The Star (Song Of The Torment) /...
131 bpm • D Maj • 05:35 • -12.07db
13% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Rick Lyon
The Money Song
135 bpm • G Maj • 05:01 • -9db
8% Popularity • 64% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 64% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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James Marsden
(It's) Hairspray
135 bpm • C Maj • 02:20 • -5db
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Lucy, Jekyll
Dangerous Game
136 bpm • E min • 03:34 • -11.02db
32% Popularity • 34% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 34% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Cast Of The Motion Picture Rent
La Vie Boheme a & B
136 bpm • G# Maj • 08:28 • -5db
24% Popularity • 48% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 48% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Edward Sanders
Not While I'm Around - Highlights Versio...
136 bpm • F Maj • 03:38 • -12.13db
22% Popularity • 30% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 30% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Christine Baranski
We Both Reached For The Gun
136 bpm • B Maj • 03:58 • -7.43db
40% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Hollywood Symphony Orchestra and Voices
On My Father's Wings
130 bpm • A# Maj • 02:58 • -13.13db
24% Popularity • 29% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
24% Popularity • 29% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Brian Johnson
Touch Me - Original Broadway Cast Record...
130 bpm • D Maj • 04:31 • -9.76db
41% Popularity • 49% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 49% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Michael McGrath
Always Look On The Bright Side Of Life -...
130 bpm • F# min • 04:29 • -6.74db
37% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Cast Of The Motion Picture Rent
La Vie Boheme
135 bpm • G# Maj • 06:59 • -5db
48% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Hedwig And The Angry Inch - Original Broadway Cast
Wig In A Box
130 bpm • A Maj • 05:07 • -7.64db
27% Popularity • 47% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 47% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Johnny Depp
Hello, Little Girl
137 bpm • F# Maj • 02:31 • -15db
42% Popularity • 43% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 43% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Antonio Banderas
The Lady's Got Potential
137 bpm • A Maj • 04:24 • -8.96db
32% Popularity • 56% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 56% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Idina Menzel
The Life of the Party
129 bpm • A Maj • 03:25 • -5db
30% Popularity • 57% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 57% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Jonathan Groff
Totally Fucked - Original Broadway Cast ...
129 bpm • A# Maj • 03:18 • -7.23db
42% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
48% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Hank Azaria
His Name Is Lancelot - Original Broadway...
129 bpm • C# Maj • 02:11 • -4.11db
34% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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John Tartaglia
Purpose
137 bpm • G Maj • 02:28 • -8db
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Stephen Schwartz
Finale "Wicked"
128 bpm • G Maj • 01:41 • -10.59db
32% Popularity • 25% Danceability • 20% Energy • 25% Liveness
5% Instrumentalness • 7% Positiveness
32% Popularity • 25% Danceability • 20% Energy • 25% Liveness
5% Instrumentalness • 7% Positiveness
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Sandy Duncan, Howard McGillin, Liz Callaway, Dakin Matthews, Adam Wylie, J.D. Daniels, Lex de Azevedo, David Zippel
This Is My Idea
138 bpm • A# Maj • 06:09 • -18.42db
41% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Stephen Trask
Random Number Generation
128 bpm • B Maj • 02:43 • -5.17db
20% Popularity • 57% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 57% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Lucy, Ensemble
Good 'n' Evil
128 bpm • C# min • 03:10 • -10.35db
29% Popularity • 40% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 40% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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John Tartaglia
Fantasies Come True
138 bpm • F# min • 04:18 • -11.73db
8% Popularity • 52% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 52% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Reeve Carney
Bouncing Off The Walls
138 bpm • E min • 02:54 • -5.33db
17% Popularity • 48% Danceability • 94% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 48% Danceability • 94% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
39% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Idina Menzel
Always Starting Over
138 bpm • G Maj • 04:42 • -9db
32% Popularity • 32% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 32% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Chameleon Circuit
Still Not Ginger
128 bpm • E Maj • 01:57 • -12.48db
19% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Neil Patrick Harris
My Eyes
128 bpm • B min • 02:47 • -8db
44% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Crazy Ex-Girlfriend Cast
Anti-Depressants Are So Not A Big Deal
128 bpm • B min • 03:24 • -4.59db
31% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Tim Curry
I'm Going Home
128 bpm • F Maj • 02:54 • -14.28db
43% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Bill Moseley
Night Surgeon
138 bpm • D min • 02:36 • -5.49db
36% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Stark Sands
Step One
138 bpm • C# Maj • 02:48 • -5db
35% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Kelsey Grammer
Live By The Hook - Original Broadway Cas...
127 bpm • D Maj • 03:47 • -8.5db
26% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Rosario Dawson
Out Tonight
139 bpm • A Maj • 03:54 • -2.83db
49% Popularity • 53% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 53% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Nicole Kidman
Come What May - Original Film Version
128 bpm • C Maj • 04:38 • -7.81db
43% Popularity • 24% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 24% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Angela Lansbury
Reprise: Eglantine / Portebello Road
140 bpm • A# Maj • 01:14 • -18.78db
29% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Donald Faison
For The Last Time I'm Dominican - Origin...
140 bpm • D Maj • 01:56 • -9.55db
22% Popularity • 78% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 78% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Crazy Ex-Girlfriend Cast
Let's Generalize About Men
140 bpm • E min • 02:38 • -3.98db
38% Popularity • 81% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 81% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ensemble - The Lion King
Be Prepared
126 bpm • A min • 03:26 • -11.5db
41% Popularity • 67% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 67% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Rosario Dawson
Finale A
126 bpm • G Maj • 01:20 • -12.69db
36% Popularity • 49% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 49% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Madonna
Rainbow High
126 bpm • A# min • 02:26 • -7.76db
32% Popularity • 47% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 47% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Bill Moseley
Mark It Up
142 bpm • A Maj • 01:52 • -6.18db
33% Popularity • 71% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 71% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Songs for a New World Ensemble
Opening: The New World
141 bpm • G# Maj • 05:05 • -10.35db
25% Popularity • 39% Danceability • 44% Energy • 66% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 39% Danceability • 44% Energy • 66% Liveness
0% Instrumentalness • 43% Positiveness
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Crazy Ex-Girlfriend Cast
Strip Away My Conscience
126 bpm • A min • 02:24 • -6.67db
34% Popularity • 62% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 62% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Megan Mullally
Please Don't Touch Me
142 bpm • F Maj • 03:58 • -7.54db
26% Popularity • 55% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 55% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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John Kassir
Little Mary Sunshine
125 bpm • E min • 03:11 • -7.45db
20% Popularity • 43% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 43% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Hedwig And The Angry Inch - Original Broadway Cast
Tear Me Down
142 bpm • A# Maj • 03:57 • -5.03db
22% Popularity • 54% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 54% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Jordan Gelber
There Is Life Outside Your Apartment
142 bpm • D Maj • 03:08 • -9.33db
8% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Crazy Ex-Girlfriend Cast
I Hate Everything But You
141 bpm • D Maj • 02:47 • -4.21db
32% Popularity • 73% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 73% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Laura Osnes
"In My Own Little Corner"
142 bpm • F Maj • 03:17 • -8.78db
39% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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The Cast of Mary Poppins
Sister Suffragette
125 bpm • C Maj • 01:45 • -16db
15% Popularity • 61% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 61% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
45% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Adam Pascal
One Song Glory
142 bpm • F# Maj • 02:41 • -11.15db
37% Popularity • 74% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 74% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
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Avenue Q Ensemble
The Avenue Q Theme
142 bpm • F Maj • 01:02 • -11db
17% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Lea Michele
The Word Of Your Body - Original Broadwa...
124 bpm • E min • 02:58 • -11.06db
38% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Kandel
Topsy Turvy
142 bpm • D Maj • 05:36 • -13.67db
32% Popularity • 43% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 43% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rosario Dawson
Without You
124 bpm • C Maj • 04:16 • -6.16db
41% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Luke Evans
The Mob Song
143 bpm • A# min • 02:28 • -7.1db
46% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Kevin Gray
The Heat Is On In Saigon
143 bpm • A# Maj • 04:22 • -13.24db
19% Popularity • 55% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 55% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Anson Mount
Private Conversation
123 bpm • E min • 01:29 • -14.49db
31% Popularity • 65% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 65% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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John Bolton
A Rumor in St. Petersburg
123 bpm • C Maj • 05:39 • -10db
47% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Wilson Jermaine Heredia
Life Support
144 bpm • F Maj • 01:58 • -17.21db
33% Popularity • 51% Danceability • 16% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 51% Danceability • 16% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
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Idina Menzel
Over the Moon
124 bpm • F# Maj • 06:23 • -8.15db
38% Popularity • 65% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 65% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Katja Zoch
Bad Days Ahead
144 bpm • A# Maj • 03:09 • -12.4db
12% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Neil Patrick Harris
My Freeze Ray
144 bpm • C Maj • 01:54 • -12.01db
41% Popularity • 81% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 81% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Catherine Zeta-Jones
I Move On
122 bpm • A Maj • 03:58 • -7.1db
19% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness