Songs like Where Does the Love Go? by María Isabel
Based on a tempo of (+/- 10%) and a similar genre
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Colette Lush
Please
105 bpm • B min • 03:12 • -14db
25% Popularity • 71% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 71% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Ari Chi
Hot Honey
105 bpm • D Maj • 03:23 • -10.8db
25% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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QUIN
Lucid
105 bpm • C min • 05:37 • -11.04db
22% Popularity • 56% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 56% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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India Shawn
NOT TOO DEEP
105 bpm • G Maj • 04:50 • -9.91db
35% Popularity • 63% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 63% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hope Tala
Easy To Love Me
105 bpm • A Maj • 02:55 • -10.74db
43% Popularity • 76% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 76% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Joya Mooi
More Than Ever
105 bpm • A# min • 02:59 • -9.32db
23% Popularity • 54% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 54% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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MarÃa Isabel
Where Does The Love Go?
105 bpm • D# min • 02:56 • -6db
37% Popularity • 51% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 51% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kendra Dias
Flexible
106 bpm • D min • 03:55 • -9.78db
19% Popularity • 90% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 90% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Samaria
Foolish
104 bpm • D min • 03:10 • -9.69db
36% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Kali Uchis
fue mejor
106 bpm • F min • 03:50 • -7.41db
65% Popularity • 77% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 77% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Alina Baraz
Who Got Me
106 bpm • A min • 03:33 • -9db
38% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
38% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Elujay
LADY
104 bpm • B min • 03:27 • -10db
23% Popularity • 81% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 81% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Liza
DONE IS DONE
104 bpm • A# min • 03:11 • -14.4db
21% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 18% Positiveness
21% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 18% Positiveness
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Zenesoul
Love and Be Loved
106 bpm • F Maj • 03:27 • -10.41db
35% Popularity • 68% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 68% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Olivia Escuyos
Got Me (Feelin' Like)
104 bpm • A# min • 03:24 • -8.72db
25% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Kali Uchis
fue mejor
104 bpm • G min • 03:48 • -9.4db
61% Popularity • 68% Danceability • 35% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
61% Popularity • 68% Danceability • 35% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
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Tanerélle
A Trip Through Space to Clear My Mind
104 bpm • F min • 03:42 • -9.85db
40% Popularity • 51% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 51% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Lou Val
Let Me Go
107 bpm • F# min • 03:57 • -12.72db
34% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Isley
Loss for Words
107 bpm • C min • 05:23 • -12.72db
25% Popularity • 76% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
25% Popularity • 76% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
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Lucy Park
Rain
107 bpm • C Maj • 02:31 • -14.74db
43% Popularity • 72% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
43% Popularity • 72% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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LION BABE
Different Planet
107 bpm • A# min • 03:39 • -7db
33% Popularity • 85% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 85% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Diamond White
Cover My Eyes
103 bpm • E Maj • 04:38 • -7.33db
12% Popularity • 39% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 39% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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MarÃa Isabel
Solitude
107 bpm • G Maj • 03:01 • -8.38db
13% Popularity • 30% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 30% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Bathe
Bolero
107 bpm • B min • 03:25 • -10db
45% Popularity • 73% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
45% Popularity • 73% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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JON VINYL
Stacy
107 bpm • F# min • 02:24 • -9.08db
34% Popularity • 48% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 48% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Hope Tala
Summer in Paris (Interlude)
103 bpm • G# Maj • 02:02 • -16.97db
36% Popularity • 62% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 62% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Colette Lush
Shower
108 bpm • A min • 02:26 • -7.96db
23% Popularity • 68% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 68% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Samaria
Piece By Peace
108 bpm • C min • 04:28 • -9.43db
16% Popularity • 71% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 71% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Savannah Ré
Best Is Yet To Come - Bonus
102 bpm • G Maj • 02:21 • -6db
35% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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lemin.
when i met you
108 bpm • G Maj • 03:02 • -10.42db
23% Popularity • 82% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
23% Popularity • 82% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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MALIA
Better Together
108 bpm • F# min • 02:40 • -9.69db
30% Popularity • 60% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 60% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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DESTIN CONRAD
LIFE IS CHANGING
102 bpm • C Maj • 03:31 • -7.79db
31% Popularity • 56% Danceability • 62% Energy • 13% Liveness
25% Instrumentalness • 41% Positiveness
31% Popularity • 56% Danceability • 62% Energy • 13% Liveness
25% Instrumentalness • 41% Positiveness
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Alina Baraz
Gimme the Wheel
102 bpm • B Maj • 03:37 • -6.54db
40% Popularity • 81% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 81% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Bathe
Bicoastal
108 bpm • A Maj • 02:58 • -7.42db
36% Popularity • 53% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 53% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Oliv Blu
Say It
101 bpm • B min • 03:33 • -14.53db
13% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Kyle Dion
Teach Me
109 bpm • F# min • 02:17 • -6db
41% Popularity • 51% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 51% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Misha
Roadblock
101 bpm • B min • 03:44 • -9.08db
24% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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MarÃa Isabel
Back of My Mind
109 bpm • G min • 03:21 • -12.61db
18% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Samica
Payday
109 bpm • F# min • 02:59 • -6db
14% Popularity • 47% Danceability • 60% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 47% Danceability • 60% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Mereba
Sandstorm
109 bpm • D Maj • 02:59 • -10.03db
61% Popularity • 64% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 64% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Jayla Darden
Exhausted My Options
100 bpm • F Maj • 02:53 • -7db
27% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Kadeem Tyrell
April 25th
110 bpm • D# Maj • 03:57 • -10.45db
47% Popularity • 65% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 65% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Zen Boba
Talk to Yuh
110 bpm • D Maj • 03:31 • -6.16db
23% Popularity • 75% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 75% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Nina Cobham
What is This?
110 bpm • A# Maj • 02:43 • -7.07db
26% Popularity • 82% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 82% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Evann McIntosh
What Dreams Are Made Of
110 bpm • C Maj • 04:25 • -10.26db
50% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Alemeda
Summer Break
110 bpm • C Maj • 01:57 • -9.08db
23% Popularity • 75% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 75% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Rachel Chinouriri
Give Me A Reason
110 bpm • G min • 03:20 • -6db
33% Popularity • 66% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 66% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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CUBE
IDWL
110 bpm • D min • 03:40 • -9.45db
32% Popularity • 63% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 63% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Faye Meana
Get Back to Us
100 bpm • A min • 03:37 • -8.95db
18% Popularity • 88% Danceability • 35% Energy • 8% Liveness
27% Instrumentalness • 51% Positiveness
18% Popularity • 88% Danceability • 35% Energy • 8% Liveness
27% Instrumentalness • 51% Positiveness
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Cindy Jade
Same Wave.
100 bpm • C# min • 03:32 • -7.71db
30% Popularity • 47% Danceability • 56% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 47% Danceability • 56% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
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Evann McIntosh
JENN!FER AN!STON
110 bpm • A min • 03:30 • -15db
22% Popularity • 63% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 63% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Ambar Lucid
Head Down
100 bpm • C Maj • 04:15 • -4db
38% Popularity • 69% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 69% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Fana Hues
pieces
100 bpm • B min • 02:44 • -6.33db
33% Popularity • 66% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
33% Popularity • 66% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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RIMON
Out Of My Way
100 bpm • C# min • 03:28 • -5.18db
49% Popularity • 72% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 72% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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JON VINYL
Told You
100 bpm • D min • 02:37 • -8.97db
37% Popularity • 56% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 56% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Zeina
Consequences
99 bpm • D Maj • 02:39 • -9db
29% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Nina Cobham
por razones sentimentales
100 bpm • E Maj • 03:42 • -14.38db
25% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Dew
NTWFL
99 bpm • C# min • 02:56 • -7.2db
30% Popularity • 53% Danceability • 57% Energy • 16% Liveness
21% Instrumentalness • 48% Positiveness
30% Popularity • 53% Danceability • 57% Energy • 16% Liveness
21% Instrumentalness • 48% Positiveness
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Mysie
Keep Up With Your Heart
99 bpm • G# min • 02:51 • -13.61db
19% Popularity • 71% Danceability • 42% Energy • 10% Liveness
15% Instrumentalness • 46% Positiveness
19% Popularity • 71% Danceability • 42% Energy • 10% Liveness
15% Instrumentalness • 46% Positiveness
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Shanté
Party On Mars
99 bpm • C Maj • 02:58 • -8db
30% Popularity • 74% Danceability • 34% Energy • 52% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 74% Danceability • 34% Energy • 52% Liveness
0% Instrumentalness • 13% Positiveness
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Oya Noire
Something
111 bpm • B min • 05:22 • -16.26db
14% Popularity • 49% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 49% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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sky
over and over
112 bpm • F# Maj • 03:51 • -9.49db
49% Popularity • 68% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 68% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Evann McIntosh
TECTONIC PLATES
112 bpm • C Maj • 03:40 • -18.58db
24% Popularity • 43% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 43% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Mulherin
Open Up the Door
112 bpm • A# Maj • 03:10 • -6.77db
15% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Melanie Faye
Super Sad Always
112 bpm • A Maj • 03:55 • -7.42db
23% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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GABI
Let's Get Away
112 bpm • A# Maj • 03:14 • -11db
22% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Xavier Omär
FIND ME.
112 bpm • C# min • 04:26 • -12db
23% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sophia Galaté
Love Me
112 bpm • F min • 03:39 • -7.47db
16% Popularity • 51% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 51% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Rendezvous At Two
Blue Eyes
98 bpm • A# min • 03:22 • -10.41db
17% Popularity • 37% Danceability • 51% Energy • 21% Liveness
4% Instrumentalness • 26% Positiveness
17% Popularity • 37% Danceability • 51% Energy • 21% Liveness
4% Instrumentalness • 26% Positiveness
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Duckwrth
Kiss U Right Now
98 bpm • G Maj • 03:14 • -8.65db
57% Popularity • 86% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 86% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Masego
Passport
98 bpm • C Maj • 03:17 • -12.04db
42% Popularity • 78% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 78% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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QUIN
Calling
98 bpm • G min • 03:36 • -6db
27% Popularity • 83% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 83% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Alina Baraz
Take It Home
98 bpm • E Maj • 04:24 • -9.53db
38% Popularity • 61% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 61% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Shay Lia
Love Me, Love Me Not
98 bpm • C min • 03:17 • -9.69db
17% Popularity • 74% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
17% Popularity • 74% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Emanuel
Magazines
113 bpm • D min • 03:14 • -8.83db
29% Popularity • 36% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 36% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Jessica Domingo
Island - Acoustic
98 bpm • F Maj • 03:32 • -9db
27% Popularity • 63% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 63% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Povi
Who Better
113 bpm • F# min • 02:37 • -9.57db
9% Popularity • 65% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 65% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Lucy Park
On God
98 bpm • G# min • 02:32 • -7.79db
32% Popularity • 89% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 89% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Emotional Oranges
No Words
113 bpm • E min • 03:10 • -11.66db
32% Popularity • 76% Danceability • 54% Energy • 9% Liveness
4% Instrumentalness • 21% Positiveness
32% Popularity • 76% Danceability • 54% Energy • 9% Liveness
4% Instrumentalness • 21% Positiveness
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THEHONESTGUY
Love is a losing game
113 bpm • C# min • 03:00 • -10.08db
32% Popularity • 73% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 73% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Savannah Ré
DVP
113 bpm • C Maj • 02:37 • -10.54db
25% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jayla Darden
Let You Go
113 bpm • C# min • 02:53 • -6.59db
43% Popularity • 73% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
43% Popularity • 73% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Bri Feel
Right
97 bpm • F# min • 04:16 • -14.05db
29% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Alina Baraz
Between Us
97 bpm • D# Maj • 03:08 • -9.38db
53% Popularity • 60% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 60% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Samaria
Trippin
97 bpm • B min • 03:17 • -5db
23% Popularity • 39% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 39% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Hope Tala
Valentine
97 bpm • G Maj • 03:01 • -8db
42% Popularity • 77% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 42% Positiveness
42% Popularity • 77% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 42% Positiveness
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AKA Block
Starting A Flame
114 bpm • F# Maj • 03:13 • -10.18db
17% Popularity • 67% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 67% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Majo
Something Else
114 bpm • E min • 03:18 • -7.31db
20% Popularity • 67% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 67% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Romeo + Juliet
NYC
114 bpm • G# Maj • 02:26 • -10.39db
39% Popularity • 41% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 41% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Pip Millett
Start Of The End
96 bpm • F Maj • 03:03 • -8.43db
29% Popularity • 83% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 83% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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emawk
MIND
115 bpm • F min • 02:43 • -9db
25% Popularity • 82% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 82% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Nápoles
Know My Place
116 bpm • B min • 02:43 • -6.77db
28% Popularity • 82% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 82% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Eimizah
LSD
116 bpm • E min • 03:38 • -14.19db
15% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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James Vickery
Hourglass
95 bpm • A# Maj • 02:54 • -8.71db
29% Popularity • 65% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
29% Popularity • 65% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
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Slodown
Me & Mrs. Wong
95 bpm • G min • 03:50 • -8.68db
28% Popularity • 55% Danceability • 61% Energy • 25% Liveness
2% Instrumentalness • 61% Positiveness
28% Popularity • 55% Danceability • 61% Energy • 25% Liveness
2% Instrumentalness • 61% Positiveness
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Baby Tate
Hourglass
95 bpm • A# Maj • 02:54 • -8.86db
37% Popularity • 54% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 54% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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AUDREY NUNA
Party
95 bpm • B min • 03:27 • -8.8db
33% Popularity • 60% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 60% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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sky
over and over - slowed + reverb
95 bpm • D# Maj • 04:40 • -10.11db
19% Popularity • 64% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 64% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
