Songs like Where No Eagles Fly by The Voidz
Based on a tempo of (+/- 10%) and a similar genre
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The Strokes
Juicebox
155 bpm • D min • 03:14 • -2.37db
59% Popularity • 46% Danceability • 98% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
59% Popularity • 46% Danceability • 98% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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The Growlers
Orgasm of Death
155 bpm • B min • 03:55 • -5.57db
56% Popularity • 42% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 42% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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A Place To Bury Strangers
Dead Beat (Explicit)
155 bpm • D Maj • 03:32 • -4.35db
24% Popularity • 13% Danceability • 68% Energy • 41% Liveness
1% Instrumentalness • 29% Positiveness
24% Popularity • 13% Danceability • 68% Energy • 41% Liveness
1% Instrumentalness • 29% Positiveness
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Psychedelic Porn Crumpets
Cubensis Lenses
155 bpm • C Maj • 05:43 • -5.75db
47% Popularity • 41% Danceability • 95% Energy • 42% Liveness
19% Instrumentalness • 71% Positiveness
47% Popularity • 41% Danceability • 95% Energy • 42% Liveness
19% Instrumentalness • 71% Positiveness
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MGMT
It's Working
155 bpm • D Maj • 04:06 • -3.95db
43% Popularity • 38% Danceability • 95% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 38% Danceability • 95% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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The Voidz
Where No Eagles Fly
155 bpm • B min • 03:44 • -2.42db
45% Popularity • 36% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 36% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Unknown Mortal Orchestra
Nerve Damage!
155 bpm • F# Maj • 02:14 • -7db
32% Popularity • 40% Danceability • 83% Energy • 34% Liveness
75% Instrumentalness • 46% Positiveness
32% Popularity • 40% Danceability • 83% Energy • 34% Liveness
75% Instrumentalness • 46% Positiveness
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Gorillaz
White Light
155 bpm • B min • 02:13 • -7.85db
54% Popularity • 60% Danceability • 83% Energy • 34% Liveness
82% Instrumentalness • 41% Positiveness
54% Popularity • 60% Danceability • 83% Energy • 34% Liveness
82% Instrumentalness • 41% Positiveness
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The Strokes
Take It Or Leave It
154 bpm • D min • 03:16 • -6.13db
52% Popularity • 43% Danceability • 92% Energy • 10% Liveness
35% Instrumentalness • 48% Positiveness
52% Popularity • 43% Danceability • 92% Energy • 10% Liveness
35% Instrumentalness • 48% Positiveness
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IDLES
Meydei
154 bpm • B min • 04:35 • -5.29db
45% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Julian Casablancas
River of Brakelights
154 bpm • F# Maj • 05:08 • -2.07db
31% Popularity • 38% Danceability • 94% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
31% Popularity • 38% Danceability • 94% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Franz Ferdinand
Jacqueline
154 bpm • C min • 03:49 • -8.58db
47% Popularity • 31% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 31% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Desert Sessions
Crucifire
155 bpm • F# min • 01:44 • -6.3db
48% Popularity • 33% Danceability • 90% Energy • 41% Liveness
28% Instrumentalness • 92% Positiveness
48% Popularity • 33% Danceability • 90% Energy • 41% Liveness
28% Instrumentalness • 92% Positiveness
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Pond
Man It Feels Like Space Again
154 bpm • B min • 08:21 • -5.28db
42% Popularity • 17% Danceability • 79% Energy • 38% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 17% Danceability • 79% Energy • 38% Liveness
1% Instrumentalness • 16% Positiveness
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HMLTD
To The Door
154 bpm • G# Maj • 03:19 • -5.22db
26% Popularity • 26% Danceability • 91% Energy • 14% Liveness
2% Instrumentalness • 27% Positiveness
26% Popularity • 26% Danceability • 91% Energy • 14% Liveness
2% Instrumentalness • 27% Positiveness
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Ty Segall
Imaginary Person
154 bpm • B min • 03:05 • -3.26db
31% Popularity • 47% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 47% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Julian Casablancas
Rave On
156 bpm • D Maj • 01:58 • -4.83db
24% Popularity • 44% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 44% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The Wytches
Wire Frame Mattress
156 bpm • A Maj • 03:47 • -5.74db
17% Popularity • 22% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 22% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Franz Ferdinand
Cheating On You
156 bpm • D min • 02:36 • -7.67db
40% Popularity • 29% Danceability • 88% Energy • 19% Liveness
20% Instrumentalness • 47% Positiveness
40% Popularity • 29% Danceability • 88% Energy • 19% Liveness
20% Instrumentalness • 47% Positiveness
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Shark?
California Grrls
156 bpm • D Maj • 02:42 • -5db
37% Popularity • 38% Danceability • 96% Energy • 7% Liveness
49% Instrumentalness • 70% Positiveness
37% Popularity • 38% Danceability • 96% Energy • 7% Liveness
49% Instrumentalness • 70% Positiveness
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Albert Hammond Jr
Touché
153 bpm • D Maj • 03:04 • -4.43db
23% Popularity • 57% Danceability • 90% Energy • 12% Liveness
57% Instrumentalness • 74% Positiveness
23% Popularity • 57% Danceability • 90% Energy • 12% Liveness
57% Instrumentalness • 74% Positiveness
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Ty Segall Band
Diddy Wah Diddy
157 bpm • A min • 02:24 • -6.97db
29% Popularity • 20% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 20% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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The Strokes
Barely Legal
158 bpm • C Maj • 03:54 • -6.3db
55% Popularity • 43% Danceability • 89% Energy • 9% Liveness
5% Instrumentalness • 86% Positiveness
55% Popularity • 43% Danceability • 89% Energy • 9% Liveness
5% Instrumentalness • 86% Positiveness
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Thee Oh Sees
Contraption/Soul Desert
158 bpm • A# min • 05:21 • -4.82db
30% Popularity • 14% Danceability • 88% Energy • 32% Liveness
82% Instrumentalness • 47% Positiveness
30% Popularity • 14% Danceability • 88% Energy • 32% Liveness
82% Instrumentalness • 47% Positiveness
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Franz Ferdinand
This Boy
157 bpm • G Maj • 02:21 • -2.14db
42% Popularity • 46% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 46% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Radiohead
Optimistic
158 bpm • G min • 05:15 • -9.93db
58% Popularity • 40% Danceability • 76% Energy • 30% Liveness
85% Instrumentalness • 57% Positiveness
58% Popularity • 40% Danceability • 76% Energy • 30% Liveness
85% Instrumentalness • 57% Positiveness
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The White Stripes
Girl, You Have No Faith In Medicine
151 bpm • B min • 03:17 • -4db
44% Popularity • 29% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 29% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Them Crooked Vultures
Dead End Friends
151 bpm • F# Maj • 03:15 • -3.35db
59% Popularity • 34% Danceability • 96% Energy • 72% Liveness
1% Instrumentalness • 55% Positiveness
59% Popularity • 34% Danceability • 96% Energy • 72% Liveness
1% Instrumentalness • 55% Positiveness
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Hot Snakes
This Mystic Decade
151 bpm • C# Maj • 03:03 • -4.98db
38% Popularity • 39% Danceability • 97% Energy • 10% Liveness
35% Instrumentalness • 73% Positiveness
38% Popularity • 39% Danceability • 97% Energy • 10% Liveness
35% Instrumentalness • 73% Positiveness
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Deerhunter
Nothing Ever Happened
150 bpm • D Maj • 05:50 • -6.3db
30% Popularity • 26% Danceability • 84% Energy • 11% Liveness
78% Instrumentalness • 70% Positiveness
30% Popularity • 26% Danceability • 84% Energy • 11% Liveness
78% Instrumentalness • 70% Positiveness
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Franz Ferdinand
Michael
159 bpm • F# min • 03:24 • -7.45db
46% Popularity • 43% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 43% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Ty Segall Band
Wave Goodbye
150 bpm • E Maj • 04:33 • -6db
30% Popularity • 20% Danceability • 73% Energy • 35% Liveness
80% Instrumentalness • 30% Positiveness
30% Popularity • 20% Danceability • 73% Energy • 35% Liveness
80% Instrumentalness • 30% Positiveness
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The Black Angels
The First Vietnamese War
151 bpm • F# min • 03:30 • -6.54db
17% Popularity • 47% Danceability • 87% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
17% Popularity • 47% Danceability • 87% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Radio 4
Enemies Like This
160 bpm • E min • 04:21 • -1db
29% Popularity • 33% Danceability • 96% Energy • 19% Liveness
51% Instrumentalness • 59% Positiveness
29% Popularity • 33% Danceability • 96% Energy • 19% Liveness
51% Instrumentalness • 59% Positiveness
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The Rakes
Terror!
160 bpm • C Maj • 02:54 • -7db
25% Popularity • 63% Danceability • 67% Energy • 18% Liveness
26% Instrumentalness • 35% Positiveness
25% Popularity • 63% Danceability • 67% Energy • 18% Liveness
26% Instrumentalness • 35% Positiveness
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Interpol
Rest My Chemistry
150 bpm • B min • 05:01 • -6db
61% Popularity • 47% Danceability • 88% Energy • 28% Liveness
8% Instrumentalness • 42% Positiveness
61% Popularity • 47% Danceability • 88% Energy • 28% Liveness
8% Instrumentalness • 42% Positiveness
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Julian Casablancas
4 Chords of the Apocalypse
160 bpm • F Maj • 04:59 • -3.63db
35% Popularity • 31% Danceability • 66% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 31% Danceability • 66% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Pond
Zond
160 bpm • B min • 04:04 • -5.41db
30% Popularity • 38% Danceability • 96% Energy • 37% Liveness
41% Instrumentalness • 46% Positiveness
30% Popularity • 38% Danceability • 96% Energy • 37% Liveness
41% Instrumentalness • 46% Positiveness
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The Cribs
Mirror Kissers
160 bpm • E Maj • 03:38 • -3.38db
39% Popularity • 31% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 31% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Liily
Wash
160 bpm • B min • 03:30 • -3.46db
25% Popularity • 18% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 18% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Radiohead
2 + 2 = 5
150 bpm • F min • 03:19 • -5.5db
62% Popularity • 44% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 44% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Queens of the Stone Age
My God Is the Sun
161 bpm • B min • 03:55 • -4db
56% Popularity • 19% Danceability • 86% Energy • 36% Liveness
2% Instrumentalness • 26% Positiveness
56% Popularity • 19% Danceability • 86% Energy • 36% Liveness
2% Instrumentalness • 26% Positiveness
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The Horrors
Count In Fives
161 bpm • G Maj • 03:13 • -5.83db
24% Popularity • 27% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 27% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Sex Bob-Omb
Summertime
149 bpm • C Maj • 02:09 • -4.6db
44% Popularity • 55% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 55% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Faint
Dropkick the Punks
161 bpm • G Maj • 02:28 • -6db
38% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Clap Your Hands Say Yeah
Satan Said Dance
149 bpm • A min • 05:32 • -4.88db
35% Popularity • 45% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 45% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Radiohead
Sit Down. Stand Up
161 bpm • F min • 04:19 • -7.43db
50% Popularity • 48% Danceability • 56% Energy • 6% Liveness
50% Instrumentalness • 52% Positiveness
50% Popularity • 48% Danceability • 56% Energy • 6% Liveness
50% Instrumentalness • 52% Positiveness
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Battles
My Machines
149 bpm • D Maj • 03:55 • -7.44db
27% Popularity • 52% Danceability • 79% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
27% Popularity • 52% Danceability • 79% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
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Pixies
Human Crime
149 bpm • A Maj • 03:07 • -3.57db
48% Popularity • 43% Danceability • 88% Energy • 12% Liveness
12% Instrumentalness • 39% Positiveness
48% Popularity • 43% Danceability • 88% Energy • 12% Liveness
12% Instrumentalness • 39% Positiveness
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Albert Hammond Jr
Muted Beatings
162 bpm • F min • 03:16 • -5db
37% Popularity • 47% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 47% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Julian Casablancas
Tourist
149 bpm • F# min • 05:02 • -3db
34% Popularity • 37% Danceability • 87% Energy • 14% Liveness
18% Instrumentalness • 64% Positiveness
34% Popularity • 37% Danceability • 87% Energy • 14% Liveness
18% Instrumentalness • 64% Positiveness
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Bosnian Rainbows
Always on the Run
148 bpm • D Maj • 02:21 • -8.73db
22% Popularity • 40% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
22% Popularity • 40% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
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MGMT
She Works Out Too Much
148 bpm • F min • 04:38 • -6.21db
50% Popularity • 63% Danceability • 92% Energy • 43% Liveness
27% Instrumentalness • 80% Positiveness
50% Popularity • 63% Danceability • 92% Energy • 43% Liveness
27% Instrumentalness • 80% Positiveness
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Car Seat Headrest
Vincent
148 bpm • A Maj • 07:45 • -7.84db
44% Popularity • 40% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 40% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Pixies
Crackity Jones
148 bpm • A Maj • 01:24 • -10.24db
46% Popularity • 31% Danceability • 94% Energy • 11% Liveness
16% Instrumentalness • 37% Positiveness
46% Popularity • 31% Danceability • 94% Energy • 11% Liveness
16% Instrumentalness • 37% Positiveness
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Albert Hammond Jr
Far Away Truths
162 bpm • A Maj • 03:38 • -4db
41% Popularity • 42% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 42% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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DIIV
Blankenship
163 bpm • D min • 03:56 • -5.68db
47% Popularity • 37% Danceability • 87% Energy • 7% Liveness
89% Instrumentalness • 34% Positiveness
47% Popularity • 37% Danceability • 87% Energy • 7% Liveness
89% Instrumentalness • 34% Positiveness
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The Buttertones
Matador
147 bpm • E min • 03:19 • -5db
45% Popularity • 46% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
45% Popularity • 46% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
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The Voidz
Johan Von Bronx
147 bpm • D Maj • 06:01 • -4.29db
31% Popularity • 25% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 25% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Protomartyr
Pontiac 87
146 bpm • F# min • 04:31 • -6db
41% Popularity • 30% Danceability • 78% Energy • 55% Liveness
88% Instrumentalness • 35% Positiveness
41% Popularity • 30% Danceability • 78% Energy • 55% Liveness
88% Instrumentalness • 35% Positiveness
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Julian Casablancas
Left & Right in the Dark
146 bpm • C min • 04:54 • -2.93db
39% Popularity • 50% Danceability • 95% Energy • 15% Liveness
49% Instrumentalness • 76% Positiveness
39% Popularity • 50% Danceability • 95% Energy • 15% Liveness
49% Instrumentalness • 76% Positiveness
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Albert Hammond Jr
Caught by My Shadow
148 bpm • B min • 03:03 • -4.99db
44% Popularity • 52% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
44% Popularity • 52% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
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Moving Units
Between Us & Them
146 bpm • F Maj • 03:06 • -2.53db
34% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
34% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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Bass Drum of Death
Get Found
146 bpm • D min • 03:01 • -4.95db
38% Popularity • 48% Danceability • 96% Energy • 29% Liveness
9% Instrumentalness • 30% Positiveness
38% Popularity • 48% Danceability • 96% Energy • 29% Liveness
9% Instrumentalness • 30% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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The Voidz
We're Where We Were
164 bpm • F# min • 03:46 • -4.01db
33% Popularity • 52% Danceability • 93% Energy • 9% Liveness
69% Instrumentalness • 30% Positiveness
33% Popularity • 52% Danceability • 93% Energy • 9% Liveness
69% Instrumentalness • 30% Positiveness
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Franz Ferdinand
Bullet
165 bpm • C Maj • 02:43 • -2.88db
45% Popularity • 39% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 39% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Ariel Pink
Four Shadows
146 bpm • D# min • 03:38 • -4db
32% Popularity • 33% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 33% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 71% Positiveness
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The Wytches
Gravedweller
146 bpm • A Maj • 02:48 • -5.49db
21% Popularity • 29% Danceability • 75% Energy • 36% Liveness
3% Instrumentalness • 50% Positiveness
21% Popularity • 29% Danceability • 75% Energy • 36% Liveness
3% Instrumentalness • 50% Positiveness
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Foals
The French Open
146 bpm • A min • 03:45 • -6.39db
21% Popularity • 74% Danceability • 77% Energy • 12% Liveness
12% Instrumentalness • 68% Positiveness
21% Popularity • 74% Danceability • 77% Energy • 12% Liveness
12% Instrumentalness • 68% Positiveness
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ANTEMASQUE
4AM
165 bpm • A min • 02:56 • -3.2db
31% Popularity • 42% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 42% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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The Buttertones
A Tear for Rosie
165 bpm • C Maj • 02:56 • -4.04db
34% Popularity • 48% Danceability • 91% Energy • 20% Liveness
71% Instrumentalness • 61% Positiveness
34% Popularity • 48% Danceability • 91% Energy • 20% Liveness
71% Instrumentalness • 61% Positiveness
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Wavves
Bug
165 bpm • G Maj • 02:54 • -4db
8% Popularity • 21% Danceability • 97% Energy • 58% Liveness
3% Instrumentalness • 11% Positiveness
8% Popularity • 21% Danceability • 97% Energy • 58% Liveness
3% Instrumentalness • 11% Positiveness
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The Orwells
Mallrats (La La La)
165 bpm • A# Maj • 03:00 • 0.64db
35% Popularity • 24% Danceability • 91% Energy • 37% Liveness
13% Instrumentalness • 17% Positiveness
35% Popularity • 24% Danceability • 91% Energy • 37% Liveness
13% Instrumentalness • 17% Positiveness
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Cheap Time
Glitter & Gold
145 bpm • E Maj • 02:00 • -4.12db
27% Popularity • 40% Danceability • 84% Energy • 33% Liveness
1% Instrumentalness • 70% Positiveness
27% Popularity • 40% Danceability • 84% Energy • 33% Liveness
1% Instrumentalness • 70% Positiveness
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The Strokes
12:51
145 bpm • E Maj • 02:33 • -3.84db
69% Popularity • 45% Danceability • 89% Energy • 56% Liveness
80% Instrumentalness • 59% Positiveness
69% Popularity • 45% Danceability • 89% Energy • 56% Liveness
80% Instrumentalness • 59% Positiveness
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Klaxons
Atlantis To Interzone
145 bpm • A min • 03:16 • -3.27db
43% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Franz Ferdinand
Darts Of Pleasure
145 bpm • E min • 02:59 • -7.64db
48% Popularity • 40% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 40% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Hushpuppies
You're Gonna Say Yeah
166 bpm • D Maj • 03:11 • -3db
43% Popularity • 40% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 40% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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FEWS
More Than Ever
166 bpm • A min • 03:19 • -2.59db
33% Popularity • 38% Danceability • 97% Energy • 36% Liveness
56% Instrumentalness • 48% Positiveness
33% Popularity • 38% Danceability • 97% Energy • 36% Liveness
56% Instrumentalness • 48% Positiveness
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The Unicorns
Tuff Ghost
144 bpm • A Maj • 02:56 • -7db
37% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 37% Positiveness
37% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 37% Positiveness
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The Voidz
Black Hole
144 bpm • A Maj • 03:15 • -1.74db
31% Popularity • 19% Danceability • 97% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 19% Danceability • 97% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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Radiohead
Bodysnatchers
167 bpm • D Maj • 04:02 • -4.99db
64% Popularity • 34% Danceability • 98% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
64% Popularity • 34% Danceability • 98% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
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Wavves
Idiot
167 bpm • B Maj • 02:52 • -3.86db
32% Popularity • 37% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
32% Popularity • 37% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
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MGMT
Mystery Disease
144 bpm • E Maj • 04:08 • -4.05db
35% Popularity • 25% Danceability • 95% Energy • 35% Liveness
35% Instrumentalness • 38% Positiveness
35% Popularity • 25% Danceability • 95% Energy • 35% Liveness
35% Instrumentalness • 38% Positiveness
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Together Pangea
Make Myself True
167 bpm • G# min • 02:13 • -4.45db
27% Popularity • 12% Danceability • 96% Energy • 27% Liveness
51% Instrumentalness • 20% Positiveness
27% Popularity • 12% Danceability • 96% Energy • 27% Liveness
51% Instrumentalness • 20% Positiveness
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The Strokes
Trying Your Luck
144 bpm • A min • 03:22 • -9.45db
53% Popularity • 50% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
53% Popularity • 50% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
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The Dead 60s
Riot Radio
144 bpm • G min • 02:25 • -5.88db
46% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Franz Ferdinand
Love And Destroy
144 bpm • B min • 03:29 • -9.24db
31% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Queens of the Stone Age
Kalopsia
144 bpm • D Maj • 04:38 • -7.73db
47% Popularity • 38% Danceability • 52% Energy • 12% Liveness
10% Instrumentalness • 20% Positiveness
47% Popularity • 38% Danceability • 52% Energy • 12% Liveness
10% Instrumentalness • 20% Positiveness
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Ty Segall
Finger
144 bpm • G# Maj • 02:54 • -3.68db
37% Popularity • 24% Danceability • 48% Energy • 5% Liveness
1% Instrumentalness • 13% Positiveness
37% Popularity • 24% Danceability • 48% Energy • 5% Liveness
1% Instrumentalness • 13% Positiveness
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Klaxons
Gravity's Rainbow
143 bpm • E min • 02:36 • -3db
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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Wavves
Green Eyes
143 bpm • F# Maj • 03:49 • -5.36db
41% Popularity • 42% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 42% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Strokes
Alone, Together
143 bpm • G Maj • 03:08 • -5.75db
53% Popularity • 51% Danceability • 86% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
53% Popularity • 51% Danceability • 86% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
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Beck
Gamma Ray
168 bpm • B min • 02:56 • -4.21db
63% Popularity • 60% Danceability • 91% Energy • 33% Liveness
25% Instrumentalness • 70% Positiveness
63% Popularity • 60% Danceability • 91% Energy • 33% Liveness
25% Instrumentalness • 70% Positiveness
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Yuck
Hold Me Closer
168 bpm • E Maj • 03:49 • -9db
25% Popularity • 17% Danceability • 59% Energy • 10% Liveness
40% Instrumentalness • 23% Positiveness
25% Popularity • 17% Danceability • 59% Energy • 10% Liveness
40% Instrumentalness • 23% Positiveness
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Ty Segall
My Head Explodes
143 bpm • A Maj • 03:10 • -7db
29% Popularity • 29% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 29% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Klaxons
Totem On The Timeline
168 bpm • E Maj • 02:41 • -3.31db
35% Popularity • 35% Danceability • 91% Energy • 48% Liveness
78% Instrumentalness • 73% Positiveness
35% Popularity • 35% Danceability • 91% Energy • 48% Liveness
78% Instrumentalness • 73% Positiveness
