Songs like Where'd All the Time Go? by Dr. Dog
Based on a tempo of (+/- 10%) and a similar genre
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Men I Trust
Show Me How
166 bpm • F Maj • 03:35 • -11.96db
81% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
81% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
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Yot Club
japan
166 bpm • F Maj • 02:54 • -6.78db
65% Popularity • 64% Danceability • 82% Energy • 21% Liveness
94% Instrumentalness • 37% Positiveness
65% Popularity • 64% Danceability • 82% Energy • 21% Liveness
94% Instrumentalness • 37% Positiveness
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EKKSTACY
i walk this earth all by myself
166 bpm • A# Maj • 02:25 • -11.31db
75% Popularity • 60% Danceability • 59% Energy • 11% Liveness
78% Instrumentalness • 52% Positiveness
75% Popularity • 60% Danceability • 59% Energy • 11% Liveness
78% Instrumentalness • 52% Positiveness
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Current Joys
New Flesh
166 bpm • A Maj • 02:47 • -16.07db
74% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
74% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Dr. Dog
Where'd All the Time Go?
166 bpm • D Maj • 03:54 • -4.19db
78% Popularity • 45% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 45% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Strokes
The Adults Are Talking
165 bpm • F Maj • 05:09 • -5.67db
80% Popularity • 59% Danceability • 75% Energy • 31% Liveness
11% Instrumentalness • 65% Positiveness
80% Popularity • 59% Danceability • 75% Energy • 31% Liveness
11% Instrumentalness • 65% Positiveness
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Harmless
Swing Lynn
165 bpm • D Maj • 05:21 • -1.82db
73% Popularity • 46% Danceability • 94% Energy • 11% Liveness
76% Instrumentalness • 45% Positiveness
73% Popularity • 46% Danceability • 94% Energy • 11% Liveness
76% Instrumentalness • 45% Positiveness
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Rex Orange County
Television / So Far So Good
165 bpm • F Maj • 04:22 • -7.75db
73% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
73% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Briston Maroney
June
164 bpm • D Maj • 04:44 • -7.97db
58% Popularity • 40% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 40% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Royel Otis
Oysters In My Pocket
168 bpm • F# min • 02:42 • -4.97db
73% Popularity • 60% Danceability • 92% Energy • 17% Liveness
80% Instrumentalness • 61% Positiveness
73% Popularity • 60% Danceability • 92% Energy • 17% Liveness
80% Instrumentalness • 61% Positiveness
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Dominic Fike
Babydoll
168 bpm • G min • 01:37 • -5.3db
85% Popularity • 76% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
85% Popularity • 76% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Cocteau Twins
Sea, Swallow Me
164 bpm • C Maj • 03:09 • -13.43db
71% Popularity • 45% Danceability • 67% Energy • 25% Liveness
24% Instrumentalness • 83% Positiveness
71% Popularity • 45% Danceability • 67% Energy • 25% Liveness
24% Instrumentalness • 83% Positiveness
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The Cure
Boys Don't Cry
169 bpm • B min • 02:35 • -5.77db
80% Popularity • 46% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
80% Popularity • 46% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Cults
Always Forever
163 bpm • G# Maj • 03:43 • -5.93db
81% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
81% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
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Cafuné
Tek It - Sped Up
169 bpm • A# min • 02:46 • -5.05db
78% Popularity • 35% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
78% Popularity • 35% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Vampire Weekend
Campus
163 bpm • G Maj • 02:56 • -5.82db
59% Popularity • 64% Danceability • 70% Energy • 8% Liveness
9% Instrumentalness • 64% Positiveness
59% Popularity • 64% Danceability • 70% Energy • 8% Liveness
9% Instrumentalness • 64% Positiveness
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Steve Lacy
Bad Habit
169 bpm • C# Maj • 03:52 • -7.09db
79% Popularity • 69% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
79% Popularity • 69% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Beach Fossils
Down the Line
162 bpm • G Maj • 02:38 • -6.57db
64% Popularity • 62% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
64% Popularity • 62% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Vacations
Relax
170 bpm • B min • 02:38 • -4.48db
74% Popularity • 47% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
74% Popularity • 47% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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The Drums
I Don't Know How To Love
170 bpm • B Maj • 03:22 • -6.06db
61% Popularity • 41% Danceability • 89% Energy • 23% Liveness
13% Instrumentalness • 7% Positiveness
61% Popularity • 41% Danceability • 89% Energy • 23% Liveness
13% Instrumentalness • 7% Positiveness
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The Shins
Australia
170 bpm • E Maj • 03:56 • -5.18db
66% Popularity • 42% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
66% Popularity • 42% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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The Growlers
Going Gets Tough
162 bpm • G# Maj • 03:28 • -6db
62% Popularity • 50% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 50% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Alex G
Advice
170 bpm • A# Maj • 02:37 • -5.71db
67% Popularity • 36% Danceability • 61% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
67% Popularity • 36% Danceability • 61% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
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girl in red
bad idea!
162 bpm • C# Maj • 03:39 • -6.1db
73% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
73% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
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Com Truise
4 Morant (Better Luck Next Time)
170 bpm • C# min • 02:51 • -2.93db
74% Popularity • 46% Danceability • 77% Energy • 40% Liveness
11% Instrumentalness • 48% Positiveness
74% Popularity • 46% Danceability • 77% Energy • 40% Liveness
11% Instrumentalness • 48% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Vierre Cloud
moment
171 bpm • F# Maj • 02:09 • -7.46db
77% Popularity • 54% Danceability • 86% Energy • 17% Liveness
16% Instrumentalness • 52% Positiveness
77% Popularity • 54% Danceability • 86% Energy • 17% Liveness
16% Instrumentalness • 52% Positiveness
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Steve Lacy
Dark Red
172 bpm • F# Maj • 02:53 • -4.02db
87% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
87% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Mitski
Me and My Husband
172 bpm • C# Maj • 02:17 • -5.31db
76% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
76% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Dayglow
Run the World!!!
160 bpm • C Maj • 02:56 • -7.71db
59% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Cera
Clay Pigeons
172 bpm • F# Maj • 03:06 • -17db
71% Popularity • 29% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
71% Popularity • 29% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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flipturn
August
172 bpm • F# Maj • 04:21 • -4.3db
64% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
64% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Neighbourhood
Stargazing
160 bpm • C Maj • 03:37 • -7.8db
71% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
71% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Frank Ocean
Pink + White
160 bpm • A Maj • 03:04 • -7.36db
88% Popularity • 55% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 55% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Grizzly Bear
Two Weeks
160 bpm • F Maj • 04:06 • -6db
70% Popularity • 53% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
70% Popularity • 53% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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No Vacation
Dræm Girl
173 bpm • D Maj • 03:54 • -5.89db
57% Popularity • 19% Danceability • 95% Energy • 31% Liveness
72% Instrumentalness • 26% Positiveness
57% Popularity • 19% Danceability • 95% Energy • 31% Liveness
72% Instrumentalness • 26% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Surf Curse
Disco
173 bpm • B min • 02:32 • -8.7db
69% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
69% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Coldplay
Yellow
173 bpm • B Maj • 04:26 • -7.23db
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Yot Club
Fly Out West - Single Version
173 bpm • D Maj • 02:54 • -15.61db
61% Popularity • 50% Danceability • 67% Energy • 7% Liveness
46% Instrumentalness • 40% Positiveness
61% Popularity • 50% Danceability • 67% Energy • 7% Liveness
46% Instrumentalness • 40% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Coyote Theory
This Side of Paradise
158 bpm • A Maj • 04:02 • -6.07db
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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girl in red
i'll die anyway.
158 bpm • C Maj • 03:12 • -6.89db
64% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
64% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
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Vampire Weekend
A-Punk
175 bpm • D Maj • 02:17 • -4.49db
72% Popularity • 55% Danceability • 82% Energy • 15% Liveness
4% Instrumentalness • 85% Positiveness
72% Popularity • 55% Danceability • 82% Energy • 15% Liveness
4% Instrumentalness • 85% Positiveness
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Mazzy Star
Fade Into You
157 bpm • A Maj • 04:55 • -13.93db
81% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
81% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Lonely God
Marlboro Nights
176 bpm • D Maj • 01:08 • -6.63db
47% Popularity • 47% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 47% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Her's
She Needs Him
157 bpm • C# Maj • 05:14 • -5.92db
63% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
63% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
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Dr. Dog
Shadow People
177 bpm • G Maj • 04:13 • -5.47db
45% Popularity • 43% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 43% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Plums
Parking Lots
156 bpm • C# min • 03:26 • -5.33db
61% Popularity • 49% Danceability • 76% Energy • 34% Liveness
37% Instrumentalness • 72% Positiveness
61% Popularity • 49% Danceability • 76% Energy • 34% Liveness
37% Instrumentalness • 72% Positiveness
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The Growlers
Orgasm of Death
155 bpm • B min • 03:55 • -5.57db
55% Popularity • 42% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 42% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Neon Trees
Everybody Talks
155 bpm • G# Maj • 02:57 • -3.91db
79% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
79% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Faye Webster
I Know You
155 bpm • A# Maj • 04:11 • -13db
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Young the Giant
Mind Over Matter
155 bpm • C Maj • 04:04 • -4.45db
74% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
74% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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Cavetown
Boys Will Be Bugs
179 bpm • C# Maj • 05:29 • -11.72db
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Surf Curse
Freaks
180 bpm • A Maj • 02:27 • -9.92db
84% Popularity • 34% Danceability • 94% Energy • 5% Liveness
63% Instrumentalness • 41% Positiveness
84% Popularity • 34% Danceability • 94% Energy • 5% Liveness
63% Instrumentalness • 41% Positiveness
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Eyedress
Cocaine Sunday
154 bpm • E Maj • 02:48 • -6.49db
71% Popularity • 54% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 43% Positiveness
71% Popularity • 54% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 43% Positiveness
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Tame Impala
Yes I'm Changing
180 bpm • C Maj • 04:30 • -7db
69% Popularity • 37% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 37% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Djo
Roddy
180 bpm • C Maj • 04:12 • -9db
70% Popularity • 56% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 67% Positiveness
70% Popularity • 56% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 67% Positiveness
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Peter McPoland
Digital Silence
180 bpm • A# min • 03:18 • -1.43db
62% Popularity • 39% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 39% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Cuco
Lover Is a Day
180 bpm • D# Maj • 07:36 • -10db
73% Popularity • 40% Danceability • 65% Energy • 10% Liveness
20% Instrumentalness • 35% Positiveness
73% Popularity • 40% Danceability • 65% Energy • 10% Liveness
20% Instrumentalness • 35% Positiveness
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Young the Giant
Mind Over Matter (Reprise)
152 bpm • C Maj • 03:50 • -6.35db
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Olivia Rodrigo
deja vu
181 bpm • D Maj • 03:35 • -7.22db
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Tame Impala
New Person, Same Old Mistakes
152 bpm • G# Maj • 06:03 • -6.74db
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
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Artemas
i like the way you kiss me
152 bpm • B Maj • 02:22 • -4.26db
94% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
94% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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The Buttertones
Orpheus Under the Influence
152 bpm • D Maj • 02:14 • -6.55db
59% Popularity • 36% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 36% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Regina Spektor
Two Birds
151 bpm • C Maj • 03:15 • -8.88db
73% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Bedroom
In My Head
151 bpm • A Maj • 05:54 • -13.54db
71% Popularity • 58% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
71% Popularity • 58% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Mac DeMarco
Heart To Heart
150 bpm • G# min • 03:31 • -16.13db
83% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
83% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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girl in red
girls
150 bpm • F Maj • 03:18 • -14.46db
70% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
70% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
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Jack Stauber's Micropop
Just Take My Wallet
184 bpm • C Maj • 01:19 • -16.87db
69% Popularity • 57% Danceability • 15% Energy • 12% Liveness
76% Instrumentalness • 21% Positiveness
69% Popularity • 57% Danceability • 15% Energy • 12% Liveness
76% Instrumentalness • 21% Positiveness
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Florence + The Machine
Dog Days Are Over
150 bpm • G Maj • 04:12 • -5.26db
80% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
80% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Dr. Dog
I Only Wear Blue
184 bpm • C Maj • 03:43 • -6.19db
34% Popularity • 39% Danceability • 69% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 39% Danceability • 69% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
76% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
76% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Eyedress
Romantic Lover
184 bpm • A min • 01:26 • -9.3db
82% Popularity • 66% Danceability • 45% Energy • 20% Liveness
92% Instrumentalness • 54% Positiveness
82% Popularity • 66% Danceability • 45% Energy • 20% Liveness
92% Instrumentalness • 54% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
66% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Roar
I Can't Handle Change
186 bpm • F Maj • 03:18 • -8.48db
74% Popularity • 25% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
74% Popularity • 25% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Peach Pit
Being so Normal
148 bpm • F# min • 03:40 • -8.89db
54% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
54% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Cage The Elephant
Come a Little Closer
148 bpm • C# min • 03:49 • -1.79db
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Beach Bunny
Sports
186 bpm • A Maj • 02:44 • -5.28db
74% Popularity • 23% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
74% Popularity • 23% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Tyler, The Creator
ARE WE STILL FRIENDS?
187 bpm • A# Maj • 04:25 • -8.03db
81% Popularity • 22% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
81% Popularity • 22% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Cafuné
Tek It
147 bpm • G# Maj • 03:11 • -5.35db
78% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
78% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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beabadoobee
the perfect pair
146 bpm • B Maj • 02:57 • -6.82db
79% Popularity • 63% Danceability • 66% Energy • 10% Liveness
12% Instrumentalness • 60% Positiveness
79% Popularity • 63% Danceability • 66% Energy • 10% Liveness
12% Instrumentalness • 60% Positiveness
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Joji
worldstar money (interlude)
147 bpm • G Maj • 02:06 • -8.61db
75% Popularity • 58% Danceability • 39% Energy • 21% Liveness
70% Instrumentalness • 46% Positiveness
75% Popularity • 58% Danceability • 39% Energy • 21% Liveness
70% Instrumentalness • 46% Positiveness
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Supergrass
Alright
146 bpm • E min • 03:00 • -4.81db
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
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The Growlers
Dope on a Rope
146 bpm • G Maj • 04:10 • -3.86db
57% Popularity • 42% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 42% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
