Songs like Wherever You Are by Kodaline
Based on a tempo of (+/- 10%) and a similar genre
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Kodaline
Wherever You Are
126 bpm • E Maj • 03:05 • -7.05db
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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James TW
When You Love Someone
126 bpm • G Maj • 03:36 • -6.09db
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Lewis Capaldi
Lost On You
126 bpm • A# Maj • 03:17 • -8.23db
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Of Monsters and Men
King And Lionheart
127 bpm • D# Maj • 04:33 • -6.52db
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Bastille
Pompeii
127 bpm • A Maj • 03:34 • -6.38db
78% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
82% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
82% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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The Neighbourhood
Sweater Weather
124 bpm • A# Maj • 04:00 • -2.81db
89% Popularity • 61% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
89% Popularity • 61% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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One Direction
18
124 bpm • F# min • 04:08 • -7.76db
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
70% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Tate McRae
you broke me first
124 bpm • E Maj • 02:50 • -9.36db
86% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
86% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Sarah Cothran
As the World Caves In
124 bpm • C Maj • 02:41 • -6.84db
72% Popularity • 42% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 42% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Kodaline
Love Like This
124 bpm • C Maj • 03:36 • -5db
57% Popularity • 46% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 46% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Belle
In My Veins - Erin Mccarley
128 bpm • C Maj • 05:18 • -7.84db
60% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Katy Perry
The One That Got Away - Acoustic
124 bpm • E Maj • 04:19 • -11.57db
56% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Dave Thomas Junior
I Can't Make You Love Me
124 bpm • D# min • 05:30 • -14.02db
48% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
48% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
70% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Hozier
Take Me To Church
129 bpm • E min • 04:01 • -5.3db
84% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
84% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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lovelytheband
broken - acoustic
123 bpm • D Maj • 03:22 • -10.43db
51% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Katy Perry
Unconditionally
129 bpm • G Maj • 03:48 • -4.86db
78% Popularity • 43% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 43% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
85% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
85% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Tommee Profitt
Hurts Like Hell
130 bpm • A min • 03:52 • -12.88db
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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David Kushner
Daylight
130 bpm • D min • 03:32 • -9.48db
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Miley Cyrus
Angels Like You
122 bpm • F Maj • 03:16 • -4.04db
86% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
86% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
81% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kodaline
All My Friends
122 bpm • D Maj • 05:27 • -12.26db
32% Popularity • 57% Danceability • 19% Energy • 14% Liveness
5% Instrumentalness • 21% Positiveness
32% Popularity • 57% Danceability • 19% Energy • 14% Liveness
5% Instrumentalness • 21% Positiveness
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Andrew Belle
The Enemy
122 bpm • C# Maj • 04:46 • -5.22db
53% Popularity • 54% Danceability • 89% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
53% Popularity • 54% Danceability • 89% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
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Jaymes Young
Infinity
122 bpm • B min • 03:57 • -6.94db
80% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
80% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Wrabel
The Village
122 bpm • F Maj • 03:50 • -7.33db
63% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Lumineers
Angela
130 bpm • E Maj • 03:21 • -8.23db
51% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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George Ezra
Hold My Girl
122 bpm • A# Maj • 03:31 • -6.37db
71% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
71% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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One Direction
You & I
131 bpm • C# Maj • 03:57 • -6.83db
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kodaline
After the Fall
131 bpm • D# Maj • 03:35 • -4.73db
38% Popularity • 44% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
38% Popularity • 44% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Phillip Phillips
Home
121 bpm • C Maj • 03:30 • -6.04db
70% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
70% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Styles
Fine Line
121 bpm • D Maj • 06:17 • -8.5db
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Mumford & Sons
I Will Wait
131 bpm • C# Maj • 04:36 • -5.14db
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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One Direction
Story of My Life
121 bpm • D# Maj • 04:05 • -5.8db
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Kodaline
Brand New Day
121 bpm • D# Maj • 03:25 • -3.81db
48% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Edith Whiskers
It's Ok - Slowed
132 bpm • F# min • 03:34 • -13.6db
62% Popularity • 58% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 58% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Sufjan Stevens
Fourth of July
120 bpm • F# min • 04:39 • -22.39db
79% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
79% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Chord Overstreet
Hold On - Acoustic
120 bpm • D Maj • 03:20 • -9.73db
46% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Kodaline
Brother - Acoustic
120 bpm • D# Maj • 03:22 • -8.55db
52% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Bastille
Good Grief
120 bpm • C# Maj • 03:26 • -4.89db
67% Popularity • 73% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
67% Popularity • 73% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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BØRNS
Electric Love
120 bpm • F# min • 03:38 • -7.63db
80% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
80% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Edith Whiskers
Home
120 bpm • D Maj • 03:17 • -12.49db
72% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
72% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sia
Breathe Me
120 bpm • C Maj • 04:32 • -7.36db
65% Popularity • 55% Danceability • 64% Energy • 10% Liveness
74% Instrumentalness • 21% Positiveness
65% Popularity • 55% Danceability • 64% Energy • 10% Liveness
74% Instrumentalness • 21% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Kodaline
Brother
120 bpm • A# Maj • 03:23 • -5.91db
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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New West
Those Eyes
120 bpm • E Maj • 03:40 • -8.27db
83% Popularity • 59% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
83% Popularity • 59% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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One Direction
Right Now
120 bpm • G# Maj • 03:20 • -5.17db
78% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
78% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Billie Eilish
everything i wanted
120 bpm • F# min • 04:05 • -14.45db
83% Popularity • 70% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 24% Positiveness
83% Popularity • 70% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 24% Positiveness
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Harry Styles
Sign of the Times
120 bpm • F Maj • 05:40 • -4.63db
84% Popularity • 52% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
84% Popularity • 52% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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John Legend
All of Me
120 bpm • G# Maj • 04:29 • -7.06db
86% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
86% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Kodaline
Perfect World
120 bpm • A min • 02:52 • -7.76db
38% Popularity • 66% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 66% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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One Direction
Night Changes
120 bpm • G# Maj • 03:46 • -7.75db
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Billie Eilish
Bored
120 bpm • G Maj • 03:00 • -12.7db
82% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
82% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
78% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
78% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Kodaline
Talk
120 bpm • C# Maj • 04:28 • -7.31db
46% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Lewis Capaldi
Rush
120 bpm • C# Maj • 03:18 • -7.39db
62% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Kina
Get You The Moon
119 bpm • C# min • 02:59 • -16.54db
76% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
76% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Kodaline
Latch - Live
120 bpm • A Maj • 03:37 • -9.74db
38% Popularity • 39% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 39% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
75% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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James Blunt
Bonfire Heart
118 bpm • C Maj • 03:58 • -5.7db
67% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Bastille
Things We Lost In The Fire
134 bpm • E min • 04:00 • -4.88db
63% Popularity • 59% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
63% Popularity • 59% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Phillip Phillips
Gone, Gone, Gone
118 bpm • F# Maj • 03:29 • -5.96db
73% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lewis Capaldi
One
118 bpm • A Maj • 02:59 • -7.09db
65% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
65% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Kodaline
Ready
134 bpm • A# Maj • 03:53 • -5.58db
44% Popularity • 47% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 47% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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ZAYN
I Don’t Wanna Live Forever (Fifty Shad...
118 bpm • C Maj • 04:07 • -8.42db
83% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
83% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Axel Flóvent
Forest Fires
118 bpm • G min • 03:30 • -12db
61% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Tom Odell
Best Day Of My Life
118 bpm • A# Maj • 02:26 • -13.18db
70% Popularity • 68% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
70% Popularity • 68% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Amber Run
Hide & Seek
135 bpm • A Maj • 04:41 • -8.81db
41% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
75% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
75% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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James Bay
If You Ever Wanna Be In Love - James Bay...
118 bpm • B Maj • 03:56 • -8.43db
61% Popularity • 68% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 68% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 36% Positiveness
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Alessia Cara
Out Of Love
118 bpm • G Maj • 03:47 • -9.25db
69% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
69% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Gabrielle Aplin
Salvation
135 bpm • E Maj • 04:08 • -8.98db
44% Popularity • 38% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 38% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Lewis Capaldi
when the party's over - Recorded at Spot...
117 bpm • A# Maj • 03:52 • -10.27db
64% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
