Songs like Which Is Best - Heaven By Emily Dickinson by Emily Dickinson
Based on a tempo of (+/- 10%) and a similar genre
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Chris Barrie
Collision Course
131 bpm • F# min • 06:46 • -16.39db
12% Popularity • 71% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 71% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen Murray
I Wandered Lonely As a Cloud
131 bpm • A# min • 01:04 • -22.22db
18% Popularity • 71% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 71% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Emily Dickinson
In Vain By Emily Dickenson
131 bpm • D Maj • 01:21 • -21.32db
0% Popularity • 71% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 71% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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George Orwell
Chapter 23.2 - 1984
131 bpm • E Maj • 03:23 • -14.39db
9% Popularity • 72% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 72% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Jennifer A. Nielsen
Chapter 22 - The Traitor's Game - The Tr...
131 bpm • A Maj • 03:06 • -18.78db
10% Popularity • 70% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 70% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Eminded
Ingoude
131 bpm • B min • 01:47 • -23.06db
22% Popularity • 67% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 67% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
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Abtu
Perfection/Said But Not Heard
131 bpm • B Maj • 01:03 • -22.72db
26% Popularity • 70% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 70% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Sylvia Plath
Leaving Early
130 bpm • F min • 02:26 • -24.36db
10% Popularity • 71% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 71% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Emily Dickinson
How The Old Mountains Drip With Sunset
131 bpm • G# Maj • 01:01 • -20.9db
1% Popularity • 71% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 71% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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George Orwell
Chapter 4 - Animal Farm
132 bpm • B Maj • 03:07 • -18.74db
10% Popularity • 71% Danceability • 18% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 71% Danceability • 18% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
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Jennifer A. Nielsen
Chapter 65 - The Traitor's Game - The Tr...
130 bpm • A Maj • 03:04 • -17.71db
8% Popularity • 71% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 71% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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General Alphonse Minney
Sleep Draws Near
130 bpm • C# Maj • 01:12 • -22.45db
24% Popularity • 71% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 71% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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HorrorBabble
The Hound (2/2)
130 bpm • C# Maj • 10:24 • -19.64db
8% Popularity • 72% Danceability • 25% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 72% Danceability • 25% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Waking Up
The Logic of Practice
132 bpm • A Maj • 06:39 • -24.22db
15% Popularity • 70% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 70% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Emily Dickinson
Part 3 - Nature.4 - Poems: Series One
130 bpm • A Maj • 03:17 • -16.54db
0% Popularity • 71% Danceability • 21% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 71% Danceability • 21% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
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Lisa McMann
Chapter 1 - The Trap Door - Infinity Rin...
130 bpm • C Maj • 03:29 • -22.6db
9% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Beatrix Potter
Chapter 5.2 - The tales of Beatrix Potte...
132 bpm • C# Maj • 03:42 • -22.08db
10% Popularity • 71% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 71% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Sheen
Letter From Gustave Flaubert To Louise C...
133 bpm • D# Maj • 03:42 • -30.59db
13% Popularity • 42% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 42% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Hermann Hesse
Opening Credits & Chapter 1.1 - Siddhart...
129 bpm • G# Maj • 03:35 • -13.66db
7% Popularity • 72% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 72% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Richard Mitchley
Khalil Gibran - Song of the Flower
129 bpm • F min • 01:02 • -23db
15% Popularity • 71% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 71% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Emily Dickinson
Part 4 - Time and Eternity.6 - Poems: Se...
133 bpm • G# Maj • 03:05 • -16.44db
0% Popularity • 71% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 71% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Edgar Allan Poe
The Best of Edgar Allan Poe - A Dream Wi...
133 bpm • C Maj • 01:05 • -25.95db
18% Popularity • 55% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 55% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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Christopher Hassall
Daffodils
129 bpm • G# Maj • 01:14 • -31.34db
16% Popularity • 73% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 73% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Sally Beamish
Seven Songs: IV. Adrift
129 bpm • D Maj • 01:43 • -29.67db
0% Popularity • 27% Danceability • 1% Energy • 17% Liveness
22% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 1% Energy • 17% Liveness
22% Instrumentalness • 4% Positiveness
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Sarah Quartel
Hope is the thing with Feathers.wav - SA...
128 bpm • D# Maj • 03:07 • -22.79db
3% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
3% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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George Orwell
Chapter 10 - Animal Farm
128 bpm • F# min • 03:01 • -20.25db
9% Popularity • 72% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 72% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Toby Lurie
Do
128 bpm • D Maj • 01:19 • -16.89db
16% Popularity • 72% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 72% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Agatha Christie
Chapter 68 - The Mysterious Affair at St...
134 bpm • D# Maj • 03:11 • -24.21db
7% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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William Shakespeare
Chapter 7 - Hamlet
128 bpm • F min • 03:01 • -14.72db
12% Popularity • 71% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 71% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Martin Myhre Olsen
Poem suite, 4. With A Flower
135 bpm • A min • 04:57 • -11.57db
0% Popularity • 44% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
0% Popularity • 44% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
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Watine
Bright Knots of Apparitions
135 bpm • D# Maj • 04:19 • -15.45db
0% Popularity • 60% Danceability • 26% Energy • 11% Liveness
25% Instrumentalness • 22% Positiveness
0% Popularity • 60% Danceability • 26% Energy • 11% Liveness
25% Instrumentalness • 22% Positiveness
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George Orwell
Chapter 8.11 - 1984
134 bpm • G Maj • 03:20 • -16.68db
14% Popularity • 71% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 71% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Eve Karpf
Emily Bronte - Hope
127 bpm • C Maj • 01:14 • -22.94db
17% Popularity • 70% Danceability • 19% Energy • 8% Liveness
20% Instrumentalness • 27% Positiveness
17% Popularity • 70% Danceability • 19% Energy • 8% Liveness
20% Instrumentalness • 27% Positiveness
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Robert Frost
After Apple Picking
136 bpm • A Maj • 01:57 • -23db
15% Popularity • 70% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 70% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Jonathan Dove
It Sounded as if the Streets Were Runnin...
136 bpm • G Maj • 03:20 • -26.92db
0% Popularity • 26% Danceability • 6% Energy • 12% Liveness
32% Instrumentalness • 7% Positiveness
0% Popularity • 26% Danceability • 6% Energy • 12% Liveness
32% Instrumentalness • 7% Positiveness
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P.T. Hylton
Chapter 5 - Storm Raiders - Storms of Ma...
126 bpm • C Maj • 03:07 • -19.96db
9% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 71% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Agatha Christie
Chapter 59 - The Mysterious Affair at St...
126 bpm • D# Maj • 03:03 • -23.98db
8% Popularity • 70% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 70% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Geronimo Stilton
Chapter 7 - Geronimo Stilton, Book 22: T...
125 bpm • C# Maj • 03:02 • -15db
15% Popularity • 72% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 72% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Beatrix Potter
The Tale of the Flopsy Bunnies.2 - The C...
125 bpm • A Maj • 03:05 • -24.72db
12% Popularity • 72% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 72% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Larry Senn
Chapter 9 - The Mood Elevator - Take Cha...
137 bpm • B Maj • 03:01 • -29.3db
8% Popularity • 69% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 69% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Walt Disney
Bambi
126 bpm • F min • 07:28 • -19.77db
12% Popularity • 72% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 72% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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E.E. Cummings
Next to of Course God America
137 bpm • A# min • 00:59 • -16.88db
14% Popularity • 69% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 69% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Robert Frost
Mending Wall
138 bpm • A Maj • 02:20 • -22db
18% Popularity • 69% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 69% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Ghizela Rowe
At The Piano By Thomas Hardy
125 bpm • G# Maj • 00:41 • -26db
14% Popularity • 69% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 69% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Emily Dickinson
Preface.2 & Part 1 - Life.1 - Poems: Ser...
125 bpm • F Maj • 03:10 • -14.31db
0% Popularity • 72% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 72% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Tim Graham
A Dream Within A Dream
138 bpm • D Maj • 00:55 • -22db
14% Popularity • 69% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 69% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Alicia Bings
Redemption
125 bpm • A Maj • 01:20 • -28db
16% Popularity • 72% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 72% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Sylvia Plath
Tulips
124 bpm • C Maj • 04:30 • -19.67db
9% Popularity • 71% Danceability • 24% Energy • 61% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 71% Danceability • 24% Energy • 61% Liveness
0% Instrumentalness • 20% Positiveness
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Michael Coleman
Chapter 1 - Weirdo's War
124 bpm • D Maj • 03:02 • -17.47db
8% Popularity • 69% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 69% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Roger William Wade
Beauty And The Beast.1 - Princess Storie...
139 bpm • C Maj • 03:06 • -28db
8% Popularity • 58% Danceability • 4% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 58% Danceability • 4% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
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Emily Dickinson
Part 3 - Nature.2 - Poems: Series Two
123 bpm • A min • 03:21 • -15.03db
2% Popularity • 72% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 72% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Geronimo Stilton
Chapter 30 - Geronimo Stilton, Books 25 ...
123 bpm • F Maj • 03:01 • -14.26db
7% Popularity • 72% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 72% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Mitchley
Alfred Lord Tennyson - Spring
123 bpm • B min • 00:40 • -20db
9% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Tracey West
Chapter 5 - Treasure of the Gold Dragon ...
123 bpm • D# Maj • 03:05 • -17.47db
13% Popularity • 72% Danceability • 22% Energy • 47% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 72% Danceability • 22% Energy • 47% Liveness
0% Instrumentalness • 25% Positiveness
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Richard Burton
The Ballad of the Long-Legged Bait
123 bpm • G Maj • 09:55 • -25.15db
9% Popularity • 71% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 71% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Nik_Poetry
Villain Era
140 bpm • A Maj • 01:20 • -22.46db
17% Popularity • 68% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 68% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Alfred Hitchcock
The Magician
123 bpm • B Maj • 03:33 • -32.65db
9% Popularity • 65% Danceability • 9% Energy • 52% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 65% Danceability • 9% Energy • 52% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Emily Dickinson
Part 3 - Nature.7 & Part 4 - Time and Et...
122 bpm • E Maj • 03:07 • -16.41db
0% Popularity • 72% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 72% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Jake Heggie
Could It Be Madness – This?: I. The Fi...
141 bpm • F# min • 03:55 • -13.99db
0% Popularity • 36% Danceability • 14% Energy • 13% Liveness
16% Instrumentalness • 4% Positiveness
0% Popularity • 36% Danceability • 14% Energy • 13% Liveness
16% Instrumentalness • 4% Positiveness
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George Orwell
Chapter 25.3 - 1984
122 bpm • F Maj • 03:05 • -16.18db
9% Popularity • 73% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 73% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Alex Jennings
Bright Star
141 bpm • F Maj • 01:03 • -28.01db
13% Popularity • 67% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 67% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
P. G. Wodehouse
Chapter 21 - Right Ho, Jeeves
141 bpm • D Maj • 03:06 • -14.51db
10% Popularity • 70% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 70% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Geronimo Stilton
Chapter 23 - Geronimo Stilton, Books 25 ...
122 bpm • A# min • 03:16 • -13.71db
8% Popularity • 72% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 72% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Emily Dickinson
Part 2 - Love.2 - Poems: Series One
122 bpm • G# Maj • 03:09 • -16.88db
1% Popularity • 72% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 72% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Bernard Rands
Canti dell'Eclisse, for Bass & Chamber E...
142 bpm • E min • 02:28 • -18.54db
1% Popularity • 43% Danceability • 20% Energy • 11% Liveness
74% Instrumentalness • 22% Positiveness
1% Popularity • 43% Danceability • 20% Energy • 11% Liveness
74% Instrumentalness • 22% Positiveness
► Preview
Chris Barrie
Where's The Cat ?
120 bpm • G Maj • 06:50 • -20db
13% Popularity • 72% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 72% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Kurt Vonnegut
Slaughterhouse 5, Pt. 4
120 bpm • A# Maj • 06:13 • -22db
12% Popularity • 72% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 72% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Watine
Further Than Arm Could Stretch
120 bpm • C min • 03:51 • -10.2db
0% Popularity • 65% Danceability • 40% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
0% Popularity • 65% Danceability • 40% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
► Preview
Richard Burton
Kubla Khan
120 bpm • A Maj • 02:51 • -23db
9% Popularity • 72% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 72% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Emily Dickinson
Preface.2 & Part 1 - Life.1 - Poems: Ser...
141 bpm • G# Maj • 03:12 • -16.55db
1% Popularity • 68% Danceability • 17% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 68% Danceability • 17% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Tim Graham
Walt Whitman - Oh Captain My Captain
144 bpm • C# Maj • 01:24 • -20.67db
14% Popularity • 68% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 68% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Elizabeth Donley-Leer
Chapter 1 - The Town That Time Forgot
144 bpm • B Maj • 03:06 • -21.05db
8% Popularity • 67% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 67% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Sean William
The Case of the Baby-Baby and the Evil G...
144 bpm • F min • 04:22 • -13.05db
17% Popularity • 68% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 68% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Chris Barrie
The Cat
144 bpm • G min • 05:38 • -21db
13% Popularity • 68% Danceability • 29% Energy • 55% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 68% Danceability • 29% Energy • 55% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Richard Burton
The Hunchback In the Parks
119 bpm • G Maj • 01:53 • -29.07db
9% Popularity • 71% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 71% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Emily Dickinson
Part 4 - Time and Eternity.7 & Closing C...
121 bpm • C min • 02:06 • -16.38db
3% Popularity • 75% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 75% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Sir John Gielgud
Sonnet 12
144 bpm • B min • 00:56 • -16db
11% Popularity • 67% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 67% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
VoicesOnly
Dream Sleep
119 bpm • D# min • 01:38 • -23.1db
15% Popularity • 72% Danceability • 24% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 72% Danceability • 24% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
William Shakespeare
When forty winters shall besiege thy bro...
145 bpm • A# Maj • 00:56 • -24.25db
9% Popularity • 68% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 68% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Watine
I Told My Soul to Sing
145 bpm • F Maj • 04:11 • -12.44db
0% Popularity • 48% Danceability • 19% Energy • 22% Liveness
3% Instrumentalness • 10% Positiveness
0% Popularity • 48% Danceability • 19% Energy • 22% Liveness
3% Instrumentalness • 10% Positiveness
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Grainne Dromgoole
Tipping Points: Invocation (Poem)
145 bpm • B Maj • 01:13 • -24.57db
21% Popularity • 67% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 67% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Dickinson
Part 3 - Nature.6 - Poems: Series One
121 bpm • B Maj • 03:09 • -16.35db
0% Popularity • 72% Danceability • 20% Energy • 59% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 72% Danceability • 20% Energy • 59% Liveness
0% Instrumentalness • 32% Positiveness
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Sir John Gielgud
Sonnet XVIII
119 bpm • C# Maj • 00:52 • -23db
11% Popularity • 72% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 72% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Eve Karpf
The Lamb - William Blake
145 bpm • F min • 00:58 • -23.96db
13% Popularity • 67% Danceability • 12% Energy • 11% Liveness
29% Instrumentalness • 31% Positiveness
13% Popularity • 67% Danceability • 12% Energy • 11% Liveness
29% Instrumentalness • 31% Positiveness
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Lauren Tarshis
Chapter 1 - I Survived the Attack of the...
118 bpm • F# Maj • 03:17 • -15.24db
9% Popularity • 72% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 72% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Jennifer A. Nielsen
Chapter 50 - The Traitor's Game - The Tr...
146 bpm • A min • 03:01 • -21.02db
8% Popularity • 67% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 67% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Jake Heggie
The Faces of Love: I. I Shall Not Live I...
146 bpm • A Maj • 03:00 • -15.42db
0% Popularity • 34% Danceability • 16% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 16% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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Emily Dickinson
I Measure Every Grief - Emily Dickinson
145 bpm • B min • 01:21 • -24db
14% Popularity • 67% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 67% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Children's Bedtime Stories
Butty Port
117 bpm • B min • 02:25 • -26.21db
10% Popularity • 72% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 72% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Eclipse Chamber Orchestra
Late Victorians: IV. Chorale - Sometimes...
117 bpm • A# Maj • 06:37 • -21.72db
0% Popularity • 31% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 31% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Julie Harris
I'll Tell You How the Sun Rose
117 bpm • D Maj • 00:50 • -36.21db
10% Popularity • 65% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 65% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Jozee Zoleta
It's Time to Know and Go
117 bpm • G# Maj • 01:43 • -15db
29% Popularity • 75% Danceability • 23% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 75% Danceability • 23% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
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Cristina Cristancig
From Blank to Blank
116 bpm • C min • 03:56 • -15.64db
0% Popularity • 44% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 44% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Beatrix Potter
Chapter 3.3 & Chapter 4 & Chapter 5.1 - ...
147 bpm • G# Maj • 03:16 • -23.58db
9% Popularity • 67% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 67% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Akinpelumi Akinboye
Why People Envy and Jealous of You Even ...
116 bpm • G Maj • 08:22 • -26.28db
8% Popularity • 72% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 72% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Frost
Tree at My Window
116 bpm • A Maj • 00:54 • -23db
11% Popularity • 72% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 72% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Jake Heggie
The Faces of Love: II. As Well As Jesus?
148 bpm • E min • 02:08 • -16.62db
0% Popularity • 34% Danceability • 6% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 6% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Martin Myhre Olsen
Poem suite, 2.Little Stone
116 bpm • D Maj • 02:58 • -12.94db
0% Popularity • 74% Danceability • 18% Energy • 8% Liveness
9% Instrumentalness • 28% Positiveness
0% Popularity • 74% Danceability • 18% Energy • 8% Liveness
9% Instrumentalness • 28% Positiveness
