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Whiskey Sour
Songs like
Whiskey Sour
by
Kane Brown
Based on a tempo of (+/- 10%) and a similar genre
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Kameron Marlowe
Girl On Fire
164 bpm • D Maj • 02:53 • -5.79db
62% Popularity • 54% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Blake Shelton
A Guy with a Girl
164 bpm • C Maj • 03:09 • -4.59db
60% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Kane Brown
Whiskey Sour
164 bpm • C# Maj • 03:31 • -9.23db
46% Popularity • 50% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Dierks Bentley
What Was I Thinkin'
165 bpm • F min • 04:20 • -6.24db
71% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Parker McCollum
Burn It Down
162 bpm • D Maj • 03:53 • -5.63db
69% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Darius Rucker
Beers And Sunshine
162 bpm • F Maj • 02:58 • -5.74db
62% Popularity • 51% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Dustin Lynch
Mind Reader
162 bpm • E min • 03:05 • -4.17db
54% Popularity • 39% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Kane Brown
Found You
164 bpm • E min • 03:11 • -5.33db
52% Popularity • 46% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Spencer Crandall
My Person
166 bpm • G Maj • 02:57 • -5.29db
58% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
60% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
60% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
56% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Kane Brown
Losing You
166 bpm • A Maj • 03:32 • -7.42db
43% Popularity • 44% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Ray
Get to You
168 bpm • D# Maj • 03:11 • -5.66db
49% Popularity • 48% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Drew Green
Good Ol' Man
168 bpm • F# Maj • 03:22 • -7.09db
54% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Cody Johnson
'Til You Can't
160 bpm • C# Maj • 03:44 • -4.87db
73% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Carly Pearce
Next Girl
160 bpm • B Maj • 02:44 • -4db
59% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Kane Brown
Bury Me in Georgia
160 bpm • D min • 04:02 • -5.82db
62% Popularity • 38% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
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Restless Road
Last Rodeo
160 bpm • B min • 03:15 • -3.95db
55% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Lane
Take Back Home Girl
160 bpm • B Maj • 03:32 • -4db
57% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Combs
Going, Going, Gone
160 bpm • F# Maj • 02:57 • -6.03db
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Kane Brown
Grand
168 bpm • F# min • 02:58 • -5.45db
56% Popularity • 58% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Nate Smith
Wildfire
160 bpm • F# Maj • 03:10 • -4.99db
55% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Dan + Shay
How Not To
160 bpm • B min • 03:12 • -3.59db
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Rich
The Difference
170 bpm • A Maj • 03:06 • -5db
53% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Zac Brown Band
Chicken Fried
170 bpm • F# Maj • 03:58 • -4.25db
77% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Kane Brown
Bury Me in Georgia - Single Edit
160 bpm • D min • 02:50 • -5.75db
62% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Blake Shelton
Boys 'Round Here
170 bpm • D Maj • 04:48 • -6.37db
66% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Brett Young
Lady
170 bpm • G Maj • 03:14 • -7.98db
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Conner Smith
Creek Will Rise
170 bpm • C# Maj • 02:49 • -3.56db
60% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Bailey Zimmerman
Where It Ends
170 bpm • A Maj • 02:59 • -5.07db
80% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Kane Brown
See You Like I Do
170 bpm • C# Maj • 03:09 • -7.62db
45% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
58% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Dustin Lynch
Where It's At
158 bpm • D# Maj • 03:24 • -5.75db
57% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Jelly Roll
Need A Favor
158 bpm • F# Maj • 03:17 • -4.25db
79% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
63% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Cody Johnson
On My Way to You
158 bpm • C# Maj • 03:33 • -5.48db
64% Popularity • 44% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Mickey Guyton
Nothing Compares To You
172 bpm • E Maj • 03:27 • -4.45db
54% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Tim McGraw
Something Like That
172 bpm • F Maj • 03:03 • -5.68db
72% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Tucker Wetmore
Wind Up Missin' You
172 bpm • F# Maj • 02:46 • -5.63db
74% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Kane Brown
Pull It Off
172 bpm • C# Maj • 02:59 • -3.6db
37% Popularity • 44% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Old Dominion
No Such Thing as a Broken Heart
172 bpm • G# Maj • 02:56 • -4.3db
61% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Bryan
Kick The Dust Up
172 bpm • C# Maj • 03:10 • -2.32db
64% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Morgan Wallen
Cowgirls
172 bpm • G# Maj • 03:01 • -3.81db
82% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Kane Brown
Better Place
172 bpm • E Maj • 03:42 • -6.65db
44% Popularity • 65% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Young
Hangin' On
156 bpm • G# Maj • 03:05 • -4.77db
53% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Megan Moroney
Tennessee Orange
156 bpm • A Maj • 03:43 • -6.64db
76% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Scotty McCreery
Five More Minutes
156 bpm • G Maj • 04:01 • -4.93db
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chase Rice
Ready Set Roll
156 bpm • C Maj • 03:10 • -5.3db
39% Popularity • 51% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
53% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Tim McGraw
Standing Room Only
155 bpm • C# Maj • 03:46 • -6.15db
56% Popularity • 49% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Brett Eldredge
Love Someone
174 bpm • A Maj • 03:31 • -5db
55% Popularity • 42% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Kane Brown
Rockstars
174 bpm • B Maj • 03:20 • -4.32db
35% Popularity • 45% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Thomas Rhett
What’s Your Country Song
174 bpm • F Maj • 02:51 • -6.15db
70% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Keith Urban
Cop Car
154 bpm • C# Maj • 04:16 • -6.32db
56% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Justin Moore
We Didn't Have Much
176 bpm • F# Maj • 02:54 • -8.02db
66% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
59% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Brett Eldredge
Don't Ya
176 bpm • A Maj • 03:01 • -5.26db
58% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Kip Moore
Somethin' 'Bout A Truck
176 bpm • B Maj • 03:33 • -5.42db
69% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
76% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Kane Brown
Setting the Night On Fire
176 bpm • G Maj • 03:20 • -4.7db
44% Popularity • 41% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Nate Smith
Under My Skin
152 bpm • G# Maj • 02:58 • -6db
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Thomas Rhett
On Me
178 bpm • G# Maj • 02:44 • -4.47db
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Jordan Davis
Buy Dirt
178 bpm • E Maj • 02:47 • -6.73db
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Young
Who I Am With You
150 bpm • C Maj • 03:11 • -4.31db
56% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Bailey Zimmerman
Change
150 bpm • C Maj • 03:08 • -5db
64% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Lane
For Her
150 bpm • F# Maj • 03:31 • -4db
48% Popularity • 49% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Jimmie Allen
Make Me Want To
180 bpm • D Maj • 02:52 • -3.21db
55% Popularity • 52% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Old Dominion
Make It Sweet
180 bpm • G Maj • 03:07 • -4.45db
60% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jordan Davis
Almost Maybes
180 bpm • B Maj • 02:59 • -4.03db
67% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Darius Rucker
Wagon Wheel
148 bpm • A Maj • 04:58 • -7.17db
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Whiskey Sour