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White Window Light
Songs like
White Window Light
by
Madeline Kenney
Based on a tempo of (+/- 10%) and a similar genre
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Half Waif
Party's Over
153 bpm • C# Maj • 03:23 • -8.55db
19% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The Deer
Confetti to the Hurricane
151 bpm • D Maj • 03:54 • -8.63db
31% Popularity • 46% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
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Pavo Pavo
Mystery Hour
152 bpm • F# Maj • 03:38 • -6.93db
13% Popularity • 30% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Gabby's World
Rear View
153 bpm • A# Maj • 02:46 • -6.01db
11% Popularity • 40% Danceability • 64% Energy • 28% Liveness
8% Instrumentalness • 76% Positiveness
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Eve Owen
Mother
150 bpm • G# Maj • 03:15 • -5.39db
13% Popularity • 46% Danceability • 76% Energy • 14% Liveness
82% Instrumentalness • 82% Positiveness
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Skullcrusher
Day of Show
150 bpm • F# Maj • 04:15 • -10db
33% Popularity • 39% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 18% Positiveness
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SASAMI
Free
154 bpm • D Maj • 04:30 • -15.41db
24% Popularity • 47% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Hand Habits
More Than Love
149 bpm • G# Maj • 04:01 • -10.84db
33% Popularity • 61% Danceability • 66% Energy • 11% Liveness
46% Instrumentalness • 34% Positiveness
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Renata Zeiguer
Child
149 bpm • A min • 04:48 • -9db
9% Popularity • 56% Danceability • 51% Energy • 9% Liveness
22% Instrumentalness • 40% Positiveness
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La Force
The Tide
149 bpm • G# Maj • 04:20 • -8.34db
24% Popularity • 46% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Vagabon
Full Moon In Gemini
156 bpm • D Maj • 02:52 • -10.86db
22% Popularity • 42% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Tennis
Fields of Blue - Audiotree Live Version
148 bpm • B min • 02:51 • -11.26db
20% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Land of Talk
A/B Futures
148 bpm • C# min • 03:39 • -8.92db
24% Popularity • 35% Danceability • 68% Energy • 10% Liveness
44% Instrumentalness • 37% Positiveness
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Twen
HaHaHome
148 bpm • G# Maj • 04:00 • -6db
34% Popularity • 41% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Jenny O.
I Don't Want to Live Alone Anymore
148 bpm • G Maj • 03:33 • -11.51db
8% Popularity • 56% Danceability • 33% Energy • 13% Liveness
37% Instrumentalness • 47% Positiveness
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Charlotte Cornfield
Partner in Crime
148 bpm • G# Maj • 04:30 • -8db
27% Popularity • 80% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 72% Positiveness
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Hannah Cohen
This Is Your Life
156 bpm • F# min • 04:13 • -11.97db
33% Popularity • 56% Danceability • 50% Energy • 16% Liveness
26% Instrumentalness • 43% Positiveness
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Ada Lea
my love 4 u is real
148 bpm • D Maj • 04:31 • -6.48db
17% Popularity • 52% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Black Belt Eagle Scout
At the Party
147 bpm • G Maj • 03:54 • -6.7db
25% Popularity • 46% Danceability • 72% Energy • 11% Liveness
59% Instrumentalness • 26% Positiveness
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Ben Sloan
1e&a
157 bpm • C Maj • 03:10 • -11.47db
6% Popularity • 43% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 52% Positiveness
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Gia Margaret
Solid Heart
146 bpm • C Maj • 03:38 • -11.74db
30% Popularity • 44% Danceability • 34% Energy • 11% Liveness
32% Instrumentalness • 22% Positiveness
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Charlotte Cornfield
Skateboarding by the Lake
147 bpm • B Maj • 01:33 • -12.74db
32% Popularity • 54% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Kate Davis
Trophy
158 bpm • A Maj • 02:30 • -10.97db
11% Popularity • 69% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
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Hannah Cohen
Old Bruiser
146 bpm • F# min • 04:04 • -14.48db
20% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Black Belt Eagle Scout
Going to the Beach With Haley
146 bpm • D Maj • 04:03 • -8.31db
23% Popularity • 57% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Wye Oak
Walk Soft
145 bpm • A Maj • 03:58 • -10.42db
17% Popularity • 32% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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Johanna Warren
Bed of Nails
145 bpm • G# Maj • 04:28 • -11.67db
16% Popularity • 31% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Renata Zeiguer
Bug
159 bpm • C Maj • 02:58 • -7.91db
15% Popularity • 30% Danceability • 50% Energy • 39% Liveness
39% Instrumentalness • 28% Positiveness
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Water From Your Eyes
That's the Girl
145 bpm • A Maj • 06:11 • -8.83db
21% Popularity • 60% Danceability • 70% Energy • 27% Liveness
13% Instrumentalness • 79% Positiveness
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Madeline Kenney
Red Emotion
160 bpm • C Maj • 03:17 • -13.16db
6% Popularity • 50% Danceability • 62% Energy • 8% Liveness
84% Instrumentalness • 48% Positiveness
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V.V. Lightbody
If It's Not Me
144 bpm • C# Maj • 05:02 • -12.75db
11% Popularity • 58% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Ada Lea
the party
144 bpm • C min • 02:55 • -16.22db
28% Popularity • 59% Danceability • 19% Energy • 48% Liveness
19% Instrumentalness • 24% Positiveness
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Wye Oak
Fear of Heights
144 bpm • A# Maj • 03:34 • -8.58db
18% Popularity • 41% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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Black Belt Eagle Scout
Keyboard
143 bpm • F Maj • 03:50 • -9.84db
23% Popularity • 65% Danceability • 29% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
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Kacey Johansing
Make Love
143 bpm • B Maj • 02:55 • -6.61db
8% Popularity • 49% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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Madeline Kenney
I Drew A Line
160 bpm • F Maj • 03:43 • -15.45db
11% Popularity • 58% Danceability • 36% Energy • 11% Liveness
64% Instrumentalness • 48% Positiveness
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Cassandra Jenkins
Shame
142 bpm • E Maj • 05:41 • -9.09db
9% Popularity • 43% Danceability • 53% Energy • 16% Liveness
27% Instrumentalness • 26% Positiveness
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Heather Woods Broderick
White Tail
142 bpm • F Maj • 03:23 • -9.53db
9% Popularity • 57% Danceability • 66% Energy • 18% Liveness
33% Instrumentalness • 54% Positiveness
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Ada Lea
damn
142 bpm • G# min • 04:21 • -9db
40% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Why Bonnie
Galveston
164 bpm • F# Maj • 03:22 • -9.11db
26% Popularity • 46% Danceability • 44% Energy • 19% Liveness
2% Instrumentalness • 28% Positiveness
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Kacey Johansing
All of Me
142 bpm • E Maj • 03:33 • -6.94db
15% Popularity • 59% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Madeline Kenney
Wasted Time
145 bpm • F# min • 03:36 • -13.14db
14% Popularity • 56% Danceability • 41% Energy • 11% Liveness
58% Instrumentalness • 28% Positiveness
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Hannah Cohen
Return Room
141 bpm • A Maj • 04:28 • -18db
18% Popularity • 31% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
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Anna Burch
What I Want
164 bpm • E Maj • 04:21 • -6.36db
8% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Slow Pulp
Idaho
141 bpm • A Maj • 04:05 • -7db
48% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Lightning Bug
The Right Thing Is Hard To Do
140 bpm • E Maj • 03:46 • -9.95db
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 27% Positiveness
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Kacey Johansing
Bow and Arrow
142 bpm • D# Maj • 04:33 • -8.17db
18% Popularity • 56% Danceability • 51% Energy • 9% Liveness
28% Instrumentalness • 53% Positiveness
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Madeline Kenney
Superficial Conversation - Tiny Telephon...
165 bpm • C Maj • 03:08 • -10.27db
4% Popularity • 41% Danceability • 29% Energy • 13% Liveness
5% Instrumentalness • 24% Positiveness
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Sam Evian
Apple
140 bpm • G# Maj • 01:43 • -11.67db
48% Popularity • 68% Danceability • 34% Energy • 13% Liveness
53% Instrumentalness • 79% Positiveness
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Haley Blais
Someone Called While You Were Out
165 bpm • C Maj • 02:29 • -6db
28% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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MOTSA
Rolling Back
140 bpm • G# Maj • 04:13 • -8.65db
4% Popularity • 49% Danceability • 70% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
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Hannah Cohen
All I Wanted
140 bpm • G# min • 04:46 • -11.08db
33% Popularity • 58% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Kacey Johansing
The Hiding
142 bpm • D# Maj • 04:53 • -10.35db
11% Popularity • 51% Danceability • 35% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Madeline Kenney
Thursdaze
141 bpm • D Maj • 05:36 • -8.4db
1% Popularity • 62% Danceability • 77% Energy • 16% Liveness
25% Instrumentalness • 58% Positiveness
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Black Belt Eagle Scout
Indians Never Die
140 bpm • D min • 04:30 • -10db
28% Popularity • 73% Danceability • 27% Energy • 10% Liveness
15% Instrumentalness • 11% Positiveness
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Ada Lea
partner
140 bpm • D Maj • 03:45 • -9.32db
21% Popularity • 57% Danceability • 57% Energy • 13% Liveness
89% Instrumentalness • 51% Positiveness
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Valley Queen
Falling
166 bpm • G Maj • 03:22 • -6db
13% Popularity • 45% Danceability • 54% Energy • 35% Liveness
58% Instrumentalness • 40% Positiveness
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Hand Habits
jessica
138 bpm • A Maj • 04:03 • -8.83db
18% Popularity • 43% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Bnny
Breaking Up
167 bpm • F Maj • 03:03 • -12db
29% Popularity • 47% Danceability • 24% Energy • 10% Liveness
34% Instrumentalness • 14% Positiveness
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Madeline Kenney
I Drew A Line - Tiny Telephone Session
166 bpm • C Maj • 02:52 • -12.59db
4% Popularity • 43% Danceability • 29% Energy • 11% Liveness
27% Instrumentalness • 32% Positiveness
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Black Belt Eagle Scout
Salmon Stinta
140 bpm • D Maj • 03:57 • -15.92db
30% Popularity • 24% Danceability • 21% Energy • 6% Liveness
51% Instrumentalness • 6% Positiveness
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Helena Deland
There Are a Thousand
138 bpm • G Maj • 03:36 • -9.54db
22% Popularity • 64% Danceability • 46% Energy • 15% Liveness
15% Instrumentalness • 43% Positiveness
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Mia Joy
See Us
138 bpm • A# Maj • 02:10 • -14.29db
51% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
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Molly Sarlé
This Close
138 bpm • G Maj • 04:04 • -9.52db
20% Popularity • 58% Danceability • 46% Energy • 15% Liveness
5% Instrumentalness • 44% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Madeline Kenney
Know
168 bpm • E Maj • 04:23 • -8.76db
6% Popularity • 44% Danceability • 68% Energy • 11% Liveness
66% Instrumentalness • 32% Positiveness
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Skullcrusher
Lift
168 bpm • G Maj • 03:47 • -9db
28% Popularity • 28% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Wye Oak
Evergreen
168 bpm • G Maj • 03:48 • -8.48db
25% Popularity • 34% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Lomelda
Interstate Vision - Audiotree Live Versi...
168 bpm • C# Maj • 02:44 • -11.49db
12% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Free Cake For Every Creature
Shake It Out
137 bpm • A Maj • 03:51 • -11.53db
31% Popularity • 56% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 34% Positiveness
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Kacey Johansing
Do You Want Me
136 bpm • C Maj • 03:46 • -9.63db
11% Popularity • 50% Danceability • 62% Energy • 9% Liveness
59% Instrumentalness • 63% Positiveness
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Land of Talk
Diaphanous
136 bpm • B min • 04:28 • -11.75db
16% Popularity • 40% Danceability • 38% Energy • 11% Liveness
24% Instrumentalness • 12% Positiveness
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SASAMI
Morning Comes
136 bpm • E min • 04:23 • -10.96db
21% Popularity • 69% Danceability • 52% Energy • 17% Liveness
37% Instrumentalness • 53% Positiveness
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Coco
Over the Houses
136 bpm • D Maj • 02:12 • -13.52db
24% Popularity • 79% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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TOPS
I Feel Alive
136 bpm • C# min • 02:34 • -4.77db
41% Popularity • 57% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Madeline Kenney
Superficial Conversation
170 bpm • C Maj • 02:54 • -13.33db
15% Popularity • 46% Danceability • 66% Energy • 12% Liveness
54% Instrumentalness • 30% Positiveness
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NOVA ONE
violet dreams
170 bpm • D Maj • 03:12 • -7.41db
29% Popularity • 34% Danceability • 58% Energy • 11% Liveness
77% Instrumentalness • 45% Positiveness
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Hand Habits
Clean Air
136 bpm • B Maj • 03:08 • -10.1db
29% Popularity • 59% Danceability • 58% Energy • 45% Liveness
1% Instrumentalness • 56% Positiveness
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Kate Davis
This Song
170 bpm • B min • 01:27 • -10.73db
22% Popularity • 48% Danceability • 59% Energy • 17% Liveness
24% Instrumentalness • 25% Positiveness
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Laura Stevenson
Don't Think About Me
136 bpm • A Maj • 02:54 • -7.42db
30% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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TOPS
Echo of Dawn
136 bpm • D Maj • 02:11 • -12.19db
24% Popularity • 55% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Burch
With You Every Day
135 bpm • F# Maj • 04:16 • -6.8db
7% Popularity • 49% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Madeline Kenney
Summer Quarter
135 bpm • D Maj • 03:56 • -10.93db
10% Popularity • 51% Danceability • 42% Energy • 12% Liveness
5% Instrumentalness • 34% Positiveness
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Slow Pulp
New Media
135 bpm • C Maj • 03:11 • -6.83db
46% Popularity • 71% Danceability • 75% Energy • 14% Liveness
9% Instrumentalness • 72% Positiveness
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Ada Lea
woman, here
135 bpm • E Maj • 03:26 • -9.83db
18% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lala Lala
DIVER
135 bpm • C Maj • 03:01 • -9.13db
31% Popularity • 58% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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TOPS
Witching Hour
136 bpm • F# min • 03:13 • -5.27db
31% Popularity • 73% Danceability • 90% Energy • 12% Liveness
4% Instrumentalness • 88% Positiveness
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Sun June
Young
135 bpm • A Maj • 02:36 • -9.2db
23% Popularity • 66% Danceability • 41% Energy • 10% Liveness
9% Instrumentalness • 75% Positiveness
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Babehoven
Stand It
172 bpm • A# Maj • 03:12 • -8.91db
30% Popularity • 44% Danceability • 74% Energy • 20% Liveness
2% Instrumentalness • 68% Positiveness
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Madeline Kenney
No Weekend
172 bpm • E Maj • 02:59 • -7.77db
8% Popularity • 45% Danceability • 56% Energy • 15% Liveness
15% Instrumentalness • 55% Positiveness
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Mia Joy
Freak
135 bpm • A# min • 02:52 • -15.05db
31% Popularity • 36% Danceability • 20% Energy • 11% Liveness
50% Instrumentalness • 20% Positiveness
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Young Jesus
Pattern Doubt
134 bpm • F# Maj • 03:32 • -8.04db
33% Popularity • 44% Danceability • 51% Energy • 8% Liveness
67% Instrumentalness • 61% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Louis Prince
Lounging
134 bpm • C Maj • 03:50 • -9.38db
7% Popularity • 76% Danceability • 38% Energy • 10% Liveness
34% Instrumentalness • 75% Positiveness
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Land of Talk
Compelled
134 bpm • D Maj • 03:14 • -10db
22% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Lala Lala
Spy
134 bpm • G Maj • 02:13 • -6.04db
25% Popularity • 52% Danceability • 77% Energy • 14% Liveness
90% Instrumentalness • 45% Positiveness
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Hand Habits
placeholder
134 bpm • F# min • 03:50 • -9.37db
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Another Michael
Shaky Cam
134 bpm • F Maj • 04:48 • -8.48db
8% Popularity • 35% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Kacey Johansing
No Better Time
133 bpm • D Maj • 04:02 • -4.12db
9% Popularity • 54% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Kate Davis
rbbts
174 bpm • E Maj • 04:23 • -10.42db
18% Popularity • 40% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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