Songs like Whites of Their Eyes by Mattiel
Based on a tempo of (+/- 10%) and a similar genre
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Apache Sun
The Rain That Never Came
129 bpm • B Maj • 02:37 • -14.35db
44% Popularity • 55% Danceability • 47% Energy • 13% Liveness
64% Instrumentalness • 92% Positiveness
44% Popularity • 55% Danceability • 47% Energy • 13% Liveness
64% Instrumentalness • 92% Positiveness
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Teleman
Düsseldorf
129 bpm • E min • 03:47 • -6.26db
41% Popularity • 73% Danceability • 71% Energy • 25% Liveness
7% Instrumentalness • 67% Positiveness
41% Popularity • 73% Danceability • 71% Energy • 25% Liveness
7% Instrumentalness • 67% Positiveness
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Mattiel
Whites of Their Eyes
129 bpm • G Maj • 02:30 • -2.19db
27% Popularity • 57% Danceability • 92% Energy • 17% Liveness
30% Instrumentalness • 60% Positiveness
27% Popularity • 57% Danceability • 92% Energy • 17% Liveness
30% Instrumentalness • 60% Positiveness
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David Kitt
It's Yours
129 bpm • F min • 04:09 • -7.08db
31% Popularity • 88% Danceability • 82% Energy • 14% Liveness
71% Instrumentalness • 86% Positiveness
31% Popularity • 88% Danceability • 82% Energy • 14% Liveness
71% Instrumentalness • 86% Positiveness
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Edwyn Collins
In the Morning
129 bpm • E min • 03:25 • -7.28db
8% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Alice Phoebe Lou
She
128 bpm • D Maj • 03:55 • -8.72db
47% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
47% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Képa
Born to Die
128 bpm • G min • 03:42 • -7.7db
11% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Teleman
Tangerine
129 bpm • A# Maj • 03:03 • -6.61db
31% Popularity • 64% Danceability • 73% Energy • 26% Liveness
35% Instrumentalness • 63% Positiveness
31% Popularity • 64% Danceability • 73% Energy • 26% Liveness
35% Instrumentalness • 63% Positiveness
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Mattiel
Baby Brother
129 bpm • C min • 02:22 • -2.25db
33% Popularity • 59% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 59% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Alan Power
Prodigal Son
130 bpm • A Maj • 04:46 • -9.45db
13% Popularity • 78% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 78% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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77:78
Compass Pass
128 bpm • F Maj • 03:46 • -5.13db
11% Popularity • 57% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 57% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Du Blonde
Take One For The Team
130 bpm • G Maj • 02:15 • -10.28db
30% Popularity • 53% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 53% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Katy J Pearson
Take Back The Radio
130 bpm • G# Maj • 05:01 • -4.85db
30% Popularity • 67% Danceability • 78% Energy • 38% Liveness
3% Instrumentalness • 53% Positiveness
30% Popularity • 67% Danceability • 78% Energy • 38% Liveness
3% Instrumentalness • 53% Positiveness
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Curtis Harding
On And On
130 bpm • C Maj • 04:01 • -4.97db
43% Popularity • 70% Danceability • 84% Energy • 46% Liveness
54% Instrumentalness • 96% Positiveness
43% Popularity • 70% Danceability • 84% Energy • 46% Liveness
54% Instrumentalness • 96% Positiveness
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Mattiel
Heck Fire
128 bpm • B min • 02:52 • -5.47db
11% Popularity • 46% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 46% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 88% Positiveness
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Alan Power
Irene
128 bpm • C Maj • 03:46 • -5.92db
9% Popularity • 67% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 67% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Damien Jurado
QACHINA
130 bpm • D min • 03:48 • -6.98db
36% Popularity • 62% Danceability • 76% Energy • 11% Liveness
24% Instrumentalness • 30% Positiveness
36% Popularity • 62% Danceability • 76% Energy • 11% Liveness
24% Instrumentalness • 30% Positiveness
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El Goodo
I Sit and Wonder
128 bpm • A min • 02:55 • -10.12db
10% Popularity • 45% Danceability • 62% Energy • 13% Liveness
7% Instrumentalness • 48% Positiveness
10% Popularity • 45% Danceability • 62% Energy • 13% Liveness
7% Instrumentalness • 48% Positiveness
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Balthazar
Wrong Vibration
130 bpm • C# Maj • 02:45 • -7.34db
46% Popularity • 69% Danceability • 80% Energy • 21% Liveness
47% Instrumentalness • 56% Positiveness
46% Popularity • 69% Danceability • 80% Energy • 21% Liveness
47% Instrumentalness • 56% Positiveness
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Nick Waterhouse
La Turnaround
127 bpm • F# Maj • 02:51 • -10.4db
39% Popularity • 71% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 77% Positiveness
39% Popularity • 71% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 77% Positiveness
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Mattiel
Je Ne Me Connais Pas
130 bpm • G min • 02:40 • -4.71db
21% Popularity • 35% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 35% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Anna Calvi
Wish
130 bpm • A min • 05:16 • -8db
33% Popularity • 48% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
33% Popularity • 48% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Baxter Dury
Cocaine Man
127 bpm • C min • 03:53 • -10.2db
49% Popularity • 76% Danceability • 40% Energy • 8% Liveness
17% Instrumentalness • 49% Positiveness
49% Popularity • 76% Danceability • 40% Energy • 8% Liveness
17% Instrumentalness • 49% Positiveness
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Whyte Horses
I Saw The Light
127 bpm • B min • 02:54 • -7.16db
11% Popularity • 53% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 53% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Monophonics
Hanging On
127 bpm • G min • 03:34 • -4.17db
39% Popularity • 67% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 67% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Mattiel
Jeff Goldblum
131 bpm • F# Maj • 03:20 • -8.85db
29% Popularity • 62% Danceability • 67% Energy • 16% Liveness
6% Instrumentalness • 56% Positiveness
29% Popularity • 62% Danceability • 67% Energy • 16% Liveness
6% Instrumentalness • 56% Positiveness
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Gustaf
Best Behavior
127 bpm • D Maj • 03:24 • -5db
36% Popularity • 87% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 87% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Wanda Jackson
Funnel of Love
127 bpm • C# min • 02:32 • -5.48db
43% Popularity • 62% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 62% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Big Thief
Shark Smile
131 bpm • F# min • 03:57 • -8.15db
57% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
57% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
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Nina Simone
Save Me
127 bpm • C Maj • 03:22 • -8db
43% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Josefin Öhrn + The Liberation
Baby Come On
126 bpm • A Maj • 03:30 • -6.22db
12% Popularity • 56% Danceability • 72% Energy • 40% Liveness
62% Instrumentalness • 54% Positiveness
12% Popularity • 56% Danceability • 72% Energy • 40% Liveness
62% Instrumentalness • 54% Positiveness
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Mattiel
On The Run
127 bpm • G Maj • 02:48 • -6.21db
19% Popularity • 55% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 55% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
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Gustaf
Mine
131 bpm • C min • 02:15 • -3.92db
29% Popularity • 79% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 79% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Whyte Horses
Seabird
126 bpm • D min • 03:04 • -8.09db
16% Popularity • 71% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 71% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Perfume Genius
Queen
132 bpm • C# Maj • 03:50 • -4.93db
47% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
47% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
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Karen O
Woman
126 bpm • G Maj • 02:54 • -7.33db
28% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Shirley Ann Lee
There's A Light
133 bpm • C min • 01:57 • -7.77db
50% Popularity • 59% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 59% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Arsun
White Light
132 bpm • E Maj • 03:08 • -7.19db
19% Popularity • 53% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
19% Popularity • 53% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
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Gustaf
Design
132 bpm • B min • 02:36 • -4.36db
32% Popularity • 89% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
32% Popularity • 89% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Shannon Shaw
Bring Her the Mirror
125 bpm • E min • 02:49 • -4.53db
18% Popularity • 37% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 37% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Goat Girl
Viper Fish
125 bpm • E Maj • 03:50 • -7.02db
30% Popularity • 39% Danceability • 67% Energy • 24% Liveness
21% Instrumentalness • 36% Positiveness
30% Popularity • 39% Danceability • 67% Energy • 24% Liveness
21% Instrumentalness • 36% Positiveness
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The Limiñanas
Migas 2000
133 bpm • D Maj • 01:55 • -5.93db
43% Popularity • 58% Danceability • 77% Energy • 34% Liveness
29% Instrumentalness • 92% Positiveness
43% Popularity • 58% Danceability • 77% Energy • 34% Liveness
29% Instrumentalness • 92% Positiveness
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Ezra Furman
Take Off Your Sunglasses
133 bpm • A# Maj • 03:36 • -5db
43% Popularity • 49% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 49% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Other Lives
Hey Hey I
125 bpm • G Maj • 03:05 • -6db
23% Popularity • 54% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 54% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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She Drew The Gun
Since You Were Not Mine
125 bpm • G Maj • 03:45 • -9db
27% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Kiwanuka
Rolling
125 bpm • B min • 02:51 • -4.95db
51% Popularity • 68% Danceability • 78% Energy • 68% Liveness
59% Instrumentalness • 59% Positiveness
51% Popularity • 68% Danceability • 78% Energy • 68% Liveness
59% Instrumentalness • 59% Positiveness
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Karen O
YO! MY SAINT (Film Version)
133 bpm • D# Maj • 05:10 • -7.18db
34% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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BODEGA
Territorial Call of the Female
125 bpm • C Maj • 02:45 • -8.63db
46% Popularity • 82% Danceability • 62% Energy • 10% Liveness
73% Instrumentalness • 62% Positiveness
46% Popularity • 82% Danceability • 62% Energy • 10% Liveness
73% Instrumentalness • 62% Positiveness
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LUMP
Curse of the Contemporary
125 bpm • B min • 04:13 • -7.28db
35% Popularity • 65% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 65% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Cat Power
Free
134 bpm • C Maj • 03:33 • -8.85db
36% Popularity • 83% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 83% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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Dead Man's Bones
Lose Your Soul
125 bpm • G# min • 04:35 • -10.33db
51% Popularity • 57% Danceability • 79% Energy • 13% Liveness
67% Instrumentalness • 54% Positiveness
51% Popularity • 57% Danceability • 79% Energy • 13% Liveness
67% Instrumentalness • 54% Positiveness
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Nick Waterhouse
Song for Winners
125 bpm • C# Maj • 03:00 • -5.22db
35% Popularity • 59% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
35% Popularity • 59% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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The Mystery Lights
Too Many Girls
124 bpm • C min • 01:49 • -4db
36% Popularity • 74% Danceability • 86% Energy • 28% Liveness
1% Instrumentalness • 90% Positiveness
36% Popularity • 74% Danceability • 86% Energy • 28% Liveness
1% Instrumentalness • 90% Positiveness
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Panic Shack
I Don't Really Like It
124 bpm • E min • 03:48 • -12db
31% Popularity • 53% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
31% Popularity • 53% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Lena Deluxe
Nowhere to Go
134 bpm • D Maj • 03:15 • -7db
21% Popularity • 62% Danceability • 62% Energy • 30% Liveness
3% Instrumentalness • 47% Positiveness
21% Popularity • 62% Danceability • 62% Energy • 30% Liveness
3% Instrumentalness • 47% Positiveness
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Damien Jurado
Silver Timothy
124 bpm • F min • 03:16 • -7db
42% Popularity • 63% Danceability • 71% Energy • 14% Liveness
78% Instrumentalness • 66% Positiveness
42% Popularity • 63% Danceability • 71% Energy • 14% Liveness
78% Instrumentalness • 66% Positiveness
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Paul Jones
Free Me
124 bpm • C Maj • 02:47 • -9db
42% Popularity • 43% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 43% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Trampolene
Uncle Brian's Abattoir
124 bpm • B min • 02:13 • -10.03db
40% Popularity • 79% Danceability • 42% Energy • 13% Liveness
30% Instrumentalness • 66% Positiveness
40% Popularity • 79% Danceability • 42% Energy • 13% Liveness
30% Instrumentalness • 66% Positiveness
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Nick Waterhouse
Katchi
124 bpm • A min • 03:40 • -7db
46% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Delta 5
Mind Your Own Business
135 bpm • G Maj • 03:13 • -7.57db
47% Popularity • 87% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 87% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Stereolab
Lo Boob Oscillator
124 bpm • E Maj • 06:36 • -6.08db
48% Popularity • 36% Danceability • 87% Energy • 13% Liveness
10% Instrumentalness • 80% Positiveness
48% Popularity • 36% Danceability • 87% Energy • 13% Liveness
10% Instrumentalness • 80% Positiveness
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Amen Dunes
Miki Dora
124 bpm • A# Maj • 05:03 • -12db
26% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
26% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
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Archie Bronson Outfit
Hoola
124 bpm • A min • 03:44 • -1db
25% Popularity • 58% Danceability • 94% Energy • 15% Liveness
25% Instrumentalness • 92% Positiveness
25% Popularity • 58% Danceability • 94% Energy • 15% Liveness
25% Instrumentalness • 92% Positiveness
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Marlon Williams
Strange Things
135 bpm • E min • 03:02 • -9.15db
22% Popularity • 52% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 52% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Waterhouse
Wherever She Goes (She Is Wanted)
124 bpm • F min • 03:17 • -6.87db
20% Popularity • 69% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 69% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Wanda Jackson
Funnel Of Love
135 bpm • C Maj • 02:08 • -9.8db
58% Popularity • 60% Danceability • 59% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
58% Popularity • 60% Danceability • 59% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
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Shannon Shaw
Cryin' My Eyes Out
135 bpm • C Maj • 03:08 • -4.92db
24% Popularity • 48% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 48% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Ezra Furman
Love You So Bad
135 bpm • A Maj • 03:39 • -14.56db
49% Popularity • 87% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 72% Positiveness
49% Popularity • 87% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 72% Positiveness
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Arthur Ahbez
The Fundamentals
123 bpm • C min • 04:55 • -10.76db
21% Popularity • 46% Danceability • 48% Energy • 12% Liveness
6% Instrumentalness • 23% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 12% Liveness
6% Instrumentalness • 23% Positiveness
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James Righton
The Performer
123 bpm • C min • 04:17 • -5.3db
23% Popularity • 66% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 66% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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I Am Kloot
Over My Shoulder
123 bpm • E Maj • 02:58 • -5.04db
36% Popularity • 94% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 95% Positiveness
36% Popularity • 94% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 95% Positiveness
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Mattiel
Not Today
136 bpm • A# min • 03:38 • -3.03db
18% Popularity • 45% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
18% Popularity • 45% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Shannon Shaw
Broke My Own
122 bpm • A min • 02:59 • -5.13db
30% Popularity • 49% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 49% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ezra Furman
My Zero
136 bpm • C# Maj • 03:55 • -5.88db
38% Popularity • 55% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 55% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
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Nick Waterhouse
Very Blue
122 bpm • C Maj • 03:37 • -6.83db
27% Popularity • 57% Danceability • 62% Energy • 18% Liveness
10% Instrumentalness • 54% Positiveness
27% Popularity • 57% Danceability • 62% Energy • 18% Liveness
10% Instrumentalness • 54% Positiveness
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Campdogzz
The Well
136 bpm • D Maj • 03:49 • -8db
34% Popularity • 76% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 76% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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She Drew The Gun
Poem
136 bpm • A Maj • 04:17 • -13.58db
23% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Mattiel
Athlete
122 bpm • A Maj • 02:28 • -2.93db
17% Popularity • 35% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 35% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Cash Savage and the Last Drinks
Pack Animals
136 bpm • F# min • 03:58 • -4.52db
21% Popularity • 60% Danceability • 94% Energy • 11% Liveness
6% Instrumentalness • 66% Positiveness
21% Popularity • 60% Danceability • 94% Energy • 11% Liveness
6% Instrumentalness • 66% Positiveness
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Parquet Courts
Wide Awake
122 bpm • G# Maj • 02:38 • -3.97db
46% Popularity • 85% Danceability • 93% Energy • 7% Liveness
47% Instrumentalness • 90% Positiveness
46% Popularity • 85% Danceability • 93% Energy • 7% Liveness
47% Instrumentalness • 90% Positiveness
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Sleaford Mods
Mork n Mindy
122 bpm • B Maj • 03:24 • -5db
46% Popularity • 97% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
46% Popularity • 97% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
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noonday underground
London
137 bpm • G# min • 03:10 • -5.27db
42% Popularity • 76% Danceability • 97% Energy • 12% Liveness
85% Instrumentalness • 51% Positiveness
42% Popularity • 76% Danceability • 97% Energy • 12% Liveness
85% Instrumentalness • 51% Positiveness
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Nick Waterhouse
Pushing Too Hard
137 bpm • A Maj • 02:20 • -5.9db
22% Popularity • 72% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 72% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Mattiel
Follow My Name
137 bpm • C# Maj • 03:00 • -6.36db
18% Popularity • 56% Danceability • 72% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
18% Popularity • 56% Danceability • 72% Energy • 14% Liveness
3% Instrumentalness • 78% Positiveness
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Anna Calvi
Strange Weather
137 bpm • A# min • 05:34 • -9.57db
45% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
45% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
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LCD Soundsystem
new body rhumba
137 bpm • D Maj • 07:23 • -5.46db
47% Popularity • 71% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 71% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Jim White
Static on the Radio
121 bpm • G min • 06:31 • -8.74db
37% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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White Denim
Just Dropped In (To See What Condition M...
121 bpm • D Maj • 04:10 • -8.52db
38% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Fernweh
Next Time Around
121 bpm • D# Maj • 03:53 • -6db
14% Popularity • 50% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 50% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Starlets
You Don’t Love Me
138 bpm • G min • 02:12 • -10db
14% Popularity • 46% Danceability • 64% Energy • 50% Liveness
66% Instrumentalness • 77% Positiveness
14% Popularity • 46% Danceability • 64% Energy • 50% Liveness
66% Instrumentalness • 77% Positiveness
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Monophonics
Lying Eyes
138 bpm • A min • 02:56 • -5.66db
39% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Allah-Las
Polar Onion
121 bpm • D Maj • 02:46 • -9db
42% Popularity • 64% Danceability • 71% Energy • 31% Liveness
10% Instrumentalness • 84% Positiveness
42% Popularity • 64% Danceability • 71% Energy • 31% Liveness
10% Instrumentalness • 84% Positiveness
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Cat Power
Manhattan
138 bpm • G Maj • 05:16 • -8.06db
46% Popularity • 71% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
46% Popularity • 71% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Mattiel
Silver Pillbox
121 bpm • A# Maj • 02:31 • -6.07db
20% Popularity • 74% Danceability • 91% Energy • 28% Liveness
6% Instrumentalness • 88% Positiveness
20% Popularity • 74% Danceability • 91% Energy • 28% Liveness
6% Instrumentalness • 88% Positiveness
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The Mystery Lights
What Happens When You Turn the Devil Dow...
121 bpm • D min • 04:02 • -7db
49% Popularity • 42% Danceability • 76% Energy • 8% Liveness
55% Instrumentalness • 56% Positiveness
49% Popularity • 42% Danceability • 76% Energy • 8% Liveness
55% Instrumentalness • 56% Positiveness
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Karen O
YO! MY SAINT (Radio Version)
121 bpm • G# Maj • 03:44 • -6.27db
42% Popularity • 35% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 35% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Bruce Springsteen
State Trooper
121 bpm • F# min • 03:11 • -19.55db
45% Popularity • 69% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
45% Popularity • 69% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
