Songs like Who Else Tweeted? (cooked) by Doug Benson
Based on a tempo of (+/- 10%) and a similar genre
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Anthony Jeselnik
Ex-Girlfriend
77 bpm • D# min • 03:24 • -7.18db
32% Popularity • 48% Danceability • 97% Energy • 88% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 48% Danceability • 97% Energy • 88% Liveness
0% Instrumentalness • 6% Positiveness
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Sam Morril
Sam Has a Type
77 bpm • D Maj • 01:25 • -11.44db
29% Popularity • 58% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 58% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 11% Positiveness
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Kurt Metzger
The Mayan Prophecies, 2012, And You!
77 bpm • G Maj • 01:34 • -5.8db
19% Popularity • 39% Danceability • 89% Energy • 80% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 39% Danceability • 89% Energy • 80% Liveness
0% Instrumentalness • 47% Positiveness
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Big Jay Oakerson
What's This Dude's Recipe?
77 bpm • G Maj • 02:11 • -10.67db
26% Popularity • 57% Danceability • 71% Energy • 92% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 57% Danceability • 71% Energy • 92% Liveness
0% Instrumentalness • 52% Positiveness
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Kyle Kinane
This Track Is Not Called I Ain't Tha 1
77 bpm • D# Maj • 01:52 • -7.21db
40% Popularity • 74% Danceability • 57% Energy • 80% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 74% Danceability • 57% Energy • 80% Liveness
0% Instrumentalness • 56% Positiveness
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Doug Benson
The Audience Is Tweeting
77 bpm • C# Maj • 06:09 • -6.07db
6% Popularity • 39% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 39% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 30% Positiveness
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Matt Braunger
Panda Butler
77 bpm • F# min • 02:06 • -6.86db
30% Popularity • 66% Danceability • 76% Energy • 74% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 66% Danceability • 76% Energy • 74% Liveness
0% Instrumentalness • 54% Positiveness
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Patton Oswalt
The DMV and the Post Office
77 bpm • D Maj • 02:23 • -17.63db
30% Popularity • 65% Danceability • 40% Energy • 83% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 65% Danceability • 40% Energy • 83% Liveness
0% Instrumentalness • 41% Positiveness
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Kurt Metzger
Kurt Metzger Breaks His Mother's Heart
77 bpm • B min • 02:08 • -8db
25% Popularity • 41% Danceability • 88% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 88% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
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Gary Gulman
Walrus
76 bpm • D min • 02:14 • -4.71db
28% Popularity • 48% Danceability • 92% Energy • 91% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 48% Danceability • 92% Energy • 91% Liveness
0% Instrumentalness • 51% Positiveness
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Jim Norton
Penn State
76 bpm • F Maj • 06:20 • -3.91db
22% Popularity • 52% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 52% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Greg Giraldo
Fat Ass with Fingers / Illegal Aliens
78 bpm • A# min • 01:45 • -5.35db
25% Popularity • 48% Danceability • 87% Energy • 73% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 48% Danceability • 87% Energy • 73% Liveness
0% Instrumentalness • 54% Positiveness
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Todd Glass
More Arms Than Courage
76 bpm • F Maj • 02:27 • -3.07db
25% Popularity • 48% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 48% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
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Kumail Nanjiani
Video Games
78 bpm • D# Maj • 08:19 • -6.75db
23% Popularity • 65% Danceability • 83% Energy • 92% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 65% Danceability • 83% Energy • 92% Liveness
0% Instrumentalness • 35% Positiveness
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Kurt Metzger
This One Is Hard to Justify!
77 bpm • D Maj • 02:13 • -7.27db
15% Popularity • 49% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 49% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Tommy Campbell
Having a Baby
78 bpm • F# min • 01:56 • -16.56db
31% Popularity • 70% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 70% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Mitch Hedberg
Headless Horseman
76 bpm • A# Maj • 02:57 • -8.07db
31% Popularity • 48% Danceability • 97% Energy • 84% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 48% Danceability • 97% Energy • 84% Liveness
0% Instrumentalness • 7% Positiveness
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Doug Benson
Life Tips
76 bpm • C Maj • 05:13 • -9.23db
8% Popularity • 49% Danceability • 60% Energy • 76% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 49% Danceability • 60% Energy • 76% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Rogan
I Have Children
76 bpm • G# Maj • 01:27 • -3.95db
39% Popularity • 52% Danceability • 94% Energy • 74% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 52% Danceability • 94% Energy • 74% Liveness
0% Instrumentalness • 54% Positiveness
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Todd Glass
Cool Guy
78 bpm • C# Maj • 02:19 • -7.42db
22% Popularity • 59% Danceability • 73% Energy • 95% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 59% Danceability • 73% Energy • 95% Liveness
0% Instrumentalness • 79% Positiveness
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Kurt Metzger
Kurt Talks to Young People About Safe As...
76 bpm • F# Maj • 02:15 • -8db
17% Popularity • 43% Danceability • 90% Energy • 77% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 43% Danceability • 90% Energy • 77% Liveness
0% Instrumentalness • 26% Positiveness
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Rory Scovel
Wake Up
78 bpm • B min • 02:17 • -11.98db
18% Popularity • 58% Danceability • 61% Energy • 59% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 58% Danceability • 61% Energy • 59% Liveness
0% Instrumentalness • 57% Positiveness
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Tommy Campbell
Weird Suburbs
78 bpm • A# Maj • 01:55 • -9.36db
26% Popularity • 67% Danceability • 69% Energy • 86% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 67% Danceability • 69% Energy • 86% Liveness
0% Instrumentalness • 66% Positiveness
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Mitch Hedberg
The Pipe
76 bpm • D Maj • 02:04 • -11.66db
33% Popularity • 52% Danceability • 85% Energy • 92% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 52% Danceability • 85% Energy • 92% Liveness
0% Instrumentalness • 18% Positiveness
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Bob Saget
Afv vs. Afhv
76 bpm • A Maj • 01:28 • -4.84db
39% Popularity • 61% Danceability • 93% Energy • 93% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 61% Danceability • 93% Energy • 93% Liveness
0% Instrumentalness • 43% Positiveness
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Chad Daniels
Phone Racist
78 bpm • C# min • 03:06 • -9.3db
35% Popularity • 53% Danceability • 68% Energy • 93% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 53% Danceability • 68% Energy • 93% Liveness
0% Instrumentalness • 73% Positiveness
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Andrew Norelli
Teachers
78 bpm • F Maj • 03:57 • -13.76db
21% Popularity • 62% Danceability • 60% Energy • 89% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 62% Danceability • 60% Energy • 89% Liveness
0% Instrumentalness • 61% Positiveness
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Sam Morril
Sam Tackles Homophobia
78 bpm • G min • 02:51 • -13.09db
25% Popularity • 42% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 42% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
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Doug Benson
Vaporizer Pen Thingy
78 bpm • C# Maj • 02:45 • -5.83db
5% Popularity • 53% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 35% Positiveness
5% Popularity • 53% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 35% Positiveness
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Morgan Murphy
Joke's on You
78 bpm • E Maj • 01:00 • -7.36db
34% Popularity • 56% Danceability • 67% Energy • 76% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 56% Danceability • 67% Energy • 76% Liveness
0% Instrumentalness • 71% Positiveness
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Doug Stanhope
Carnival Head
78 bpm • F Maj • 02:45 • -12.19db
25% Popularity • 44% Danceability • 73% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 44% Danceability • 73% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
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Todd Glass
Shamwow
78 bpm • C# min • 03:53 • -2.3db
15% Popularity • 46% Danceability • 92% Energy • 85% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 46% Danceability • 92% Energy • 85% Liveness
0% Instrumentalness • 75% Positiveness
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Al Madrigal
Advice
76 bpm • A# Maj • 01:47 • -5.52db
35% Popularity • 58% Danceability • 88% Energy • 92% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 58% Danceability • 88% Energy • 92% Liveness
0% Instrumentalness • 60% Positiveness
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Patton Oswalt
Parents and Pills
78 bpm • A# Maj • 03:22 • -18.84db
28% Popularity • 55% Danceability • 43% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 55% Danceability • 43% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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Steve Byrne
Fairytales = Lazy Bitches
76 bpm • D Maj • 07:02 • -14.06db
19% Popularity • 59% Danceability • 74% Energy • 89% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 59% Danceability • 74% Energy • 89% Liveness
0% Instrumentalness • 33% Positiveness
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Jamie Kilstein
When You Bomb Several Countries Bad Shit...
78 bpm • G min • 02:40 • -6.17db
18% Popularity • 72% Danceability • 69% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 72% Danceability • 69% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
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Doug Stanhope
Lady and the Champ
78 bpm • A Maj • 07:59 • -4.45db
28% Popularity • 47% Danceability • 85% Energy • 52% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 47% Danceability • 85% Energy • 52% Liveness
0% Instrumentalness • 71% Positiveness
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Joe List
Steam Room
76 bpm • D Maj • 01:07 • -9.8db
27% Popularity • 54% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 54% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
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Al Madrigal
Turtleman
78 bpm • F Maj • 02:17 • -4.14db
32% Popularity • 53% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 53% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Tommy Campbell
Just Like You're Here
76 bpm • D Maj • 01:15 • -13.89db
33% Popularity • 62% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 62% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 43% Positiveness
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Natasha Leggero
Faux Fur, Diamonds & Jizz
76 bpm • F min • 02:36 • -9db
27% Popularity • 52% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 52% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 23% Positiveness
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Kevin Nealon
The Bra Bomber
79 bpm • A# Maj • 02:42 • -21.25db
18% Popularity • 65% Danceability • 48% Energy • 78% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 65% Danceability • 48% Energy • 78% Liveness
0% Instrumentalness • 53% Positiveness
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Kurt Metzger
I'm Basically Salman Rushdie.
79 bpm • A Maj • 04:18 • -7.73db
16% Popularity • 50% Danceability • 85% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 50% Danceability • 85% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Doug Benson
Doug Loves Making Movies
79 bpm • C# Maj • 04:09 • -6.49db
7% Popularity • 41% Danceability • 92% Energy • 90% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 41% Danceability • 92% Energy • 90% Liveness
0% Instrumentalness • 29% Positiveness
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Mitch Hedberg
Dry Clean Only
79 bpm • F min • 01:27 • -13.69db
30% Popularity • 49% Danceability • 48% Energy • 57% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 49% Danceability • 48% Energy • 57% Liveness
0% Instrumentalness • 75% Positiveness
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Steve Rannazzisi
Dollop of Mustard
75 bpm • D Maj • 04:47 • -5.69db
23% Popularity • 60% Danceability • 90% Energy • 88% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 60% Danceability • 90% Energy • 88% Liveness
0% Instrumentalness • 55% Positiveness
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Kumail Nanjiani
Brooklyn
79 bpm • B min • 01:41 • -4.5db
35% Popularity • 47% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 47% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 28% Positiveness
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Louis Katz
Balding/Getting Older/Large Women
79 bpm • D min • 02:43 • -5.83db
27% Popularity • 56% Danceability • 88% Energy • 93% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 56% Danceability • 88% Energy • 93% Liveness
0% Instrumentalness • 42% Positiveness
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Rachel Feinstein
My Unstoppable Whore Friends
75 bpm • F# Maj • 03:04 • -6db
20% Popularity • 50% Danceability • 88% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 50% Danceability • 88% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
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Al Madrigal
Cholo Soccer Dad
79 bpm • E Maj • 07:37 • -4.43db
30% Popularity • 40% Danceability • 97% Energy • 95% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 40% Danceability • 97% Energy • 95% Liveness
0% Instrumentalness • 31% Positiveness
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Harland Williams
Audience Work
79 bpm • F# Maj • 02:18 • -7.06db
17% Popularity • 55% Danceability • 79% Energy • 99% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 55% Danceability • 79% Energy • 99% Liveness
0% Instrumentalness • 50% Positiveness
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Doug Benson
Questions or Comments
75 bpm • A Maj • 03:12 • -7.4db
8% Popularity • 53% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 53% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Hardwick
The Other n Word
79 bpm • C# Maj • 04:23 • -4.06db
19% Popularity • 54% Danceability • 95% Energy • 83% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 54% Danceability • 95% Energy • 83% Liveness
0% Instrumentalness • 37% Positiveness
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Louis Katz
D.A.R.E. & Sex Ed
79 bpm • A Maj • 03:00 • -4.23db
24% Popularity • 51% Danceability • 88% Energy • 74% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 51% Danceability • 88% Energy • 74% Liveness
0% Instrumentalness • 58% Positiveness
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Dan Soder
Weed Is Not a Drug
79 bpm • G# Maj • 03:20 • -11.02db
25% Popularity • 55% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 55% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
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Doug Stanhope
Secret of My Success
79 bpm • F Maj • 02:13 • -13.47db
28% Popularity • 48% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 48% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
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Tommy Johnagin
Humorous Story About Drugs
79 bpm • A# min • 04:10 • -8.52db
25% Popularity • 47% Danceability • 91% Energy • 97% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 47% Danceability • 91% Energy • 97% Liveness
0% Instrumentalness • 56% Positiveness
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Doug Benson
Marijuana Smell
75 bpm • D min • 04:14 • -16db
9% Popularity • 49% Danceability • 45% Energy • 87% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 49% Danceability • 45% Energy • 87% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Segura
Shouting Black
79 bpm • E Maj • 01:53 • -14.18db
42% Popularity • 55% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 55% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 23% Positiveness
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Big Jay Oakerson
It's All in How You Look at It
79 bpm • C# Maj • 02:52 • -6.59db
23% Popularity • 42% Danceability • 92% Energy • 91% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 42% Danceability • 92% Energy • 91% Liveness
0% Instrumentalness • 50% Positiveness
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Mitch Hedberg
Gambling
79 bpm • F Maj • 02:25 • -16.33db
25% Popularity • 55% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 55% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Tommy Campbell
Enjoyed Marijuana
80 bpm • B Maj • 01:39 • -10.18db
29% Popularity • 64% Danceability • 65% Energy • 93% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 64% Danceability • 65% Energy • 93% Liveness
0% Instrumentalness • 54% Positiveness
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Rachel Feinstein
Puerto Rican Confidence
80 bpm • C# Maj • 01:23 • -6.05db
28% Popularity • 63% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 63% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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Patton Oswalt
I Am an Awful Dad
75 bpm • E Maj • 05:03 • -6.72db
29% Popularity • 64% Danceability • 76% Energy • 92% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 64% Danceability • 76% Energy • 92% Liveness
0% Instrumentalness • 36% Positiveness
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Chad Daniels
Environmental Science
80 bpm • F# Maj • 02:44 • -8.37db
37% Popularity • 61% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 61% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
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Dan Cummins
They Will Respect the Steel
80 bpm • G# Maj • 02:38 • -13.61db
24% Popularity • 56% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 56% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 40% Positiveness
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Todd Glass
Signs
80 bpm • C# Maj • 03:13 • -5.84db
25% Popularity • 49% Danceability • 79% Energy • 96% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 49% Danceability • 79% Energy • 96% Liveness
0% Instrumentalness • 74% Positiveness
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Louis Katz
Marching Band
74 bpm • F Maj • 01:25 • -5db
38% Popularity • 67% Danceability • 80% Energy • 86% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 67% Danceability • 80% Energy • 86% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Saget
"I Just Wanna Entertain People"
80 bpm • D# Maj • 01:36 • -9.65db
36% Popularity • 57% Danceability • 78% Energy • 78% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 57% Danceability • 78% Energy • 78% Liveness
0% Instrumentalness • 66% Positiveness
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Jen Kirkman
Everyone Is Stupid
74 bpm • G# min • 02:49 • -15.4db
21% Popularity • 62% Danceability • 37% Energy • 56% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 62% Danceability • 37% Energy • 56% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Braunger
Clown Pub Crawl
80 bpm • C# Maj • 04:31 • -6db
29% Popularity • 59% Danceability • 85% Energy • 82% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 59% Danceability • 85% Energy • 82% Liveness
0% Instrumentalness • 32% Positiveness
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Morgan Murphy
Drugs
80 bpm • G# min • 02:36 • -4.03db
20% Popularity • 63% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 63% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 74% Positiveness
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Myq Kaplan
Batman, Bat-Men, And Google
80 bpm • A Maj • 02:03 • -10.65db
26% Popularity • 55% Danceability • 79% Energy • 77% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 55% Danceability • 79% Energy • 77% Liveness
0% Instrumentalness • 60% Positiveness
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Amy Schumer
Drinking
74 bpm • G# min • 04:00 • -10db
19% Popularity • 42% Danceability • 79% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 42% Danceability • 79% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
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Tommy Campbell
Gold Chains
80 bpm • B Maj • 02:01 • -9.92db
24% Popularity • 55% Danceability • 67% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 55% Danceability • 67% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
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Jim Norton
Ron Jeremy's Giant Cock
80 bpm • E Maj • 03:43 • -11.64db
30% Popularity • 63% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 63% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 46% Positiveness
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Todd Glass
Architectural Jokes
80 bpm • C# Maj • 04:46 • -6db
21% Popularity • 53% Danceability • 82% Energy • 92% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 53% Danceability • 82% Energy • 92% Liveness
0% Instrumentalness • 76% Positiveness
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Kumail Nanjiani
Elephant Man
80 bpm • F# Maj • 02:35 • -5.3db
26% Popularity • 62% Danceability • 92% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 62% Danceability • 92% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
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Nick Swardson
Blades of Glory
80 bpm • E min • 02:42 • -8.4db
27% Popularity • 52% Danceability • 88% Energy • 95% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 52% Danceability • 88% Energy • 95% Liveness
0% Instrumentalness • 20% Positiveness
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Joe DeRosa
F Your Wedding
74 bpm • G Maj • 05:59 • -5.81db
20% Popularity • 47% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 47% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 44% Positiveness
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Rachel Feinstein
Vegas
80 bpm • G min • 02:36 • -6db
23% Popularity • 55% Danceability • 82% Energy • 71% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 55% Danceability • 82% Energy • 71% Liveness
0% Instrumentalness • 27% Positiveness
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Jim Norton
A Cute Thing To Say
80 bpm • F min • 01:14 • -13.27db
24% Popularity • 45% Danceability • 87% Energy • 93% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 45% Danceability • 87% Energy • 93% Liveness
0% Instrumentalness • 7% Positiveness
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Myq Kaplan
Blind and Deaf Comedy Jam
80 bpm • F min • 02:21 • -5.47db
20% Popularity • 51% Danceability • 78% Energy • 81% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 51% Danceability • 78% Energy • 81% Liveness
0% Instrumentalness • 63% Positiveness
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Shane Mauss
Doctor, Wi
81 bpm • F# Maj • 03:39 • -7db
22% Popularity • 54% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 54% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
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Tom Segura
Pregnant While Mexican
74 bpm • C Maj • 03:48 • -7.95db
30% Popularity • 47% Danceability • 84% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 47% Danceability • 84% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
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Patton Oswalt
The Weight Loss Plan
74 bpm • F Maj • 02:07 • -5.09db
29% Popularity • 66% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 66% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
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Doug Benson
Who Tweeted?
81 bpm • D# min • 07:13 • -5.51db
5% Popularity • 41% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 41% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 22% Positiveness
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Nick Di Paolo
Slip 'N' Slide
81 bpm • B Maj • 02:04 • -8.53db
23% Popularity • 60% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 60% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 23% Positiveness
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Dan Soder
Nana Time
81 bpm • G# Maj • 01:33 • -11.01db
35% Popularity • 56% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 56% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 18% Positiveness
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Tig Notaro
God Is Crazy
81 bpm • F# Maj • 01:31 • -18db
21% Popularity • 56% Danceability • 28% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 56% Danceability • 28% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
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Tom Segura
Cursing Is Bad / Rudely Interrupted
81 bpm • A# min • 02:38 • -10db
40% Popularity • 57% Danceability • 74% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 57% Danceability • 74% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
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Kyle Kinane
I'll Be with You Tonight
81 bpm • B Maj • 08:00 • -7.35db
22% Popularity • 56% Danceability • 59% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 56% Danceability • 59% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
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Ryan Stout
Initiation
81 bpm • C# min • 01:58 • -8db
27% Popularity • 53% Danceability • 86% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 53% Danceability • 86% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Bob Saget
Diarrhea Can Save Your Life
81 bpm • G Maj • 01:18 • -4.43db
36% Popularity • 61% Danceability • 96% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 61% Danceability • 96% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
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Doug Benson
Meth You Up
81 bpm • C# Maj • 01:58 • -12.94db
15% Popularity • 53% Danceability • 86% Energy • 73% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 53% Danceability • 86% Energy • 73% Liveness
0% Instrumentalness • 27% Positiveness
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Rachel Feinstein
Navajo Graveyard
81 bpm • F min • 01:50 • -6.81db
28% Popularity • 62% Danceability • 80% Energy • 77% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 62% Danceability • 80% Energy • 77% Liveness
0% Instrumentalness • 79% Positiveness
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Greg Giraldo
Computer Dating / Couples Fight
81 bpm • F# min • 03:20 • -3.94db
18% Popularity • 57% Danceability • 84% Energy • 74% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 57% Danceability • 84% Energy • 74% Liveness
0% Instrumentalness • 78% Positiveness
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Doug Stanhope
Fear for Your Own Safety
81 bpm • G Maj • 01:47 • -13.41db
38% Popularity • 47% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 47% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 63% Positiveness
