Songs like Who I Am by Wade Bowen
Based on a tempo of (+/- 10%) and a similar genre
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Jarrod Morris
Truth Like a Lie
114 bpm • C Maj • 04:12 • -10db
29% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Wade Bowen
Saturday Night
114 bpm • E Maj • 03:28 • -6.1db
38% Popularity • 62% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 62% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Alex Key
Sleep Talking
114 bpm • F# Maj • 03:40 • -5.62db
37% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Triston Marez
Day Drinking
114 bpm • A Maj • 03:19 • -5db
25% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Aaron Watson
Barbed Wire Halo
114 bpm • A Maj • 04:25 • -8.18db
36% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Fowler
Hard Man to Love
114 bpm • A Maj • 04:02 • -6.01db
39% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Stoney LaRue
Texas Moon
114 bpm • F Maj • 04:10 • -4.04db
28% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Wade Bowen
Who I Am
114 bpm • A Maj • 04:35 • -7.18db
39% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Randy Rogers
Kiss Me in the Dark
115 bpm • A# Maj • 04:45 • -3.73db
26% Popularity • 38% Danceability • 76% Energy • 95% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 38% Danceability • 76% Energy • 95% Liveness
0% Instrumentalness • 41% Positiveness
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Kyle Park
Fit for the King
113 bpm • E Maj • 03:22 • -4.98db
32% Popularity • 56% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 56% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Jarrod Morris
Western Tears
113 bpm • D Maj • 04:08 • -15db
36% Popularity • 64% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 64% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 37% Positiveness
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Ray Wylie Hubbard
Even If My Wheels Fall Off
113 bpm • F Maj • 03:36 • -6.58db
24% Popularity • 76% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 76% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Stoney LaRue
Down In Flames
113 bpm • A# Maj • 03:52 • -4.01db
38% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Jon Wolfe
Any Night in Texas
115 bpm • F Maj • 03:55 • -5db
33% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Casey Donahew
Queen for a Night
115 bpm • G Maj • 03:16 • -6db
44% Popularity • 65% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 65% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Jon Stork
Another Town
115 bpm • G Maj • 03:56 • -3.95db
21% Popularity • 56% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 56% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Josh Ward
Change My Mind
115 bpm • G Maj • 03:34 • -6db
45% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Dillon Carmichael
I Do For You
113 bpm • D Maj • 02:54 • -5.19db
36% Popularity • 66% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
36% Popularity • 66% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Seth Ward
Break Your Heart
113 bpm • G Maj • 03:43 • -5db
31% Popularity • 59% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 59% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Alex Key
The Fool That I Am
115 bpm • F min • 03:18 • -5.71db
42% Popularity • 68% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 68% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Ronnie Dunn
Road to Abilene
115 bpm • G Maj • 04:00 • -5.41db
38% Popularity • 59% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 59% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Triston Marez
Where the Neon Lies
113 bpm • G Maj • 04:02 • -6.09db
34% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Randy Rogers
Saturday Night
113 bpm • E Maj • 04:01 • -3.4db
17% Popularity • 48% Danceability • 72% Energy • 96% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 48% Danceability • 72% Energy • 96% Liveness
0% Instrumentalness • 28% Positiveness
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Randall King
Ain’t Waitin’ on You
113 bpm • E Maj • 03:37 • -7.94db
36% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Wynn Williams
Tornado
113 bpm • F Maj • 05:00 • -6.19db
39% Popularity • 70% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 46% Positiveness
39% Popularity • 70% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 46% Positiveness
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Eric Church
Rock & Roll Found Me
113 bpm • D Maj • 04:09 • -9.92db
43% Popularity • 87% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 87% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Jon Wolfe
Smile on Mine
116 bpm • A# Maj • 02:37 • -3db
40% Popularity • 63% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 63% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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DERYL DODD
Things Are Fixin' to Get Real Good
112 bpm • G Maj • 03:23 • -6.85db
26% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Mikele Buck Band
With Me Now
116 bpm • G Maj • 03:29 • -6db
31% Popularity • 62% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Josh Ward
Ain't It Baby
112 bpm • E Maj • 03:40 • -5db
40% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jody Booth
Life of My Love
112 bpm • D Maj • 03:54 • -5db
23% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Eric Church
Russian Roulette
112 bpm • C# Maj • 03:57 • -7.54db
44% Popularity • 71% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 71% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Graycie York
Without Me
116 bpm • G# Maj • 04:33 • -6.57db
22% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Ward Davis
Good and Drunk
117 bpm • E Maj • 03:12 • -7.39db
25% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Wade Bowen
Yours Alone - Bonus
117 bpm • D min • 04:13 • -9.61db
18% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Shotgun Rider
Texas Rain
117 bpm • E Maj • 03:20 • -6db
40% Popularity • 54% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 54% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Seven Miles South
Texas Rain
117 bpm • E Maj • 03:31 • -6.91db
50% Popularity • 58% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 58% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Jason Boland & The Stragglers
Proud Souls
117 bpm • A Maj • 05:03 • -10.73db
31% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Graycie York
Texas Rain
112 bpm • C Maj • 03:38 • -8.23db
37% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Aaron Watson
Whisper My Name
117 bpm • A Maj • 03:12 • -5.94db
27% Popularity • 67% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 67% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Cameron Sacky Band
Diamonds
117 bpm • D# Maj • 04:10 • -6.67db
29% Popularity • 68% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 68% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Shotgun Rider
Steady as She Goes
111 bpm • D# min • 04:03 • -6db
36% Popularity • 59% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 59% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Wade Bowen
Songs About Trucks
117 bpm • D# Maj • 03:21 • -7.42db
38% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Kin Faux
Wild Horses
117 bpm • G Maj • 02:47 • -3.6db
30% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Bart Crow
Pocket Full of Kisses
117 bpm • G# Maj • 03:57 • -5.17db
24% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Kody West
Love Me Too
117 bpm • E Maj • 04:11 • -5.24db
45% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Triston Marez
Too Soon For Goodbye
111 bpm • A Maj • 03:35 • -6.11db
42% Popularity • 70% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 70% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Jon Wolfe
Airport Kiss
111 bpm • A Maj • 03:09 • -3.82db
33% Popularity • 66% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 66% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Wade Bowen
If You Don't Miss Me
111 bpm • G Maj • 03:06 • -4.69db
17% Popularity • 60% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 60% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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William Beckmann
Tennessee Drinkin'
111 bpm • C Maj • 03:02 • -3.84db
38% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Brooks & Dunn
Lost and Found - with Tyler Booth
118 bpm • E Maj • 03:55 • -5.17db
38% Popularity • 62% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 62% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Bart Crow
Shot from the Heart
118 bpm • E Maj • 03:03 • -5.48db
25% Popularity • 64% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 64% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Casey Donahew
Kiss Me
118 bpm • E Maj • 03:28 • -4.59db
47% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Wolfe
Tequila Sundown
111 bpm • G# Maj • 03:52 • -6.97db
28% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Dolly Shine
Should've Known
118 bpm • E Maj • 04:32 • -8.25db
33% Popularity • 54% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
33% Popularity • 54% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Seven Miles South
Watch What You're Falling For
118 bpm • A min • 03:42 • -6.95db
32% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Randy Rogers
Habits
118 bpm • A Maj • 03:30 • -5.47db
24% Popularity • 56% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 56% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Eric Church
Holdin' My Own
118 bpm • G# Maj • 03:55 • -11.94db
46% Popularity • 93% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 93% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Silverada
You Look Good in Neon
118 bpm • G Maj • 04:00 • -9.54db
48% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Wade Bowen
Honky Tonk Roll
118 bpm • G Maj • 03:48 • -3.99db
25% Popularity • 58% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 58% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Sunny Sweeney
From A Table Away
110 bpm • G# Maj • 03:35 • -4.34db
43% Popularity • 55% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 55% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Shotgun Rider
Nothin' at All
110 bpm • A# Maj • 03:20 • -5.8db
22% Popularity • 68% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 68% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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William Beckmann
Follow
110 bpm • G# Maj • 03:06 • -7db
30% Popularity • 65% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 65% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Eric Church
Through My Ray-Bans
110 bpm • F Maj • 04:33 • -11.39db
44% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Parker McCollum
Misunderstood
110 bpm • C Maj • 03:21 • -7.3db
52% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Stoney LaRue
Look At Me Fly
118 bpm • G Maj • 04:52 • -5.13db
43% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jon Wolfe
A Cowgirl Like You
119 bpm • C Maj • 04:09 • -7.84db
33% Popularity • 46% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
33% Popularity • 46% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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Randy Houser
Evangeline
119 bpm • E Maj • 03:54 • -7.53db
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Chad Cooke Band
Whatever It Takes
119 bpm • F# min • 03:24 • -5.71db
28% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Kody West
In The Morning
119 bpm • G Maj • 04:14 • -4.99db
32% Popularity • 47% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 47% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Grider
One Night Taco Stand
119 bpm • B Maj • 04:15 • -6.15db
26% Popularity • 65% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 65% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Stoney LaRue
Let Me Hold You
119 bpm • D Maj • 03:39 • -5.43db
32% Popularity • 48% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 48% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Josh Ward
Lovin' Where It's Goin'
109 bpm • D Maj • 02:59 • -5db
49% Popularity • 72% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 72% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Mae Estes
Thinkin' 'Bout Cheatin' - Recycled
109 bpm • E Maj • 03:42 • -5.65db
28% Popularity • 65% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 65% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Justin Moore
She Ain’t Mine No More
109 bpm • F# Maj • 03:37 • -5.03db
37% Popularity • 61% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 61% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Kyle Park
Every Day Kind Of Love
109 bpm • A Maj • 03:28 • -4.32db
13% Popularity • 56% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 56% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Flatland Cavalry
No Shade of Green
109 bpm • F# Maj • 03:01 • -9.36db
53% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
53% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Jesse Raub Jr.
I'd Look Good On You
109 bpm • A Maj • 03:02 • -6.91db
31% Popularity • 74% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 74% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Zane Williams
Little Too Late
109 bpm • G# min • 04:37 • -6.31db
36% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Casey Donahew
That's Why We Ride
120 bpm • G Maj • 03:03 • -3.73db
38% Popularity • 65% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 65% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Jon Wolfe
That Girl in Texas
120 bpm • C Maj • 04:07 • -3.92db
39% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Carlton Anderson
Yours
120 bpm • C Maj • 02:59 • -8.34db
27% Popularity • 70% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 70% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Boland & The Stragglers
Lucky I Guess
120 bpm • E Maj • 05:07 • -8.15db
26% Popularity • 52% Danceability • 55% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
26% Popularity • 52% Danceability • 55% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
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Dillon Carmichael
Old Songs Like That
120 bpm • D Maj • 03:31 • -13db
35% Popularity • 57% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 57% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Wade Bowen
Where We Call Home
120 bpm • G Maj • 03:14 • -8.12db
16% Popularity • 63% Danceability • 62% Energy • 19% Liveness
12% Instrumentalness • 58% Positiveness
16% Popularity • 63% Danceability • 62% Energy • 19% Liveness
12% Instrumentalness • 58% Positiveness
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Parker McCollum
Blanco County Rain - Special Edition Tra...
120 bpm • C# Maj • 03:38 • -4db
43% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Braxton Keith
Neon Dreams
120 bpm • D Maj • 03:26 • -8.64db
31% Popularity • 66% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 66% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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William Beckmann
30 Miles
120 bpm • D Maj • 03:20 • -11.08db
31% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Ronnie Dunn
She's Actin' Single (I'm Drinkin' Double...
108 bpm • F Maj • 03:28 • -6db
46% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Phil Hamilton
Brazos Wind
108 bpm • D Maj • 04:37 • -12.56db
37% Popularity • 65% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 65% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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The Wilder Blue
Palomino Gold
108 bpm • C# Maj • 04:33 • -9.68db
53% Popularity • 60% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
53% Popularity • 60% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Dillon Carmichael
Natural Disaster
107 bpm • D Maj • 06:24 • -9.22db
19% Popularity • 37% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 16% Positiveness
19% Popularity • 37% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 16% Positiveness
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Wade Bowen
My California
121 bpm • C# min • 04:45 • -8.12db
29% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Lucas Jagneaux & the Roadshow
The Worst Thing About Texas
107 bpm • F Maj • 04:44 • -10db
26% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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DERYL DODD
Sundown
107 bpm • D Maj • 04:17 • -7db
31% Popularity • 70% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 70% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Parker McCollum
Hold Me Back
107 bpm • C Maj • 03:03 • -10.92db
52% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Randy Rogers
Who I Am
122 bpm • A Maj • 05:10 • -4.33db
24% Popularity • 40% Danceability • 57% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 40% Danceability • 57% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
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Pat Green
Texas On My Mind
122 bpm • G Maj • 04:40 • -5db
41% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness