Songs like Why Not? by Christian Leave
Based on a tempo of (+/- 10%) and a similar genre
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Ritt Momney
Sunny Boy
133 bpm • C Maj • 03:43 • -8db
34% Popularity • 72% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
34% Popularity • 72% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
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Christian Leave
Why Not?
133 bpm • A# Maj • 02:29 • -5.37db
32% Popularity • 46% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 46% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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SOMOH
I've Been Saying This
133 bpm • D# Maj • 03:38 • -12.43db
28% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Boyish
Congratulations
133 bpm • C# Maj • 02:57 • -8.43db
29% Popularity • 36% Danceability • 82% Energy • 36% Liveness
2% Instrumentalness • 53% Positiveness
29% Popularity • 36% Danceability • 82% Energy • 36% Liveness
2% Instrumentalness • 53% Positiveness
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Arlie
big fat mouth - acoustic
133 bpm • D Maj • 03:29 • -7db
20% Popularity • 77% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 77% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Genevieve Stokes
17
133 bpm • A Maj • 04:45 • -17.45db
30% Popularity • 33% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
30% Popularity • 33% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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mehro
parasite
132 bpm • G Maj • 02:37 • -10.96db
41% Popularity • 60% Danceability • 52% Energy • 14% Liveness
2% Instrumentalness • 39% Positiveness
41% Popularity • 60% Danceability • 52% Energy • 14% Liveness
2% Instrumentalness • 39% Positiveness
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Christian Leave
Hard Wad Body
133 bpm • C Maj • 03:26 • -8.53db
31% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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LAUNDRY DAY
Listen to Me When I Say
132 bpm • E Maj • 03:38 • -8.43db
15% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Sophie May
Cadillac
132 bpm • A Maj • 02:51 • -6.39db
41% Popularity • 56% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
41% Popularity • 56% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
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Connie Campsie
Sucker
134 bpm • C Maj • 03:43 • -8.89db
32% Popularity • 61% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 61% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Genevieve Stokes
You & Me
132 bpm • F# min • 02:55 • -13.41db
37% Popularity • 73% Danceability • 36% Energy • 36% Liveness
28% Instrumentalness • 66% Positiveness
37% Popularity • 73% Danceability • 36% Energy • 36% Liveness
28% Instrumentalness • 66% Positiveness
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Victoria Canal
pity season
134 bpm • D# Maj • 02:47 • -12.37db
26% Popularity • 61% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 61% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Christian Leave
Shadows
134 bpm • A# Maj • 03:30 • -4.76db
27% Popularity • 41% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 41% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
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COIN
Plug Me In
134 bpm • G Maj • 02:07 • -12.21db
29% Popularity • 48% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 48% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 39% Positiveness
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Mikey Ferrari
Am I even living anymore
132 bpm • B Maj • 03:21 • -5.23db
30% Popularity • 63% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 63% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Peter McPoland
News At 9
134 bpm • D# Maj • 03:13 • -6db
43% Popularity • 34% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 34% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Ritt Momney
I
132 bpm • C Maj • 01:25 • -12.97db
39% Popularity • 42% Danceability • 17% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 42% Danceability • 17% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Ryan Beatty
Bruises Off The Peach
132 bpm • B Maj • 03:12 • -8.8db
55% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Zaidi
Younger with Time.
131 bpm • D Maj • 03:42 • -16.99db
18% Popularity • 54% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
18% Popularity • 54% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Grace Gardner
Scorpions Don't Live Forever
135 bpm • F Maj • 04:32 • -8db
30% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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JAWNY
fall in love
135 bpm • C Maj • 03:49 • -8.09db
40% Popularity • 48% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 48% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Ashe
Shower With My Clothes On
135 bpm • F# min • 03:04 • -7db
38% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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BEL
mason jar
131 bpm • G# Maj • 03:40 • -7.61db
28% Popularity • 56% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
28% Popularity • 56% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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Gus Dapperton
Landslide
131 bpm • A# Maj • 03:30 • -7.34db
32% Popularity • 36% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 36% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Quarters of Change
Die In Your Arms
131 bpm • C Maj • 03:46 • -11.53db
21% Popularity • 48% Danceability • 32% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
21% Popularity • 48% Danceability • 32% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Nate Poshkus
Lead Me On
130 bpm • A# Maj • 02:58 • -6.94db
40% Popularity • 49% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 49% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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buffchick
Over & Again
136 bpm • B Maj • 03:07 • -7db
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Joe P
All Day I Dream About
130 bpm • B Maj • 03:20 • -7.71db
44% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Charlie Brennan
May Flowers
130 bpm • D# Maj • 03:30 • -14.04db
29% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Sophie May
With The Band
130 bpm • F min • 02:53 • -7.49db
34% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Aidan Bissett
I Can't Be Your Friend
130 bpm • A Maj • 02:51 • -5.56db
39% Popularity • 73% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
39% Popularity • 73% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
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Charlie Burg
The Haus Lives Forever
136 bpm • C Maj • 03:44 • -9.38db
19% Popularity • 59% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 59% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
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Katie Gregson-MacLeod
All the Love
130 bpm • D Maj • 03:46 • -8.68db
20% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Delacey
Break up Slow Dance
130 bpm • E Maj • 03:31 • -9.03db
36% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ally Evenson
I Can't Feel (My Body)
130 bpm • D# Maj • 04:23 • -9.91db
27% Popularity • 56% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 56% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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The Moss
Push, Stay
130 bpm • G Maj • 03:18 • -14.94db
27% Popularity • 40% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 11% Positiveness
27% Popularity • 40% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 11% Positiveness
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Natalie Madigan
Remember Why You Fell in Love
130 bpm • B Maj • 04:25 • -10.76db
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Sophie May
Bruises & Scratches
130 bpm • B Maj • 02:19 • -6.93db
45% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Joe P
Going to California
130 bpm • G Maj • 04:04 • -11.31db
34% Popularity • 32% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
34% Popularity • 32% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
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Function Space
Singing About Something Else
136 bpm • F# min • 02:21 • -9.03db
25% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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John-Robert
Pelican
137 bpm • F# min • 02:37 • -7db
31% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Trudy and the Romance
Angel
137 bpm • E Maj • 04:02 • -5.58db
32% Popularity • 48% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 48% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Christian Leave
I Know There's No More
137 bpm • B min • 03:09 • -6.91db
17% Popularity • 61% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
17% Popularity • 61% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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young friend
CRASH COURSE
129 bpm • G Maj • 03:37 • -6.97db
27% Popularity • 61% Danceability • 72% Energy • 78% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 61% Danceability • 72% Energy • 78% Liveness
0% Instrumentalness • 59% Positiveness
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Wormy
Big Mountain
137 bpm • C Maj • 04:47 • -9.22db
36% Popularity • 54% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
36% Popularity • 54% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Harriette
i heart the internet
137 bpm • E Maj • 03:15 • -7.11db
25% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Delaney Bailey
Praying for July - Spotify Singles
129 bpm • B Maj • 03:06 • -18.18db
36% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Izzy Heltai
Met on the Internet
129 bpm • B Maj • 04:16 • -9.6db
21% Popularity • 55% Danceability • 49% Energy • 13% Liveness
16% Instrumentalness • 47% Positiveness
21% Popularity • 55% Danceability • 49% Energy • 13% Liveness
16% Instrumentalness • 47% Positiveness
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Christian Leave
Darling
129 bpm • C Maj • 02:45 • -7.64db
47% Popularity • 66% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 66% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Breakup Shoes
shower-beer
138 bpm • F# min • 02:51 • -10.71db
30% Popularity • 51% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 12% Positiveness
30% Popularity • 51% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 12% Positiveness
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Stephen Sanchez
Kayla
138 bpm • G# Maj • 02:55 • -9db
50% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Ryan Beatty
Ribbons
138 bpm • D# Maj • 03:17 • -13db
53% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
53% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Delacey
Boy With The Blues
138 bpm • A Maj • 02:55 • -11.53db
41% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Greyson Chance
Palladium
138 bpm • F Maj • 04:07 • -8.4db
35% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Phoebe Go
The Kid
138 bpm • F Maj • 03:33 • -12.51db
23% Popularity • 63% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 63% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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meija
No Words
138 bpm • A min • 03:30 • -5.35db
37% Popularity • 74% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 74% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Peter McPoland
String Lights
128 bpm • F Maj • 03:50 • -6.09db
36% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Windser
Capsize
128 bpm • E Maj • 03:39 • -5.51db
29% Popularity • 72% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 72% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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The Brazen Youth
Spirit Finds Yours
138 bpm • E Maj • 03:21 • -9db
21% Popularity • 51% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 51% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
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Gigi Perez
Figurines
128 bpm • A Maj • 04:20 • -8.63db
31% Popularity • 46% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Ritt Momney
Show Runner 99
127 bpm • F# Maj • 03:26 • -10.14db
31% Popularity • 26% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 26% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Baseball Game
Miss You
139 bpm • A# Maj • 03:39 • -6.72db
26% Popularity • 49% Danceability • 57% Energy • 10% Liveness
4% Instrumentalness • 28% Positiveness
26% Popularity • 49% Danceability • 57% Energy • 10% Liveness
4% Instrumentalness • 28% Positiveness
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Peach Fuzz
I Saw the Moon
127 bpm • C Maj • 03:29 • -14db
29% Popularity • 59% Danceability • 21% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 59% Danceability • 21% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Christian Leave
I Tried What You Practice
127 bpm • B Maj • 02:54 • -6.52db
17% Popularity • 45% Danceability • 68% Energy • 13% Liveness
37% Instrumentalness • 48% Positiveness
17% Popularity • 45% Danceability • 68% Energy • 13% Liveness
37% Instrumentalness • 48% Positiveness
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Rachael Jenkins
Secrets
127 bpm • C# min • 04:12 • -12.94db
28% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Peter McPoland
Slow Down
127 bpm • G Maj • 03:22 • -3.35db
43% Popularity • 35% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 33% Positiveness
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Gatlin
Still Not Me
139 bpm • F# Maj • 02:32 • -8.63db
29% Popularity • 56% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 56% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Margot Liotta
Vodka Coke
127 bpm • D Maj • 04:01 • -18.21db
31% Popularity • 69% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 69% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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corook
the dog
127 bpm • C# Maj • 02:46 • -10.43db
35% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Christian Leave
Adult
139 bpm • D# Maj • 02:37 • -10db
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Katie Gregson-MacLeod
Second Single Bed
127 bpm • E Maj • 03:40 • -11.54db
34% Popularity • 57% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 57% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 51% Positiveness
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Steinza
My Life
127 bpm • C Maj • 02:44 • -13.9db
30% Popularity • 62% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 62% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 22% Positiveness
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carwash
a big tree in a great green field
140 bpm • C# Maj • 01:04 • -18db
39% Popularity • 66% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
39% Popularity • 66% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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The Moss
Seabiscuit
127 bpm • G min • 02:57 • -8.52db
28% Popularity • 59% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 59% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Swimmingly
I've Got A Bad Bad Feeling
140 bpm • F# Maj • 02:54 • -14.18db
18% Popularity • 66% Danceability • 28% Energy • 14% Liveness
5% Instrumentalness • 39% Positiveness
18% Popularity • 66% Danceability • 28% Energy • 14% Liveness
5% Instrumentalness • 39% Positiveness
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West High
Drinkin' Indiana
140 bpm • A Maj • 02:35 • -7.99db
35% Popularity • 56% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 56% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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quinnie
security question
140 bpm • A# Maj • 04:16 • -7.33db
30% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Jensen McRae
Take It Easy
140 bpm • A Maj • 03:04 • -6.81db
35% Popularity • 73% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 73% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Yoke Lore
Shock Flesh
140 bpm • D Maj • 03:41 • -9db
33% Popularity • 62% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 62% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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The Brummies
Cosmic Space Girl
140 bpm • D Maj • 02:55 • -5.99db
24% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Haiva Ru
Wildflowers
140 bpm • B Maj • 03:34 • -10.84db
28% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Hana Eid
Dancing to The Smiths
140 bpm • D Maj • 04:19 • -9.45db
34% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Jelani Aryeh
Someone to Hold You
140 bpm • G Maj • 02:45 • -7.89db
28% Popularity • 68% Danceability • 50% Energy • 17% Liveness
46% Instrumentalness • 31% Positiveness
28% Popularity • 68% Danceability • 50% Energy • 17% Liveness
46% Instrumentalness • 31% Positiveness
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Christian Leave
Can't Help Falling in Love
126 bpm • C Maj • 02:15 • -7.2db
52% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Leith
Love Vibes
140 bpm • F# Maj • 03:06 • -6.2db
27% Popularity • 56% Danceability • 81% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
27% Popularity • 56% Danceability • 81% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
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Kevin Atwater
KEEP IT COOL!
140 bpm • C Maj • 02:50 • -9.45db
42% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Martin Luke Brown
elsie
140 bpm • E Maj • 03:23 • -6.54db
31% Popularity • 65% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 65% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Zeph
how the hell did we end up here?
140 bpm • A# min • 01:25 • -9.8db
45% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Grace Gardner
Deny Me
140 bpm • D Maj • 05:07 • -16.78db
40% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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young friend
met this girl on the internet
126 bpm • E Maj • 02:59 • -13.5db
27% Popularity • 73% Danceability • 21% Energy • 15% Liveness
24% Instrumentalness • 20% Positiveness
27% Popularity • 73% Danceability • 21% Energy • 15% Liveness
24% Instrumentalness • 20% Positiveness
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NoSo
Allie
126 bpm • E Maj • 03:25 • -8.19db
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Claud
Tommy
126 bpm • C# Maj • 03:33 • -11.5db
35% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Martin Luke Brown
grateful
140 bpm • B min • 03:13 • -7.88db
30% Popularity • 72% Danceability • 67% Energy • 9% Liveness
32% Instrumentalness • 56% Positiveness
30% Popularity • 72% Danceability • 67% Energy • 9% Liveness
32% Instrumentalness • 56% Positiveness
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Sarah and the Sundays
Don't Make Me Cry Anymore
126 bpm • A# Maj • 02:39 • -6.93db
31% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Philip Brooks
red dress
141 bpm • C Maj • 02:42 • -15.32db
24% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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The Backseat Lovers
Words I Used
141 bpm • D# Maj • 05:23 • -12db
50% Popularity • 43% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
50% Popularity • 43% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
