Songs like Wiener Blut, Walzer Op.354 (Vienna Blood, Waltz Op.354 / Sang Viennoise, Valse Op.354) by Ricci Ferra
Based on a tempo of (+/- 10%) and a similar genre
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The Manhattan Pops
The Waves of the Danube
178 bpm • F Maj • 02:50 • -11.42db
21% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 49% Positiveness
21% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 49% Positiveness
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Ludwig van Beethoven
Beethoven / Arr. Rios: Symphony No. 9 in...
178 bpm • D Maj • 04:45 • -7.82db
30% Popularity • 13% Danceability • 52% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
30% Popularity • 13% Danceability • 52% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
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Johann Strauss II
Kaiserwalzer, Op. 437
178 bpm • C Maj • 11:33 • -18.48db
20% Popularity • 20% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
20% Popularity • 20% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Ricci Ferra
Wiener Blut, Walzer Op.354 (Vienna Blood...
178 bpm • C Maj • 03:48 • -11.63db
19% Popularity • 28% Danceability • 29% Energy • 34% Liveness
88% Instrumentalness • 52% Positiveness
19% Popularity • 28% Danceability • 29% Energy • 34% Liveness
88% Instrumentalness • 52% Positiveness
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Gran Orquesta Vienesa
Vida de Artista
178 bpm • C Maj • 03:02 • -7.7db
10% Popularity • 27% Danceability • 38% Energy • 13% Liveness
82% Instrumentalness • 49% Positiveness
10% Popularity • 27% Danceability • 38% Energy • 13% Liveness
82% Instrumentalness • 49% Positiveness
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Claudius Alzner
Rock around the clock - How hight the mo...
178 bpm • C Maj • 03:19 • -13.01db
26% Popularity • 45% Danceability • 39% Energy • 7% Liveness
73% Instrumentalness • 81% Positiveness
26% Popularity • 45% Danceability • 39% Energy • 7% Liveness
73% Instrumentalness • 81% Positiveness
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Tanz Orchester Klaus Hallen
Die Moldau - (Wiener Walzer / 60 BPM)
178 bpm • E min • 03:35 • -8.43db
13% Popularity • 10% Danceability • 51% Energy • 18% Liveness
16% Instrumentalness • 28% Positiveness
13% Popularity • 10% Danceability • 51% Energy • 18% Liveness
16% Instrumentalness • 28% Positiveness
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The New 101 Strings Orchestra
Emperor Waltz
177 bpm • C Maj • 02:16 • -9.13db
19% Popularity • 44% Danceability • 19% Energy • 21% Liveness
84% Instrumentalness • 80% Positiveness
19% Popularity • 44% Danceability • 19% Energy • 21% Liveness
84% Instrumentalness • 80% Positiveness
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Johann Strauss II
Wein, Weib und Gesang (Wine, Women and S...
178 bpm • D# Maj • 02:28 • -19.42db
28% Popularity • 25% Danceability • 10% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
28% Popularity • 25% Danceability • 10% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
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Dancelife Studio Orchestra
Whatever Will Be Will Be ((Viennese Walt...
177 bpm • A# Maj • 01:24 • -11db
19% Popularity • 39% Danceability • 49% Energy • 29% Liveness
87% Instrumentalness • 96% Positiveness
19% Popularity • 39% Danceability • 49% Energy • 29% Liveness
87% Instrumentalness • 96% Positiveness
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Kurt Edelhagen
Wiener Walzer: 60 Takte Pro Minute - Wie...
179 bpm • C Maj • 03:07 • -11db
37% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
37% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
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Orquesta Concierto de Viena
Vals del Emperador
177 bpm • C Maj • 03:27 • -15.59db
37% Popularity • 20% Danceability • 16% Energy • 31% Liveness
75% Instrumentalness • 46% Positiveness
37% Popularity • 20% Danceability • 16% Energy • 31% Liveness
75% Instrumentalness • 46% Positiveness
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Alfred Hause
The Blue Danube Waltz opus 314 - Le Beau...
177 bpm • D Maj • 03:40 • -13.39db
34% Popularity • 30% Danceability • 25% Energy • 8% Liveness
62% Instrumentalness • 29% Positiveness
34% Popularity • 30% Danceability • 25% Energy • 8% Liveness
62% Instrumentalness • 29% Positiveness
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Waldo De Los RÃos
SinfonÃa nº 6, Pastoral - Beethoven
177 bpm • F Maj • 03:21 • -8.32db
17% Popularity • 17% Danceability • 49% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
17% Popularity • 17% Danceability • 49% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
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Johann Strauss II
Der Zigeunerbaron, Operetta in 3 Acts: J...
179 bpm • C Maj • 02:01 • -13.49db
19% Popularity • 30% Danceability • 33% Energy • 55% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 30% Danceability • 33% Energy • 55% Liveness
0% Instrumentalness • 47% Positiveness
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Ricci Ferra
Die Moldau
180 bpm • E min • 04:14 • -11.09db
4% Popularity • 13% Danceability • 32% Energy • 10% Liveness
77% Instrumentalness • 11% Positiveness
4% Popularity • 13% Danceability • 32% Energy • 10% Liveness
77% Instrumentalness • 11% Positiveness
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Tanz Orchester Klaus Hallen
Frühlingsstimmen - (Wiener Walzer / 60 ...
180 bpm • F Maj • 02:14 • -7.79db
16% Popularity • 40% Danceability • 33% Energy • 24% Liveness
1% Instrumentalness • 82% Positiveness
16% Popularity • 40% Danceability • 33% Energy • 24% Liveness
1% Instrumentalness • 82% Positiveness
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Orquesta Concierto de Viena
Vinos Mujeres y Canto
177 bpm • A# Maj • 03:08 • -14db
31% Popularity • 30% Danceability • 17% Energy • 11% Liveness
56% Instrumentalness • 48% Positiveness
31% Popularity • 30% Danceability • 17% Energy • 11% Liveness
56% Instrumentalness • 48% Positiveness
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Ballroom Dance Orchestra
Zwei Herzen Im Dreivierteltakt - Vienna ...
180 bpm • C Maj • 02:46 • -11.91db
28% Popularity • 49% Danceability • 60% Energy • 29% Liveness
25% Instrumentalness • 73% Positiveness
28% Popularity • 49% Danceability • 60% Energy • 29% Liveness
25% Instrumentalness • 73% Positiveness
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Wiener Johann Strauss Orchester
Champagner-Polka, Op. 211
176 bpm • D# Maj • 02:57 • -23.97db
9% Popularity • 44% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 72% Positiveness
9% Popularity • 44% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 72% Positiveness
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Johann Strauss II
Du und Du (You and You), Op. 367 (RV 367...
176 bpm • F Maj • 02:05 • -20.45db
20% Popularity • 19% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 32% Positiveness
20% Popularity • 19% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 32% Positiveness
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Richard Abel
La Spagnola
180 bpm • F Maj • 02:56 • -11.31db
32% Popularity • 51% Danceability • 25% Energy • 6% Liveness
52% Instrumentalness • 61% Positiveness
32% Popularity • 51% Danceability • 25% Energy • 6% Liveness
52% Instrumentalness • 61% Positiveness
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Tanz Orchester Klaus Hallen
Blumenwalzer - (Wiener Walzer / 60 BPM)
180 bpm • D Maj • 02:29 • -9db
9% Popularity • 41% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
9% Popularity • 41% Danceability • 38% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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Martin Zagrajsek
Theme from Dornenvögel
180 bpm • C Maj • 02:56 • -12db
10% Popularity • 33% Danceability • 43% Energy • 13% Liveness
24% Instrumentalness • 29% Positiveness
10% Popularity • 33% Danceability • 43% Energy • 13% Liveness
24% Instrumentalness • 29% Positiveness
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Orquesta Concierto de Viena
Sangre Vienesa
177 bpm • B Maj • 02:56 • -14db
36% Popularity • 19% Danceability • 27% Energy • 35% Liveness
27% Instrumentalness • 18% Positiveness
36% Popularity • 19% Danceability • 27% Energy • 35% Liveness
27% Instrumentalness • 18% Positiveness
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Ballroom Dance Orchestra
Rote Rosen - Vienna Waltz
180 bpm • F Maj • 02:53 • -12db
37% Popularity • 36% Danceability • 38% Energy • 13% Liveness
40% Instrumentalness • 64% Positiveness
37% Popularity • 36% Danceability • 38% Energy • 13% Liveness
40% Instrumentalness • 64% Positiveness
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Kurt Edelhagen
Foxtrott: 46 Takte Pro Minute - Dinah; W...
180 bpm • F Maj • 02:58 • -10.68db
32% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
32% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
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Nikos Constantine
Le Meteque
180 bpm • A Maj • 03:05 • -22.81db
19% Popularity • 48% Danceability • 20% Energy • 9% Liveness
18% Instrumentalness • 44% Positiveness
19% Popularity • 48% Danceability • 20% Energy • 9% Liveness
18% Instrumentalness • 44% Positiveness
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Johann Strauss II
Geschichten aus dem Wienerwald (Tales fr...
176 bpm • A# Maj • 02:22 • -18.47db
29% Popularity • 30% Danceability • 8% Energy • 11% Liveness
61% Instrumentalness • 36% Positiveness
29% Popularity • 30% Danceability • 8% Energy • 11% Liveness
61% Instrumentalness • 36% Positiveness
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Carl Michael Ziehrer
In lauschiger Nacht, Op. 488
180 bpm • D# Maj • 08:00 • -14.18db
12% Popularity • 30% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
12% Popularity • 30% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Orquesta Concierto de Viena
Ondas del Danubio
176 bpm • A min • 03:01 • -15db
39% Popularity • 21% Danceability • 24% Energy • 21% Liveness
78% Instrumentalness • 44% Positiveness
39% Popularity • 21% Danceability • 24% Energy • 21% Liveness
78% Instrumentalness • 44% Positiveness
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Studio Tanz Orchester Klaus Hallen
Valse, Op. 66a - (Wiener Waltzer / 60 BP...
180 bpm • F Maj • 02:08 • -10db
15% Popularity • 44% Danceability • 38% Energy • 9% Liveness
71% Instrumentalness • 74% Positiveness
15% Popularity • 44% Danceability • 38% Energy • 9% Liveness
71% Instrumentalness • 74% Positiveness
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Tanz Orchester Klaus Hallen
Rosen Aus Dem Süden - (Wiener Walzer / ...
180 bpm • F Maj • 02:32 • -9.83db
16% Popularity • 37% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 69% Positiveness
16% Popularity • 37% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 69% Positiveness
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Cologne Ballroom Orchestra
Chim Chim Cheree - Viennese Waltz
180 bpm • G# min • 02:08 • -14db
22% Popularity • 38% Danceability • 41% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
22% Popularity • 38% Danceability • 41% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
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Erwin & Erwin Fliegel
Rot sind die Rosen
180 bpm • D# Maj • 03:11 • -4.97db
12% Popularity • 28% Danceability • 56% Energy • 14% Liveness
93% Instrumentalness • 40% Positiveness
12% Popularity • 28% Danceability • 56% Energy • 14% Liveness
93% Instrumentalness • 40% Positiveness
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Gran Orquesta Vienesa
Olas del Danubio
180 bpm • F Maj • 02:57 • -8db
26% Popularity • 24% Danceability • 41% Energy • 48% Liveness
86% Instrumentalness • 56% Positiveness
26% Popularity • 24% Danceability • 41% Energy • 48% Liveness
86% Instrumentalness • 56% Positiveness
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Orquesta Concierto de Viena
Cuentos de Los Bosques de Viena
176 bpm • C Maj • 02:50 • -16db
36% Popularity • 20% Danceability • 17% Energy • 29% Liveness
88% Instrumentalness • 32% Positiveness
36% Popularity • 20% Danceability • 17% Energy • 29% Liveness
88% Instrumentalness • 32% Positiveness
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Orquesta Filarmonica de Rumania
Noches de Viena
176 bpm • D Maj • 02:05 • -9db
39% Popularity • 25% Danceability • 33% Energy • 14% Liveness
90% Instrumentalness • 57% Positiveness
39% Popularity • 25% Danceability • 33% Energy • 14% Liveness
90% Instrumentalness • 57% Positiveness
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Johann Strauss II
Wiener Blut (operetta): Stoß an!
175 bpm • D# Maj • 01:21 • -13.75db
24% Popularity • 30% Danceability • 37% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 30% Danceability • 37% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Orchester Claudius Alzner
G'schichten aus dem Wiener Wald
176 bpm • A# Maj • 03:23 • -13db
5% Popularity • 32% Danceability • 21% Energy • 18% Liveness
70% Instrumentalness • 35% Positiveness
5% Popularity • 32% Danceability • 21% Energy • 18% Liveness
70% Instrumentalness • 35% Positiveness
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The New 101 Strings Orchestra
A Thousand and One Nights Waltz
181 bpm • A Maj • 01:59 • -11.85db
14% Popularity • 51% Danceability • 12% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
14% Popularity • 51% Danceability • 12% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
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Blue Heaven
Que Sera Sera
175 bpm • C Maj • 02:29 • -10db
42% Popularity • 35% Danceability • 48% Energy • 28% Liveness
48% Instrumentalness • 69% Positiveness
42% Popularity • 35% Danceability • 48% Energy • 28% Liveness
48% Instrumentalness • 69% Positiveness
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Gran Orquesta Vienesa
El Vals del Emperador
175 bpm • C Maj • 02:45 • -11.41db
25% Popularity • 24% Danceability • 28% Energy • 85% Liveness
88% Instrumentalness • 30% Positiveness
25% Popularity • 24% Danceability • 28% Energy • 85% Liveness
88% Instrumentalness • 30% Positiveness
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Orquesta Concierto de Viena
Los Amaneceres en Austria
174 bpm • A# Maj • 02:33 • -14.45db
34% Popularity • 23% Danceability • 25% Energy • 20% Liveness
95% Instrumentalness • 53% Positiveness
34% Popularity • 23% Danceability • 25% Energy • 20% Liveness
95% Instrumentalness • 53% Positiveness
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Dirk Schiefen
Dolannes Melodie
182 bpm • G Maj • 03:08 • -7.82db
30% Popularity • 9% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 9% Danceability • 46% Energy • 28% Liveness
94% Instrumentalness • 25% Positiveness
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Ricci Ferra
Geschichten Aus Dem Wienerwald, Op.325 (...
182 bpm • A# Maj • 03:10 • -15.71db
21% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
21% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
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Johann Strauss II
Kaiser-Walzer (Emperor Waltz), Op. 437 (...
173 bpm • C Maj • 03:46 • -17.59db
33% Popularity • 22% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
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Kurt Edelhagen
Rock: 46 Takte Pro Minute - Rock A Beati...
183 bpm • F min • 03:37 • -9db
23% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 94% Positiveness
23% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 94% Positiveness
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Gran Orquesta Vienesa
Bombones de Viena
182 bpm • F Maj • 03:10 • -7db
18% Popularity • 34% Danceability • 40% Energy • 19% Liveness
96% Instrumentalness • 68% Positiveness
18% Popularity • 34% Danceability • 40% Energy • 19% Liveness
96% Instrumentalness • 68% Positiveness
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Ballroom Dance Orchestra
Theme from "a Summer Place"
183 bpm • F Maj • 02:33 • -11.76db
36% Popularity • 16% Danceability • 32% Energy • 9% Liveness
75% Instrumentalness • 33% Positiveness
36% Popularity • 16% Danceability • 32% Energy • 9% Liveness
75% Instrumentalness • 33% Positiveness
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Orchestra The Spv
Viennese Bon - Bons
183 bpm • F Maj • 06:19 • -13.66db
11% Popularity • 30% Danceability • 13% Energy • 25% Liveness
76% Instrumentalness • 22% Positiveness
11% Popularity • 30% Danceability • 13% Energy • 25% Liveness
76% Instrumentalness • 22% Positiveness
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Willy Schobben
Viva La Pappa Col Pomodoro
173 bpm • D# Maj • 02:04 • -10db
25% Popularity • 50% Danceability • 64% Energy • 14% Liveness
90% Instrumentalness • 96% Positiveness
25% Popularity • 50% Danceability • 64% Energy • 14% Liveness
90% Instrumentalness • 96% Positiveness
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Johann Strauss II
Wiener Blut (Vienna Blood), waltz for or...
183 bpm • C Maj • 03:04 • -21.05db
32% Popularity • 22% Danceability • 10% Energy • 8% Liveness
83% Instrumentalness • 21% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 8% Liveness
83% Instrumentalness • 21% Positiveness
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The New 101 Strings Orchestra
Voices of Spring
183 bpm • F Maj • 02:35 • -12.08db
29% Popularity • 36% Danceability • 11% Energy • 29% Liveness
13% Instrumentalness • 63% Positiveness
29% Popularity • 36% Danceability • 11% Energy • 29% Liveness
13% Instrumentalness • 63% Positiveness
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Gran Orquesta Vienesa
HarmonÃa Celeste
183 bpm • D Maj • 02:58 • -8.01db
14% Popularity • 27% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 48% Positiveness
14% Popularity • 27% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 48% Positiveness
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50 Guitars of Tommy Garrett
Love Me With All Your Heart
184 bpm • G Maj • 02:36 • -12.25db
34% Popularity • 37% Danceability • 35% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
34% Popularity • 37% Danceability • 35% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
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Orquesta Concierto de Viena
Vida de Artistas
172 bpm • C Maj • 03:09 • -13.6db
30% Popularity • 24% Danceability • 25% Energy • 16% Liveness
59% Instrumentalness • 28% Positiveness
30% Popularity • 24% Danceability • 25% Energy • 16% Liveness
59% Instrumentalness • 28% Positiveness
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Francis Dupont
Ciribirbin
172 bpm • D# Maj • 03:00 • -14db
26% Popularity • 33% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
26% Popularity • 33% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Gary Freeman
Summertime In Venice
172 bpm • A# Maj • 03:26 • -9.26db
20% Popularity • 17% Danceability • 49% Energy • 41% Liveness
86% Instrumentalness • 18% Positiveness
20% Popularity • 17% Danceability • 49% Energy • 41% Liveness
86% Instrumentalness • 18% Positiveness
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Ricci Ferra
Waltz From The Streicherserenade
184 bpm • G Maj • 03:27 • -15.06db
4% Popularity • 16% Danceability • 34% Energy • 30% Liveness
15% Instrumentalness • 42% Positiveness
4% Popularity • 16% Danceability • 34% Energy • 30% Liveness
15% Instrumentalness • 42% Positiveness
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Plattlinger Isarspatzen
Sportpalastwalzer (Wiener Praterleben)
185 bpm • F Maj • 02:54 • -13.8db
28% Popularity • 59% Danceability • 35% Energy • 11% Liveness
34% Instrumentalness • 97% Positiveness
28% Popularity • 59% Danceability • 35% Energy • 11% Liveness
34% Instrumentalness • 97% Positiveness
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Hollywood Big Orchestra
Dr Zivago
185 bpm • G Maj • 02:51 • -9db
38% Popularity • 25% Danceability • 39% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
38% Popularity • 25% Danceability • 39% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
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Gran Orquesta Vienesa
Rosas del Sur
185 bpm • C Maj • 03:22 • -9.62db
15% Popularity • 23% Danceability • 30% Energy • 62% Liveness
70% Instrumentalness • 42% Positiveness
15% Popularity • 23% Danceability • 30% Energy • 62% Liveness
70% Instrumentalness • 42% Positiveness
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Francis Dupont
Dolannes Melodie
172 bpm • D# Maj • 03:23 • -12db
28% Popularity • 46% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 46% Positiveness
28% Popularity • 46% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 46% Positiveness
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Gary Freeman
Dolannes Melodie
171 bpm • C Maj • 03:22 • -11db
36% Popularity • 26% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
36% Popularity • 26% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
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Ricci Ferra
Etüde No.3 E-major
185 bpm • E Maj • 03:37 • -14.37db
6% Popularity • 19% Danceability • 35% Energy • 31% Liveness
74% Instrumentalness • 21% Positiveness
6% Popularity • 19% Danceability • 35% Energy • 31% Liveness
74% Instrumentalness • 21% Positiveness
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Alfred Hause
Roses From The South, Waltz op. 388 - Ro...
185 bpm • A# Maj • 03:09 • -11.68db
23% Popularity • 26% Danceability • 29% Energy • 6% Liveness
80% Instrumentalness • 60% Positiveness
23% Popularity • 26% Danceability • 29% Energy • 6% Liveness
80% Instrumentalness • 60% Positiveness
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Sinfonieorchester des Tschechischen Rundfunks
Walzer, Op. 307: Wiener Bonbons
185 bpm • F Maj • 03:50 • -24db
23% Popularity • 26% Danceability • 9% Energy • 13% Liveness
80% Instrumentalness • 42% Positiveness
23% Popularity • 26% Danceability • 9% Energy • 13% Liveness
80% Instrumentalness • 42% Positiveness
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Orquesta Concierto de Viena
Danubio Azul - Blue Danube
171 bpm • C# Maj • 03:21 • -15.63db
34% Popularity • 20% Danceability • 21% Energy • 8% Liveness
67% Instrumentalness • 22% Positiveness
34% Popularity • 20% Danceability • 21% Energy • 8% Liveness
67% Instrumentalness • 22% Positiveness
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World Sound Orchestra
Happy Music
170 bpm • C# Maj • 02:58 • -6.91db
18% Popularity • 67% Danceability • 95% Energy • 6% Liveness
92% Instrumentalness • 98% Positiveness
18% Popularity • 67% Danceability • 95% Energy • 6% Liveness
92% Instrumentalness • 98% Positiveness
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Orchestra Grand Cafe
Bummel-Petrus
170 bpm • C Maj • 02:53 • -12.32db
10% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Ricci Ferra
Wein, Weib Und Gesang, Walzer Op.333 (Wi...
185 bpm • A# Maj • 03:51 • -14.42db
11% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
11% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
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Alfred Hause
Klavierkonzert Nr. 21 - Andante - Elvira...
185 bpm • F Maj • 03:35 • -13.88db
25% Popularity • 14% Danceability • 32% Energy • 29% Liveness
64% Instrumentalness • 11% Positiveness
25% Popularity • 14% Danceability • 32% Energy • 29% Liveness
64% Instrumentalness • 11% Positiveness
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Eddie Calvert
The Poor People of Paris - 2005 Remaster
187 bpm • D# Maj • 01:41 • -13db
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 85% Positiveness
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 85% Positiveness
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The Gino Marinello Orchestra
Theme from the Deerhunter
170 bpm • E Maj • 03:13 • -13.87db
30% Popularity • 30% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
30% Popularity • 30% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Kai Warner
Try A Little Tenderness
168 bpm • C# min • 02:46 • -11.75db
33% Popularity • 25% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
33% Popularity • 25% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Frank Davis Orchestra
Only You
168 bpm • F Maj • 02:37 • -8.72db
18% Popularity • 33% Danceability • 48% Energy • 33% Liveness
52% Instrumentalness • 17% Positiveness
18% Popularity • 33% Danceability • 48% Energy • 33% Liveness
52% Instrumentalness • 17% Positiveness
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Ricci Ferra
Morgenblätter-Walzer Op.279
185 bpm • A min • 03:50 • -13.87db
5% Popularity • 31% Danceability • 20% Energy • 21% Liveness
10% Instrumentalness • 48% Positiveness
5% Popularity • 31% Danceability • 20% Energy • 21% Liveness
10% Instrumentalness • 48% Positiveness
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Zantalino and his Orchestra
Waltz No 2 Shostakovich
189 bpm • C# min • 02:16 • -7.08db
31% Popularity • 44% Danceability • 48% Energy • 12% Liveness
66% Instrumentalness • 49% Positiveness
31% Popularity • 44% Danceability • 48% Energy • 12% Liveness
66% Instrumentalness • 49% Positiveness
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Tol & Tol
Cinderella's Waltz
168 bpm • C Maj • 03:18 • -12.03db
20% Popularity • 36% Danceability • 28% Energy • 18% Liveness
4% Instrumentalness • 54% Positiveness
20% Popularity • 36% Danceability • 28% Energy • 18% Liveness
4% Instrumentalness • 54% Positiveness
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Orquesta Filarmonica de Rumania
La Princesa del Dollar
168 bpm • C Maj • 02:21 • -11.97db
27% Popularity • 24% Danceability • 34% Energy • 66% Liveness
31% Instrumentalness • 20% Positiveness
27% Popularity • 24% Danceability • 34% Energy • 66% Liveness
31% Instrumentalness • 20% Positiveness
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Anneliese Rothenberger
In mir klingt ein Lied
189 bpm • E Maj • 04:47 • -13db
14% Popularity • 14% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 14% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
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Alfred Hause
Blumenwalzer
167 bpm • D Maj • 03:42 • -13.96db
25% Popularity • 25% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 51% Positiveness
25% Popularity • 25% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 51% Positiveness
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Ricci Ferra
Romeo Et Natalie
170 bpm • A min • 03:44 • -13.77db
4% Popularity • 15% Danceability • 34% Energy • 17% Liveness
89% Instrumentalness • 17% Positiveness
4% Popularity • 15% Danceability • 34% Energy • 17% Liveness
89% Instrumentalness • 17% Positiveness
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Gary Freeman
Il Silencio
190 bpm • A# Maj • 02:54 • -11.09db
41% Popularity • 9% Danceability • 43% Energy • 21% Liveness
88% Instrumentalness • 19% Positiveness
41% Popularity • 9% Danceability • 43% Energy • 21% Liveness
88% Instrumentalness • 19% Positiveness
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Jean Claude Borelly
Stranger in the Night
190 bpm • G min • 03:01 • -8.13db
37% Popularity • 33% Danceability • 52% Energy • 40% Liveness
82% Instrumentalness • 50% Positiveness
37% Popularity • 33% Danceability • 52% Energy • 40% Liveness
82% Instrumentalness • 50% Positiveness
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Richard Abel
Dolannes Melody
166 bpm • C Maj • 03:24 • -11.46db
28% Popularity • 40% Danceability • 36% Energy • 35% Liveness
89% Instrumentalness • 55% Positiveness
28% Popularity • 40% Danceability • 36% Energy • 35% Liveness
89% Instrumentalness • 55% Positiveness
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Francis Dupont
For Ever Love
166 bpm • F# Maj • 03:50 • -15.55db
25% Popularity • 34% Danceability • 26% Energy • 18% Liveness
24% Instrumentalness • 24% Positiveness
25% Popularity • 34% Danceability • 26% Energy • 18% Liveness
24% Instrumentalness • 24% Positiveness
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Hector Delfosse
Ciao Ciao Bambina
166 bpm • D Maj • 02:29 • -11db
38% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
38% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
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Ricci Ferra
Rosen Aus Dem Süden, Walzer Op.388 (Ros...
186 bpm • F Maj • 04:28 • -16.33db
6% Popularity • 27% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
6% Popularity • 27% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
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The Gino Marinello Orchestra
Sleepy Shores
166 bpm • C Maj • 03:18 • -14.57db
36% Popularity • 26% Danceability • 26% Energy • 15% Liveness
24% Instrumentalness • 47% Positiveness
36% Popularity • 26% Danceability • 26% Energy • 15% Liveness
24% Instrumentalness • 47% Positiveness
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Dirk Schiefen
Love Story
166 bpm • A min • 03:30 • -8.66db
20% Popularity • 22% Danceability • 48% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
20% Popularity • 22% Danceability • 48% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
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Richard Abel
Charming Waltzes
166 bpm • A# Maj • 04:42 • -9.43db
11% Popularity • 45% Danceability • 40% Energy • 66% Liveness
54% Instrumentalness • 80% Positiveness
11% Popularity • 45% Danceability • 40% Energy • 66% Liveness
54% Instrumentalness • 80% Positiveness
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Nikos Ignatiadis
Austrian Alpes
192 bpm • G# Maj • 02:45 • -10.67db
30% Popularity • 29% Danceability • 46% Energy • 29% Liveness
47% Instrumentalness • 30% Positiveness
30% Popularity • 29% Danceability • 46% Energy • 29% Liveness
47% Instrumentalness • 30% Positiveness
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Gary Freeman
I Left My Heart In San Francisco
191 bpm • C Maj • 02:46 • -10.19db
21% Popularity • 12% Danceability • 41% Energy • 11% Liveness
46% Instrumentalness • 21% Positiveness
21% Popularity • 12% Danceability • 41% Energy • 11% Liveness
46% Instrumentalness • 21% Positiveness
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Ricci Ferra
Serenata "Leise Flehen Meine Lieder"
187 bpm • D Maj • 03:40 • -14.55db
4% Popularity • 15% Danceability • 33% Energy • 19% Liveness
95% Instrumentalness • 26% Positiveness
4% Popularity • 15% Danceability • 33% Energy • 19% Liveness
95% Instrumentalness • 26% Positiveness
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Franz Lehár
Der Zarewitsch: Allein! Wieder allein - ...
165 bpm • G Maj • 04:18 • -19db
8% Popularity • 18% Danceability • 18% Energy • 13% Liveness
8% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 18% Energy • 13% Liveness
8% Instrumentalness • 8% Positiveness
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Francis Dupont
Wonderland by Night
164 bpm • D# Maj • 02:51 • -13db
28% Popularity • 38% Danceability • 47% Energy • 22% Liveness
89% Instrumentalness • 31% Positiveness
28% Popularity • 38% Danceability • 47% Energy • 22% Liveness
89% Instrumentalness • 31% Positiveness
