Songs like Wild Wood by Paul Weller
Based on a tempo of (+/- 10%) and a similar genre
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Richard Ashcroft
A Song For The Lovers
154 bpm • A min • 05:26 • -6.67db
52% Popularity • 39% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 39% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Longpigs
On & On
154 bpm • C Maj • 04:10 • -10db
48% Popularity • 27% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 27% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Weller
Wild Wood
154 bpm • E min • 03:22 • -15.31db
52% Popularity • 59% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
52% Popularity • 59% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Turin Brakes
Pain Killer (Summer Rain)
153 bpm • D Maj • 03:55 • -4.93db
37% Popularity • 36% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 36% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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R.E.M.
E-Bow The Letter
155 bpm • D Maj • 05:24 • -8db
45% Popularity • 35% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 35% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tindersticks
Tiny Tears
153 bpm • E min • 05:45 • -16.63db
42% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
42% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
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Richard Ashcroft
Music Is Power
153 bpm • G Maj • 03:58 • -6.42db
36% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Lenny Kravitz
Let Love Rule - Remastered
153 bpm • C Maj • 05:42 • -6.07db
38% Popularity • 66% Danceability • 66% Energy • 5% Liveness
42% Instrumentalness • 70% Positiveness
38% Popularity • 66% Danceability • 66% Energy • 5% Liveness
42% Instrumentalness • 70% Positiveness
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Morcheeba
Part of the Process
156 bpm • C Maj • 04:25 • -7.41db
52% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
52% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Turin Brakes
Underdog (Save Me)
155 bpm • B min • 03:34 • -8.71db
40% Popularity • 57% Danceability • 71% Energy • 9% Liveness
3% Instrumentalness • 91% Positiveness
40% Popularity • 57% Danceability • 71% Energy • 9% Liveness
3% Instrumentalness • 91% Positiveness
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Embrace
Come Back To What You Know
152 bpm • G# Maj • 04:10 • -6db
45% Popularity • 34% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 34% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Hothouse Flowers
It'll Be Easier in the Morning
156 bpm • C# Maj • 03:35 • -9db
33% Popularity • 38% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 38% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Richard Ashcroft
Check The Meaning
156 bpm • C Maj • 08:04 • -7.27db
39% Popularity • 39% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 39% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Pulp
Babies
156 bpm • D Maj • 04:04 • -6.62db
60% Popularity • 30% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 30% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Lloyd Cole and the Commotions
Rattlesnakes
152 bpm • A Maj • 03:27 • -9.95db
46% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Something Happens
Parachute
156 bpm • A Maj • 04:30 • -13.2db
38% Popularity • 40% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 40% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Supergrass
Sun Hits the Sky
150 bpm • A# Maj • 04:55 • -6.91db
45% Popularity • 37% Danceability • 94% Energy • 10% Liveness
50% Instrumentalness • 34% Positiveness
45% Popularity • 37% Danceability • 94% Energy • 10% Liveness
50% Instrumentalness • 34% Positiveness
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The Style Council
Walls Come Tumbling Down
151 bpm • E min • 03:24 • -6.16db
52% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Starsailor
Good Souls
150 bpm • D Maj • 04:53 • -8.21db
42% Popularity • 34% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 34% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Paul Weller
Rise Up Singing
158 bpm • G Maj • 03:02 • -7.84db
40% Popularity • 43% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 43% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Monks Road Social
Rise Up Singing!
158 bpm • G Maj • 02:52 • -8.75db
24% Popularity • 37% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 37% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Morcheeba
The Sea
150 bpm • B min • 05:47 • -7.59db
59% Popularity • 54% Danceability • 76% Energy • 5% Liveness
11% Instrumentalness • 25% Positiveness
59% Popularity • 54% Danceability • 76% Energy • 5% Liveness
11% Instrumentalness • 25% Positiveness
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Joan Armatrading
Down To Zero
149 bpm • A# Maj • 03:51 • -14.29db
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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The Divine Comedy
To the Rescue
150 bpm • C# min • 05:16 • -12db
32% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Elbow
One Day Like This
159 bpm • A# Maj • 06:34 • -6.13db
61% Popularity • 42% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 42% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Turin Brakes
Emergency 72
149 bpm • E Maj • 04:05 • -12db
28% Popularity • 45% Danceability • 47% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
28% Popularity • 45% Danceability • 47% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
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David Gray
Say Hello, Wave Goodbye
160 bpm • A Maj • 08:58 • -7.63db
31% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Richard Ashcroft
Bittersweet Symphony
148 bpm • A Maj • 07:11 • -5.83db
37% Popularity • 55% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 55% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The The
Love Is Stronger Than Death
148 bpm • G min • 04:37 • -6db
36% Popularity • 48% Danceability • 67% Energy • 8% Liveness
72% Instrumentalness • 12% Positiveness
36% Popularity • 48% Danceability • 67% Energy • 8% Liveness
72% Instrumentalness • 12% Positiveness
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The Beautiful South
Old Red Eyes Is Back - Bonus Track
148 bpm • G Maj • 03:35 • -10db
45% Popularity • 44% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 44% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Weller
Moon On Your Pyjamas
147 bpm • A Maj • 03:59 • -17db
28% Popularity • 46% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 46% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Neil Finn
Sinner
147 bpm • F Maj • 04:25 • -12.39db
31% Popularity • 59% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 59% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Richard Hawley
I Still Want You
162 bpm • A# Maj • 04:06 • -15.91db
33% Popularity • 25% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 30% Positiveness
33% Popularity • 25% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 30% Positiveness
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Fleetwood Mac
Need Your Love So Bad
147 bpm • A Maj • 03:53 • -18.87db
50% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Joan Armatrading
Rosie
163 bpm • B Maj • 03:11 • -12.31db
41% Popularity • 67% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
41% Popularity • 67% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
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The Beautiful South
You Keep It All In
147 bpm • F Maj • 02:53 • -15db
51% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
51% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
68% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Travis
Sing
163 bpm • E Maj • 03:48 • -5.05db
68% Popularity • 33% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 33% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Simple Minds
Belfast Child - Remastered 2002
162 bpm • G Maj • 06:42 • -8.41db
57% Popularity • 16% Danceability • 51% Energy • 9% Liveness
6% Instrumentalness • 32% Positiveness
57% Popularity • 16% Danceability • 51% Energy • 9% Liveness
6% Instrumentalness • 32% Positiveness
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Paul Weller
Aspects
164 bpm • B min • 04:33 • -10db
29% Popularity • 25% Danceability • 37% Energy • 9% Liveness
7% Instrumentalness • 21% Positiveness
29% Popularity • 25% Danceability • 37% Energy • 9% Liveness
7% Instrumentalness • 21% Positiveness
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Kristin Hersh
Your Ghost
145 bpm • G Maj • 03:16 • -14.15db
44% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Lou Reed
Perfect Day
145 bpm • A# Maj • 03:45 • -12.49db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Blur
The Universal - 2012 Remaster
164 bpm • A Maj • 03:58 • -8.33db
55% Popularity • 32% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
55% Popularity • 32% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Travis
Writing To Reach You
164 bpm • A Maj • 03:41 • -8db
48% Popularity • 22% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 22% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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R.E.M.
Find The River
145 bpm • D Maj • 03:49 • -9db
56% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Faithless
Don't Leave
144 bpm • F# Maj • 04:00 • -8.66db
33% Popularity • 70% Danceability • 38% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 70% Danceability • 38% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
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Dodgy
Staying Out For The Summer
144 bpm • G Maj • 03:12 • -6.23db
46% Popularity • 37% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 37% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Style Council
Shout To The Top - USA Remix
144 bpm • G Maj • 04:17 • -5.86db
52% Popularity • 69% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 69% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Embrace
All You Good Good People
166 bpm • B Maj • 06:06 • -6.26db
44% Popularity • 23% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 23% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Elvis Costello & The Attractions
Shipbuilding
143 bpm • G Maj • 04:52 • -14db
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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The The
Uncertain Smile
143 bpm • B min • 06:49 • -11.93db
49% Popularity • 60% Danceability • 76% Energy • 10% Liveness
59% Instrumentalness • 84% Positiveness
49% Popularity • 60% Danceability • 76% Energy • 10% Liveness
59% Instrumentalness • 84% Positiveness
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Elbow
Mirrorball
143 bpm • F# min • 05:50 • -9db
45% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Ashcroft
You On My Mind In My Sleep
142 bpm • D Maj • 05:06 • -9db
36% Popularity • 38% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
36% Popularity • 38% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Richard Hawley
The Ocean
142 bpm • A Maj • 05:36 • -9.28db
47% Popularity • 21% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 17% Positiveness
47% Popularity • 21% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 17% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Elvis Costello & The Attractions
Oliver's Army
143 bpm • E Maj • 03:00 • -9.41db
48% Popularity • 53% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 53% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Nick Cave & The Bad Seeds
The Ship Song
142 bpm • G Maj • 05:14 • -10.36db
48% Popularity • 32% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 32% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Hothouse Flowers
I'm Sorry
142 bpm • F Maj • 03:35 • -6db
31% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Ian Brown
Time Is My Everything
142 bpm • A Maj • 03:52 • -5.92db
34% Popularity • 55% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 55% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 20% Positiveness
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Embrace
Gravity
142 bpm • D# Maj • 04:40 • -7db
50% Popularity • 48% Danceability • 57% Energy • 11% Liveness
19% Instrumentalness • 17% Positiveness
50% Popularity • 48% Danceability • 57% Energy • 11% Liveness
19% Instrumentalness • 17% Positiveness
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Massive Attack
Protection
168 bpm • E Maj • 07:51 • -13.14db
58% Popularity • 58% Danceability • 42% Energy • 7% Liveness
12% Instrumentalness • 74% Positiveness
58% Popularity • 58% Danceability • 42% Energy • 7% Liveness
12% Instrumentalness • 74% Positiveness
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Steve Harley
Make Me Smile (Come up and See Me) - 201...
141 bpm • C Maj • 03:59 • -8db
63% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Style Council
The Whole Point Of No Return
141 bpm • E min • 02:42 • -12.31db
42% Popularity • 61% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 61% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Paul Weller
Stanley Road
141 bpm • C Maj • 04:18 • -11.62db
33% Popularity • 61% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 43% Positiveness
33% Popularity • 61% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 43% Positiveness
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The Zutons
Valerie
169 bpm • F min • 03:56 • -3.15db
54% Popularity • 34% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 34% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Stone Foundation
Back in the Game
168 bpm • B Maj • 04:15 • -6.62db
20% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Nick Cave & The Bad Seeds
(Are You) the One That I've Been Waiting...
140 bpm • G# Maj • 04:05 • -17.31db
47% Popularity • 45% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
47% Popularity • 45% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Eels
Novocaine For The Soul
169 bpm • F# Maj • 03:08 • -7.75db
56% Popularity • 41% Danceability • 72% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
56% Popularity • 41% Danceability • 72% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
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Cast
Alright
140 bpm • C# Maj • 03:37 • -8db
47% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Weller
One Way Road
140 bpm • F Maj • 03:19 • -4.94db
19% Popularity • 40% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 40% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Roxy Music
Oh Yeah!
140 bpm • C Maj • 04:50 • -8.42db
52% Popularity • 61% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
52% Popularity • 61% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Reef
Consideration
140 bpm • G Maj • 05:44 • -8db
32% Popularity • 27% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 27% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jonathan Jeremiah
Good Day
170 bpm • A# min • 03:13 • -6.39db
38% Popularity • 56% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 56% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The The
The Beat(en) Generation
170 bpm • C Maj • 03:02 • -17db
35% Popularity • 58% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
35% Popularity • 58% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
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The Rolling Stones
Wild Horses - 2009 Mix
140 bpm • G Maj • 05:41 • -6.52db
70% Popularity • 43% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
70% Popularity • 43% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Paul Weller
Above The Clouds - Album / Single Versio...
170 bpm • E Maj • 03:50 • -8.23db
38% Popularity • 69% Danceability • 62% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
38% Popularity • 69% Danceability • 62% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Nick Cave & The Bad Seeds
Nature Boy
140 bpm • G Maj • 04:54 • -4.61db
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Blur
Out of Time
139 bpm • C Maj • 03:53 • -9db
49% Popularity • 53% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 53% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Ocean Colour Scene
Get Blown Away
171 bpm • C# Maj • 04:41 • -6.79db
36% Popularity • 22% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 22% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Lloyd Cole and the Commotions
Lost Weekend
138 bpm • A Maj • 03:15 • -10.17db
50% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
50% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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The Seahorses
Blinded By The Sun
172 bpm • D Maj • 04:37 • -7.58db
46% Popularity • 35% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 35% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Weller
All The Pictures On The Wall
171 bpm • A Maj • 03:56 • -12.36db
34% Popularity • 54% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
34% Popularity • 54% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
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David Gray
Please Forgive Me
138 bpm • C Maj • 05:35 • -6.73db
39% Popularity • 65% Danceability • 69% Energy • 5% Liveness
7% Instrumentalness • 29% Positiveness
39% Popularity • 65% Danceability • 69% Energy • 5% Liveness
7% Instrumentalness • 29% Positiveness
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Oasis
Half the World Away - Remastered
172 bpm • C Maj • 04:27 • -8.65db
55% Popularity • 34% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 34% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Natalie Merchant
Motherland
138 bpm • G# Maj • 04:41 • -14.26db
45% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Beautiful South
Song For Whoever - Single Version
137 bpm • F# min • 04:04 • -14db
53% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Ocean Colour Scene
It's A Beautiful Thing
137 bpm • D Maj • 06:30 • -9.07db
30% Popularity • 35% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 35% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Weller
Shades Of Blue
138 bpm • F Maj • 03:06 • -6.73db
29% Popularity • 62% Danceability • 65% Energy • 15% Liveness
5% Instrumentalness • 75% Positiveness
29% Popularity • 62% Danceability • 65% Energy • 15% Liveness
5% Instrumentalness • 75% Positiveness
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The Style Council
A Man Of Great Promise
137 bpm • G Maj • 02:33 • -6.79db
34% Popularity • 60% Danceability • 92% Energy • 21% Liveness
1% Instrumentalness • 87% Positiveness
34% Popularity • 60% Danceability • 92% Energy • 21% Liveness
1% Instrumentalness • 87% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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Richard Hawley
Tonight the Streets Are Ours
174 bpm • C Maj • 03:41 • -16db
36% Popularity • 41% Danceability • 27% Energy • 6% Liveness
10% Instrumentalness • 30% Positiveness
36% Popularity • 41% Danceability • 27% Energy • 6% Liveness
10% Instrumentalness • 30% Positiveness
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The Beautiful South
Song For Whoever
137 bpm • F# min • 06:09 • -16db
43% Popularity • 47% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 47% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Ocean Colour Scene
Travellers Tune
137 bpm • G# Maj • 03:40 • -6db
42% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Weller
As You Lean Into The Light
136 bpm • A min • 02:44 • -11.68db
24% Popularity • 66% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 66% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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The Style Council
My Ever Changing Moods - Single Version
137 bpm • B Maj • 04:02 • -10.67db
41% Popularity • 63% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 63% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Simon
The Boy In the Bubble
136 bpm • D Maj • 03:59 • -7.85db
51% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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James
Getting Away With It (All Messed Up)
135 bpm • C Maj • 04:25 • -6.44db
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
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Tom Robinson
War Baby
135 bpm • D Maj • 04:32 • -10.94db
23% Popularity • 49% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 49% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness