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Wilderness runner
Songs like
Wilderness runner
by
Philip Sheppard
Based on a tempo of (+/- 10%) and a similar genre
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Secession Studios
The Untold
120 bpm • C# Maj • 03:11 • -17.06db
55% Popularity • 44% Danceability • 38% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Hans Zimmer
Coward
120 bpm • C Maj • 08:26 • -18.51db
52% Popularity • 43% Danceability • 26% Energy • 23% Liveness
88% Instrumentalness • 4% Positiveness
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Harry Escott
Unravelling
120 bpm • C min • 09:35 • -20db
25% Popularity • 22% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
50% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Trent Reznor and Atticus Ross
Just Us
120 bpm • G Maj • 02:42 • -19.63db
43% Popularity • 54% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Clint Mansell
Still Life With Glass Of Absinthe & A Ca...
120 bpm • D min • 03:12 • -12.36db
21% Popularity • 27% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Hans Zimmer
Mountains
120 bpm • A min • 03:39 • -16.95db
63% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Max Richter
November
120 bpm • C Maj • 06:07 • -11.44db
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
45% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Michael Giacchino
Funeral and Far Between
121 bpm • A# min • 01:45 • -21.31db
41% Popularity • 17% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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David le Page
Glory Box - Arr. for Violin and Orchestr...
120 bpm • D# min • 05:46 • -11.66db
3% Popularity • 31% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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John Murphy
Sunshine (Adagio in D Minor)
119 bpm • G Maj • 04:44 • -9.46db
50% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Hans Zimmer
Tick-Tock
120 bpm • A min • 08:18 • -15.83db
52% Popularity • 26% Danceability • 23% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
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Agnes Obel
Parliament Of Owls
119 bpm • B min • 02:29 • -17.04db
50% Popularity • 21% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Hildur Guðnadóttir
Call Me Joker
121 bpm • D Maj • 04:48 • -14.43db
44% Popularity • 20% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
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Anne Nikitin
The Regime
119 bpm • D Maj • 01:37 • -22db
28% Popularity • 36% Danceability • 12% Energy • 9% Liveness
42% Instrumentalness • 7% Positiveness
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Ludovico Einaudi
Run
119 bpm • B min • 05:32 • -14.49db
57% Popularity • 34% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Ludvig Forssell
The Face of Our New Hope
122 bpm • C# min • 03:25 • -22.22db
36% Popularity • 30% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Hans Zimmer
No Time for Caution
120 bpm • A min • 04:06 • -20.23db
60% Popularity • 26% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Orchestra of the Swan
String Quartet No. 3: VI. Mishima / Clos...
118 bpm • C min • 03:38 • -17.14db
6% Popularity • 23% Danceability • 22% Energy • 17% Liveness
70% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
Returning
122 bpm • G# Maj • 03:44 • -31.88db
29% Popularity • 25% Danceability • 2% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
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Tony Anderson
Spiriteaux
117 bpm • C min • 03:54 • -28.58db
51% Popularity • 23% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Clinton Shorter
What I Really Wanted
117 bpm • G Maj • 02:38 • -21.75db
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Newman
Sixteen Hundred Men
122 bpm • C min • 06:32 • -19.85db
42% Popularity • 39% Danceability • 23% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Max Richter
The Departure
117 bpm • C min • 01:15 • -39.05db
65% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Joris de Man
Aloy's Theme - Part 1 - Motherland
117 bpm • A min • 02:31 • -19db
47% Popularity • 17% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Lorne Balfe
Jodie's Suite
123 bpm • C Maj • 04:31 • -9.42db
29% Popularity • 17% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Marco Beltrami
A Quiet Life
117 bpm • E Maj • 02:58 • -22db
38% Popularity • 18% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Philip Sheppard
Breathe In - Kara
124 bpm • E min • 04:26 • -18db
21% Popularity • 18% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Clint Mansell
Portrait Of Armand Roulin
116 bpm • A# min • 02:58 • -16.71db
25% Popularity • 23% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jeremy Soule
Awake
116 bpm • C min • 01:32 • -23db
59% Popularity • 17% Danceability • 15% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Kerry Muzzey
The Secret History
124 bpm • D# min • 05:02 • -14.03db
58% Popularity • 23% Danceability • 22% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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John Paesano
Finale
116 bpm • A Maj • 04:17 • -16.3db
42% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Making Water
116 bpm • A# Maj • 02:38 • -18.85db
48% Popularity • 50% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Eternal Eclipse
Born from Ashes
116 bpm • D min • 03:07 • -12.06db
43% Popularity • 26% Danceability • 34% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Nyman
The Other Side
116 bpm • D min • 03:40 • -12db
31% Popularity • 32% Danceability • 26% Energy • 27% Liveness
94% Instrumentalness • 6% Positiveness
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Norman Dück
Detroit Become Human - Opening Theme
124 bpm • E min • 02:31 • -23.42db
38% Popularity • 44% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Kevin Kiner
Jedi Eulogy
116 bpm • D# Maj • 01:08 • -9db
52% Popularity • 17% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Max Richter
Infra 4
116 bpm • D min • 02:45 • -14db
31% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Farewell
115 bpm • A min • 02:22 • -22.18db
64% Popularity • 24% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Luke Richards
A Final Sacrifice
115 bpm • A min • 02:41 • -16.73db
38% Popularity • 17% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Clinton Shorter
The Ocean
115 bpm • D min • 02:19 • -22db
44% Popularity • 25% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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David le Page
The Sea of Time and Space
126 bpm • C min • 03:20 • -16.52db
4% Popularity • 50% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Christopher Young
The Uninvited
114 bpm • G min • 03:28 • -25.09db
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Adam Taylor
Their First Time
126 bpm • C Maj • 01:35 • -21db
36% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
Hand Covers Bruise
114 bpm • D Maj • 04:18 • -25.38db
49% Popularity • 20% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Kerry Muzzey
Broken People
114 bpm • A# Maj • 05:55 • -13.59db
37% Popularity • 24% Danceability • 18% Energy • 12% Liveness
21% Instrumentalness • 6% Positiveness
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Philip Sheppard
Chosen Road Alone
114 bpm • C min • 04:53 • -23.05db
4% Popularity • 37% Danceability • 11% Energy • 15% Liveness
78% Instrumentalness • 19% Positiveness
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Craig Armstrong
If You Should Fall
126 bpm • F min • 03:33 • -17.5db
33% Popularity • 33% Danceability • 8% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
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Kai Engel
Sunset
114 bpm • C# Maj • 01:47 • -35.79db
24% Popularity • 57% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Benjamin Wallfisch
Nobody Ever Leaves
127 bpm • D# Maj • 01:49 • -13.69db
23% Popularity • 17% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Bear McCreary
Michelle
127 bpm • B min • 06:08 • -22db
29% Popularity • 17% Danceability • 11% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
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Martin Phipps
Simple Harp Variation No. 2
113 bpm • G# min • 02:30 • -26db
35% Popularity • 41% Danceability • 20% Energy • 9% Liveness
55% Instrumentalness • 19% Positiveness
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Philip Sheppard
Chosen Road
114 bpm • C min • 03:28 • -23.5db
8% Popularity • 32% Danceability • 8% Energy • 25% Liveness
48% Instrumentalness • 16% Positiveness
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Clint Mansell
The Night Café
113 bpm • D min • 04:07 • -16db
45% Popularity • 34% Danceability • 31% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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James Horner
The bioluminescence of the night
128 bpm • C# min • 03:37 • -28.06db
51% Popularity • 19% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
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Kerry Muzzey
The Architect
128 bpm • D min • 05:33 • -12.93db
42% Popularity • 57% Danceability • 47% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
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M83
I'm Sending You Away
128 bpm • E min • 05:38 • -15.8db
44% Popularity • 26% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Gustavo Santaolalla
The Last of Us Part II
129 bpm • D min • 02:52 • -18.03db
52% Popularity • 45% Danceability • 5% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Philip Sheppard
Lost - Kara
128 bpm • E min • 01:35 • -14.3db
27% Popularity • 39% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Orchestra of the Swan
Starburst
112 bpm • B min • 03:20 • -16.42db
1% Popularity • 52% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 62% Positiveness
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Lorne Balfe
Childhood Memories
112 bpm • D Maj • 02:41 • -20.54db
19% Popularity • 50% Danceability • 2% Energy • 23% Liveness
81% Instrumentalness • 12% Positiveness
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Ludwig Göransson
Truths
129 bpm • A min • 01:54 • -23.69db
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Alexandre Desplat
Statues
129 bpm • C# Maj • 02:24 • -20.5db
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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John Powell
Forbidden Friendship
129 bpm • F# Maj • 04:11 • -15.14db
56% Popularity • 28% Danceability • 30% Energy • 55% Liveness
94% Instrumentalness • 38% Positiveness
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Philip Sheppard
Run with Me - Kara
128 bpm • D min • 02:42 • -13.53db
35% Popularity • 41% Danceability • 67% Energy • 32% Liveness
83% Instrumentalness • 69% Positiveness
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Jessica Curry
The New Century
129 bpm • D min • 01:52 • -11.03db
38% Popularity • 18% Danceability • 44% Energy • 11% Liveness
74% Instrumentalness • 10% Positiveness
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David Arnold
Who You Really Are
129 bpm • A min • 02:35 • -15.59db
18% Popularity • 22% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Lorne Balfe
Norah
111 bpm • E min • 01:50 • -16.78db
20% Popularity • 36% Danceability • 37% Energy • 9% Liveness
46% Instrumentalness • 4% Positiveness
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Philip Glass
Light in the Dark
130 bpm • C Maj • 02:11 • -27.85db
26% Popularity • 41% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Eternal Eclipse
Dawn of Faith
130 bpm • C min • 03:13 • -9.42db
51% Popularity • 24% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Philip Sheppard
Fall From Earth
128 bpm • D min • 03:09 • -15.65db
3% Popularity • 19% Danceability • 34% Energy • 22% Liveness
90% Instrumentalness • 16% Positiveness
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David Buckley
The Kingdom of Dreams (Main Title Theme)
131 bpm • G# Maj • 02:14 • -16.24db
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Adrift in a Sea of Sleep
130 bpm • D min • 07:45 • -27.4db
6% Popularity • 16% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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조영욱과 THE SOUNDTRACKINGS
Wedding
110 bpm • D min • 04:59 • -11db
27% Popularity • 18% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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The Newton Brothers
Whatever Walked There, Walked Alone
110 bpm • C min • 01:04 • -28db
42% Popularity • 26% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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James Newton Howard
Newt Says Goodbye to Tina / Jacob's Bake...
110 bpm • C Maj • 03:26 • -23.54db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
79% Instrumentalness • 11% Positiveness
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Philip Sheppard
Hope Remains
128 bpm • D min • 03:07 • -19.09db
4% Popularity • 43% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Max Richter
To the Stars
131 bpm • E min • 03:30 • -25.28db
49% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Daniel Pemberton
The Born King
110 bpm • D min • 02:30 • -14.52db
44% Popularity • 36% Danceability • 20% Energy • 26% Liveness
82% Instrumentalness • 7% Positiveness
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Gustavo Santaolalla
Unbroken
109 bpm • D min • 04:38 • -22.82db
47% Popularity • 35% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
37% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Sheppard
Epiphany
130 bpm • A min • 01:15 • -19.83db
16% Popularity • 55% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
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Thomas Newman
The Green Mile
109 bpm • A min • 03:38 • -20.7db
43% Popularity • 16% Danceability • 19% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Mowg
Soohyun's Theme 1 - Version 22
132 bpm • A min • 02:54 • -15.7db
18% Popularity • 23% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Philip Glass
Truman Sleeps
109 bpm • G# Maj • 01:51 • -18.04db
54% Popularity • 38% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
54% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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Bear McCreary
The Day Will Come
108 bpm • D min • 02:57 • -26db
38% Popularity • 21% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Philip Sheppard
By the River - Kara
109 bpm • C Maj • 02:20 • -12.25db
23% Popularity • 16% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 11% Positiveness
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The Newton Brothers
I Want to Wake up So Badly
133 bpm • D Maj • 03:16 • -21.04db
26% Popularity • 16% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Training With Mr. Schaibel
108 bpm • A min • 03:04 • -24.87db
44% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Orchestra of the Swan
We Played Some Open Chords And Rejoiced,...
108 bpm • F Maj • 07:02 • -26.8db
1% Popularity • 27% Danceability • 2% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Restless
134 bpm • B min • 01:21 • -17.12db
47% Popularity • 16% Danceability • 33% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Petricor
108 bpm • G Maj • 06:34 • -15db
54% Popularity • 22% Danceability • 31% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Philip Sheppard
Lunar Ascent
132 bpm • G Maj • 01:43 • -11.58db
4% Popularity • 16% Danceability • 33% Energy • 8% Liveness
46% Instrumentalness • 3% Positiveness
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Clint Mansell
Lux Aeterna
134 bpm • G min • 03:54 • -13.96db
57% Popularity • 38% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
62% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Wilderness runner