Songs like Will You Love Me Tomorrow by Angela
Based on a tempo of (+/- 10%) and a similar genre
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Rascal Flatts
What The Cowgirls Do - Recorded at Spoti...
148 bpm • G min • 04:19 • -8.78db
19% Popularity • 73% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 73% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Angela
Giving Up
148 bpm • A min • 04:03 • -8.79db
0% Popularity • 39% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 39% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Joe Marson
Lost in the Sun
148 bpm • G# Maj • 06:40 • -7.46db
28% Popularity • 54% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 54% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Miranda Lambert
Bluebird - Acoustic
148 bpm • D Maj • 03:40 • -8.58db
42% Popularity • 63% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 63% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Ruthie Foster
What Are You Listening To?
148 bpm • C# Maj • 04:17 • -4.11db
27% Popularity • 53% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 53% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Kourtney White
Tennesee Whiskey
149 bpm • A# Maj • 03:14 • -8db
22% Popularity • 44% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 44% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Sean McConnell
Secondhand Smoke
147 bpm • D Maj • 04:14 • -12.07db
19% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Spensha Baker
Old Soul - The Voice Performance
147 bpm • D Maj • 03:39 • -5.41db
8% Popularity • 33% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 33% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Leon Bridges
Beyond - Acoustic
147 bpm • B Maj • 04:11 • -7.53db
42% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Lukas Nelson and Promise of the Real
Focus On The Music
149 bpm • B Maj • 05:15 • -10.49db
11% Popularity • 50% Danceability • 38% Energy • 8% Liveness
26% Instrumentalness • 23% Positiveness
11% Popularity • 50% Danceability • 38% Energy • 8% Liveness
26% Instrumentalness • 23% Positiveness
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Gabriel Kelley
Red Tail
146 bpm • A Maj • 04:25 • -11.47db
16% Popularity • 52% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
16% Popularity • 52% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
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Paul McDonald
Stay Home
150 bpm • A Maj • 03:42 • -9.54db
11% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Gabe Dixon
Song Don't Fail Me Now
146 bpm • G Maj • 03:25 • -7.84db
13% Popularity • 51% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 51% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Tyrone Wells
You Make My Dreams Come True
150 bpm • B Maj • 04:01 • -16.2db
22% Popularity • 54% Danceability • 30% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
22% Popularity • 54% Danceability • 30% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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Andrew Sevener
Me, My Old Man and Steely Dan
146 bpm • E Maj • 03:18 • -10.81db
21% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Jackson
Millionaire
145 bpm • B Maj • 03:19 • -7.06db
20% Popularity • 59% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 59% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Angela
Durian
150 bpm • C Maj • 05:12 • -18.75db
0% Popularity • 69% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 35% Positiveness
0% Popularity • 69% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 35% Positiveness
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Jessi Alexander
Mine Would Be You
144 bpm • G Maj • 04:12 • -9.69db
21% Popularity • 48% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 48% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alison Krauss
Come And Go Blues
151 bpm • C Maj • 05:21 • -10.84db
15% Popularity • 41% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 41% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Jennifer Nettles
I Can Do Hard Things
144 bpm • A Maj • 03:45 • -7db
32% Popularity • 37% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 37% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Charlotte Leigh
Blindsided
152 bpm • F# Maj • 04:20 • -7.64db
32% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jeffrey East
Time Is Cold (Coffee House Version)
144 bpm • A# Maj • 03:08 • -11.69db
27% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Brett Young
Mercy - Recorded at Sound Stage Studios ...
144 bpm • E Maj • 04:13 • -9db
34% Popularity • 53% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 53% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Travis Meadows
Better Boat
144 bpm • G Maj • 04:53 • -8.89db
23% Popularity • 33% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 33% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jessi Alexander
The Climb
144 bpm • D# Maj • 04:12 • -7.63db
33% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jennifer Nettles
I Can Do Hard Things - Full Length Versi...
144 bpm • A Maj • 04:26 • -9.44db
13% Popularity • 36% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 36% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Sweet Remains
Breakup Breakdown
144 bpm • G# Maj • 03:35 • -11.53db
10% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Liz Longley
Send You My Love
144 bpm • F Maj • 02:58 • -6.09db
26% Popularity • 72% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 72% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Schneider
Remember to Dance
144 bpm • C# Maj • 02:59 • -11.41db
10% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lee Ann Womack
Honky Cat
152 bpm • A# Maj • 05:17 • -6db
22% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Highwomen
The Chain
153 bpm • A Maj • 04:51 • -7.18db
48% Popularity • 42% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 42% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Brett James
True Believer
143 bpm • C min • 03:15 • -6.73db
27% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Anderson East
Somebody Pick Up My Pieces
143 bpm • C Maj • 04:54 • -7db
20% Popularity • 36% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
20% Popularity • 36% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
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Brandon Jenner
Falling in Love
153 bpm • F Maj • 03:24 • -13db
37% Popularity • 63% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 52% Positiveness
37% Popularity • 63% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 52% Positiveness
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The Marcus King Band
I Won't Be Here
143 bpm • C Maj • 04:32 • -13.12db
33% Popularity • 46% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 46% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Yola
Ride Out In The Country
143 bpm • C Maj • 03:15 • -5.85db
36% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Susan Tedeschi
Don't Think Twice. It's Alright
154 bpm • C Maj • 04:43 • -8.09db
29% Popularity • 44% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 44% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Brian Owens
Walk The Line
154 bpm • F min • 03:52 • -9.51db
13% Popularity • 58% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
13% Popularity • 58% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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Anderson East
King for a Day
143 bpm • G# Maj • 03:44 • -5.98db
35% Popularity • 40% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 40% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Lee Roy Parnell
Midnight Believer
154 bpm • F# Maj • 06:04 • -7.8db
9% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Lukas Nelson and Promise of the Real
Couldn't Break Your Heart
142 bpm • C Maj • 04:35 • -9.38db
17% Popularity • 62% Danceability • 75% Energy • 19% Liveness
42% Instrumentalness • 57% Positiveness
17% Popularity • 62% Danceability • 75% Energy • 19% Liveness
42% Instrumentalness • 57% Positiveness
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Ryan Kinder
Fortunate Son
142 bpm • G Maj • 04:00 • -9.38db
16% Popularity • 56% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 56% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Hicks
Six Strings and Diamond Rings
142 bpm • B Maj • 03:41 • -7db
12% Popularity • 37% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 37% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Tedeschi Trucks Band
High & Mighty
155 bpm • A min • 04:33 • -9db
17% Popularity • 39% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 39% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Rita Wilson
Where's My Country Song?
155 bpm • C Maj • 03:22 • -8.62db
12% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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JJ Grey & Mofro
I Believe (In Everything)
141 bpm • A Maj • 06:09 • -8.46db
34% Popularity • 48% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 48% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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j1mbo
1000 und eine Nacht
156 bpm • D min • 02:48 • -7.74db
0% Popularity • 50% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 50% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Charlotte Leigh
This Feeling
156 bpm • G Maj • 04:21 • -9db
28% Popularity • 50% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 50% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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![Jersey on the Wall - I'm Just Asking [Acoustic] cover art](https://i.scdn.co/image/ab67616d00001e0293e8837ee5a8fb31a55d69ba)
Tenille Townes
Jersey on the Wall - I'm Just Asking [Ac...
140 bpm • C Maj • 03:48 • -15.02db
25% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Angela
Shout
141 bpm • C Maj • 02:59 • -8.84db
0% Popularity • 49% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 49% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Anderson East
Josephine
140 bpm • B Maj • 03:42 • -11.56db
31% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Nolan Neal
When She Cries
140 bpm • F# Maj • 03:23 • -7.55db
10% Popularity • 41% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 41% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jewel
Body On Body
140 bpm • E min • 04:26 • -10db
31% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Sheryl Crow
Live Wire
140 bpm • D Maj • 05:09 • -3.32db
31% Popularity • 63% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 63% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
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Amos Lee
Don't Fade Away
140 bpm • B Maj • 05:01 • -15.27db
17% Popularity • 62% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
17% Popularity • 62% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Elise Davis
Married Young
140 bpm • B Maj • 03:39 • -10.63db
19% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Pete Muller
Let You in
139 bpm • F Maj • 04:37 • -10.68db
11% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Maren Morris
The Bones - Acoustic
139 bpm • D Maj • 03:37 • -10.45db
39% Popularity • 67% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 67% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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True
Baby Interlude
158 bpm • F# Maj • 03:15 • -14.24db
0% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Anderson East
What a Woman Wants to Hear
139 bpm • B Maj • 04:14 • -9.69db
27% Popularity • 51% Danceability • 32% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 51% Danceability • 32% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
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Lake Street Dive
Good Kisser - Recorded at Spotify Studio...
158 bpm • A# Maj • 04:05 • -8.14db
24% Popularity • 57% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 57% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Zac Brown
Leader Of The Band
138 bpm • D Maj • 05:07 • -10.51db
35% Popularity • 52% Danceability • 35% Energy • 86% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 52% Danceability • 35% Energy • 86% Liveness
0% Instrumentalness • 45% Positiveness
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Niko Moon
GOOD TIME - Acoustic
138 bpm • A# Maj • 03:34 • -6.17db
30% Popularity • 80% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 80% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Katie Kadan
What Went Wrong
138 bpm • D# min • 04:21 • -5.38db
8% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Amos Lee
Crooked
138 bpm • G Maj • 02:42 • -9.04db
31% Popularity • 72% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 72% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Anderson East
Without You
139 bpm • A# Maj • 04:18 • -7.76db
22% Popularity • 26% Danceability • 56% Energy • 30% Liveness
3% Instrumentalness • 43% Positiveness
22% Popularity • 26% Danceability • 56% Energy • 30% Liveness
3% Instrumentalness • 43% Positiveness
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Marty Ray Project
I Miss You Like Crazy
138 bpm • G Maj • 03:47 • -6.78db
27% Popularity • 49% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 49% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jamestown Revival
California Dreamin'
137 bpm • A min • 03:38 • -8.91db
19% Popularity • 25% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 25% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Angela
I Was Made for You
160 bpm • C Maj • 04:22 • -7.14db
1% Popularity • 38% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
1% Popularity • 38% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Katie Kadan
Hey Yo
138 bpm • D Maj • 04:27 • -5.61db
8% Popularity • 55% Danceability • 44% Energy • 29% Liveness
10% Instrumentalness • 17% Positiveness
8% Popularity • 55% Danceability • 44% Energy • 29% Liveness
10% Instrumentalness • 17% Positiveness
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Alex Francis
The Tracks of My Tears - Acoustic
160 bpm • F# Maj • 03:38 • -7.76db
31% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Anderson East
Lonely
137 bpm • A Maj • 03:28 • -7.22db
20% Popularity • 53% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 53% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Jennifer Hartswick
You Can't Take It Back
160 bpm • C# Maj • 04:37 • -12.13db
10% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Javier Colon
It Don’t Matter To The Sun
136 bpm • D Maj • 04:26 • -6.63db
12% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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![Beautiful [Feat. Jason Isbell] cover art](https://i.scdn.co/image/ab67616d00001e024172a0bd1ac6ac5d8f3eab29)
The War And Treaty
Beautiful [Jason Isbell]
136 bpm • A min • 03:44 • -8.62db
20% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jessi Alexander
I Drive Your Truck
136 bpm • C Maj • 04:16 • -9.71db
14% Popularity • 54% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 54% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Calmstreet
My Name
162 bpm • D Maj • 04:04 • -7.79db
0% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Anderson East
Sorry You're Sick
137 bpm • F# Maj • 02:27 • -6.54db
22% Popularity • 57% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
22% Popularity • 57% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
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Angela
From the Inside Out
162 bpm • E Maj • 04:00 • -9.77db
0% Popularity • 49% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 49% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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JJ Shiplett
Waiting On The Rain
135 bpm • C Maj • 04:11 • -10.39db
18% Popularity • 54% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 54% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Amos Lee
What's Going On
135 bpm • F# Maj • 04:41 • -7.96db
22% Popularity • 62% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 62% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Foy Vance
You Love Are My Only
135 bpm • C Maj • 03:28 • -6.92db
42% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Michaela Anne
One Heart
134 bpm • A# min • 04:06 • -8.34db
23% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Anderson East
This Too Shall Last - Stripped
134 bpm • E Maj • 04:39 • -7.25db
19% Popularity • 38% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 38% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Katie Kadan
Fire in Me
134 bpm • C min • 03:01 • -5db
17% Popularity • 74% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 74% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Ryan Kinder
Tired of Flying
134 bpm • C# Maj • 03:15 • -9.33db
23% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Susan Tedeschi
Angel From Montgomery
134 bpm • G Maj • 05:23 • -11.21db
38% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Angela
Come Out of Babylon
134 bpm • A min • 04:50 • -14db
0% Popularity • 70% Danceability • 31% Energy • 81% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 70% Danceability • 31% Energy • 81% Liveness
0% Instrumentalness • 28% Positiveness
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Amos Lee
Louisville
133 bpm • A# Maj • 03:34 • -7.73db
24% Popularity • 66% Danceability • 78% Energy • 31% Liveness
1% Instrumentalness • 78% Positiveness
24% Popularity • 66% Danceability • 78% Energy • 31% Liveness
1% Instrumentalness • 78% Positiveness
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Levon
With My Eyes Closed
133 bpm • F# Maj • 03:08 • -7.77db
16% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Schneider
Lake Michigan
165 bpm • G Maj • 02:36 • -9.39db
25% Popularity • 60% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
25% Popularity • 60% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
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Magnolia Boulevard
Sister
133 bpm • D Maj • 04:23 • -4db
9% Popularity • 30% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 30% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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Zé di Tina
Nha Tóbia
165 bpm • B Maj • 04:50 • -5.41db
0% Popularity • 75% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 75% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Angela
I'm Tired
164 bpm • G min • 03:06 • -6.49db
0% Popularity • 54% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 54% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Jonah Tolchin
The Grateful Song (Thanksgiving)
133 bpm • G Maj • 04:11 • -14db
15% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Amos Lee
Whiskey On Ice
133 bpm • A# Maj • 03:31 • -14.83db
13% Popularity • 53% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 53% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Sinead Burgess
Wildflowers of Colorado
132 bpm • D# Maj • 05:15 • -11.53db
8% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Keb' Mo'
Oklahoma
132 bpm • B min • 04:53 • -5.92db
25% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
