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Willie Paroo
Songs like
Willie Paroo
by
Sara Storer
Based on a tempo of (+/- 10%) and a similar genre
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McAlister Kemp
100 Years the Anzac
147 bpm • E Maj • 04:39 • -5.11db
20% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Johnny Reid
Kicking Stones
147 bpm • D Maj • 04:00 • -11.32db
23% Popularity • 42% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Graeme Connors
Prodigal Son
146 bpm • G Maj • 04:21 • -10.1db
30% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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TANIA KERNAGHAN
Back of the Barn
147 bpm • D Maj • 02:47 • -7.39db
22% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Sara Storer
Children of the Gurindji
146 bpm • F Maj • 04:11 • -12.59db
11% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Steve Forde
Life's Getting in the Way of Living
148 bpm • A Maj • 03:30 • -5.56db
13% Popularity • 56% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The McClymonts
Forever Begins Tonight
146 bpm • E Maj • 04:03 • -4.83db
29% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Jasmine Rae
Everybody Wants to Take My Money
146 bpm • E Maj • 02:49 • -5.5db
8% Popularity • 45% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Catherine Britt
I'm Gone
149 bpm • D Maj • 03:01 • -4.36db
18% Popularity • 63% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Felicity Urquhart
Frozen Rabbit
149 bpm • A# Maj • 03:02 • -11.63db
9% Popularity • 68% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jayne Denham
Rockin' with Ned (The Legendary Western ...
145 bpm • D Maj • 03:30 • -5db
22% Popularity • 65% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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Luke O'Shea
Pride Of Erin
149 bpm • D Maj • 04:18 • -7.15db
18% Popularity • 50% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Arnold
The Woolshed
145 bpm • C Maj • 02:58 • -4db
27% Popularity • 55% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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TANIA KERNAGHAN
Boys in Boots
150 bpm • E Maj • 02:59 • -7.69db
24% Popularity • 60% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Catherine Britt
What I Did Last Night
145 bpm • C Maj • 03:56 • -5.49db
15% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Christie Lamb
Wish You Were a Cowboy
149 bpm • A# Maj • 02:59 • -4.83db
12% Popularity • 39% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The McClymonts
Shotgun
150 bpm • A# Maj • 03:42 • -6.9db
24% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Brooke McClymont & Adam Eckersley
Roll On Baby
150 bpm • B Maj • 03:21 • -4.53db
21% Popularity • 58% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Felicity Urquhart
Spare Parts
150 bpm • E Maj • 03:15 • -10.36db
10% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Shea Fisher
Cowgirl in My Jeans
150 bpm • D Maj • 03:15 • -5.48db
12% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Catherine Britt
Home Truths
144 bpm • C Maj • 04:02 • -4.67db
17% Popularity • 48% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Tom Curtain
Hitchhiker
150 bpm • G Maj • 03:16 • -4.91db
20% Popularity • 67% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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The McClymonts
Blood Is Thicker Than Water
150 bpm • B Maj • 03:24 • -3.32db
22% Popularity • 56% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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The Bushwackers
This Is the Place for Me
144 bpm • D Maj • 04:10 • -7db
12% Popularity • 56% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Jayne Denham
Grew up 'Round Trucks
150 bpm • D Maj • 03:23 • -5.94db
18% Popularity • 50% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Kirsty Lee Akers
I Will
143 bpm • G Maj • 03:21 • -7.71db
12% Popularity • 47% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Buddy Goode
Cougarville
144 bpm • A min • 02:48 • -6.76db
25% Popularity • 67% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Sara Storer
Crow
143 bpm • F# min • 02:16 • -8.77db
3% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Colin Buchanan
Missin' Slim
143 bpm • D# Maj • 03:53 • -9db
31% Popularity • 62% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Pigram Brothers
Dry River Bed
152 bpm • F Maj • 04:55 • -8db
24% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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TANIA KERNAGHAN
That's a Tradie
143 bpm • G# Maj • 03:48 • -4.98db
22% Popularity • 71% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Christie Lamb
Carry You with Me
142 bpm • G Maj • 03:44 • -7.83db
9% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Baylou
Rattlin' Chains
152 bpm • B Maj • 02:56 • -3.22db
22% Popularity • 45% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Storer
Kurrajong Tree
152 bpm • C Maj • 02:48 • -8.98db
9% Popularity • 64% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Brad Cox
Give Me Tonight
142 bpm • E Maj • 03:41 • -4.91db
46% Popularity • 47% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Wolverines
Don't Look Now
142 bpm • D Maj • 02:20 • -7db
18% Popularity • 87% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Waugh
Big Things
142 bpm • G Maj • 03:41 • -7.58db
12% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Fanny Lumsden
Pretty Little Fools
142 bpm • C Maj • 02:58 • -7.12db
17% Popularity • 73% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The McClymonts
Don't Wish It All Away
142 bpm • G Maj • 03:56 • -4db
23% Popularity • 48% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Sara Storer
Sweet Dreams
142 bpm • D Maj • 04:18 • -9.6db
8% Popularity • 65% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Brad Butcher
Well Dressed Man
142 bpm • D Maj • 04:04 • -10db
14% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Shane Nicholson
The High Price Of Surviving
153 bpm • E Maj • 02:37 • -10db
11% Popularity • 42% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Jayne Denham
Beyond These City Lights
153 bpm • D Maj • 03:37 • -4.58db
11% Popularity • 44% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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The Buckleys
Money
153 bpm • A Maj • 03:02 • -6db
21% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Graeme Connors
The Road Less Travelled
153 bpm • C Maj • 04:30 • -9db
37% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Sara Storer
Lovegrass
142 bpm • D Maj • 02:42 • -7db
13% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Gretta Ziller
Slaughterhouse Blues
153 bpm • F Maj • 03:13 • -8db
9% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Wolverines
Gonna Ride All Night Long
153 bpm • A Maj • 03:32 • -5.88db
13% Popularity • 63% Danceability • 71% Energy • 17% Liveness
8% Instrumentalness • 87% Positiveness
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Andrew Swift
Fire & Ice
141 bpm • F# min • 03:43 • -6db
16% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ben Ransom
Young Years
141 bpm • G Maj • 04:05 • -5db
16% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Fanny Lumsden
Real Class Act
141 bpm • A# Maj • 03:53 • -6.69db
13% Popularity • 71% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Sara Storer
Katherine
141 bpm • B Maj • 04:04 • -9.35db
16% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Shane Nicholson
Famous Last Words
154 bpm • F Maj • 02:08 • -4.35db
29% Popularity • 61% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Jayne Denham
Grew Up 'Round Trucks - Scuzztrans Versi...
154 bpm • D Maj • 03:16 • -6.02db
12% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Gina Jeffreys
A Woman Knows
154 bpm • E min • 03:20 • -4.87db
29% Popularity • 39% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Graeme Connors
The Great Australian Dream
140 bpm • D Maj • 05:04 • -9.18db
29% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Wolverines
Living on the Right Side of Town
140 bpm • A Maj • 03:01 • -5.58db
11% Popularity • 81% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 98% Positiveness
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Jasmine Rae
One Guy One Girl
140 bpm • E min • 03:09 • -4.22db
9% Popularity • 60% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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David Garnham and the Reasons to Live
Golden Hour
140 bpm • C Maj • 03:08 • -14.55db
3% Popularity • 69% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Troy Cassar-Daley
Lights on the Hill
140 bpm • D Maj • 03:14 • -7.04db
34% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Luke O'Shea
Prodigal Son
140 bpm • A# Maj • 03:06 • -5.95db
20% Popularity • 61% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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McAlister Kemp
Cold Beer, Hot Women
140 bpm • A Maj • 02:40 • -4db
20% Popularity • 57% Danceability • 89% Energy • 52% Liveness
0% Instrumentalness • 71% Positiveness
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Melody Moko
Mama
140 bpm • D Maj • 02:56 • -7.36db
22% Popularity • 58% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Jasmine Rae
I'll Try Anything
140 bpm • G Maj • 04:01 • -4db
11% Popularity • 54% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Sara Storer
Beautiful Circle
155 bpm • A Maj • 02:55 • -8.48db
21% Popularity • 56% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Scullion
Dead Roo
155 bpm • C Maj • 02:49 • -6.78db
27% Popularity • 69% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Luke Dickens
Bad Seed
155 bpm • C# Maj • 03:36 • -6.33db
9% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Mickey Pye
When She's Drinkin'
139 bpm • D Maj • 03:30 • -4.81db
19% Popularity • 65% Danceability • 75% Energy • 10% Liveness
6% Instrumentalness • 78% Positiveness
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Fanny Lumsden
Fierce
139 bpm • F# Maj • 02:38 • -5.58db
27% Popularity • 71% Danceability • 88% Energy • 6% Liveness
7% Instrumentalness • 74% Positiveness
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Catherine Britt
Can't Change a Thing
139 bpm • D Maj • 03:01 • -6.64db
11% Popularity • 63% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Tom Curtain
Kimberley Girl
138 bpm • G Maj • 03:02 • -5.93db
20% Popularity • 69% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Bill Chambers
I Drink
138 bpm • D Maj • 03:44 • -7.91db
21% Popularity • 66% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Colin Buchanan
Edge of the Kimberley
138 bpm • E Maj • 03:14 • -16db
25% Popularity • 68% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Andrew Swift
Second Hand
138 bpm • A# Maj • 02:46 • -9.17db
12% Popularity • 67% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Gina Jeffreys
Josephine
157 bpm • C Maj • 03:53 • -5.75db
15% Popularity • 47% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Sara Storer
The Captain
138 bpm • E Maj • 03:16 • -9.24db
8% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Tom Curtain
We're Still Here
138 bpm • C Maj • 03:18 • -5.5db
27% Popularity • 55% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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James McKay
Life and Times
138 bpm • G Maj • 04:30 • -5.31db
22% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Brendon Walmsley
Rose & Rodeo
157 bpm • G Maj • 04:08 • -9.57db
13% Popularity • 36% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Steve Forde
The Letter
157 bpm • E Maj • 04:19 • -5.52db
14% Popularity • 42% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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TANIA KERNAGHAN
Goin' Off
157 bpm • A Maj • 03:41 • -6.06db
14% Popularity • 53% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Kirsty Lee Akers
For Love
137 bpm • G Maj • 03:40 • -6.13db
11% Popularity • 65% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tailgate Drive
Bury Me In Blue Jeans
137 bpm • A Maj • 04:03 • -6db
24% Popularity • 62% Danceability • 88% Energy • 49% Liveness
0% Instrumentalness • 80% Positiveness
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McAlister Kemp
A Good Idea
137 bpm • E Maj • 03:51 • -3db
11% Popularity • 60% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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Shane Nicholson
Where The Water Goes
137 bpm • G Maj • 02:41 • -6.38db
24% Popularity • 68% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Matt Scullion
1868
158 bpm • G min • 04:55 • -5.84db
18% Popularity • 66% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Brad Butcher
From The Bottom Of A Well
158 bpm • E Maj • 04:04 • -9db
7% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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James McKay
Western Dream
158 bpm • E Maj • 03:41 • -6db
26% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jeff Brown
Orchid Street
158 bpm • A Maj • 05:43 • -5.6db
12% Popularity • 62% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Steve Forde
Another Man
158 bpm • G Maj • 02:53 • -5.35db
21% Popularity • 49% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Simply Bushed
Saturday Night
158 bpm • D Maj • 04:07 • -4.77db
18% Popularity • 42% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Shane Nicholson
Whistling Cannonballs
159 bpm • C# Maj • 02:55 • -12.19db
27% Popularity • 58% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Kaylens Rain
Lost in the Moonshine
158 bpm • D Maj • 03:09 • -3.7db
28% Popularity • 53% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Kirsty Lee Akers
Skeletons
136 bpm • D min • 03:34 • -5.44db
7% Popularity • 59% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Fanny Lumsden
Real Men Don't Cry (War on Pride)
136 bpm • C Maj • 04:07 • -10.38db
16% Popularity • 64% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Forde
Metropolis
136 bpm • E Maj • 03:21 • -7db
14% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sara Storer
Old Piece of Tin
160 bpm • D min • 02:47 • -10.33db
8% Popularity • 50% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Shane Nicholson
Bad Machines
160 bpm • F Maj • 02:43 • -6.19db
12% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Catherine Britt
Fav'Rit Song
160 bpm • C Maj • 03:33 • -5db
23% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Brooke McClymont & Adam Eckersley
Train Wreck
160 bpm • C# Maj • 03:43 • -3.83db
25% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Willie Paroo