Songs like Wish I Was Sober by Rhys Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Flynn
Red Light
124 bpm • G min • 03:16 • -9.76db
18% Popularity • 77% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 77% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Casey Lowry
Me & You
124 bpm • D Maj • 03:59 • -5.56db
12% Popularity • 76% Danceability • 67% Energy • 20% Liveness
10% Instrumentalness • 57% Positiveness
12% Popularity • 76% Danceability • 67% Energy • 20% Liveness
10% Instrumentalness • 57% Positiveness
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Rhys Lewis
Wish I Was Sober
124 bpm • A min • 03:27 • -6.52db
29% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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George Ezra
Sugarcoat
124 bpm • F Maj • 03:22 • -6.75db
44% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Final State
Voices
124 bpm • G min • 03:08 • -7.01db
15% Popularity • 69% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 69% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Elliot Root
10,000
124 bpm • D Maj • 04:07 • -7.8db
27% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Noah Kahan
Hurt Somebody - Matoma Remix
124 bpm • C# Maj • 02:35 • -6db
35% Popularity • 73% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 73% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Franklin
Blind Love
124 bpm • C# min • 03:43 • -8.99db
8% Popularity • 34% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 34% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Tim Chadwick
Never Wanted You
124 bpm • D Maj • 03:35 • -7.48db
13% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Rhys Lewis
21st Century Life
124 bpm • D Maj • 03:40 • -8.56db
15% Popularity • 47% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 47% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jake Troth
Sunday Smile
125 bpm • B Maj • 03:28 • -6.73db
41% Popularity • 69% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 69% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Rey
All Falls Down
125 bpm • D# Maj • 03:15 • -7.62db
23% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Hudson Taylor
Feel It Again
125 bpm • C Maj • 03:41 • -4.64db
29% Popularity • 57% Danceability • 86% Energy • 11% Liveness
21% Instrumentalness • 45% Positiveness
29% Popularity • 57% Danceability • 86% Energy • 11% Liveness
21% Instrumentalness • 45% Positiveness
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Joe Probert
The Ocean Song
125 bpm • B Maj • 03:11 • -7db
22% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Cyrus
I'm Stuck
123 bpm • D Maj • 03:07 • -7.65db
42% Popularity • 86% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 86% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Jordan Millar
True or Nothing
123 bpm • G Maj • 03:30 • -7.6db
14% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ed Whicher
Unspoken Words
125 bpm • A min • 03:54 • -8db
19% Popularity • 83% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 83% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Dylan Dunlap
Microphones & Lights
125 bpm • F# min • 03:56 • -6.88db
12% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Hudson Taylor
Feel It Again - Acoustic
125 bpm • C Maj • 03:41 • -6.24db
15% Popularity • 72% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 72% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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SUR
STIX + STONES
123 bpm • C Maj • 03:40 • -7.43db
15% Popularity • 51% Danceability • 85% Energy • 11% Liveness
12% Instrumentalness • 19% Positiveness
15% Popularity • 51% Danceability • 85% Energy • 11% Liveness
12% Instrumentalness • 19% Positiveness
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Rhys Lewis
When Was The Last Time? - Just Kiddin Re...
125 bpm • C# min • 05:13 • -7.81db
3% Popularity • 62% Danceability • 70% Energy • 5% Liveness
71% Instrumentalness • 39% Positiveness
3% Popularity • 62% Danceability • 70% Energy • 5% Liveness
71% Instrumentalness • 39% Positiveness
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Toby Johnson
Wounds
125 bpm • D# Maj • 05:34 • -12db
21% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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George Ezra
Pretty Shining People - HONNE Remix
123 bpm • C# Maj • 04:29 • -4.98db
25% Popularity • 42% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 42% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Skott
Stay Off My Mind
126 bpm • A# min • 03:40 • -8.76db
28% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Woodlock
Sirens
123 bpm • F# Maj • 03:54 • -8db
39% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Mullally
She Don't Know Me - Acoustic
122 bpm • A# min • 03:40 • -4.45db
9% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Rhys Lewis
End Like This
123 bpm • G# min • 03:21 • -5.94db
40% Popularity • 75% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 75% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Kodaline
Temple Bar
126 bpm • C Maj • 03:48 • -3.43db
32% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Tim Chadwick
Blindfolded
122 bpm • D# Maj • 03:12 • -8.44db
9% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Donovan Woods
Lonely People
122 bpm • G Maj • 03:37 • -12.05db
18% Popularity • 67% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
18% Popularity • 67% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Woodlock
The Only Ones
126 bpm • B Maj • 03:52 • -9.82db
14% Popularity • 52% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 52% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Martin Luke Brown
Grit Your Teeth
122 bpm • F min • 03:52 • -6db
28% Popularity • 81% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 81% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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George Ezra
Hold My Girl
122 bpm • A# Maj • 03:31 • -6.37db
72% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
72% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Huntar
Beautiful
121 bpm • G# Maj • 04:22 • -8.76db
24% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Rhys Lewis
Reason To Hate You
127 bpm • C# min • 03:58 • -9.78db
32% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Straalen
Help
127 bpm • B min • 03:55 • -8.7db
14% Popularity • 41% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 41% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Izzy Bizu
Talking to You
127 bpm • C Maj • 03:24 • -5.95db
38% Popularity • 76% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 76% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Harry Marshall
Epilogue
121 bpm • C# min • 04:27 • -5.14db
15% Popularity • 53% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 53% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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George Ezra
Hold My Girl (Acoustic Version)
122 bpm • A# Maj • 03:31 • -7.43db
56% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Griffin Oskar
Hostage
121 bpm • C Maj • 03:18 • -6.52db
29% Popularity • 71% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 71% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Juke Ross
Burned By The Love
127 bpm • G# Maj • 03:04 • -11db
34% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Tors
Wilder Days - Acoustic
128 bpm • E Maj • 04:15 • -11.4db
15% Popularity • 55% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 55% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Declan J Donovan
Human Way
128 bpm • D Maj • 03:36 • -7.03db
32% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Callum Beattie
We Are Stars
128 bpm • G# min • 02:58 • -4.53db
34% Popularity • 51% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 51% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Billy Raffoul
I'm Not A Saint
128 bpm • A# min • 03:15 • -5.82db
48% Popularity • 75% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 75% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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The Montagu
Where Do We Go
128 bpm • D Maj • 03:51 • -6.41db
9% Popularity • 56% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 56% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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NEIKED
Old School Love
128 bpm • A# Maj • 03:04 • -8.39db
33% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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OVERSTREET
Wasted Time
128 bpm • B Maj • 03:38 • -5db
23% Popularity • 78% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 78% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Tin Pigeons
Steel
120 bpm • E Maj • 03:23 • -6.16db
12% Popularity • 53% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 53% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Tors
Wilder Days
128 bpm • E Maj • 03:37 • -7.1db
32% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Billy Raffoul
You Be Love - Acoustic Version
128 bpm • E min • 03:38 • -12db
41% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Thomas Azier
Berlin
128 bpm • C# min • 03:06 • -6.55db
23% Popularity • 76% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 76% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Barnes
Hopeful
128 bpm • F# Maj • 03:21 • -7db
9% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Kodaline
Don't Come Around
120 bpm • D Maj • 03:07 • -3.34db
29% Popularity • 55% Danceability • 86% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 55% Danceability • 86% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
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FOURS
Stella
120 bpm • G# Maj • 02:30 • -6.38db
10% Popularity • 64% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 64% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Aquilo
Silent Movies
120 bpm • G Maj • 03:21 • -10.74db
30% Popularity • 40% Danceability • 45% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
30% Popularity • 40% Danceability • 45% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
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Sody
Wasted Youth
120 bpm • C Maj • 03:24 • -8.49db
29% Popularity • 70% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 70% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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King Charles
Find a Way
120 bpm • G# Maj • 03:56 • -5db
30% Popularity • 70% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 70% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Clean Cut Kid
We Used To Be In Love - Acoustic
120 bpm • B Maj • 03:24 • -5db
12% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Raffoul
1975
120 bpm • D Maj • 03:10 • -8.99db
33% Popularity • 66% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 66% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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The Coronas
Is There Still Time?
120 bpm • B min • 03:21 • -8.54db
11% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Plested
Ribcage
120 bpm • G# min • 03:15 • -7.44db
30% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Rhys Lewis
When Was The Last Time? - Live At Rak St...
120 bpm • C# min • 03:40 • -9.81db
7% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Lewis Capaldi
Rush
120 bpm • C# Maj • 03:18 • -7.39db
62% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Youth Club
Misunderstood
119 bpm • C# min • 02:48 • -6.83db
21% Popularity • 75% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 75% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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FOURS
Sweet Reality
129 bpm • G# Maj • 03:39 • -6.42db
9% Popularity • 36% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 36% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Anders
The Devil Won't Let Me Go
129 bpm • C# min • 05:18 • -7.11db
8% Popularity • 46% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 46% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Plested
Lost for Words
129 bpm • A# Maj • 03:21 • -8db
30% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Martin Luke Brown
Stitch
130 bpm • C Maj • 03:02 • -6.12db
8% Popularity • 69% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 69% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Rhys Lewis
When Was The Last Time?
120 bpm • A Maj • 03:36 • -12.09db
19% Popularity • 66% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 66% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Jessarae
Stand In The Rain
130 bpm • G Maj • 03:40 • -6.07db
11% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Toby Johnson
Wilderman
118 bpm • A Maj • 04:16 • -14.33db
15% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Passport to Stockholm
Shine On
130 bpm • A# Maj • 02:59 • -9.08db
7% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Young Mister
Safety
130 bpm • B min • 03:22 • -11db
14% Popularity • 37% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
14% Popularity • 37% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
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Skinny Living
The Journey - Live from Wakefield
130 bpm • A min • 03:13 • -6.94db
20% Popularity • 52% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 52% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 35% Positiveness
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Seafret
Blank You Out
130 bpm • F# min • 03:59 • -4.33db
33% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Gabrielle Aplin
Night Bus
118 bpm • C# min • 03:41 • -7.16db
43% Popularity • 46% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 46% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Coronas
Gut Feeling
130 bpm • F# min • 03:56 • -7.11db
27% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Scott Helman
The Lion
130 bpm • A min • 03:20 • -4.93db
20% Popularity • 65% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 65% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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The Brevet
Upholder
130 bpm • B Maj • 03:48 • -4.07db
10% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Billy Raffoul
Dark Four Door
118 bpm • A# Maj • 03:28 • -11.72db
45% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Just Like Us
That's Alright
118 bpm • A Maj • 03:15 • -10.19db
20% Popularity • 46% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 46% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Scouting For Girls
One Woman
118 bpm • B Maj • 03:46 • -4.63db
14% Popularity • 70% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 70% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Tom Odell
Go Tell Her Now
118 bpm • F# min • 03:51 • -6.02db
42% Popularity • 69% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 69% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Joel Leggett
The Way You Move
118 bpm • F# Maj • 04:50 • -8.59db
17% Popularity • 71% Danceability • 35% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
17% Popularity • 71% Danceability • 35% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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SŸDE
Follow Me
118 bpm • F# min • 03:02 • -11.18db
18% Popularity • 72% Danceability • 48% Energy • 17% Liveness
1% Instrumentalness • 17% Positiveness
18% Popularity • 72% Danceability • 48% Energy • 17% Liveness
1% Instrumentalness • 17% Positiveness
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Billy Raffoul
Forever
118 bpm • D Maj • 03:13 • -5.33db
37% Popularity • 69% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 69% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Jordan Mackampa
One in the Same
118 bpm • F min • 04:02 • -8.34db
23% Popularity • 58% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 58% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Plested
Priorities
118 bpm • F# Maj • 03:13 • -13db
23% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jake Howden
I Don't Love You Like I Used To
131 bpm • D# min • 03:04 • -7.41db
9% Popularity • 79% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 79% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Donovan Woods
All Mine
117 bpm • G Maj • 03:22 • -9.79db
13% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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nomad
All of My Heart
132 bpm • F# min • 03:42 • -8.61db
13% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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FIELDS
22:22
132 bpm • C# min • 04:16 • -10.98db
17% Popularity • 77% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 77% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Rhys Lewis
Living In The City
132 bpm • F Maj • 03:04 • -8.44db
39% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Dylan Gardner
Can't Stop Thinking
116 bpm • E Maj • 03:00 • -4.49db
8% Popularity • 74% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 74% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Genius Buddha Band
Who You Are - One
116 bpm • C Maj • 04:02 • -8.46db
21% Popularity • 68% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 68% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Volunteer
Lose My Head
116 bpm • F# Maj • 04:26 • -7.44db
12% Popularity • 68% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
12% Popularity • 68% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Nath Brooks
What Do I Know - Piano Cover
115 bpm • E Maj • 03:55 • -6db
26% Popularity • 81% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 81% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
