Songs like Wishful Drinking (with Sam Hunt) by Ingrid Andress
Based on a tempo of (+/- 10%) and a similar genre
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Ingrid Andress
Wishful Drinking - Bonus Track
79 bpm • A# Maj • 03:14 • -7db
54% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Maren Morris
Good Friends
79 bpm • A# Maj • 03:28 • -7.03db
42% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lee Brice
Boy
79 bpm • F# Maj • 03:18 • -7.95db
62% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Morgan Wade
Take Me Away
79 bpm • A# Maj • 03:44 • -6db
52% Popularity • 42% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 42% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jordan Davis
Next Thing You Know
79 bpm • F Maj • 02:55 • -8db
77% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
77% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Miranda Lambert
Tin Man
79 bpm • C Maj • 04:19 • -10.92db
55% Popularity • 42% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
55% Popularity • 42% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
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Ingrid Andress
The Stranger
79 bpm • F# min • 03:11 • -6.99db
45% Popularity • 27% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 27% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Maren Morris
To Hell & Back
78 bpm • C Maj • 03:15 • -7db
52% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Gabby Barrett
Pick Me Up
80 bpm • D Maj • 02:49 • -5db
56% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Nate Smith
I Don't Wanna Go To Heaven
80 bpm • C Maj • 03:21 • -7db
45% Popularity • 39% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 39% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Robyn Ottolini
Trust Issues
78 bpm • C Maj • 03:23 • -5.98db
41% Popularity • 45% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 45% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Megan Moroney
Girl in the Mirror
78 bpm • A# Maj • 02:45 • -7.91db
61% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 33% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ingrid Andress
More Hearts Than Mine
79 bpm • C Maj • 03:34 • -7.39db
66% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
66% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kaylee Rose
Love Makes You Blind
80 bpm • F# Maj • 02:38 • -5.09db
52% Popularity • 72% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 72% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Abby Anderson
First To Hit The Road
78 bpm • A min • 03:18 • -6.13db
44% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Elle King
Worth A Shot
80 bpm • C Maj • 03:31 • -5db
42% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ashley McBryde
One Night Standards
78 bpm • F Maj • 03:10 • -5.02db
57% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
57% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Dylan Scott
Nobody
80 bpm • F Maj • 02:42 • -7db
60% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Hailey Whitters
Heartland
80 bpm • E Maj • 03:31 • -5.13db
33% Popularity • 62% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 62% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Spencer Crandall
Kept Every Vow
80 bpm • A Maj • 03:15 • -5db
38% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Miranda Lambert
If I Was a Cowboy
80 bpm • F# min • 03:14 • -6db
57% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Scotty McCreery
This Is It
78 bpm • G# Maj • 03:50 • -6.79db
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Kane Brown
Heaven
80 bpm • A Maj • 02:59 • -7db
74% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
74% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Restless Road
Growing Old With You
80 bpm • F Maj • 03:16 • -7.12db
51% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Combs
Even Though I'm Leaving
78 bpm • D Maj • 03:45 • -6.04db
70% Popularity • 55% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
70% Popularity • 55% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Spencer Crandall
Things I Can't Say
80 bpm • G# Maj • 02:44 • -4.22db
49% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
49% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Ashley Cooke
it's been a year
77 bpm • B Maj • 03:36 • -7.96db
45% Popularity • 36% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 36% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Young
Looking for You
81 bpm • G Maj • 03:01 • -3.65db
50% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Morgan Wallen
Dying Man
81 bpm • C# Maj • 03:03 • -7db
67% Popularity • 42% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 42% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ingrid Andress
The Stranger - Reimagined
77 bpm • F# min • 03:21 • -7.38db
17% Popularity • 28% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 28% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Abby Anderson
Where Did All The Cowboys Go
81 bpm • E Maj • 03:15 • -11.2db
41% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Tenille Arts
I Hate This
81 bpm • F# Maj • 03:08 • -6.84db
53% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ashley Cooke
never til now
77 bpm • A# Maj • 02:53 • -7.55db
43% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Miranda Lambert
The House That Built Me
81 bpm • F Maj • 03:56 • -8.01db
66% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
66% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Brett Young
Chapters
81 bpm • B Maj • 03:57 • -6.82db
53% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Megan Moroney
Wonder
81 bpm • G min • 03:42 • -8.18db
56% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Maren Morris
The Bones
77 bpm • B min • 03:17 • -6.64db
70% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ella Langley
Damn You
77 bpm • E Maj • 03:03 • -3db
57% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tenille Arts
Back Then, Right Now
77 bpm • F Maj • 03:02 • -3.23db
51% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Ingrid Andress
Both
81 bpm • B Maj • 03:23 • -6db
39% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ashley Cooke
your place
77 bpm • F Maj • 03:02 • -4.08db
70% Popularity • 45% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
70% Popularity • 45% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Danielle Bradbery
Break My Heart Again
82 bpm • C Maj • 03:21 • -8db
35% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Maren Morris
My Church
77 bpm • A Maj • 03:17 • -4.34db
66% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
66% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Brett Young
You Didn’t
82 bpm • B Maj • 03:45 • -7.6db
61% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Miranda Lambert
Bluebird
82 bpm • G Maj • 03:29 • -5.99db
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Ingrid Andress
Good Person
81 bpm • A# Maj • 03:23 • -8.06db
27% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Cole Swindell
Single Saturday Night
82 bpm • G Maj • 03:09 • -5db
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Maddie & Tae
Die From A Broken Heart
76 bpm • A Maj • 03:08 • -6.63db
69% Popularity • 60% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 60% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Hunt
Kinfolks
76 bpm • C Maj • 03:01 • -5db
63% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
63% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Brett Young
Like I Loved You
76 bpm • C# Maj • 03:27 • -6.05db
63% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Ingrid Andress
Yearbook
82 bpm • E Maj • 03:32 • -6.6db
36% Popularity • 49% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 49% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Smithfield
We'll Figure It Out
76 bpm • C# Maj • 03:12 • -9db
53% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Morgan Wade
Run
76 bpm • C Maj • 03:32 • -7db
44% Popularity • 63% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 63% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Gabby Barrett
I Hope
76 bpm • F# Maj • 03:30 • -6.23db
72% Popularity • 47% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 47% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
68% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
68% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Carter Faith
Already Crazy
82 bpm • E Maj • 03:19 • -7.8db
38% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Old Dominion
One Man Band
76 bpm • F# Maj • 03:06 • -8.33db
77% Popularity • 71% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
77% Popularity • 71% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Young
Town Ain't Big Enough
76 bpm • F# Maj • 02:51 • -4db
37% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Cam
Till There's Nothing Left
76 bpm • D Maj • 03:15 • -7db
53% Popularity • 58% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 58% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Ashley Cooke
running back
76 bpm • F Maj • 03:07 • -7.25db
37% Popularity • 34% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 34% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Luke Combs
5 Leaf Clover
83 bpm • C# Maj • 03:31 • -5db
72% Popularity • 42% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 42% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Seaforth
Breakups - Acoustic
75 bpm • C# Maj • 03:47 • -7.09db
41% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Danielle Bradbery
A Special Place
83 bpm • C Maj • 02:54 • -4db
49% Popularity • 48% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 48% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Sam Hunt
Start Nowhere
83 bpm • G Maj • 03:13 • -3.9db
54% Popularity • 42% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 42% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Tenille Arts
Right Guy Wrong Time
83 bpm • F# Maj • 03:39 • -7.21db
35% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Blake Shelton
Happy Anywhere
83 bpm • G# Maj • 02:51 • -6db
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Kelsea Ballerini
Penthouse
75 bpm • F Maj • 03:03 • -5db
64% Popularity • 50% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
64% Popularity • 50% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Adam Doleac
Another
75 bpm • G Maj • 03:08 • -6.28db
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Maren Morris
Rich
75 bpm • F Maj • 03:28 • -4.19db
57% Popularity • 56% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
57% Popularity • 56% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Sam Hunt
Outskirts
75 bpm • A# Maj • 03:02 • -4db
70% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
70% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Seaforth
Breakups
75 bpm • C# Maj • 03:43 • -6db
41% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Ingrid Andress
More Hearts Than Mine
75 bpm • C Maj • 03:56 • -6.96db
20% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ashley Cooke
getting into
84 bpm • C Maj • 02:49 • -5.55db
38% Popularity • 46% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 46% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
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Spencer Crandall
My Person (Wedding Version)
74 bpm • G Maj • 03:04 • -7.57db
46% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Caylee Hammack
Small Town Hypocrite
74 bpm • D# Maj • 04:02 • -9db
31% Popularity • 44% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 44% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Dallas Smith
One Too
85 bpm • C Maj • 03:21 • -7.18db
27% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Cody Johnson
Human
84 bpm • D Maj • 03:41 • -7.28db
67% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
67% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Avery Anna
Narcissist
73 bpm • C# Maj • 02:34 • -5.99db
60% Popularity • 32% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 32% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Chase Rice
Lonely If You Are
85 bpm • G Maj • 02:56 • -5.1db
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Old Dominion
No Hard Feelings
85 bpm • E Maj • 03:11 • -6db
61% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Brett Young
Dance With You
85 bpm • G Maj • 03:04 • -6.69db
63% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
65% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
65% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Brett Eldredge
Good Day
85 bpm • A# Maj • 03:25 • -7.27db
51% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Ingrid Andress
Seeing Someone Else (Radio Edit)
73 bpm • F Maj • 03:13 • -4.46db
16% Popularity • 43% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Abbott Band
Settle Me Down
73 bpm • E Maj • 02:57 • -6.74db
63% Popularity • 30% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 30% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Caylee Hammack
Small Town Hypocrite
73 bpm • D# Maj • 04:01 • -6.86db
46% Popularity • 41% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 41% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Ashley Cooke
back in the saddle
73 bpm • G Maj • 02:57 • -6.14db
41% Popularity • 60% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 60% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Lady A
American Honey
86 bpm • C# Maj • 03:44 • -5.15db
64% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
64% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Dan + Shay
Tequila
86 bpm • B Maj • 03:16 • -5.73db
70% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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RaeLynn
Made For Me To Love - Demo
86 bpm • C Maj • 03:05 • -7db
44% Popularity • 47% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 47% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Mickey Guyton
What Are You Gonna Tell Her?
86 bpm • G Maj • 03:15 • -6.85db
22% Popularity • 51% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 51% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Brett Young
Mercy
72 bpm • E Maj • 03:37 • -7.91db
67% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
67% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Cole Swindell
Break Up in the End
86 bpm • C# Maj • 03:19 • -8db
59% Popularity • 51% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 51% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Carrie Underwood
Church Bells
87 bpm • D# min • 03:13 • -1.77db
65% Popularity • 57% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 57% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Ingrid Andress
No Choice
72 bpm • F Maj • 03:53 • -4.99db
31% Popularity • 47% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 47% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Morgan Wallen
865
88 bpm • G# Maj • 03:10 • -5.25db
70% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
