Songs like With a Little Dub From My Friends by Easy Star All-Stars
Based on a tempo of (+/- 10%) and a similar genre
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Easy Star All-Stars
With a Little Dub From My Friends
92 bpm • F# min • 03:16 • -8.39db
21% Popularity • 63% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 63% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Giant Panda Guerilla Dub Squad
Love You More
92 bpm • E min • 03:41 • -6.29db
41% Popularity • 83% Danceability • 63% Energy • 7% Liveness
59% Instrumentalness • 77% Positiveness
41% Popularity • 83% Danceability • 63% Energy • 7% Liveness
59% Instrumentalness • 77% Positiveness
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Leroy Sibbles
People Rocksteady
91 bpm • G min • 03:09 • -5.87db
17% Popularity • 80% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 80% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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The Itals
Me Waan Justice
91 bpm • E min • 04:12 • -16.68db
29% Popularity • 68% Danceability • 52% Energy • 25% Liveness
13% Instrumentalness • 81% Positiveness
29% Popularity • 68% Danceability • 52% Energy • 25% Liveness
13% Instrumentalness • 81% Positiveness
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The Wailers
Mr Brown
93 bpm • C# Maj • 03:26 • -4.21db
19% Popularity • 60% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 60% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Dave Barker
What a Confusion
94 bpm • F min • 03:24 • -5.72db
13% Popularity • 89% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 89% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Easy Star All-Stars
With a Little Help From My Friends
91 bpm • A Maj • 03:13 • -7.71db
36% Popularity • 66% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 66% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Clarke
Move Out a Babylon
90 bpm • C# Maj • 03:22 • -15db
17% Popularity • 82% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 82% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Delroy Wilson
I'm in a Dancing Mood
90 bpm • C# Maj • 02:18 • -8db
40% Popularity • 87% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 87% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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U-Roy
Dreadlocks Dread - 1990 Digital Remaster
94 bpm • G# Maj • 02:47 • -15.23db
26% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Emperadormaty
MOLLY
90 bpm • B Maj • 03:03 • -8.01db
3% Popularity • 75% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
3% Popularity • 75% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Dennis Alcapone
Cassius Clay
94 bpm • A min • 03:26 • -5db
31% Popularity • 82% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 82% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Easy Star All-Stars
Sgt. Pepper's Lonely Hearts Club Band
91 bpm • G Maj • 02:22 • -6.08db
29% Popularity • 49% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 49% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 55% Positiveness
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Dillinger
Cocaine In My Brain
94 bpm • A min • 03:42 • -5.83db
18% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Big Youth
I Love the Way You Love (Remastered)
95 bpm • A Maj • 03:22 • -9.81db
22% Popularity • 67% Danceability • 68% Energy • 7% Liveness
12% Instrumentalness • 72% Positiveness
22% Popularity • 67% Danceability • 68% Energy • 7% Liveness
12% Instrumentalness • 72% Positiveness
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Dub Inc
Highest
95 bpm • A min • 03:38 • -6.53db
17% Popularity • 74% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 74% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Mungo's Hi Fi
Serious Time
95 bpm • F Maj • 04:17 • -7.98db
33% Popularity • 89% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 89% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Alerta Kamarada
Save the Children
89 bpm • A# min • 05:40 • -6.75db
17% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Sugar Black
Fly Like an Eagle
95 bpm • F Maj • 03:49 • -9.91db
23% Popularity • 73% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 73% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Ansel Collins
Conqueror Version 3 (A.k.A. Upsetting St...
89 bpm • C# Maj • 03:49 • -10.49db
12% Popularity • 88% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 88% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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I-Roy
Noisy Place
89 bpm • C# Maj • 02:15 • -8db
27% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Damian Marley
Keep On Groving
95 bpm • B min • 04:34 • -8.8db
32% Popularity • 81% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 81% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Charlie Chaplin
Batta Batta
95 bpm • D Maj • 03:20 • -5.38db
25% Popularity • 88% Danceability • 78% Energy • 21% Liveness
9% Instrumentalness • 64% Positiveness
25% Popularity • 88% Danceability • 78% Energy • 21% Liveness
9% Instrumentalness • 64% Positiveness
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Big Youth
Some Like It Dread
89 bpm • F# min • 03:00 • -17.46db
30% Popularity • 82% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 82% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Harrison Stafford
Collin' I
88 bpm • F min • 08:03 • -8.89db
15% Popularity • 74% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 74% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Luciano
Rub a Dub Market
88 bpm • A# min • 04:07 • -4.84db
32% Popularity • 82% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 82% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 92% Positiveness
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Misty In Roots
On the Road
88 bpm • A Maj • 05:15 • -7db
20% Popularity • 86% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
20% Popularity • 86% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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The Slackers
I Shall Be Released
88 bpm • F# Maj • 04:20 • -8.43db
36% Popularity • 84% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 84% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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U-Roy
Rivers Of Babylon - 2000 - Remaster
97 bpm • D Maj • 05:03 • -9.47db
16% Popularity • 73% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 58% Positiveness
16% Popularity • 73% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 58% Positiveness
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Big Youth
You Should Never Do That
89 bpm • F# min • 03:01 • -17.57db
34% Popularity • 82% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 82% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Pioneers
Starvation (Edit)
88 bpm • A# Maj • 02:23 • -10.02db
24% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Cornell Campbell
Nothing Can Stop Us
97 bpm • E min • 04:01 • -9.26db
16% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Dillinger
Chuky Skank
87 bpm • G Maj • 02:39 • -9.5db
27% Popularity • 75% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 75% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Joe Higgs
Blackman Know Yourself
98 bpm • G Maj • 03:28 • -13.93db
27% Popularity • 66% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 66% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Little Roy
Polly
98 bpm • E min • 03:51 • -7.65db
17% Popularity • 87% Danceability • 63% Energy • 15% Liveness
23% Instrumentalness • 74% Positiveness
17% Popularity • 87% Danceability • 63% Energy • 15% Liveness
23% Instrumentalness • 74% Positiveness
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Goldbar`z
Jah Messenger
86 bpm • F Maj • 04:10 • -6.65db
7% Popularity • 78% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 78% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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U-Roy
I Can't Love Another - 1990 Digital Rema...
99 bpm • G Maj • 03:23 • -13.14db
13% Popularity • 72% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 53% Positiveness
13% Popularity • 72% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 53% Positiveness
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I-Roy
Sidewalk Killer
101 bpm • C# min • 03:41 • -7.2db
28% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Dillinger
Spike Heel Shoes
85 bpm • D min • 03:54 • -8db
31% Popularity • 81% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 86% Positiveness
31% Popularity • 81% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 86% Positiveness
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Rockamovya
Ya Better Rally
84 bpm • E min • 05:11 • -9db
21% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Little Roy
Heart-Shaped Box
99 bpm • C# min • 03:15 • -6.35db
22% Popularity • 86% Danceability • 62% Energy • 8% Liveness
38% Instrumentalness • 93% Positiveness
22% Popularity • 86% Danceability • 62% Energy • 8% Liveness
38% Instrumentalness • 93% Positiveness
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Big Youth
Cool Breeze
84 bpm • G# Maj • 03:23 • -6db
57% Popularity • 82% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 82% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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U-Roy
Babylon Burning
100 bpm • C Maj • 03:00 • -7.95db
13% Popularity • 87% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 87% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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The Congos
Raining Night in Georgia
83 bpm • C# Maj • 03:35 • -5.51db
31% Popularity • 70% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 70% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Mikey Dread
Praise Jah Jah
83 bpm • C Maj • 04:09 • -10.83db
11% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Half Pint
Too Rude
83 bpm • D Maj • 03:19 • -7.75db
24% Popularity • 76% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 76% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Little Roy
Come as You Are
99 bpm • G Maj • 04:08 • -9db
33% Popularity • 85% Danceability • 55% Energy • 22% Liveness
6% Instrumentalness • 79% Positiveness
33% Popularity • 85% Danceability • 55% Energy • 22% Liveness
6% Instrumentalness • 79% Positiveness
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Kasimba
Run Them Out
83 bpm • B min • 03:04 • -4.34db
15% Popularity • 67% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 67% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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U-Roy
Babylon Burning - Remaster 1991
100 bpm • C Maj • 02:43 • -10.49db
19% Popularity • 87% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 87% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Dennis Alcapone
Musical Liquidator
102 bpm • E min • 02:38 • -7.5db
21% Popularity • 91% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 91% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Junior Delgado
Liberation
83 bpm • C# Maj • 03:41 • -9db
29% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Clarke
Rockers Time Now - Remastered 2000
83 bpm • G Maj • 03:29 • -5.3db
16% Popularity • 86% Danceability • 65% Energy • 10% Liveness
55% Instrumentalness • 89% Positiveness
16% Popularity • 86% Danceability • 65% Energy • 10% Liveness
55% Instrumentalness • 89% Positiveness
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Hopeton Lewis
Express Yourself
83 bpm • A# min • 02:34 • -12.85db
41% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
41% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
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Pablo Moses
You an Me
83 bpm • F Maj • 03:57 • -9.01db
27% Popularity • 87% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 87% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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U-Roy
Natty Rebel - Remaster 1990
83 bpm • C Maj • 03:31 • -12db
48% Popularity • 81% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 81% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Toots Hibbert
Freedom Train
102 bpm • F# Maj • 04:25 • -10db
20% Popularity • 78% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 78% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Big Youth
Moving Version
82 bpm • E Maj • 03:00 • -6.85db
19% Popularity • 79% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
19% Popularity • 79% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
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I-Roy
Heart Of A Lion - 2000 Digital Remaster
82 bpm • G Maj • 04:25 • -11.42db
12% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Hopeton Lewis
Tom Drunk
83 bpm • G Maj • 02:09 • -11.85db
31% Popularity • 83% Danceability • 61% Energy • 12% Liveness
26% Instrumentalness • 80% Positiveness
31% Popularity • 83% Danceability • 61% Energy • 12% Liveness
26% Instrumentalness • 80% Positiveness
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Hollie Cook
Shadow Kissing
82 bpm • B Maj • 03:31 • -8db
48% Popularity • 75% Danceability • 71% Energy • 12% Liveness
3% Instrumentalness • 85% Positiveness
48% Popularity • 75% Danceability • 71% Energy • 12% Liveness
3% Instrumentalness • 85% Positiveness
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John Holt
Strange Things
82 bpm • G min • 07:45 • -9db
35% Popularity • 79% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 79% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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The Slickers
Johnny To Bad
82 bpm • G Maj • 03:10 • -10.57db
20% Popularity • 73% Danceability • 61% Energy • 30% Liveness
7% Instrumentalness • 80% Positiveness
20% Popularity • 73% Danceability • 61% Energy • 30% Liveness
7% Instrumentalness • 80% Positiveness
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Big Youth
Cool Breeze
82 bpm • F Maj • 03:30 • -15.11db
36% Popularity • 80% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 80% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Jason Mraz
Have It All - Easy Star All-Stars & Mich...
82 bpm • C# min • 04:19 • -4.6db
47% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Marcia Griffiths
Feel Like Jumping
82 bpm • C Maj • 03:33 • -9db
38% Popularity • 78% Danceability • 43% Energy • 7% Liveness
17% Instrumentalness • 64% Positiveness
38% Popularity • 78% Danceability • 43% Energy • 7% Liveness
17% Instrumentalness • 64% Positiveness
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Hollie Cook
Postman
82 bpm • C# Maj • 04:11 • -10db
43% Popularity • 79% Danceability • 59% Energy • 14% Liveness
8% Instrumentalness • 71% Positiveness
43% Popularity • 79% Danceability • 59% Energy • 14% Liveness
8% Instrumentalness • 71% Positiveness
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Rockamovya
Red Rose
82 bpm • C Maj • 07:09 • -8.66db
22% Popularity • 77% Danceability • 53% Energy • 20% Liveness
38% Instrumentalness • 52% Positiveness
22% Popularity • 77% Danceability • 53% Energy • 20% Liveness
38% Instrumentalness • 52% Positiveness
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Easy Star All-Stars
Got To Get Away
81 bpm • D# min • 04:30 • -6.5db
12% Popularity • 70% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 70% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Cornell Campbell
I'll Mash You Down
82 bpm • F# min • 02:46 • -6db
33% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
33% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
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Sugar Minott
Hard Time Pressure
81 bpm • G# min • 03:09 • -7.24db
20% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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I-Roy
First Cut Is the Deepest
81 bpm • A# min • 03:25 • -10.28db
12% Popularity • 78% Danceability • 45% Energy • 9% Liveness
62% Instrumentalness • 37% Positiveness
12% Popularity • 78% Danceability • 45% Energy • 9% Liveness
62% Instrumentalness • 37% Positiveness
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Johnny Osbourne
Water Pumping
81 bpm • A# min • 03:17 • -6db
30% Popularity • 78% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 78% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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U-Roy
Wake The Town
105 bpm • F Maj • 04:02 • -3.18db
16% Popularity • 72% Danceability • 83% Energy • 21% Liveness
15% Instrumentalness • 79% Positiveness
16% Popularity • 72% Danceability • 83% Energy • 21% Liveness
15% Instrumentalness • 79% Positiveness
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Meta And The Cornerstones
Rooftop
81 bpm • C# Maj • 03:59 • -4.24db
17% Popularity • 74% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 74% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Easy Star All-Stars
Lovely Rita
80 bpm • E Maj • 04:05 • -6.81db
20% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Junior Byles
Mystic Revelation
80 bpm • D# Maj • 03:11 • -13.3db
34% Popularity • 81% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 81% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Mighty Diamonds
Natural Natty - 2001 Digital Remaster
80 bpm • E min • 02:49 • -9.75db
23% Popularity • 77% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 77% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Rayvon
Peace, Love and Understanding
80 bpm • G# Maj • 03:25 • -5.14db
22% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Hollie Cook
Tiger Balm
80 bpm • G Maj • 04:05 • -9.84db
36% Popularity • 69% Danceability • 51% Energy • 28% Liveness
1% Instrumentalness • 69% Positiveness
36% Popularity • 69% Danceability • 51% Energy • 28% Liveness
1% Instrumentalness • 69% Positiveness
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Marcia Griffiths
Put a Little Love In Your Heart
106 bpm • D Maj • 02:38 • -10.61db
43% Popularity • 68% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 68% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Luciano
Give Praise
80 bpm • A Maj • 04:17 • -3.88db
32% Popularity • 66% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 66% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 79% Positiveness
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Althea And Donna
No More Fighting - Remastered 2001
80 bpm • G Maj • 03:37 • -9.18db
48% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Pablo Moses
In This Jungle
80 bpm • E min • 03:53 • -6.95db
33% Popularity • 79% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 79% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Junior Delgado
Every Natty
79 bpm • C min • 02:20 • -11.3db
28% Popularity • 75% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 61% Positiveness
28% Popularity • 75% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 61% Positiveness
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SOJA
Creeping In
79 bpm • B Maj • 03:29 • -7db
29% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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U-Roy
Drive Her Home
79 bpm • A# min • 01:58 • -8.6db
41% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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The Jamaicans
Ba Ba Boom
79 bpm • E Maj • 02:51 • -5.93db
24% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Easy Star All-Stars
Eclipse
107 bpm • D Maj • 01:52 • -8.1db
30% Popularity • 55% Danceability • 68% Energy • 8% Liveness
70% Instrumentalness • 46% Positiveness
30% Popularity • 55% Danceability • 68% Energy • 8% Liveness
70% Instrumentalness • 46% Positiveness
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The Dynamics
Bring Me Up
79 bpm • E min • 04:11 • -7db
26% Popularity • 85% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 85% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Delroy Wilson
Rain from the Sky
79 bpm • C# Maj • 02:40 • -12.93db
25% Popularity • 78% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 78% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Cornell Campbell
Natty Dread In A Greenwich Farm
79 bpm • G min • 02:47 • -9db
29% Popularity • 76% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 76% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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U-Roy
Chalice In The Palace - 1990 Digital Rem...
79 bpm • C Maj • 03:29 • -12db
32% Popularity • 66% Danceability • 43% Energy • 7% Liveness
4% Instrumentalness • 52% Positiveness
32% Popularity • 66% Danceability • 43% Energy • 7% Liveness
4% Instrumentalness • 52% Positiveness
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The Congos
Chain Gang
108 bpm • C Maj • 03:31 • -4.96db
21% Popularity • 76% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 76% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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SOJA
Hold on
79 bpm • G Maj • 04:11 • -7.32db
13% Popularity • 76% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 76% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Hugh Mundell
Good Looking
108 bpm • G Maj • 03:58 • -8.89db
23% Popularity • 79% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 85% Positiveness
23% Popularity • 79% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 85% Positiveness
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Pablo Moses
Living in Babylon
78 bpm • E min • 04:16 • -7.67db
33% Popularity • 76% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 76% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Luciano
Jah Deliver Us from All Evil
78 bpm • B min • 04:12 • -3.76db
15% Popularity • 59% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 59% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Sugar Minott
Babylon
78 bpm • A min • 04:22 • -5.71db
16% Popularity • 66% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 66% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness