Songs like With So Little to Be Sure Of - 2005 Digital Remaster by Stephen Sondheim
Based on a tempo of (+/- 10%) and a similar genre
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
24% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Michael McGrath
Sounds While Selling
92 bpm • E Maj • 02:02 • -8db
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Natasha Richardson
Perfectly Marvelous
93 bpm • E min • 02:46 • -12.95db
31% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Meredith Willson
My White Knight
92 bpm • C# Maj • 03:02 • -14.94db
13% Popularity • 27% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 27% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Stephen Sondheim
The Worst Pies in London
93 bpm • C# Maj • 02:25 • -9.71db
34% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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NaTasha Yvette Williams
Some Like It Hot
91 bpm • G Maj • 05:18 • -6.86db
28% Popularity • 52% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 52% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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J. Robert Spencer
I've Been
93 bpm • C# Maj • 02:44 • -8.33db
33% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Samantha Massell
Far from the Home I Love
93 bpm • C Maj • 02:48 • -9.48db
26% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Annaleigh Ashford
The Worst Pies in London
91 bpm • F# Maj • 02:33 • -8.24db
45% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Patina Miller
Last Midnight
91 bpm • C# Maj • 03:15 • -9.21db
37% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Stephen Sondheim
Poor Baby
93 bpm • C# Maj • 02:54 • -12.26db
23% Popularity • 47% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 47% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Kendrick
A Very Nice Prince
91 bpm • D Maj • 01:31 • -15.21db
40% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
42% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Gavin Creel
Goodbye, Georg
94 bpm • D# min • 01:58 • -10.87db
21% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
38% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Stephen Sondheim
Not While I'm Around
91 bpm • G Maj • 04:31 • -16.13db
15% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
32% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Audra McDonald
Sarah Brown Eyes
90 bpm • C Maj • 03:27 • -19db
25% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Benj Pasek
Hometown Hero's Ticker Tape Parade
94 bpm • F min • 03:17 • -4.31db
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Laura Benanti
No More Candy
94 bpm • G# Maj • 01:37 • -11.75db
22% Popularity • 43% Danceability • 23% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 43% Danceability • 23% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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Alice Ripley
The Break
90 bpm • E min • 01:23 • -8.41db
30% Popularity • 54% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 54% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Jeanine Tesori
It All Comes Back (Opening)
95 bpm • F Maj • 05:05 • -12db
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Stephen Sondheim
Not While I'm Around
89 bpm • G# Maj • 03:56 • -12.52db
28% Popularity • 38% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 38% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Ethan Slater
The Ballad of Guiteau
95 bpm • C Maj • 05:16 • -11.18db
15% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Josh Groban
A Little Priest
89 bpm • F# Maj • 07:45 • -11.51db
44% Popularity • 57% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 57% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Pandemonium
89 bpm • D Maj • 02:52 • -7db
38% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Imelda Staunton
Worst Pies In London
89 bpm • F Maj • 03:03 • -8db
20% Popularity • 54% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 54% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Laura Bell Bundy
Find My Way / Finale
89 bpm • G# Maj • 05:03 • -10db
43% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Chad Kimball
Prayer
96 bpm • D Maj • 03:25 • -10db
40% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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J. Robert Spencer
I Am the One
96 bpm • A Maj • 03:16 • -6.31db
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm
96 bpm • A Maj • 02:43 • -13db
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
33% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Mary Beth Peil
Close the Door
88 bpm • G min • 03:11 • -11.19db
37% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Rosalie Craig
Someone Is Waiting
88 bpm • B min • 02:47 • -16.12db
25% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Groban
Final Scene
96 bpm • G# Maj • 02:05 • -9.34db
38% Popularity • 44% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 44% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Why We Like Spelling
88 bpm • F Maj • 02:51 • -8.67db
28% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Lanning
Made in America
97 bpm • C# min • 03:05 • -7.44db
32% Popularity • 64% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 64% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Marin Mazzie
When There's No One
88 bpm • C Maj • 03:16 • -9.3db
25% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Burke Moses
Maison Des Lunes
97 bpm • D# Maj • 02:24 • -17db
30% Popularity • 54% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 54% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Louise and June
If Momma Was Married
97 bpm • G# Maj • 02:56 • -5.34db
21% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jekyll, John Utterson
Pursue the Truth
87 bpm • G# min • 01:27 • -14.65db
25% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Stephen Sondheim
Marry Me a Little
87 bpm • C Maj • 03:53 • -9.12db
32% Popularity • 31% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 31% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lisa O'Hare
I Don't Know What I'd Do
97 bpm • G Maj • 02:02 • -12db
28% Popularity • 64% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 64% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Molly Ranson
Evening Prayers
87 bpm • F Maj • 04:23 • -7.12db
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
25% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Chris Pine
Agony
97 bpm • D# Maj • 02:32 • -14db
53% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Alice Ripley
Wish I Were Here
97 bpm • B min • 03:06 • -8.31db
32% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
27% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Annaleigh Ashford
Dogfight
97 bpm • D min • 03:03 • -5.05db
36% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Moonfall
97 bpm • A min • 02:20 • -14.02db
23% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Stephen Sondheim
Someone Is Waiting
98 bpm • C# Maj • 02:46 • -14db
27% Popularity • 33% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Preshy Marker
Lovely
98 bpm • G Maj • 03:08 • -16.85db
7% Popularity • 38% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 38% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Laura Benanti
Where's My Shoe?
98 bpm • A# Maj • 01:53 • -6.68db
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Steven Booth
Some Kinda Time
98 bpm • F# min • 04:03 • -5db
32% Popularity • 68% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 68% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sherie Rene Scott
A Miracle Would Happen / When You Come H...
86 bpm • D Maj • 05:20 • -10.39db
26% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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2021 London Cast of Cabaret
So What
98 bpm • A Maj • 03:43 • -12.29db
31% Popularity • 58% Danceability • 28% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 58% Danceability • 28% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Letters
86 bpm • A Maj • 06:27 • -7.36db
39% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
28% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Stephen Sondheim
Poor Thing
99 bpm • A# min • 03:29 • -11.04db
16% Popularity • 58% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 58% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Josh Groban
My Friends
86 bpm • F# min • 03:51 • -10.03db
26% Popularity • 26% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 26% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
34% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Bianca Horn
The Ballad of Czolgosz
99 bpm • G# Maj • 02:47 • -8.45db
18% Popularity • 81% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 81% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Sondheim
Sorry-Grateful
85 bpm • D Maj • 03:43 • -16.44db
28% Popularity • 31% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 31% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
29% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Marin Mazzie
I Remember How Those Boys Could Dance
100 bpm • D# Maj • 05:17 • -6.54db
29% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Santino Fontana
"Me, Who Am I?"
100 bpm • G min • 02:24 • -6.43db
33% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Nathan Lane
Live Before We Die - 2010 Original Cast ...
100 bpm • F# min • 02:48 • -15db
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Laura Michelle Kelly as Mary Poppins
Brimstone and Treacle (Pt. 2) - London C...
100 bpm • F Maj • 03:40 • -15.17db
24% Popularity • 56% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 56% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Maria Bilbao
Green Finch and Linnet Bird
100 bpm • A# Maj • 02:47 • -10.24db
41% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Marin Mazzie
Journey On
100 bpm • B Maj • 04:13 • -11db
24% Popularity • 52% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 52% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Kelli Barrett
When the Music Played
84 bpm • F Maj • 04:54 • -14.73db
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Nathan Lane
Happy/Sad - 2010 Original Cast Recording...
101 bpm • C# Maj • 03:55 • -13.07db
36% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
35% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Derek Klena
Come to a Party
101 bpm • C Maj • 04:33 • -8db
32% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Mark Harelik
Let's Walk
84 bpm • D# Maj • 03:08 • -20.69db
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
39% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Patina Miller
Witch's Lament
84 bpm • A min • 02:18 • -13.12db
32% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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John Benjamin Hickey
Finale
84 bpm • G min • 04:29 • -12.32db
27% Popularity • 52% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 52% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Chryssie Whitehead
Sing!
101 bpm • E Maj • 02:09 • -10.49db
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness