Songs like Without Me - triple j Like A Version by Birds Of Tokyo
Based on a tempo of (+/- 10%) and a similar genre
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
49% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Drapht
Robbery - triple j Like A Version
143 bpm • G# Maj • 03:40 • -10.15db
29% Popularity • 62% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 62% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Grinspoon
Hold On Me
143 bpm • A min • 02:45 • -3.79db
29% Popularity • 50% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 50% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Birds Of Tokyo
Without Me - triple j Like A Version
143 bpm • C# Maj • 03:24 • -11db
37% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
34% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
34% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Kisschasy
Opinions Won't Keep You Warm At Night
144 bpm • G min • 03:06 • -3.35db
45% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Killing Heidi
Calm Down
144 bpm • D Maj • 03:42 • -2.13db
25% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Pyke
The Lighthouse Song
142 bpm • C Maj • 03:44 • -8.64db
38% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Getaway Plan
Where the City Meets the Sea
144 bpm • F# min • 03:35 • -4.68db
45% Popularity • 47% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 47% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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The Vanns
Hey, Ma - triple j Like A Version
142 bpm • C Maj • 04:16 • -9.44db
44% Popularity • 31% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 31% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Kisschasy
Strings And Drums
142 bpm • G# Maj • 03:12 • -2.05db
26% Popularity • 48% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 48% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Birds Of Tokyo
Wild Eyed Boy
144 bpm • D min • 03:00 • -4.57db
18% Popularity • 37% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 37% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Abbe May
Pony - triple j Like A Version
141 bpm • F# Maj • 04:23 • -6.64db
30% Popularity • 68% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 68% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
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Ruby Fields
Redneck Lullaby
145 bpm • G# Maj • 03:23 • -11db
30% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Jebediah
She's Like a Comet
145 bpm • F# min • 03:43 • -3.83db
39% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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The Vanns
Deranged
145 bpm • D Maj • 03:13 • -6.06db
27% Popularity • 31% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 31% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Something With Numbers
Apple Of The Eye (Lay Me Down)
145 bpm • A min • 03:30 • -6.21db
36% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Living End
White Noise
141 bpm • C Maj • 03:44 • -4.53db
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Killing Heidi
Outside Of Me
141 bpm • D Maj • 04:05 • -5.53db
23% Popularity • 24% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 24% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 18% Positiveness
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Mansionair
Seasons (Waiting on You) - triple j Like...
146 bpm • G# min • 02:58 • -9.91db
28% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Motor Ace
Death Defy
141 bpm • F min • 04:19 • -6db
30% Popularity • 45% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 45% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Birds Of Tokyo
Wayside - Acoustic / Strings
140 bpm • F min • 04:55 • -5.89db
13% Popularity • 27% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 27% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 14% Positiveness
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Tim Minchin
Exactly How You Are - triple j Like A Ve...
140 bpm • A Maj • 03:19 • -8.51db
32% Popularity • 38% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 38% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jebediah
Fall Down
146 bpm • B Maj • 03:19 • -4db
26% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Thundamentals
21 Grams
146 bpm • D# Maj • 04:01 • -3.19db
46% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Northlane
Get Free - triple j Like A Version
140 bpm • C Maj • 02:31 • -8.76db
25% Popularity • 30% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 30% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
50% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
50% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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Children Collide
My Eagle
140 bpm • D Maj • 02:49 • -3.4db
29% Popularity • 53% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 53% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Triple One
Time After Time - triple j Like A Versio...
140 bpm • G# Maj • 04:18 • -8.81db
43% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Ceres
Viv in the Front Seat
146 bpm • C Maj • 03:21 • -4.99db
28% Popularity • 43% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 43% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Josh Pyke
Middle Of The Hill
146 bpm • G Maj • 02:27 • -7.05db
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Polish Club
Divided
140 bpm • F Maj • 03:28 • -4.42db
27% Popularity • 26% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 26% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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The Whitlams
Buy Now Pay Later (Charlie No.2)
147 bpm • A# min • 03:46 • -13.87db
35% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Bernard Fanning
Wash Me Clean
147 bpm • F Maj • 02:36 • -11.13db
37% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Motor Ace
Chairman of the Board
139 bpm • G Maj • 04:02 • -6.5db
24% Popularity • 43% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 43% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Gang of Youths
Let Me Down Easy - MTV Unplugged Live In...
139 bpm • D Maj • 06:23 • -13.56db
19% Popularity • 62% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 62% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 53% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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The Temper Trap
Dancing in the Dark - triple j Like A Ve...
147 bpm • B Maj • 03:14 • -6db
40% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Sly Withers
Sad Guy
147 bpm • A# Maj • 03:25 • -5.76db
31% Popularity • 43% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 43% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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The Screaming Jets
October Grey
138 bpm • B Maj • 03:52 • -4.67db
35% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Birds Of Tokyo
Minor War
139 bpm • C Maj • 03:38 • -7.11db
22% Popularity • 46% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 46% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Thundamentals
I Miss You
148 bpm • B Maj • 03:25 • -7db
44% Popularity • 73% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 73% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Methyl Ethel
Cry Me a River - triple j Like A Version
148 bpm • G# min • 05:07 • -7.24db
37% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Whitlams
Royal In The Afternoon
148 bpm • A min • 02:58 • -4.54db
32% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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End Of Fashion
Rough Diamonds
148 bpm • D Maj • 04:15 • -5.98db
18% Popularity • 46% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 46% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
52% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Birds Of Tokyo
Empire
148 bpm • F Maj • 03:27 • -5.88db
28% Popularity • 45% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 45% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Thundamentals
I Miss You - Acoustic
148 bpm • B Maj • 03:28 • -4.61db
12% Popularity • 76% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 76% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
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LANKS
Numb - triple j Like a Version
148 bpm • D min • 04:12 • -13.89db
27% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
33% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Faker
Are You Magnetic?
138 bpm • D Maj • 03:50 • -3.87db
29% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
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Cog
Run
148 bpm • A# min • 05:08 • -6.55db
34% Popularity • 42% Danceability • 86% Energy • 51% Liveness
16% Instrumentalness • 32% Positiveness
34% Popularity • 42% Danceability • 86% Energy • 51% Liveness
16% Instrumentalness • 32% Positiveness
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Birds Of Tokyo
Unbreakable
138 bpm • B min • 03:14 • -3.9db
37% Popularity • 50% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 50% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Sly Withers
The Scientist
149 bpm • F Maj • 04:23 • -5.38db
34% Popularity • 46% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 46% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Ocean Alley
Baby Come Back - triple j Like A Version
149 bpm • G# Maj • 04:49 • -9.13db
56% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Kisschasy
Do-Do's And Whoa-Oh's
149 bpm • D Maj • 03:31 • -4.26db
40% Popularity • 37% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 37% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Taxiride
AFTERGLOW
149 bpm • G Maj • 04:07 • -6.3db
19% Popularity • 35% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 35% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Alex Lahey
Don’t Be So Hard On Yourself
149 bpm • C Maj • 04:18 • -5.34db
25% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Birds Of Tokyo
Wayside
138 bpm • C min • 04:30 • -7.95db
32% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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The Whitlams
I Will Not Go Quietly
137 bpm • C Maj • 03:53 • -5.54db
30% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Grinspoon
Rock Show (You Don't Know Me)
149 bpm • A Maj • 04:06 • -7db
32% Popularity • 54% Danceability • 72% Energy • 9% Liveness
30% Instrumentalness • 60% Positiveness
32% Popularity • 54% Danceability • 72% Energy • 9% Liveness
30% Instrumentalness • 60% Positiveness
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Midnight Youth
All on Our Own
137 bpm • F# Maj • 03:46 • -5.03db
30% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Press Club
When You Were Young - triple j Like a Ve...
137 bpm • A min • 03:37 • -8.09db
32% Popularity • 31% Danceability • 78% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
32% Popularity • 31% Danceability • 78% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
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Bad//Dreems
Black Fella/Whitefella - triple j Like A...
150 bpm • F Maj • 04:25 • -7.97db
32% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Birds Of Tokyo
The Dark Side Of Love
137 bpm • C# Maj • 03:41 • -5.9db
25% Popularity • 51% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 51% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Tones And I
Forever Young - triple j Like A Version
136 bpm • C Maj • 05:48 • -9.15db
43% Popularity • 42% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 42% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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The Whitlams
No Aphrodisiac
150 bpm • D min • 04:19 • -8.27db
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Allday
Big Yellow Taxi - triple j Like A Versio...
150 bpm • E Maj • 02:49 • -8.28db
38% Popularity • 76% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 76% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Gretta Ray
Radio Silence
136 bpm • A Maj • 04:18 • -10.12db
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Stand Atlantic
Righteous - triple j Like A Version
150 bpm • G# min • 03:16 • -8.72db
35% Popularity • 46% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 46% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Birds Of Tokyo
Never Going Back - Single Edit
150 bpm • C Maj • 03:30 • -4.89db
25% Popularity • 47% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 47% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Spit Syndicate
Darling St.
136 bpm • E Maj • 05:43 • -5db
32% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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28 Days
Take Me Away
151 bpm • D Maj • 03:39 • -6.32db
23% Popularity • 29% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 29% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Grinspoon
Secrets
151 bpm • E min • 03:05 • -5db
30% Popularity • 50% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 50% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Taxiride
Everywhere You Go
135 bpm • D Maj • 03:32 • -5.04db
38% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Illy
It Can Wait
135 bpm • G# Maj • 03:37 • -3.53db
40% Popularity • 75% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 75% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Birds Of Tokyo
Never Going Back
150 bpm • F Maj • 04:35 • -5.43db
23% Popularity • 25% Danceability • 72% Energy • 15% Liveness
16% Instrumentalness • 7% Positiveness
23% Popularity • 25% Danceability • 72% Energy • 15% Liveness
16% Instrumentalness • 7% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
32% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Bluejuice
Act Yr Age
135 bpm • D Maj • 03:20 • -3.71db
46% Popularity • 66% Danceability • 88% Energy • 24% Liveness
3% Instrumentalness • 97% Positiveness
46% Popularity • 66% Danceability • 88% Energy • 24% Liveness
3% Instrumentalness • 97% Positiveness
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Gang of Youths
The Deepest Sighs, the Frankest Shadows
152 bpm • C Maj • 05:51 • -6db
48% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
48% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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The Screaming Jets
Shivers
135 bpm • F# Maj • 04:26 • -11.96db
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Trial Kennedy
Colour Day Tours
152 bpm • F# min • 02:57 • -4.22db
18% Popularity • 43% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 43% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Sly Withers
Clarkson
152 bpm • D Maj • 02:57 • -5.19db
35% Popularity • 42% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 42% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Gengahr
Everything I Wanted - triple j Like A Ve...
135 bpm • A Maj • 04:09 • -7.61db
27% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mickey Kojak
Parlez Vous Francais? - triple j Like A ...
134 bpm • B Maj • 03:50 • -11.36db
25% Popularity • 68% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 68% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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The Jungle Giants
Lights & Music - triple j Like A Version
134 bpm • A min • 04:17 • -5.56db
25% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Hope D
Toxic - triple j Like A Version
134 bpm • G# Maj • 04:04 • -11.22db
32% Popularity • 39% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 39% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Evermore
Are You Satisfied???
134 bpm • C# Maj • 04:19 • -6.38db
15% Popularity • 55% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 55% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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The Whitlams
Thankyou (For Loving Me At My Worst)
134 bpm • F Maj • 04:12 • -5.65db
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Mansionair
Still Dont Know My Name - triple j Like ...
153 bpm • F Maj • 03:11 • -9.39db
27% Popularity • 32% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 32% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Screaming Jets
Helping Hand
133 bpm • G# min • 04:50 • -10.46db
46% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Killing Heidi
Mascara
134 bpm • D Maj • 04:50 • -4.49db
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Kisschasy
Hey Jealousy - 2008 Digital Remaster
154 bpm • F# min • 03:43 • -4.65db
27% Popularity • 35% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 35% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Didirri
I Can't Get Last Night Out Of My Head
154 bpm • C Maj • 03:15 • -12.28db
35% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Something For Kate
cardigan - triple j Like A Version
133 bpm • G# Maj • 03:42 • -10.27db
37% Popularity • 33% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 33% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Opshop
Big Energy in Little Spaces
133 bpm • D min • 03:59 • -4.18db
21% Popularity • 56% Danceability • 78% Energy • 31% Liveness
4% Instrumentalness • 35% Positiveness
21% Popularity • 56% Danceability • 78% Energy • 31% Liveness
4% Instrumentalness • 35% Positiveness
