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Without You
Songs like
Without You
by
Parachute
Based on a tempo of (+/- 10%) and a similar genre
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Kevin Rudolf
Here's To Us
96 bpm • G Maj • 03:57 • -6db
33% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Parachute
Without You
96 bpm • E Maj • 03:48 • -5.12db
50% Popularity • 56% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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The Script
If You Ever Come Back
96 bpm • G Maj • 04:01 • -5db
56% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Colbie Caillat
Brighter Than The Sun
96 bpm • A Maj • 03:51 • -5.94db
61% Popularity • 63% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Barenaked Ladies
Odds Are
96 bpm • A# Maj • 03:04 • -5.59db
53% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Fancy Cars
I'll Follow - Acoustic Version
96 bpm • A# Maj • 03:18 • -4.08db
45% Popularity • 58% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Jonathan Blake Salazar
What If I Told You
96 bpm • A# Maj • 03:06 • -7.43db
21% Popularity • 57% Danceability • 61% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
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The Mowgli's
I'm Good
96 bpm • C Maj • 02:46 • -5.34db
54% Popularity • 61% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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The Light The Heat
It's Our Time
97 bpm • D Maj • 03:41 • -9db
41% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Train
Hey, Soul Sister
97 bpm • C# min • 03:36 • -4.44db
86% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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RIVVRS
I Will Follow You
95 bpm • C Maj • 03:27 • -6.3db
42% Popularity • 61% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Corn
The Pressure - Acoustic
97 bpm • F Maj • 03:38 • -9db
31% Popularity • 71% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Patrick Droney
The Wire
95 bpm • D Maj • 03:32 • -3.17db
40% Popularity • 51% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Tyler Shaw
To the Man Who Let Her Go
97 bpm • F# Maj • 03:21 • -7db
46% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Raynes
Lemon Drop
95 bpm • E Maj • 03:40 • -4.99db
53% Popularity • 61% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Train
If It's Love
95 bpm • F# Maj • 03:59 • -3db
48% Popularity • 63% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Colony House
Moving Forward
95 bpm • C# Maj • 03:37 • -6db
45% Popularity • 41% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Cody Fry
Go
95 bpm • C# Maj • 03:14 • -6db
46% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Five For Fighting
Heaven Knows
98 bpm • A# Maj • 03:30 • -7.08db
53% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Shane Harper
Like I Did
98 bpm • C# Maj • 03:11 • -4db
33% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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East Love
Rolling Stone
98 bpm • B Maj • 03:12 • -7db
34% Popularity • 69% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Kodaline
Head Held High
94 bpm • F# Maj • 03:34 • -3.38db
42% Popularity • 53% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Phillip Phillips
Lead On
94 bpm • A min • 03:14 • -4db
30% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Script
Breakeven
94 bpm • A# Maj • 04:21 • -4.5db
77% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Sawyer Fredericks
Take It All
94 bpm • F Maj • 03:40 • -5.29db
33% Popularity • 65% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Mike Waters
Them Dirty Bones
98 bpm • G# Maj • 03:45 • -8.22db
34% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Dave Barnes
Good Day for Marrying You
98 bpm • F# Maj • 02:42 • -8.31db
44% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Ross Copperman
We Should Plant a Tree
94 bpm • F# Maj • 03:06 • -6db
37% Popularity • 52% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The Icarus Account
Margaritas
94 bpm • A Maj • 03:20 • -6.53db
26% Popularity • 62% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Jason Walker
Fun While It Lasted
94 bpm • C# Maj • 03:48 • -7db
25% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Parachute
Young
94 bpm • E min • 03:43 • -5.91db
32% Popularity • 68% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Niall Horan
Seeing Blind
94 bpm • A Maj • 03:05 • -7.57db
62% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Anders Sohn
I Got You
94 bpm • B Maj • 02:45 • -8.72db
42% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Yam Haus
Get Somewhere
94 bpm • A Maj • 03:44 • -2db
18% Popularity • 45% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Howie Day
Collide
94 bpm • B Maj • 04:09 • -8db
51% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Minor Soul
Nothing at All
99 bpm • E Maj • 03:01 • -6.11db
22% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Train
Play That Song
99 bpm • C min • 04:03 • -2.07db
63% Popularity • 39% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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MKTO
Goodbye Song
99 bpm • C Maj • 03:51 • -5.22db
44% Popularity • 72% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Betty Who
Wanna Be
99 bpm • E Maj • 03:30 • -5db
36% Popularity • 66% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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A R I Z O N A
Cross My Mind
93 bpm • C Maj • 03:38 • -5.46db
50% Popularity • 65% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Hot Chelle Rae
Honestly
93 bpm • C Maj • 03:21 • -4db
44% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Oh Gravity
Welcome
93 bpm • A Maj • 03:14 • -8.6db
23% Popularity • 62% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Dave Barnes
Twenty Three
93 bpm • C# Maj • 03:55 • -4.76db
11% Popularity • 69% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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MKTO
Monaco
99 bpm • B Maj • 03:47 • -5.13db
48% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Timeflies
Once In a While - Acoustic
99 bpm • F Maj • 03:51 • -7db
46% Popularity • 64% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Five For Fighting
Stand Up
99 bpm • G Maj • 02:51 • -6db
34% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Hot Chelle Rae
Hung Up
93 bpm • E Maj • 03:13 • -4db
40% Popularity • 67% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Wrabel
11 Blocks
100 bpm • C Maj • 03:42 • -4.28db
48% Popularity • 55% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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The Night Game
American Nights
100 bpm • F Maj • 03:17 • -5.86db
24% Popularity • 72% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Andrew Simple
You Shine
93 bpm • G min • 03:12 • -7db
26% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Strumbellas
I’ll Wait
93 bpm • D Maj • 02:56 • -6.08db
40% Popularity • 53% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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WALK THE MOON
Aquaman
100 bpm • C# Maj • 04:00 • -6.99db
40% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Hot Chelle Rae
Don't Say Goodnight
93 bpm • A# Maj • 03:31 • -4.98db
42% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Grammer
Back Home
100 bpm • B Maj • 03:19 • -6.5db
40% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Ed Sheeran
Barcelona
100 bpm • C# Maj • 03:11 • -4.29db
63% Popularity • 75% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Matt McAndrew
Game Over
100 bpm • C Maj • 03:04 • -4db
25% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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All Time Low
Missing You
100 bpm • D Maj • 04:04 • -6.12db
52% Popularity • 56% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Dave Barnes
Remember That I Love You
100 bpm • D Maj • 03:42 • -6.23db
20% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Hot Chelle Rae
Tonight Tonight
100 bpm • E Maj • 03:20 • -4.98db
70% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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WILD
It Only Gets Better
100 bpm • C# min • 03:25 • -4.73db
52% Popularity • 65% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Imagine Dragons
Walking The Wire
100 bpm • E Maj • 03:52 • -5.34db
69% Popularity • 54% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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WALK THE MOON
One Foot
100 bpm • C Maj • 04:21 • -4.86db
59% Popularity • 58% Danceability • 82% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
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Virginia To Vegas
We Are Stars
100 bpm • B Maj • 03:54 • -7db
40% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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He Is We
Happily Ever After
100 bpm • E Maj • 04:04 • -4.98db
43% Popularity • 57% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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fun.
Sight of the Sun - Single Version
92 bpm • B Maj • 03:30 • -5.25db
46% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Oh Gravity
This Could Be Love
92 bpm • F Maj • 03:40 • -4.93db
23% Popularity • 58% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Nathanson
Come On Get Higher
92 bpm • A Maj • 03:35 • -5.7db
67% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Brothers + Company
Forever Love
92 bpm • E Maj • 03:43 • -7.31db
20% Popularity • 44% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Virginia To Vegas
Just Friends
100 bpm • G Maj • 02:48 • -7.56db
54% Popularity • 79% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Plain White T's
Should've Gone to Bed
92 bpm • C min • 03:23 • -10.24db
37% Popularity • 68% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Young Rising Sons
Carry On - Acoustic
92 bpm • G min • 03:27 • -13.47db
40% Popularity • 68% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Parachute
Jennie
92 bpm • B min • 04:31 • -8db
34% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Jesse McCartney
Better with You - Acoustic
101 bpm • F# Maj • 03:28 • -5.36db
42% Popularity • 68% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
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Rixton
Beautiful Excuses
101 bpm • G# Maj • 04:09 • -5.95db
33% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Virginia To Vegas
betterman
100 bpm • C Maj • 03:08 • -6.15db
45% Popularity • 62% Danceability • 80% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Hot Chelle Rae
I Like It Like That
101 bpm • C# Maj • 03:08 • -5.46db
58% Popularity • 74% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Young Rising Sons
Carry On
92 bpm • G min • 03:29 • -5db
43% Popularity • 64% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Parachute
Someday
91 bpm • B Maj • 03:52 • -5.49db
21% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Jesse McCartney
Better with You
101 bpm • F# Maj • 03:18 • -4db
47% Popularity • 66% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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A Great Big World
All I Want Is Love
101 bpm • C# Maj • 03:11 • -5db
28% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Train
Valentine
91 bpm • C min • 03:25 • -1.86db
37% Popularity • 38% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Hot Chelle Rae
Radio
101 bpm • A Maj • 03:03 • -5.34db
35% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Plain White T's
1, 2, 3, 4
91 bpm • D Maj • 03:18 • -7.09db
57% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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James TW
Different
91 bpm • G# Maj • 03:54 • -3.22db
34% Popularity • 64% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Castro
Rock And Roll
102 bpm • G Maj • 02:49 • -6db
27% Popularity • 64% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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DNCE
Truthfully
102 bpm • G# Maj • 03:02 • -6.86db
58% Popularity • 72% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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MKTO
Classic
102 bpm • C# Maj • 02:55 • -4.69db
83% Popularity • 72% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Five For Fighting
Superman (It's Not Easy)
102 bpm • C Maj • 03:41 • -9.3db
67% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Howie Day
Collide - Acoustic Version
90 bpm • A# Maj • 04:37 • -11.43db
61% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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James TW
For You
102 bpm • G Maj • 03:23 • -5.54db
44% Popularity • 70% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Ocean Park Standoff
Good News
90 bpm • A Maj • 03:08 • -4.04db
47% Popularity • 60% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Echosmith
Bright
90 bpm • F# Maj • 03:40 • -8.52db
58% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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FRENSHIP
1000 Nights
90 bpm • F# min • 04:00 • -9.54db
47% Popularity • 59% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 59% Positiveness
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The Score
Going Home
90 bpm • D Maj • 03:18 • -4db
48% Popularity • 62% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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ATC
I Wanna Get Better
90 bpm • E Maj • 03:19 • -3.56db
39% Popularity • 67% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Oh Honey
Take All The Time You Need
90 bpm • G Maj • 03:24 • -9db
25% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Phillip Phillips
So Easy
90 bpm • G Maj • 03:40 • -8db
45% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Brad Blackburn
Spoke Too Soon
90 bpm • D# Maj • 02:46 • -7.65db
21% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Jesse McCartney
Beautiful Soul
90 bpm • A Maj • 03:34 • -4.34db
71% Popularity • 66% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Eric Hutchinson
Dear Me (Less Is More Mix)
90 bpm • A Maj • 03:52 • -5.77db
37% Popularity • 66% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Without You