Songs like Wonder by Phil Good
Based on a tempo of (+/- 10%) and a similar genre
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Phil Good
Wonder
162 bpm • B Maj • 03:03 • -5db
18% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Liimo
Pink in Heaven
162 bpm • C Maj • 03:23 • -5.19db
21% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Phangs
Build Me Up
162 bpm • C Maj • 02:40 • -7.09db
14% Popularity • 38% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 38% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Cody Lovaas
Tired
162 bpm • F min • 03:22 • -8.62db
24% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Quinn Lewis
Pushing All My Friends Away
164 bpm • C Maj • 02:32 • -7.97db
8% Popularity • 65% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 65% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Cailee Rae
Hometown
160 bpm • A# min • 03:36 • -6.99db
11% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Mountenz
i love the way you love me
160 bpm • D# Maj • 03:07 • -6.92db
16% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Bea Miller
NEVER GONNA LIKE YOU
160 bpm • F Maj • 03:26 • -1.72db
42% Popularity • 67% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 67% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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remy
la boyfriends
160 bpm • D Maj • 02:51 • -6.42db
17% Popularity • 65% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 65% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 50% Positiveness
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Corey Hommel
When I'm With You
164 bpm • D Maj • 03:57 • -8db
16% Popularity • 78% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 78% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Motel 7
Same Side
164 bpm • B Maj • 02:21 • -9.91db
17% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Dylan Dunlap
Here for Me
160 bpm • F# Maj • 02:59 • -9.17db
23% Popularity • 55% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 55% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Austin Cain
Till Forever Runs Out
164 bpm • G Maj • 03:24 • -7.78db
12% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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ayokay
Dear Luca
160 bpm • C Maj • 02:35 • -6.38db
26% Popularity • 70% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
26% Popularity • 70% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Quinn Lewis
Where Do We Go When We Die
160 bpm • F Maj • 03:12 • -7.28db
16% Popularity • 68% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 68% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Golds
Fragile
159 bpm • A Maj • 03:12 • -6.99db
31% Popularity • 38% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 38% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Phil Good
Thank You
165 bpm • A Maj • 02:18 • -6.62db
41% Popularity • 70% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
41% Popularity • 70% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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MAX
Missed Calls - Party Pupils Remix
159 bpm • C# Maj • 02:41 • -7db
21% Popularity • 71% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 71% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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X Lovers
Too Fast
166 bpm • C# Maj • 02:33 • -4.11db
34% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Graham Riley
Pain on My Mind
165 bpm • B min • 04:07 • -9db
25% Popularity • 48% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 48% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Cody Lovaas
Talk Slow
158 bpm • G Maj • 02:44 • -7db
33% Popularity • 74% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 74% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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All the Rest
Way Out
158 bpm • C# Maj • 02:39 • -5.45db
8% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Jack Gray
Drunk Talk
167 bpm • B Maj • 03:29 • -7db
17% Popularity • 32% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 32% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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pluko
used to
158 bpm • F# min • 02:47 • -6.44db
28% Popularity • 66% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 66% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Phil Good
Falling
157 bpm • A# Maj • 02:50 • -6.78db
24% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Anthony Russo
Never Been
168 bpm • G# Maj • 02:57 • -7db
23% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Glades
Nervous Energy
156 bpm • A# Maj • 03:15 • -4db
26% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Mac Hunt
Body In My Bed
156 bpm • C Maj • 02:13 • -8.5db
11% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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DREAMDNVR
90's Kid
156 bpm • G Maj • 02:45 • -10.47db
19% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Blake Rose
Lady
168 bpm • G# Maj • 04:02 • -4db
45% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Mathew V
Stay By You
156 bpm • C Maj • 03:25 • -4.64db
6% Popularity • 67% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
6% Popularity • 67% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Valley
There's Still A Light In The House - Chi...
156 bpm • E Maj • 02:39 • -11.9db
25% Popularity • 51% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 51% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Phangs
Nothing to Do with You
156 bpm • D Maj • 02:52 • -14db
19% Popularity • 75% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 75% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Max Leone
The Beach
155 bpm • A min • 02:45 • -6.55db
30% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Theo Kandel
Running Blind
155 bpm • E Maj • 03:44 • -6.4db
18% Popularity • 72% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 72% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Trella
Sidelines
169 bpm • D# min • 02:38 • -8.19db
11% Popularity • 47% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 47% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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MacKenzie Bourg
Big
170 bpm • D Maj • 02:44 • -5.68db
25% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Wingtip
Hope They Love You
170 bpm • G# Maj • 02:55 • -7.1db
38% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Nick Lopez
Who Needs to Know?
170 bpm • G# Maj • 02:55 • -9db
8% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Buddy Wright
A Little Off
170 bpm • A Maj • 03:27 • -13db
23% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Flawes
Ghost Town
170 bpm • A Maj • 03:02 • -6.06db
12% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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MADE IN LA
Closer
170 bpm • G min • 02:29 • -6.99db
36% Popularity • 54% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 72% Positiveness
36% Popularity • 54% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 72% Positiveness
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ayokay
Don't Wanna Be Your Friend
170 bpm • C# min • 02:33 • -5.46db
42% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Chey Rose
V.C.R.
170 bpm • B Maj • 02:55 • -7.02db
14% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Neon Dreams
if not now, when...?
154 bpm • D Maj • 02:37 • -3.37db
14% Popularity • 63% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 63% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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han.irl <3
make u want me
154 bpm • G# min • 03:44 • -8.57db
9% Popularity • 67% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 67% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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dyme.
Could Be Anything
171 bpm • D min • 03:36 • -9.69db
14% Popularity • 68% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
14% Popularity • 68% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Phil Good
IDWBLT
152 bpm • F min • 02:25 • -5.62db
0% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Emily Warren
Just Click
172 bpm • B Maj • 03:39 • -5.59db
23% Popularity • 64% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 64% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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MAX
Where Am I At
173 bpm • G min • 03:29 • -5.82db
36% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Emmi Elliott
Innocent
152 bpm • C# Maj • 02:36 • -6.47db
8% Popularity • 72% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 72% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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X Lovers
Sweatshirt
152 bpm • F Maj • 03:17 • -5.72db
33% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ridgely
'Til the Morning
174 bpm • G# Maj • 03:33 • -6db
16% Popularity • 65% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 65% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Phil Good
Better (Stripped)
173 bpm • C# Maj • 02:17 • -5.86db
6% Popularity • 54% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 54% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Jay Alan
No Lie
151 bpm • B Maj • 03:12 • -4.58db
9% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Gavin Haley
better off
151 bpm • G Maj • 03:11 • -9db
24% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Yung Sum
Just Me
174 bpm • F Maj • 03:31 • -10.02db
10% Popularity • 76% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 76% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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shy martin
Same Old
174 bpm • B Maj • 02:55 • -8.12db
37% Popularity • 68% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 68% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Carlie Hanson
Back in My Arms
150 bpm • C# min • 03:15 • -4.85db
43% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Chaz Cardigan
Over
150 bpm • C# Maj • 02:55 • -4.77db
23% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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CAL
So Cal
150 bpm • G Maj • 02:44 • -8.2db
33% Popularity • 82% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 82% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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X Lovers
LOVE
150 bpm • G# Maj • 02:35 • -4.6db
18% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Alex Frew
Get Out Alive
150 bpm • C Maj • 03:11 • -5.78db
21% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Glades
Neon Buzz
150 bpm • F min • 02:32 • -4.67db
23% Popularity • 69% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 69% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Yønah
she do it to me
150 bpm • B min • 03:21 • -8.72db
19% Popularity • 78% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 78% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Free Arlo
u dont listen
150 bpm • G Maj • 02:22 • -6.25db
9% Popularity • 71% Danceability • 54% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 71% Danceability • 54% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
27% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Leah Sykes
Surprise
150 bpm • F# Maj • 02:47 • -7.81db
13% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hotel Apache
Maybe, One Day
150 bpm • B Maj • 03:50 • -8.64db
39% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Liimo
Get Weird
150 bpm • C Maj • 03:07 • -3.93db
14% Popularity • 63% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 63% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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RITUAL
Using
150 bpm • D# Maj • 03:16 • -5db
33% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Axel Mansoor
Busy
176 bpm • B Maj • 03:06 • -10db
21% Popularity • 59% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 59% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Sam Setton
Santiago
176 bpm • E min • 03:40 • -7db
30% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Joey Kidney
What's the Rush
176 bpm • G# Maj • 02:45 • -6.51db
18% Popularity • 61% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 61% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Cameron Dallas
Helpless
148 bpm • A Maj • 02:45 • -8db
23% Popularity • 70% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 70% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Carling
Driving Me Insane
148 bpm • G# Maj • 03:08 • -7.81db
13% Popularity • 77% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 77% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Holy Mattress Money
Weight Off
148 bpm • C# Maj • 03:06 • -8db
7% Popularity • 83% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 83% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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KIN
It's Cool
178 bpm • B Maj • 03:19 • -13.22db
23% Popularity • 65% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 65% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Phil Good
Destination OK
178 bpm • A Maj • 02:40 • -5db
29% Popularity • 55% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 55% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Lata Harbor
Wash My Hands
178 bpm • C min • 03:30 • -4.26db
22% Popularity • 52% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 52% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Cooper & Gatlin
Break
178 bpm • B min • 03:32 • -7.68db
13% Popularity • 58% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 58% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Bone-D
4real
147 bpm • E min • 04:15 • -6.02db
0% Popularity • 79% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 79% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Poo Bear
Yes Please
180 bpm • D# Maj • 03:20 • -7.91db
23% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Anthony Russo
It's A Risk
146 bpm • C# Maj • 03:30 • -8db
32% Popularity • 84% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 84% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Cannon
CONVERSATIONS
146 bpm • F min • 03:15 • -10.73db
14% Popularity • 65% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
14% Popularity • 65% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Bobby Crane
We Used to Be Friends
180 bpm • G# min • 03:33 • -9.3db
10% Popularity • 34% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 34% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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MAX
Missed Calls
146 bpm • C# Maj • 02:34 • -6.65db
31% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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X Lovers
Life
146 bpm • G Maj • 02:45 • -5db
14% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Drive!Drive!
Just Say
180 bpm • G Maj • 03:26 • -8.11db
15% Popularity • 51% Danceability • 65% Energy • 15% Liveness
6% Instrumentalness • 42% Positiveness
15% Popularity • 51% Danceability • 65% Energy • 15% Liveness
6% Instrumentalness • 42% Positiveness
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Georgia Ku
What Do I Do?
180 bpm • A# Maj • 03:25 • -2.6db
34% Popularity • 42% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 42% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Ivy
Give Me a Try
180 bpm • A# Maj • 03:05 • -7.24db
24% Popularity • 54% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 54% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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GRAACE
Have Fun At Your Party
180 bpm • A# Maj • 03:40 • -9.7db
23% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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FRENSHIP
Wanted A Name
180 bpm • G Maj • 03:02 • -4.96db
41% Popularity • 45% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 45% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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CaRter
Workin' On
146 bpm • G Maj • 03:17 • -13.08db
18% Popularity • 45% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 45% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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LALAKI
Catch Phrase
145 bpm • G Maj • 03:10 • -5.89db
18% Popularity • 71% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 71% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Kev Sound
Be My Oxygen
145 bpm • C# Maj • 03:03 • -10.52db
13% Popularity • 53% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 53% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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laye
sicker
145 bpm • C Maj • 03:13 • -6db
26% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Delaney Jane
Safe With You
145 bpm • A# min • 03:08 • -7db
34% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
