Songs like Worship the Lord by Al Gordon
Based on a tempo of (+/- 10%) and a similar genre
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Al Gordon
Worship the Lord
82 bpm • G Maj • 04:20 • -9.83db
4% Popularity • 43% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
4% Popularity • 43% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Ross King
Nothing Ever Can, Nothing Ever Will
82 bpm • A# Maj • 04:19 • -7.55db
9% Popularity • 56% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 56% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Nichole Nordeman
Mercies New
82 bpm • C min • 04:24 • -6db
17% Popularity • 55% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 55% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Evan Wickham
Hallelujah Jesus
82 bpm • A# Maj • 07:10 • -10.72db
19% Popularity • 46% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 46% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Downhere
Unbelievable
82 bpm • A# Maj • 04:39 • -5.76db
8% Popularity • 39% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 39% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Emu Music
Consider Christ
83 bpm • D Maj • 04:08 • -6db
28% Popularity • 47% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 47% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Watermark
The Purest Place
81 bpm • G# Maj • 04:08 • -7.68db
11% Popularity • 39% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 39% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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Rend Collective
Praise Like Fireworks
82 bpm • E Maj • 02:48 • -15.34db
26% Popularity • 46% Danceability • 77% Energy • 63% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 46% Danceability • 77% Energy • 63% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Colman Trio
I Love You, Lord
83 bpm • C# Maj • 04:33 • -9.59db
11% Popularity • 51% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 51% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Vicky Beeching
Deliverer
83 bpm • C Maj • 04:00 • -7db
12% Popularity • 44% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 44% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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JJ Heller
Your Hands
83 bpm • C Maj • 03:36 • -10.73db
40% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Caedmon's Call
We Delight
81 bpm • F Maj • 03:23 • -6db
28% Popularity • 22% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 22% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Ghost Ship
Look What God Has Done
81 bpm • A Maj • 04:30 • -7.92db
29% Popularity • 49% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 49% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Sarah Kroger
Run to the Cross
83 bpm • G Maj • 05:28 • -5.34db
12% Popularity • 43% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 43% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Josh Blakesley
Run to the Cross
83 bpm • G Maj • 04:12 • -5.65db
20% Popularity • 43% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 43% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Casting Crowns
Face Down
81 bpm • A Maj • 03:37 • -8db
24% Popularity • 43% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 43% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Phatfish
There Is a Day
80 bpm • B Maj • 05:15 • -6db
19% Popularity • 33% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 33% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Jami Smith
Your Love Is Deep
81 bpm • D Maj • 04:32 • -9.82db
17% Popularity • 55% Danceability • 53% Energy • 76% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 55% Danceability • 53% Energy • 76% Liveness
0% Instrumentalness • 37% Positiveness
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Something Like Silas
Spirit Waltz - Divine Invitation Album V...
80 bpm • C Maj • 04:43 • -12db
8% Popularity • 39% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 39% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
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VÂN SCOTT
What's Coming Next?
80 bpm • G Maj • 03:24 • -8.1db
7% Popularity • 52% Danceability • 46% Energy • 60% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 52% Danceability • 46% Energy • 60% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Boswell
In My Place
84 bpm • G Maj • 04:06 • -5.87db
10% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Norton Hall Band
How Firm a Foundation
84 bpm • G Maj • 04:12 • -7.67db
35% Popularity • 50% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 50% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Tim Neufeld
Who Is Like You
84 bpm • A Maj • 03:17 • -9.04db
18% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Bellarive
Your Great Love
80 bpm • B Maj • 04:33 • -9.01db
15% Popularity • 42% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 42% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Josh Baldwin
All Fall Down
80 bpm • D Maj • 05:30 • -5.87db
8% Popularity • 41% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 41% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Casting Crowns
I Know You're There
80 bpm • E Maj • 03:49 • -5.9db
29% Popularity • 46% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 46% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Cambridge
Invitation Fountain
80 bpm • F# Maj • 04:09 • -7.83db
9% Popularity • 47% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 47% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jennifer Knapp
Sing Alleluia
80 bpm • B Maj • 03:42 • -6.53db
29% Popularity • 48% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 48% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The City Harmonic
All Of This And More
80 bpm • A Maj • 04:07 • -4.82db
9% Popularity • 48% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 48% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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I AM THEY
Here's My Heart
80 bpm • B Maj • 05:38 • -7.44db
42% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Rend Collective
Keep Me Near
80 bpm • E Maj • 05:23 • -13.8db
20% Popularity • 29% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 29% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ben Cantelon
Hallelujah
80 bpm • B Maj • 06:15 • -8.96db
16% Popularity • 31% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 31% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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The Psalms Project
Psalm 35 (Awake, O Lord)
80 bpm • E Maj • 06:48 • -7.95db
17% Popularity • 58% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 58% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Shane Barnard
Oh Lord to You - Live
84 bpm • E Maj • 02:42 • -16.71db
10% Popularity • 19% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 19% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Bates
Altar of God
84 bpm • G Maj • 03:34 • -7.61db
14% Popularity • 41% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 41% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Rick Pino
Come Make War
84 bpm • F# Maj • 04:03 • -5db
15% Popularity • 43% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 43% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Caedmon's Call
Draw Me Nearer
79 bpm • E Maj • 04:15 • -5db
22% Popularity • 26% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 26% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Cherry
Our God's Alive
85 bpm • G Maj • 03:29 • -5.27db
30% Popularity • 58% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 58% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sanctus Real
Dear Heart
85 bpm • C# Maj • 03:02 • -5.1db
23% Popularity • 37% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 37% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Keith & Kristyn Getty
Let The Earth Resound
79 bpm • A Maj • 04:13 • -5.72db
13% Popularity • 50% Danceability • 68% Energy • 70% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 50% Danceability • 68% Energy • 70% Liveness
0% Instrumentalness • 47% Positiveness
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Stoneleigh Worship Band
Who Is There Like You? - Live
78 bpm • F Maj • 05:12 • -13.53db
3% Popularity • 37% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
3% Popularity • 37% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Third Day
I Got You
86 bpm • G Maj • 04:19 • -6.42db
17% Popularity • 53% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 53% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Caedmon's Call
Fellowship So Deep
78 bpm • G# Maj • 04:20 • -6.53db
11% Popularity • 54% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Lifeway Worship
Do It Again
86 bpm • D# Maj • 05:59 • -11.01db
29% Popularity • 47% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 47% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Thomas Muglia
Stay with Me, Lord
78 bpm • F# Maj • 03:50 • -7.37db
8% Popularity • 46% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 46% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Vicky Beeching
Great Is Your Glory
78 bpm • F# Maj • 04:11 • -6.6db
11% Popularity • 50% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 50% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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CityAlight
Ancient of Days
78 bpm • C Maj • 04:46 • -8.61db
60% Popularity • 44% Danceability • 43% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 44% Danceability • 43% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
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Third Day
The Everlasting
78 bpm • F Maj • 04:38 • -7.68db
24% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Trevor Hodge
O Breath of Life
78 bpm • A# Maj • 04:12 • -9.36db
11% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Steffany Gretzinger
There is None Like You
78 bpm • C Maj • 03:58 • -14.18db
45% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Matt Brouwer
Father I Adore You
87 bpm • G# Maj • 03:18 • -8.54db
16% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Tom Smith
Come Holy Spirit
77 bpm • B Maj • 03:38 • -8.18db
9% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Emu Music
In His Name
77 bpm • B Maj • 03:24 • -5.9db
25% Popularity • 43% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 43% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Hughes
Consuming Fire
77 bpm • A Maj • 05:15 • -10db
28% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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KXC
Now Glorious
88 bpm • C Maj • 05:04 • -6.88db
8% Popularity • 35% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 35% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Keith & Kristyn Getty
Every Promise Of Your Word
88 bpm • D Maj • 04:32 • -8.17db
25% Popularity • 54% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 54% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Matt Boswell
Come Behold the Wondrous Mystery
77 bpm • E Maj • 03:48 • -10.06db
39% Popularity • 48% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 48% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Jars Of Clay
Hiding Place
88 bpm • A Maj • 04:06 • -10.31db
20% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Third Day
Anything
88 bpm • C Maj • 04:18 • -4.95db
24% Popularity • 47% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 47% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 25% Positiveness
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InSalvation
Lift High His Name
76 bpm • C Maj • 03:59 • -5.94db
12% Popularity • 41% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 41% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Mack Brock
The Love Of Jesus
76 bpm • D Maj • 03:04 • -5db
53% Popularity • 46% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 46% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Keith & Kristyn Getty
By Faith - Live
76 bpm • A Maj • 04:37 • -3.97db
28% Popularity • 47% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 47% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 55% Positiveness
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Oasis Worship
All Heaven Declares
76 bpm • A Maj • 03:52 • -9.22db
26% Popularity • 48% Danceability • 44% Energy • 59% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 48% Danceability • 44% Energy • 59% Liveness
0% Instrumentalness • 25% Positiveness
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Vicky Beeching
Break Our Hearts
88 bpm • F Maj • 04:44 • -6.92db
7% Popularity • 43% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 43% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Redman
You Alone Can Rescue
76 bpm • B Maj • 04:48 • -6.97db
37% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Norton Hall Band
My Hope Is Built / The Solid Rock
76 bpm • D Maj • 03:44 • -6.77db
42% Popularity • 51% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 51% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Third Day
Your Love Oh Lord - (Live)
89 bpm • G Maj • 04:27 • -7.77db
31% Popularity • 55% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 55% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Keith & Kristyn Getty
By Faith
76 bpm • G# Maj • 05:08 • -7db
43% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Caedmon's Call
Let Me Be
75 bpm • F Maj • 04:29 • -7.32db
15% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Onething Live
Glory Be to the Righteous One (Live)
75 bpm • B Maj • 05:45 • -6.79db
11% Popularity • 34% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 34% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Unveiled Worship
Power in the Blood
75 bpm • A# Maj • 05:36 • -7.06db
11% Popularity • 38% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 38% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The City Harmonic
Manifesto (Radio Edit)
75 bpm • F# Maj • 04:04 • -5.96db
28% Popularity • 41% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 41% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Third Day
Your Love Oh Lord (Psalm 36)
89 bpm • G Maj • 03:56 • -7db
45% Popularity • 60% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 60% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Teel Merrick
Chasing After You
90 bpm • B min • 05:32 • -4.71db
9% Popularity • 35% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 35% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Redman
This Is How We Know
75 bpm • B Maj • 04:56 • -5.12db
21% Popularity • 41% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 41% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Brad & Rebekah
When We Gather
75 bpm • C Maj • 04:04 • -4db
10% Popularity • 46% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 46% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Emu Music
Never Alone
90 bpm • D Maj • 04:18 • -6.56db
20% Popularity • 39% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 39% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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The City Harmonic
A City On A Hill
75 bpm • C Maj • 03:39 • -4db
20% Popularity • 50% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 50% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Rend Collective
REND THE HEAVENS
75 bpm • C Maj • 04:45 • -5.94db
25% Popularity • 44% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 44% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Sarah Kelly
Living Hallelujah
75 bpm • E Maj • 04:36 • -6.88db
8% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Worship Central
Glory In The Highest - Live
75 bpm • D Maj • 05:31 • -6.39db
5% Popularity • 38% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
5% Popularity • 38% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Tim Timmons
It's Your Revolution
90 bpm • A Maj • 03:30 • -7.19db
9% Popularity • 60% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 60% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Amanda Cook
City of Hope
75 bpm • F# Maj • 05:08 • -12.04db
26% Popularity • 12% Danceability • 41% Energy • 31% Liveness
81% Instrumentalness • 4% Positiveness
26% Popularity • 12% Danceability • 41% Energy • 31% Liveness
81% Instrumentalness • 4% Positiveness
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Emu Music
Highest Place
92 bpm • G Maj • 03:09 • -8.22db
17% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Mac Powell
Restore To Me
74 bpm • C Maj • 03:45 • -6.89db
27% Popularity • 25% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 25% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jordan Kauflin
Jesus Is Mine
92 bpm • D# Maj • 04:28 • -10.77db
23% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Shane Barnard
Unto You
92 bpm • G# Maj • 04:55 • -7.19db
6% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Jason Gray
The Other Side
92 bpm • B Maj • 04:23 • -7.69db
12% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Roy Fields
All Together Now
92 bpm • A# Maj • 04:43 • -1.26db
9% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jars Of Clay
I Need Thee Every Hour
93 bpm • G Maj • 03:47 • -5.6db
36% Popularity • 58% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 58% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Nichole Nordeman
Name
93 bpm • G Maj • 03:01 • -5.62db
28% Popularity • 56% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 56% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Jonathan David Helser
Find Me
72 bpm • C Maj • 04:25 • -6db
39% Popularity • 44% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 44% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Martin Layzell
Lost In Wonder
71 bpm • A# Maj • 06:20 • -9.67db
17% Popularity • 53% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 53% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jason Gray
More Like Falling in Love
92 bpm • A Maj • 03:39 • -5.46db
39% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Third Day
Movin' On Up - Re-Mastered
94 bpm • D Maj • 03:36 • -5.18db
17% Popularity • 44% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 44% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Emu Music
This Life I Live
71 bpm • C Maj • 03:03 • -12.08db
9% Popularity • 29% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 29% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Jars Of Clay
O Come and Mourn With Me Awhile
95 bpm • C Maj • 04:03 • -5.78db
21% Popularity • 55% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 55% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jeff Deyo
As I Lift You Up
95 bpm • G# Maj • 03:16 • -3.08db
11% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
