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Wouldn't Come Back
Songs like
Wouldn't Come Back
by
Trousdale
Based on a tempo of (+/- 10%) and a similar genre
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Trousdale
Wouldn't Come Back
125 bpm • B Maj • 03:39 • -9.42db
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Wilderado
Surefire - Piano
125 bpm • B Maj • 04:01 • -8db
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Foy Vance
She Burns
125 bpm • E Maj • 03:49 • -10.15db
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Penny and Sparrow
Bones
125 bpm • G# Maj • 02:09 • -12.98db
33% Popularity • 27% Danceability • 20% Energy • 18% Liveness
1% Instrumentalness • 8% Positiveness
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Joy Williams
Front Porch
124 bpm • C# Maj • 03:51 • -10.02db
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Katie Pruitt
Something About What Happens When We Tal...
126 bpm • A Maj • 03:40 • -10db
36% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Trousdale
Happy Anymore
126 bpm • D Maj • 03:14 • -9db
42% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Anna Vaus
Wild Honey
126 bpm • B Maj • 03:33 • -8db
40% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Tiny Habits
one more
126 bpm • F# Maj • 03:43 • -12.7db
41% Popularity • 72% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
48% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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John Vincent III
Back to My Ways
124 bpm • C min • 05:47 • -10.1db
43% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
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The National Parks
Open Skies (Wildflower)
124 bpm • G Maj • 03:42 • -10.28db
31% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Trousdale
Look Around
126 bpm • E min • 04:19 • -13.05db
26% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Madeline The Person
As a Child
126 bpm • G Maj • 03:10 • -10.33db
40% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Penny and Sparrow
Don't Start Now
124 bpm • C min • 03:47 • -14.68db
40% Popularity • 38% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Lily Kershaw
Darker Things
123 bpm • C# Maj • 02:02 • -12db
51% Popularity • 77% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Genevieve Stokes
Surface Tension
123 bpm • A min • 03:26 • -9.17db
50% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Adam Melchor
Moon in the Morning
123 bpm • F min • 03:14 • -9.13db
42% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Trousdale
Bad Blood
127 bpm • G# Maj • 02:45 • -6.24db
37% Popularity • 48% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Matilda Mann
As It Is
128 bpm • A# Maj • 03:04 • -12.61db
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Julia Pratt
A Little Love
128 bpm • D Maj • 03:21 • -6.68db
56% Popularity • 56% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Jeff Pianki
Song About
128 bpm • B Maj • 03:39 • -11.1db
33% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Taylor Swift
cowboy like me
128 bpm • C Maj • 04:35 • -9.01db
69% Popularity • 60% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Trousdale
Sometimes
128 bpm • G Maj • 02:53 • -8.25db
33% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Wild Rivers
I Do - Bonus Track
128 bpm • B min • 03:04 • -8.87db
60% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Shallow Alcove
Dream Song
128 bpm • D# Maj • 02:43 • -10.7db
41% Popularity • 56% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Mōzi
Honey + Tea (Acoustic)
128 bpm • F Maj • 03:44 • -11.62db
33% Popularity • 65% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Lennon Stella
Time After Time - Spotify Singles
128 bpm • C Maj • 03:39 • -9.45db
53% Popularity • 65% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Hush Kids
Spend My Time
128 bpm • C Maj • 03:10 • -9.48db
31% Popularity • 64% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Trousdale
For Months Now
128 bpm • D# Maj • 03:42 • -8.34db
30% Popularity • 53% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Wild Rivers
Weatherman
122 bpm • F Maj • 03:05 • -9db
54% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Robby Hecht
I'll Keep You
128 bpm • A# Maj • 02:37 • -9.83db
37% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Kathleen Regan
Halfway There
128 bpm • G# Maj • 03:14 • -8.73db
35% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Matilda Mann
Doomsday
122 bpm • F# Maj • 03:09 • -11db
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Stephen Sanchez
Hey Girl
122 bpm • F# min • 03:05 • -7.78db
66% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Gracie Abrams
Amelie
122 bpm • D Maj • 04:19 • -12.38db
59% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Lynch
Good Year
122 bpm • D Maj • 04:28 • -13db
26% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Field Guide
Me & You
122 bpm • A Maj • 02:23 • -9.98db
30% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Emily James
that'd be alright
129 bpm • A# Maj • 02:58 • -13.08db
35% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:19 • -11.69db
37% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Delaney Bailey
Praying for July - Spotify Singles
129 bpm • B Maj • 03:06 • -18.18db
36% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Beth Whitney
In Another Life
121 bpm • C Maj • 03:58 • -12.31db
19% Popularity • 64% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Gatlin
Talking to Myself
121 bpm • G# Maj • 03:51 • -6.29db
47% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Patrick Droney
Glitter
130 bpm • G Maj • 03:35 • -9.84db
44% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Foy Vance
Sapling
130 bpm • A# min • 04:17 • -8.53db
45% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Taylor Swift
evermore
121 bpm • C# Maj • 05:04 • -10.67db
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Wild Rivers
Heart Attack
120 bpm • F Maj • 04:20 • -13.54db
58% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Savannah Conley
Surprise, Surprise
120 bpm • C# Maj • 03:56 • -17db
35% Popularity • 48% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Charlie Brennan
May Flowers
130 bpm • D# Maj • 03:30 • -14.04db
30% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Gatlin
Grown
130 bpm • D# Maj • 03:30 • -6.31db
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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John Vincent III
Slow Song
120 bpm • A# Maj • 04:51 • -7db
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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BAILEN
Something Tells Me
120 bpm • F min • 04:01 • -9db
51% Popularity • 66% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Head And The Heart
Every Shade of Blue
120 bpm • D Maj • 03:33 • -6db
45% Popularity • 54% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Birdtalker
Better in the Morning
130 bpm • A# Maj • 02:44 • -13.87db
46% Popularity • 47% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Cece Coakley
Anything
130 bpm • G# Maj • 03:40 • -10.55db
32% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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PJ Harding
You Belong To Somebody Else
120 bpm • F Maj • 03:19 • -8.24db
45% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Hayden Everett
Honeycomb
120 bpm • C Maj • 03:20 • -11.97db
35% Popularity • 73% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Noah Kahan
No Complaints
120 bpm • C# Maj • 03:25 • -11.01db
69% Popularity • 68% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Oh Wonder
Don't You Worry
130 bpm • A Maj • 03:39 • -11.18db
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Ruston Kelly
Rubber
130 bpm • E Maj • 03:18 • -9db
33% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Joy Oladokun
look up
120 bpm • C Maj • 03:33 • -9.71db
59% Popularity • 45% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Katie Pruitt
It's Always Been You
130 bpm • G Maj • 05:13 • -10.91db
32% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Woodlock
I Loved You Then (And I Love You Still)
120 bpm • B Maj • 02:38 • -12db
63% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Charli Adams
Heroes / Dying
120 bpm • E Maj • 03:50 • -8.93db
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jensen McRae
Machines
120 bpm • D Maj • 04:31 • -9.42db
38% Popularity • 42% Danceability • 28% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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Rachael Jenkins
untitled
119 bpm • C# Maj • 03:45 • -13db
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
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Beta Radio
Don't Leave Me Behind
119 bpm • G# Maj • 03:19 • -9.46db
31% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Madison Cunningham
Song In My Head
119 bpm • G# Maj • 04:40 • -6.23db
47% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Adam Melchor
Joyride
132 bpm • A Maj • 03:32 • -7db
49% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Beatty
Bruises Off The Peach
132 bpm • B Maj • 03:12 • -8.8db
56% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
51% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Annika Bennett
Every Color Of The Rainbow
132 bpm • D Maj • 02:44 • -9.05db
24% Popularity • 61% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Delacey
Manly Man
132 bpm • C Maj • 03:30 • -7db
36% Popularity • 63% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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LULLANAS
Don't Say
118 bpm • C# Maj • 03:24 • -10.96db
37% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Sanchez
Mountain Peaks
118 bpm • G Maj • 03:28 • -8.14db
56% Popularity • 47% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Noah Cyrus
I Burned LA Down
118 bpm • B Maj • 03:15 • -8.71db
57% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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MUNA
I Know A Place - Acoustic
133 bpm • D# Maj • 04:51 • -4.1db
38% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Hunter Metts
The River
133 bpm • A min • 04:18 • -12.77db
33% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Ingrid Andress
Blue
117 bpm • G# Maj • 03:21 • -10db
40% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lennon Stella
Older Than I Am
117 bpm • A Maj • 03:01 • -8.95db
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Brian Bulger
Don't Go Gently
117 bpm • D Maj • 03:34 • -13.48db
33% Popularity • 72% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Katie Lynne Sharbaugh
Omaha (The Only What If)
117 bpm • C Maj • 03:00 • -6.55db
48% Popularity • 81% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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John Vincent III
City Rain
117 bpm • C Maj • 04:45 • -8.37db
52% Popularity • 42% Danceability • 43% Energy • 17% Liveness
2% Instrumentalness • 30% Positiveness
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Noah Cyrus
Every Beginning Ends
117 bpm • D# Maj • 02:30 • -10db
49% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Miya Folick
I Will Follow You Into The Dark
117 bpm • D# Maj • 03:53 • -7.97db
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
64% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Birdtalker
Alright
134 bpm • A# Maj • 03:39 • -10.07db
31% Popularity • 43% Danceability • 40% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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BLÜ EYES
supposed to
134 bpm • D Maj • 02:54 • -6.33db
42% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Wouldn't Come Back