Songs like Wrapped in Your Love for Christmas by Brynn Williams
Based on a tempo of (+/- 10%) and a similar genre
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Coffey Ministries
When Christ Our Life Appears
164 bpm • D# Maj • 04:16 • -11.54db
18% Popularity • 19% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 19% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Calee Reed
I Know That My Redeemer Lives
164 bpm • C Maj • 05:33 • -10.2db
14% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Dennis van Aarssen
Golden Days
162 bpm • B Maj • 03:25 • -8.58db
31% Popularity • 42% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 42% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kathie Lee Gifford
The God Of His Word: Everything (Women)
166 bpm • D Maj • 01:15 • -11.51db
11% Popularity • 28% Danceability • 28% Energy • 57% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 28% Danceability • 28% Energy • 57% Liveness
0% Instrumentalness • 57% Positiveness
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Gus Plus Us
Oops
162 bpm • A Maj • 02:46 • -5.75db
19% Popularity • 62% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 62% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Isaac Joshua Brown
Now We Can Dream
161 bpm • D# Maj • 01:47 • -11.69db
13% Popularity • 26% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 26% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Adem Project
Uw Trouw
166 bpm • A# Maj • 05:21 • -9.63db
22% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ruth Longoria
The Love That He Gave Us
168 bpm • C Maj • 03:28 • -19.52db
27% Popularity • 36% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 36% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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The Celestial World Symphony Orchestra
You're My All Time Valentine
168 bpm • C# Maj • 01:58 • -11.04db
9% Popularity • 36% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 36% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Jordan G. Welch
Lead Me, Guide Me
168 bpm • D# Maj • 02:46 • -11.81db
12% Popularity • 30% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 30% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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Joyvine Love
Hallelujah, We Rejoice
168 bpm • G Maj • 01:15 • -3.91db
24% Popularity • 41% Danceability • 51% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 41% Danceability • 51% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
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Just For One Day: The Live Aid Musical
My Generation
160 bpm • C Maj • 02:24 • -10.65db
18% Popularity • 59% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 59% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Worship Harvest Music
Sing His Name Renown
160 bpm • F# Maj • 04:55 • -6.82db
9% Popularity • 55% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 55% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Maci Pedigo
While I Wait
160 bpm • G# Maj • 03:44 • -5.03db
8% Popularity • 30% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Delia Winifred
Coventry Carroll
169 bpm • A Maj • 03:47 • -11.15db
30% Popularity • 27% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Liturgical Folk
Phos Hilaron (O Gracious Light)
159 bpm • F Maj • 02:28 • -15.08db
17% Popularity • 34% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 34% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Pulp Musicals
John and the Earth
170 bpm • B Maj • 03:45 • -8.23db
14% Popularity • 31% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 31% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Shaina Taub
Keep Marching
171 bpm • C# Maj • 03:57 • -6.58db
26% Popularity • 33% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 33% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Nolo Lopez
Dear Zeki
170 bpm • E Maj • 03:07 • -11.01db
23% Popularity • 26% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 26% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Will Liverman
Lesson
157 bpm • F Maj • 02:34 • -11.17db
13% Popularity • 40% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 40% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Alex Brightman
The Darkening Blue
171 bpm • C# Maj • 04:12 • -12.66db
12% Popularity • 28% Danceability • 27% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 28% Danceability • 27% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Woodley Osman
Happy & Holy
172 bpm • G# Maj • 04:13 • -7.75db
8% Popularity • 30% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 30% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Honour in Song Bw
I Take My Heart
156 bpm • E Maj • 04:44 • -9.17db
9% Popularity • 35% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 35% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Isaac Joshua Brown
What If We Dreamed
171 bpm • F# Maj • 04:07 • -7.67db
13% Popularity • 35% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 35% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Travis Cottrell
2000 Years
156 bpm • F Maj • 03:59 • -5.23db
10% Popularity • 52% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 52% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Casey Elliott
It Is Well With My Soul
156 bpm • G Maj • 04:39 • -10.44db
10% Popularity • 18% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 18% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Pitch, Please!
Don't Lose Sight
155 bpm • F Maj • 02:58 • -5.18db
11% Popularity • 48% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 48% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Victor Grey
All Go Away
173 bpm • G Maj • 02:10 • -14.63db
9% Popularity • 26% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 26% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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PressOn Ministries
Calvary Came Through
174 bpm • D Maj • 04:29 • -11db
17% Popularity • 24% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 24% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Glenna Dunlap
Take Heart
154 bpm • E min • 02:19 • -13.67db
9% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Charity Abbott
Worthy
154 bpm • E Maj • 04:43 • -9.64db
16% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Allie Gardner Policky
God Will Bring Them Home
175 bpm • G Maj • 04:38 • -6.44db
13% Popularity • 33% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 33% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
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Anna Miriam Brown
Trying
176 bpm • C min • 04:53 • -7.54db
22% Popularity • 36% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 36% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Pulp Musicals
Antikythera
153 bpm • D# Maj • 03:52 • -9.24db
11% Popularity • 43% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 43% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Bad Wolf Press
You've Gotta Forgive Her - Vocals
176 bpm • D min • 02:40 • -8.91db
12% Popularity • 45% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 45% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Stage Stars
Horton Hears a Who - Complete Tracks wit...
177 bpm • A Maj • 02:47 • -8.41db
14% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Naje Busia
You're Calling
152 bpm • A Maj • 03:17 • -9.34db
11% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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George D Nelson
Alive in Christ
178 bpm • A# Maj • 03:09 • -5.82db
8% Popularity • 45% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 45% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Anna Miriam Brown
The Burn
178 bpm • C min • 02:33 • -15.47db
19% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Coffey Ministries
Come to Jesus (Rest in Him)
150 bpm • C Maj • 04:28 • -9.72db
15% Popularity • 30% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 30% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Tatiana Bookbinder
Of Thee I Sing
178 bpm • C Maj • 02:18 • -11.66db
11% Popularity • 33% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 33% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Shapera
A Flame in the Darkness
150 bpm • C min • 04:51 • -10.28db
14% Popularity • 54% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 54% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Matthew Moss
Rejoice
150 bpm • D Maj • 03:19 • -6.37db
8% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Fatima Soriano
Carry Me
180 bpm • G Maj • 04:13 • -6.86db
7% Popularity • 40% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 40% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Anna Miriam Brown
I'll Hold You, Pt. 2
150 bpm • C Maj • 01:51 • -16.13db
18% Popularity • 42% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 42% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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42 Balloons
Big Balloon
150 bpm • C# Maj • 04:20 • -5.36db
19% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Moishy Goldstein
Only You • Ein Aroch Lecha
180 bpm • F min • 03:31 • -8.29db
15% Popularity • 20% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 20% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Pulp Musicals
When Are We?
180 bpm • A# Maj • 06:21 • -8.75db
11% Popularity • 39% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 39% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Angela Mocanu
Justice
148 bpm • F# Maj • 02:33 • -11.32db
12% Popularity • 47% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 47% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Emmanuel Ministry Group
Emnyango
147 bpm • E Maj • 05:40 • -8.04db
9% Popularity • 24% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 24% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Miriam Brown
Beautiful Death
149 bpm • C min • 03:01 • -6.81db
21% Popularity • 37% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 37% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Timo Böcking & Friends
Sing It Out Loud
148 bpm • F Maj • 03:04 • -7.78db
7% Popularity • 73% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 73% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Joshua Long
Live a Better Way
146 bpm • D# Maj • 04:08 • -7.94db
16% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Mercy River
You Make Us Want to Sing
146 bpm • G Maj • 03:30 • -9.65db
9% Popularity • 44% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 44% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Immanuel Worship
Nothing but the Gospel
146 bpm • E Maj • 04:22 • -8.93db
12% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Cast of Most Peculiar Dreams
Look at You
185 bpm • D Maj • 02:46 • -17.98db
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Henry Lauder
I Love A Lassie
146 bpm • G# Maj • 01:55 • -10.14db
10% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Anthony Chatmon II
You Are the Wind
145 bpm • D# Maj • 03:58 • -9.72db
0% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Carter Heath
I Am Ready
145 bpm • B Maj • 02:19 • -9.71db
10% Popularity • 41% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 41% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Gemma Lukin
Gone Too Soon
145 bpm • B Maj • 02:56 • -12.86db
15% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Darius de Haas
Under The Greenwood Tree
145 bpm • D# Maj • 02:29 • -7.47db
8% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ryann Lecklider
Don't Make Me Choose
186 bpm • C# min • 04:16 • -13.92db
11% Popularity • 29% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Ana Dezman
No Matter What
186 bpm • F# Maj • 03:03 • -6.34db
13% Popularity • 44% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 44% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Kristen Bodine Scott
Section 2: He Was the Great Jehovah
144 bpm • D Maj • 02:08 • -10.53db
25% Popularity • 45% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 45% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Wayne Patrick Burton
Never Leave Us
144 bpm • A Maj • 04:05 • -9.76db
16% Popularity • 27% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 27% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Jonathan Reid Gealt
Let Me Try
145 bpm • C# Maj • 03:51 • -7.13db
13% Popularity • 27% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 27% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Shawna Edwards
I Won't Walk Away
144 bpm • D# Maj • 02:57 • -6.92db
19% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
George D Nelson
One Last Ride
144 bpm • C Maj • 03:31 • -8.33db
9% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
The Cammilleri Sisters
The Resurrection
144 bpm • C min • 03:52 • -9.78db
8% Popularity • 26% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 26% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Alvin Martinez
The Way of the Cross
143 bpm • D Maj • 04:34 • -9.31db
10% Popularity • 34% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 34% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Laura Woodley Osman
History Is Waiting
142 bpm • A# Maj • 04:35 • -8.89db
11% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Renée Elise Goldsberry
Daughter Hero
143 bpm • C Maj • 01:46 • -7.37db
25% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
GIOVANNI ESTUAJI
Stronger Than Steel
141 bpm • A Maj • 03:49 • -10.39db
9% Popularity • 53% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 53% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
New Wine
Shout to the Lord
191 bpm • G Maj • 04:34 • -7.42db
18% Popularity • 38% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 38% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Cast of Most Peculiar Dreams
Henrietta Harmon - Remix
140 bpm • C Maj • 02:08 • -13.82db
31% Popularity • 38% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 38% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
So We May
Love Hymn
140 bpm • E Maj • 04:13 • -8.92db
12% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Marcie Gray
Are You Washed in the Blood
140 bpm • F Maj • 03:56 • -7.22db
9% Popularity • 74% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 74% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Kadee Sullivan
Exodus
140 bpm • F min • 03:08 • -6.48db
9% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Pulp Musicals
More Than This
140 bpm • C# Maj • 03:44 • -7.39db
17% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Exalt Worship
Hope Has Come
140 bpm • B Maj • 04:27 • -11.67db
20% Popularity • 59% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
20% Popularity • 59% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
► Preview
Original Cast of Tell Tale Harbour
Gotta Get Lost
140 bpm • D Maj • 01:59 • -5.95db
10% Popularity • 69% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 69% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Leana Fonseca
Idle Smile
140 bpm • C# Maj • 02:21 • -8db
12% Popularity • 59% Danceability • 76% Energy • 84% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 59% Danceability • 76% Energy • 84% Liveness
0% Instrumentalness • 58% Positiveness
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Marcie Gray
Still Faithful
140 bpm • D Maj • 04:14 • -6.55db
10% Popularity • 47% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 47% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Abbie Adcox
Risen
140 bpm • C Maj • 04:08 • -6.3db
11% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Malgorzata Markiewicz
World Can Wait
139 bpm • A# Maj • 03:37 • -10.76db
8% Popularity • 27% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Rebecca Rea
rest
140 bpm • F# Maj • 03:35 • -12.45db
7% Popularity • 48% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 48% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Redeemed Family Zimbabwe
Ishe Wangu
139 bpm • A Maj • 06:20 • -5.96db
16% Popularity • 25% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 25% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Zither Harmony
I am Free
197 bpm • D Maj • 03:02 • -11.39db
11% Popularity • 29% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 29% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Neon Leviathan
Midnight's Mystery
200 bpm • F# Maj • 03:45 • -11.47db
9% Popularity • 52% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 52% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Cast of Most Peculiar Dreams
Café of life - Remix
201 bpm • G Maj • 01:31 • -12.39db
21% Popularity • 41% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 41% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Sounds of Grace
I Know To Pray
203 bpm • G# Maj • 06:04 • -7.94db
7% Popularity • 53% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 53% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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42 Balloons
Something as Crazy as This
203 bpm • D Maj • 03:59 • -6.45db
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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EVERYDAY KIDS
Possible
204 bpm • D Maj • 00:55 • -9.71db
10% Popularity • 54% Danceability • 57% Energy • 76% Liveness
1% Instrumentalness • 64% Positiveness
10% Popularity • 54% Danceability • 57% Energy • 76% Liveness
1% Instrumentalness • 64% Positiveness
