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Wreck of the Day
Songs like
Wreck of the Day
by
Anna Nalick
Based on a tempo of (+/- 10%) and a similar genre
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Anna Nalick
Wreck of the Day
145 bpm • G Maj • 04:06 • -10.33db
36% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lucy Schwartz
Seven Hours (Bonus Track)
145 bpm • C Maj • 03:09 • -8.18db
27% Popularity • 62% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Rescues
Follow Me Back Into The Sun
145 bpm • G# min • 04:17 • -4.82db
14% Popularity • 49% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lisa Loeb & Nine Stories
Hurricane
145 bpm • A min • 04:53 • -11.31db
24% Popularity • 45% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Susie Suh
Recognition
146 bpm • G# min • 03:25 • -12.21db
8% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Howie Day
I'll Take You On
144 bpm • G# Maj • 05:38 • -8.04db
6% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Holly Brook
Still Love
146 bpm • F min • 04:17 • -11db
10% Popularity • 51% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Five For Fighting
NYC Weather Report
146 bpm • G Maj • 04:53 • -8.09db
21% Popularity • 52% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Toby Lightman
Frightened
144 bpm • D# Maj • 03:52 • -6.83db
5% Popularity • 54% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Pureka
Burning Bridges
147 bpm • B Maj • 05:05 • -8db
22% Popularity • 48% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Susie Suh
Light On My Shoulder
144 bpm • F Maj • 04:21 • -11.84db
18% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Howie Day
Ghost
146 bpm • E Maj • 05:26 • -12db
25% Popularity • 67% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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Bonnie McKee
Somebody
143 bpm • C Maj • 04:12 • -4db
16% Popularity • 49% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Allie Moss
Dig With Me
143 bpm • C# Maj • 03:59 • -7.61db
11% Popularity • 49% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Augustana
Boston
147 bpm • C Maj • 04:05 • -5.07db
60% Popularity • 40% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Kim Richey
A Place Called Home
148 bpm • C Maj • 03:57 • -14db
25% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Holly Brook
What I Wouldn't Give
142 bpm • F# min • 05:15 • -9db
14% Popularity • 38% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Wreckers
Hard to Love You
148 bpm • G min • 03:52 • -5.36db
23% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mat Kearney
Crashing Down
148 bpm • G Maj • 04:13 • -6db
24% Popularity • 38% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Erin McCarley
Hello/Goodbye
148 bpm • A# min • 03:58 • -4db
10% Popularity • 52% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Regina Spektor
Eet
142 bpm • C# Maj • 03:50 • -11.88db
48% Popularity • 66% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Rosie Thomas
Time Goes Away
141 bpm • C Maj • 03:44 • -10.64db
8% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Anna Nalick
Wreck Of The Day - Acoustic Version
149 bpm • G Maj • 03:56 • -10db
16% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Butch Walker
Here Comes The
142 bpm • A Maj • 04:09 • -5.24db
14% Popularity • 47% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Holly Brook
Like Blood Like Honey
140 bpm • E min • 03:34 • -15.58db
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Erin McCarley
Love, Save The Empty
142 bpm • E Maj • 03:16 • -4.86db
33% Popularity • 49% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Keri Noble
Bartender
150 bpm • D min • 04:03 • -10.14db
10% Popularity • 47% Danceability • 28% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
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Grace Potter & The Nocturnals
Stars
140 bpm • C Maj • 03:35 • -6.92db
46% Popularity • 43% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Susie Suh
Seasons Change
150 bpm • B min • 05:04 • -8.5db
13% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Eastmountainsouth
All The Stars
150 bpm • E Maj • 04:20 • -8.99db
15% Popularity • 48% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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The Rescues
The City And The River
150 bpm • D# Maj • 04:01 • -7.57db
9% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Nalick
Till the End of the Year (Bye Buy By)
140 bpm • D Maj • 04:23 • -6.61db
5% Popularity • 56% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Charlotte Martin
Veins
140 bpm • F min • 04:27 • -6.7db
12% Popularity • 70% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Nerina Pallot
Geek Love (remastered)
140 bpm • F Maj • 04:00 • -3.9db
23% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Susie Suh
Won't You Come Again
150 bpm • E Maj • 03:47 • -13.56db
15% Popularity • 53% Danceability • 35% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
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Tegan and Sara
Call It Off
150 bpm • D# Maj • 02:21 • -9db
43% Popularity • 61% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Heather Nova
It's Only Love
140 bpm • D min • 04:34 • -7.33db
26% Popularity • 48% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Ani DiFranco
School Night
140 bpm • A# min • 04:54 • -15.52db
20% Popularity • 46% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Anna Nalick
Consider This
140 bpm • C Maj • 03:36 • -5.57db
18% Popularity • 54% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Aqualung
Thin Air
151 bpm • G Maj • 04:23 • -15db
13% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mindy Smith
Fighting For It All
151 bpm • E Maj • 03:19 • -8.09db
13% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Rosi Golan
Everything Is Brilliant
139 bpm • G Maj • 02:46 • -9.88db
31% Popularity • 69% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Keri Noble
Look At Me
139 bpm • C Maj • 04:04 • -8.64db
13% Popularity • 41% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Jason Mraz
If It Kills Me
139 bpm • D Maj • 05:00 • -7.19db
29% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Anna Nalick
As Time Draws Near
139 bpm • C Maj • 04:06 • -18.16db
8% Popularity • 53% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Katie Herzig
Charlie Chaplin
139 bpm • D# Maj • 02:41 • -8.79db
22% Popularity • 56% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Howie Day
Trouble In Here
152 bpm • D Maj • 05:57 • -7.33db
6% Popularity • 44% Danceability • 71% Energy • 59% Liveness
2% Instrumentalness • 29% Positiveness
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Sarah Slean
Looking for Someone
138 bpm • C Maj • 03:50 • -12.62db
8% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Grace Potter & The Nocturnals
Falling or Flying
138 bpm • A Maj • 04:57 • -9.7db
28% Popularity • 34% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 11% Positiveness
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Erin McCarley
Pitter-Pat
138 bpm • F# Maj • 04:19 • -8.21db
28% Popularity • 50% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Nalick
My Back Pages
139 bpm • E Maj • 02:17 • -19.21db
7% Popularity • 66% Danceability • 14% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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Gabrielle Aplin
Mountains
138 bpm • F# Maj • 02:33 • -10.42db
24% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Tracy Bonham
Naked
138 bpm • G Maj • 03:56 • -5.48db
22% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Nerina Pallot
Idaho (Jack Joseph Puig Mix remastered)
153 bpm • D min • 04:28 • -4.61db
24% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tori Amos
A Sorta Fairytale (2023 Remaster)
153 bpm • F min • 05:29 • -9.81db
40% Popularity • 60% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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Mat Kearney
Where We Gonna Go from Here
138 bpm • D Maj • 04:05 • -12db
38% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lenka
Bring Me Down
137 bpm • A Maj • 03:28 • -3.85db
28% Popularity • 58% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Patty Griffin
Dear Old Friend
137 bpm • F# Maj • 03:15 • -12db
10% Popularity • 39% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Tegan and Sara
Fix You Up
154 bpm • F Maj • 02:53 • -6db
35% Popularity • 46% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Toby Lightman
Front Row
154 bpm • B min • 03:33 • -6.81db
1% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Marié Digby
Beauty In Walking Away
154 bpm • E Maj • 03:39 • -4.26db
12% Popularity • 45% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Anna Nalick
Wreck Of The Day - '06
155 bpm • C# Maj • 04:09 • -5.55db
15% Popularity • 37% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Tori Amos
1000 Oceans
136 bpm • A# Maj • 04:19 • -13db
33% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Rosi Golan
Come Around
136 bpm • A# Maj • 04:02 • -10db
28% Popularity • 58% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tegan and Sara
I Won't Be Left
136 bpm • F min • 02:38 • -6.11db
39% Popularity • 76% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Toby Lightman
Holding a Heart (Stripped Version) [Bonu...
136 bpm • D Maj • 03:57 • -5db
12% Popularity • 54% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Beth Waters
Blue and White
136 bpm • F# Maj • 03:47 • -9.95db
11% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Anna Nalick
Car Crash
136 bpm • F# Maj • 03:46 • -11.38db
21% Popularity • 39% Danceability • 31% Energy • 15% Liveness
1% Instrumentalness • 31% Positiveness
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Joy Williams
I'm Gonna Break Your Heart
155 bpm • G Maj • 03:23 • -11.73db
19% Popularity • 38% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Dar Williams
The Beauty Of The Rain
136 bpm • G Maj • 02:59 • -11.71db
43% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Edith Backlund
Sincerely Hope it's You
136 bpm • G min • 03:28 • -11.51db
9% Popularity • 39% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Paper Aeroplanes
Same Mistakes
155 bpm • A# Maj • 03:05 • -8.32db
20% Popularity • 52% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Get Set Go
Crying Shame
155 bpm • D Maj • 03:55 • -7.81db
13% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Mary Lambert
When You Sleep
135 bpm • F# Maj • 03:47 • -12db
35% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Eisley
I Wasn't Prepared
135 bpm • C Maj • 03:22 • -4.24db
26% Popularity • 41% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Chris Pureka
31 and Falling
135 bpm • C# Maj • 04:47 • -10.88db
16% Popularity • 39% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Leddra Chapman
Picking Oranges
156 bpm • C# Maj • 04:01 • -9.12db
13% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Joshua Radin
Closer
135 bpm • D# Maj • 02:52 • -15db
41% Popularity • 55% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 59% Positiveness
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Alexz Johnson
Look At Those Eyes
156 bpm • G min • 05:04 • -5.89db
16% Popularity • 57% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Schuyler Fisk
What Good Is Love
156 bpm • E Maj • 03:53 • -11.59db
25% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Grace Potter & The Nocturnals
Apologies
135 bpm • F Maj • 05:12 • -9.1db
36% Popularity • 38% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Kim Richey
The Absence Of Your Company
134 bpm • G# Maj • 03:21 • -14.72db
12% Popularity • 59% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jem
Missing You
134 bpm • G# min • 04:01 • -6.73db
24% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Kris Delmhorst
Words Fail You
134 bpm • A# Maj • 05:22 • -11.73db
16% Popularity • 49% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Leigh Nash
Ocean Size Love
134 bpm • G Maj • 04:59 • -6.04db
19% Popularity • 49% Danceability • 56% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
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Five For Fighting
World
158 bpm • F Maj • 03:52 • -6db
34% Popularity • 48% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Augustana
Twenty Years
133 bpm • D# Maj • 04:26 • -6db
34% Popularity • 39% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
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Katie Herzig
Chase Me
133 bpm • F Maj • 03:28 • -8.83db
18% Popularity • 72% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Elizabeth & the Catapult
Golden Ink
133 bpm • A# min • 03:42 • -10.29db
9% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Anna Nalick
Aura
133 bpm • G# min • 03:39 • -5.61db
16% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Melissa McClelland
Rooftop
133 bpm • G Maj • 05:11 • -10.44db
11% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Schuyler Fisk
From Where I'm Standing
132 bpm • D Maj • 03:32 • -5.59db
29% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Gavin DeGraw
Glass
132 bpm • G# Maj • 03:53 • -8.99db
24% Popularity • 61% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Susan Enan
Monoplain
132 bpm • B Maj • 03:21 • -10.12db
20% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Lucy Schwartz
Turn Back Around
132 bpm • C# Maj • 03:15 • -12.26db
20% Popularity • 54% Danceability • 22% Energy • 14% Liveness
4% Instrumentalness • 45% Positiveness
► Preview
Anna Nalick
Soldier - Demo Version
159 bpm • G Maj • 05:18 • -16.82db
13% Popularity • 38% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Shawn Colvin
Never Saw Blue Like That
131 bpm • E Maj • 04:38 • -10.04db
30% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Susie Suh
Petrified To Be God-like
130 bpm • E min • 04:13 • -7.98db
7% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Pat Monahan
Always Midnight
131 bpm • E Maj • 03:19 • -9.28db
19% Popularity • 64% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Schuyler Fisk
Hello
130 bpm • A Maj • 04:18 • -6.79db
21% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Wreck of the Day