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Wretched
Songs like
Wretched
by
Bartees Strange
Based on a tempo of (+/- 10%) and a similar genre
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Bartees Strange
Wretched - keiyaA Remix
128 bpm • B min • 04:02 • -8.41db
4% Popularity • 84% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 75% Positiveness
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Momma
Motorbike
128 bpm • D Maj • 03:21 • -6.24db
15% Popularity • 57% Danceability • 76% Energy • 18% Liveness
26% Instrumentalness • 46% Positiveness
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Trace Mountains
IF YOU DO
128 bpm • C Maj • 02:31 • -10.09db
29% Popularity • 64% Danceability • 56% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
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Charlie Hickey
Dandelions
128 bpm • F# Maj • 03:38 • -7.63db
16% Popularity • 61% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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IAN SWEET
DIE A MILLION TIMES
128 bpm • C Maj • 03:39 • -7.35db
16% Popularity • 65% Danceability • 64% Energy • 28% Liveness
74% Instrumentalness • 75% Positiveness
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Hand Habits
Just to Hear You
128 bpm • D Maj • 02:53 • -10.85db
40% Popularity • 76% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 52% Positiveness
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Bartees Strange
Mulholland Dr.
128 bpm • B Maj • 04:01 • -6.93db
30% Popularity • 61% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Wild Pink
Hold My Hand
128 bpm • E Maj • 05:01 • -12.62db
28% Popularity • 68% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 65% Positiveness
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Girlpool
Faultline
128 bpm • D# Maj • 04:11 • -5.2db
25% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Craig Finn
The Amarillo Kid
129 bpm • C# Maj • 04:36 • -7.65db
23% Popularity • 69% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Project Diem
It's Gold
127 bpm • G Maj • 06:37 • -9.76db
1% Popularity • 46% Danceability • 50% Energy • 36% Liveness
12% Instrumentalness • 8% Positiveness
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Petey
California
127 bpm • D Maj • 04:36 • -7.38db
39% Popularity • 64% Danceability • 87% Energy • 10% Liveness
81% Instrumentalness • 41% Positiveness
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Bartees Strange
Wretched
128 bpm • C# min • 03:49 • -7.26db
30% Popularity • 44% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 41% Positiveness
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Land of Talk
Something Will Be Said
129 bpm • A# Maj • 05:43 • -9.98db
14% Popularity • 47% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 32% Positiveness
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Japanese Breakfast
Savage Good Boy
129 bpm • D Maj • 02:26 • -6db
48% Popularity • 71% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Momma
Speeding 72
127 bpm • D Maj • 03:58 • -5.89db
22% Popularity • 58% Danceability • 80% Energy • 30% Liveness
18% Instrumentalness • 79% Positiveness
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IAN SWEET
I See Everything
127 bpm • A Maj • 02:28 • -8.9db
21% Popularity • 25% Danceability • 40% Energy • 10% Liveness
59% Instrumentalness • 10% Positiveness
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Hurray For The Riff Raff
PIERCED ARROWS
127 bpm • A# Maj • 04:02 • -6.01db
34% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Black Belt Eagle Scout
My Blood Runs Through This Land
130 bpm • E min • 05:12 • -5db
27% Popularity • 25% Danceability • 69% Energy • 32% Liveness
62% Instrumentalness • 39% Positiveness
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Indigo De Souza
Die/Cry
126 bpm • B Maj • 02:26 • -8.74db
36% Popularity • 48% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Snail Mail
Valentine
130 bpm • C Maj • 03:16 • -5db
43% Popularity • 49% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Great Grandpa
Treat Jar
130 bpm • E Maj • 02:41 • -7.57db
31% Popularity • 56% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Gladie
Born Yesterday
130 bpm • E Maj • 03:22 • -4.96db
28% Popularity • 43% Danceability • 97% Energy • 21% Liveness
9% Instrumentalness • 18% Positiveness
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Trace Mountains
AMERICA
130 bpm • A min • 04:10 • -10db
10% Popularity • 72% Danceability • 54% Energy • 57% Liveness
35% Instrumentalness • 70% Positiveness
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Young Jesus
Rose Eater
130 bpm • F# Maj • 04:24 • -12db
19% Popularity • 57% Danceability • 62% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
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illuminati hotties
u v v p
130 bpm • G Maj • 04:44 • -6.62db
29% Popularity • 33% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Snail Mail
Feeling Like I Do - Spotify Singles
130 bpm • G# min • 03:56 • -9db
34% Popularity • 48% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Hit Like a Girl
Monsters
130 bpm • D Maj • 04:48 • -6.71db
4% Popularity • 47% Danceability • 86% Energy • 16% Liveness
27% Instrumentalness • 54% Positiveness
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Bartees Strange
Province
130 bpm • C# Maj • 04:36 • -7.92db
9% Popularity • 59% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Another Michael
Water Pressure
130 bpm • G# Maj • 03:33 • -8.46db
24% Popularity • 71% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Hannah Jadagu
Think Too Much
130 bpm • B Maj • 02:50 • -5db
35% Popularity • 54% Danceability • 76% Energy • 12% Liveness
6% Instrumentalness • 57% Positiveness
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illuminati hotties
Threatening Each Other re: Capitalism
130 bpm • G Maj • 04:43 • -8.75db
22% Popularity • 48% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
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Snail Mail
Automate
126 bpm • G# Maj • 03:09 • -6.24db
32% Popularity • 64% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Spring Silver
Plead Insanity
130 bpm • B min • 03:36 • -6.49db
1% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Gladie
Mud
126 bpm • A Maj • 03:01 • -5.01db
23% Popularity • 51% Danceability • 97% Energy • 12% Liveness
3% Instrumentalness • 58% Positiveness
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Soccer Mommy
Darkness Forever
130 bpm • C# min • 04:15 • -7.17db
29% Popularity • 51% Danceability • 55% Energy • 8% Liveness
8% Instrumentalness • 13% Positiveness
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Nervous Dater
Middle Child
126 bpm • A# Maj • 04:06 • -5.89db
12% Popularity • 32% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Good Looks
Bummer Year
131 bpm • D Maj • 04:31 • -12db
22% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Finom
3 2 4 3
131 bpm • G Maj • 04:05 • -8.11db
21% Popularity • 46% Danceability • 68% Energy • 10% Liveness
35% Instrumentalness • 31% Positiveness
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Ratboys
Collected
131 bpm • D Maj • 04:16 • -5.47db
19% Popularity • 41% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Caracara
Colorglut
131 bpm • B min • 04:13 • -4.39db
20% Popularity • 29% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Bartees Strange
Cosigns
125 bpm • C Maj • 02:35 • -7db
19% Popularity • 56% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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MJ Lenderman
You Are Every Girl to Me
125 bpm • C Maj • 03:50 • -12db
36% Popularity • 61% Danceability • 58% Energy • 9% Liveness
84% Instrumentalness • 43% Positiveness
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Pool Kids
Comes In Waves
125 bpm • D Maj • 04:43 • -7.4db
28% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Good Looks
21
131 bpm • G Maj • 04:23 • -8.71db
17% Popularity • 44% Danceability • 76% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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Wild Pink
You Can Have It Back
125 bpm • F# Maj • 03:23 • -9.64db
21% Popularity • 88% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Colleen Green
Posi Vibes
125 bpm • D min • 02:13 • -7.15db
16% Popularity • 64% Danceability • 70% Energy • 8% Liveness
48% Instrumentalness • 90% Positiveness
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Adult Mom
Passenger
125 bpm • B Maj • 03:16 • -6.05db
16% Popularity • 55% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Half Waif
Fortress
125 bpm • G min • 03:24 • -9.07db
12% Popularity • 62% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Caracara
Harsh Light
124 bpm • C min • 03:19 • -7.76db
10% Popularity • 39% Danceability • 61% Energy • 8% Liveness
85% Instrumentalness • 68% Positiveness
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Porridge Radio
New Slang
125 bpm • E Maj • 04:15 • -8.36db
24% Popularity • 52% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Deep Sea Diver
Impossible Weight - Sharon Van Etten
124 bpm • G# Maj • 03:22 • -5.79db
41% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Momma
Medicine - Edit
132 bpm • D Maj • 03:41 • -6.28db
0% Popularity • 65% Danceability • 72% Energy • 8% Liveness
64% Instrumentalness • 80% Positiveness
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Trace Mountains
Lost in the Country
132 bpm • C# Maj • 05:22 • -7.43db
28% Popularity • 68% Danceability • 63% Energy • 22% Liveness
44% Instrumentalness • 66% Positiveness
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The Weather Station
Loss
132 bpm • G Maj • 03:36 • -9.18db
21% Popularity • 73% Danceability • 62% Energy • 18% Liveness
10% Instrumentalness • 88% Positiveness
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Tomberlin
sunstruck
132 bpm • A Maj • 05:01 • -11.64db
25% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Blondshell
Charm You - Blondshell Version
124 bpm • B Maj • 02:58 • -7.07db
37% Popularity • 64% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Bartees Strange
Lemonworld - Live at Studio 4
132 bpm • C Maj • 03:22 • -4.53db
3% Popularity • 47% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Momma
Medicine
132 bpm • G Maj • 04:14 • -6.42db
23% Popularity • 67% Danceability • 73% Energy • 8% Liveness
64% Instrumentalness • 81% Positiveness
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Half Waif
Take Away The Ache
124 bpm • G# min • 03:29 • -10.47db
12% Popularity • 62% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Remember Sports
Pinky Ring
133 bpm • E Maj • 03:18 • -5.55db
28% Popularity • 41% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Geese
Disco
133 bpm • G Maj • 06:47 • -5db
28% Popularity • 36% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Deep Sea Diver
Shattering The Hourglass
123 bpm • F min • 04:51 • -8.62db
27% Popularity • 34% Danceability • 36% Energy • 10% Liveness
17% Instrumentalness • 12% Positiveness
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Bartees Strange
Escape This Circus
123 bpm • C Maj • 03:26 • -7.8db
16% Popularity • 52% Danceability • 73% Energy • 62% Liveness
69% Instrumentalness • 37% Positiveness
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Snail Mail
Madonna
123 bpm • A# min • 02:53 • -6.89db
37% Popularity • 71% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Black Belt Eagle Scout
I Said I Wouldn’t Write This Song
122 bpm • F Maj • 03:22 • -6.18db
25% Popularity • 57% Danceability • 72% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
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Young Jesus
Pattern Doubt
134 bpm • F# Maj • 03:32 • -8.04db
33% Popularity • 44% Danceability • 51% Energy • 8% Liveness
67% Instrumentalness • 61% Positiveness
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String Machine
Touring in January
122 bpm • E Maj • 03:14 • -6.12db
9% Popularity • 52% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Deep Sea Diver
Lightning Bolts
122 bpm • C# min • 03:21 • -6.6db
14% Popularity • 65% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Ratboys
Cacao to Cacao
122 bpm • A Maj • 02:16 • -10.57db
32% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bartees Strange
Heavy Heart - Edit
134 bpm • D Maj • 03:46 • -6.64db
18% Popularity • 48% Danceability • 84% Energy • 27% Liveness
12% Instrumentalness • 33% Positiveness
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Spoon
Lucifer On The Sofa
122 bpm • B min • 05:09 • -10.56db
32% Popularity • 74% Danceability • 48% Energy • 9% Liveness
42% Instrumentalness • 38% Positiveness
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Miya Folick
Nothing to See
135 bpm • C Maj • 03:34 • -5.4db
29% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Lala Lala
DIVER
135 bpm • C Maj • 03:01 • -9.13db
31% Popularity • 58% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Caroline Rose
Tell Me What You Want
121 bpm • G Maj • 04:02 • -8db
34% Popularity • 55% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Good Looks
Walker Lake
121 bpm • F min • 04:03 • -9.2db
14% Popularity • 50% Danceability • 73% Energy • 23% Liveness
5% Instrumentalness • 46% Positiveness
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Bartees Strange
Heavy Heart
134 bpm • D Maj • 04:23 • -6db
29% Popularity • 25% Danceability • 85% Energy • 18% Liveness
13% Instrumentalness • 23% Positiveness
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Palehound
Independence Day
121 bpm • D Maj • 03:39 • -4.78db
33% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Diane Coffee
Forecast
121 bpm • D Maj • 03:46 • -5.23db
16% Popularity • 64% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Another Michael
I Know You're Wrong
121 bpm • F# Maj • 02:03 • -9.22db
30% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Caroline Rose
Command Z
121 bpm • E min • 01:22 • -4.95db
39% Popularity • 75% Danceability • 93% Energy • 7% Liveness
84% Instrumentalness • 69% Positiveness
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Christian Lee Hutson
Rubberneckers
121 bpm • C# Maj • 03:28 • -10db
35% Popularity • 67% Danceability • 56% Energy • 11% Liveness
51% Instrumentalness • 73% Positiveness
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Bartees Strange
Free Kelly Rowland
135 bpm • E Maj • 03:20 • -2.78db
12% Popularity • 76% Danceability • 78% Energy • 30% Liveness
12% Instrumentalness • 66% Positiveness
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The Dodos
With A Guitar
136 bpm • F Maj • 03:48 • -9.94db
18% Popularity • 81% Danceability • 50% Energy • 21% Liveness
4% Instrumentalness • 82% Positiveness
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Hand Habits
Clean Air
136 bpm • B Maj • 03:08 • -10.1db
28% Popularity • 59% Danceability • 58% Energy • 45% Liveness
1% Instrumentalness • 56% Positiveness
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Bachelor
I See It Now
136 bpm • F Maj • 02:53 • -9.11db
15% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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TORRES
Hand in the Air
136 bpm • A min • 03:43 • -7.11db
13% Popularity • 48% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Oceanator
I Would Find You
136 bpm • C# Maj • 05:57 • -11.72db
27% Popularity • 73% Danceability • 49% Energy • 10% Liveness
49% Instrumentalness • 46% Positiveness
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Samia
Fit N Full
136 bpm • E Maj • 02:46 • -4db
17% Popularity • 56% Danceability • 82% Energy • 36% Liveness
7% Instrumentalness • 46% Positiveness
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Better Oblivion Community Center
Sleepwalkin' - Daydreamin' Version
136 bpm • B Maj • 03:42 • -4.93db
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Strange Ranger
Pass Me By
120 bpm • G Maj • 03:00 • -6.85db
17% Popularity • 58% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Hurray For The Riff Raff
POINTED AT THE SUN
120 bpm • D Maj • 03:32 • -5.97db
27% Popularity • 47% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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TORRES
Don't Go Puttin Wishes in My Head
136 bpm • C Maj • 04:21 • -8.22db
37% Popularity • 46% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Porches
Okay
120 bpm • B min • 02:03 • -4.69db
27% Popularity • 59% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Samia
Pool - Bartees Strange Version
120 bpm • D Maj • 03:27 • -10.03db
11% Popularity • 44% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Kiwi jr.
The Sound of Music
120 bpm • G Maj • 03:12 • -6.09db
19% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Land of Talk
Footnotes
120 bpm • A# Maj • 03:33 • -10.49db
29% Popularity • 61% Danceability • 63% Energy • 20% Liveness
64% Instrumentalness • 56% Positiveness
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Foxing
Draw Down The Moon
120 bpm • B min • 04:21 • -7.63db
31% Popularity • 57% Danceability • 73% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Bartees Strange
Flagey God
120 bpm • F# Maj • 03:41 • -6.89db
22% Popularity • 57% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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LUMP
Bloom At Night
120 bpm • F# min • 05:19 • -10db
29% Popularity • 64% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 12% Positiveness
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Wretched