Songs like Wrong Impression by KUSP (UK)
Based on a tempo of (+/- 10%) and a similar genre
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KUSP (UK)
Wrong Impression
132 bpm • B min • 06:08 • -9.4db
7% Popularity • 68% Danceability • 88% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
7% Popularity • 68% Danceability • 88% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Niereich
Wake Me With Acid
132 bpm • C# Maj • 06:30 • -8.18db
17% Popularity • 72% Danceability • 93% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
17% Popularity • 72% Danceability • 93% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Michael Klein
Wasser
132 bpm • F# min • 06:34 • -10.08db
30% Popularity • 68% Danceability • 78% Energy • 9% Liveness
77% Instrumentalness • 22% Positiveness
30% Popularity • 68% Danceability • 78% Energy • 9% Liveness
77% Instrumentalness • 22% Positiveness
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Introversion
Call To Adventure - Original Mix
132 bpm • A# min • 06:56 • -8db
18% Popularity • 66% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
18% Popularity • 66% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
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Amotik
Unnees
132 bpm • C# Maj • 05:52 • -12db
17% Popularity • 77% Danceability • 62% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
17% Popularity • 77% Danceability • 62% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Hanubis
Balrog - Radio Edit
132 bpm • C# min • 04:36 • -8db
10% Popularity • 69% Danceability • 87% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
10% Popularity • 69% Danceability • 87% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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KUSP (UK)
M2S
132 bpm • G Maj • 07:12 • -12.9db
3% Popularity • 66% Danceability • 93% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
3% Popularity • 66% Danceability • 93% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
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Gary Beck
Bonkers Bus
132 bpm • A Maj • 05:22 • -10db
15% Popularity • 51% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
15% Popularity • 51% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
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Michael Klein
Joker Smile
132 bpm • C# Maj • 06:25 • -9db
14% Popularity • 54% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
14% Popularity • 54% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
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Mark Michael
Concentration
132 bpm • E min • 06:47 • -8db
11% Popularity • 79% Danceability • 98% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
11% Popularity • 79% Danceability • 98% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Deas
Screenshot
132 bpm • E min • 05:36 • -10.05db
10% Popularity • 69% Danceability • 88% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
10% Popularity • 69% Danceability • 88% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Klangkuenstler
Lebendige Geister
132 bpm • G Maj • 05:49 • -7.85db
21% Popularity • 66% Danceability • 98% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
21% Popularity • 66% Danceability • 98% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Marcal
Ethereal
132 bpm • F# Maj • 06:04 • -7.81db
13% Popularity • 79% Danceability • 82% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
13% Popularity • 79% Danceability • 82% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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RSRRCT
Ghosts In My Radio
132 bpm • A Maj • 06:11 • -8.93db
13% Popularity • 71% Danceability • 77% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 71% Danceability • 77% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Coyu
Technostalgia
132 bpm • B min • 07:18 • -8.09db
12% Popularity • 70% Danceability • 97% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 70% Danceability • 97% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Rudosa
Let the Beat - Original Mix
132 bpm • G Maj • 07:23 • -11.34db
11% Popularity • 71% Danceability • 74% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
11% Popularity • 71% Danceability • 74% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
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KUSP (UK)
Projekts
132 bpm • C# Maj • 06:25 • -5.59db
1% Popularity • 60% Danceability • 91% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
1% Popularity • 60% Danceability • 91% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
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Goncalo M
Infinite Black - DubMix
132 bpm • B Maj • 06:25 • -6.21db
9% Popularity • 66% Danceability • 100% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
9% Popularity • 66% Danceability • 100% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Michael Klein
Der Sturm kommt
132 bpm • C# Maj • 06:50 • -9.81db
13% Popularity • 61% Danceability • 91% Energy • 10% Liveness
78% Instrumentalness • 25% Positiveness
13% Popularity • 61% Danceability • 91% Energy • 10% Liveness
78% Instrumentalness • 25% Positiveness
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Luis Miranda
Sensation - Radio Edit
132 bpm • B min • 05:23 • -7.3db
12% Popularity • 42% Danceability • 91% Energy • 7% Liveness
54% Instrumentalness • 11% Positiveness
12% Popularity • 42% Danceability • 91% Energy • 7% Liveness
54% Instrumentalness • 11% Positiveness
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Truncate
Bassline - Mixed
132 bpm • F# min • 02:42 • -10.2db
23% Popularity • 60% Danceability • 69% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
23% Popularity • 60% Danceability • 69% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Alex Bilancini
Segments
132 bpm • G Maj • 05:16 • -7.48db
12% Popularity • 69% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 69% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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KUSP (UK)
Orbit 2Cb - Original Mix
132 bpm • B min • 07:00 • -8.55db
1% Popularity • 67% Danceability • 87% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
1% Popularity • 67% Danceability • 87% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Steve Shaden
Reflexion
132 bpm • F min • 05:28 • -8db
15% Popularity • 79% Danceability • 85% Energy • 9% Liveness
74% Instrumentalness • 15% Positiveness
15% Popularity • 79% Danceability • 85% Energy • 9% Liveness
74% Instrumentalness • 15% Positiveness
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Dubfire
Metanoia
132 bpm • A# min • 06:50 • -8.53db
2% Popularity • 78% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
2% Popularity • 78% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Sisko Electrofanatik
Desolate - Radio Edit
132 bpm • D Maj • 04:05 • -7db
20% Popularity • 71% Danceability • 93% Energy • 59% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 71% Danceability • 93% Energy • 59% Liveness
96% Instrumentalness • 4% Positiveness
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Claas Herrmann
Trust Issues
132 bpm • C min • 07:19 • -10db
17% Popularity • 83% Danceability • 66% Energy • 8% Liveness
82% Instrumentalness • 19% Positiveness
17% Popularity • 83% Danceability • 66% Energy • 8% Liveness
82% Instrumentalness • 19% Positiveness
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Kaiserdisco
Spule
132 bpm • E Maj • 07:16 • -8.04db
18% Popularity • 72% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
18% Popularity • 72% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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KUSP (UK)
Bodied
132 bpm • B min • 03:57 • -10.11db
1% Popularity • 70% Danceability • 99% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 70% Danceability • 99% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Atze Ton
A38
132 bpm • C# min • 05:07 • -9db
16% Popularity • 74% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 74% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Dino Maggiorana
System - Original Mix
132 bpm • A min • 03:30 • -6.25db
11% Popularity • 72% Danceability • 97% Energy • 24% Liveness
87% Instrumentalness • 25% Positiveness
11% Popularity • 72% Danceability • 97% Energy • 24% Liveness
87% Instrumentalness • 25% Positiveness
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Wehbba
No Sleep
132 bpm • F# Maj • 05:49 • -5db
17% Popularity • 74% Danceability • 92% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
17% Popularity • 74% Danceability • 92% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Spektre
Strobelight - Hush & Sleep Remix
132 bpm • G Maj • 03:30 • -9.94db
15% Popularity • 64% Danceability • 80% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 64% Danceability • 80% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Klangkuenstler
Balthazar
132 bpm • G Maj • 06:02 • -7.53db
33% Popularity • 68% Danceability • 96% Energy • 15% Liveness
86% Instrumentalness • 37% Positiveness
33% Popularity • 68% Danceability • 96% Energy • 15% Liveness
86% Instrumentalness • 37% Positiveness
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KUSP (UK)
Connected - Original Mix
132 bpm • C# Maj • 05:21 • -8.38db
2% Popularity • 75% Danceability • 67% Energy • 13% Liveness
95% Instrumentalness • 22% Positiveness
2% Popularity • 75% Danceability • 67% Energy • 13% Liveness
95% Instrumentalness • 22% Positiveness
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![Destruction - [ Wex 10 ] Remix cover art](https://i.scdn.co/image/ab67616d00001e02136a39ccc21be7b978b63c2c)
Roger Lavelle
Destruction - [ Wex 10 ] Remix
132 bpm • E min • 03:40 • -6.65db
13% Popularity • 79% Danceability • 85% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
13% Popularity • 79% Danceability • 85% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Cristian Glitch
Back In The 80s - Shadym, Tximeleta Remi...
132 bpm • C# min • 06:23 • -9db
16% Popularity • 77% Danceability • 70% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
16% Popularity • 77% Danceability • 70% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Luix Spectrum
Nimbus - A.P. Remix
132 bpm • A# min • 06:20 • -7.32db
22% Popularity • 72% Danceability • 90% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 72% Danceability • 90% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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[ Wex 10 ]
To the Beat - Original Mix
132 bpm • G Maj • 06:55 • -7.76db
10% Popularity • 73% Danceability • 81% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
10% Popularity • 73% Danceability • 81% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Jo Poole
Final Calling
132 bpm • A min • 03:36 • -7.4db
15% Popularity • 71% Danceability • 95% Energy • 20% Liveness
86% Instrumentalness • 12% Positiveness
15% Popularity • 71% Danceability • 95% Energy • 20% Liveness
86% Instrumentalness • 12% Positiveness
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Milo Spykers
Infinite
132 bpm • F# Maj • 05:28 • -8.31db
15% Popularity • 67% Danceability • 99% Energy • 11% Liveness
78% Instrumentalness • 10% Positiveness
15% Popularity • 67% Danceability • 99% Energy • 11% Liveness
78% Instrumentalness • 10% Positiveness
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Klangkuenstler
Zorn Amons
132 bpm • G# Maj • 06:15 • -7.33db
23% Popularity • 70% Danceability • 97% Energy • 20% Liveness
93% Instrumentalness • 17% Positiveness
23% Popularity • 70% Danceability • 97% Energy • 20% Liveness
93% Instrumentalness • 17% Positiveness
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Kai Pattenberg
Triple - N.O.B.A Remix
132 bpm • F# min • 06:57 • -7db
25% Popularity • 80% Danceability • 74% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
25% Popularity • 80% Danceability • 74% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Remco Beekwilder
Concrete Jungle - Original Mix
132 bpm • F# min • 06:11 • -10.11db
21% Popularity • 63% Danceability • 94% Energy • 43% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 63% Danceability • 94% Energy • 43% Liveness
88% Instrumentalness • 3% Positiveness
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giovanni carozza
Spectrum
132 bpm • E min • 06:48 • -8.64db
9% Popularity • 74% Danceability • 92% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 74% Danceability • 92% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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David Temessi
Hydra
132 bpm • B min • 05:18 • -7.49db
10% Popularity • 62% Danceability • 91% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
10% Popularity • 62% Danceability • 91% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
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Frazi.er
Temptation - Original mix
132 bpm • C# Maj • 05:49 • -7.78db
18% Popularity • 79% Danceability • 88% Energy • 11% Liveness
61% Instrumentalness • 44% Positiveness
18% Popularity • 79% Danceability • 88% Energy • 11% Liveness
61% Instrumentalness • 44% Positiveness
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Klangkuenstler
Jenseits
132 bpm • B min • 06:15 • -7.67db
20% Popularity • 60% Danceability • 93% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 60% Danceability • 93% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Robert S (PT)
Morfologia - Original Mix
132 bpm • A# min • 05:49 • -6.87db
9% Popularity • 66% Danceability • 88% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
9% Popularity • 66% Danceability • 88% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Wehbba
Ataraxia
132 bpm • C Maj • 04:29 • -6.76db
22% Popularity • 67% Danceability • 91% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 67% Danceability • 91% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Mark Greene
Havoc
132 bpm • G# Maj • 06:32 • -7.12db
10% Popularity • 63% Danceability • 98% Energy • 32% Liveness
83% Instrumentalness • 5% Positiveness
10% Popularity • 63% Danceability • 98% Energy • 32% Liveness
83% Instrumentalness • 5% Positiveness
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RSRRCT
That's Right - Original Mix
132 bpm • A min • 04:03 • -7.91db
10% Popularity • 78% Danceability • 92% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
10% Popularity • 78% Danceability • 92% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
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DJ Rush
Talkers
132 bpm • F# min • 05:32 • -9.81db
20% Popularity • 58% Danceability • 78% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
20% Popularity • 58% Danceability • 78% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
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Balthazar & JackRock
Divine Reflection
132 bpm • E min • 03:52 • -7.17db
26% Popularity • 64% Danceability • 95% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
26% Popularity • 64% Danceability • 95% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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KUSP (UK)
CTRL
132 bpm • F# min • 05:43 • -5.48db
1% Popularity • 74% Danceability • 97% Energy • 13% Liveness
91% Instrumentalness • 25% Positiveness
1% Popularity • 74% Danceability • 97% Energy • 13% Liveness
91% Instrumentalness • 25% Positiveness
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Blenk
Forward
132 bpm • C# min • 05:54 • -9.52db
12% Popularity • 78% Danceability • 76% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
12% Popularity • 78% Danceability • 76% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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H! DUDE
Endoloris
132 bpm • B min • 06:25 • -8db
26% Popularity • 74% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 74% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Kaiserdisco
Bipolar Disorder - Markantonio Remix - R...
132 bpm • F# Maj • 04:25 • -5.97db
18% Popularity • 63% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
18% Popularity • 63% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
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Markantonio
Push It - Radio Edit
132 bpm • B Maj • 03:58 • -8.59db
12% Popularity • 61% Danceability • 93% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
12% Popularity • 61% Danceability • 93% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
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Layton Giordani
Power
132 bpm • G# Maj • 04:41 • -5.91db
18% Popularity • 73% Danceability • 96% Energy • 77% Liveness
44% Instrumentalness • 64% Positiveness
18% Popularity • 73% Danceability • 96% Energy • 77% Liveness
44% Instrumentalness • 64% Positiveness
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KUSP (UK)
Diss
132 bpm • F min • 04:10 • -8.08db
10% Popularity • 59% Danceability • 97% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
10% Popularity • 59% Danceability • 97% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Noseda
Girl On Fire
132 bpm • F min • 06:56 • -8db
25% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
25% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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David Temessi
Still I Am - Original Mix
132 bpm • C# Maj • 06:25 • -12.17db
9% Popularity • 60% Danceability • 82% Energy • 7% Liveness
73% Instrumentalness • 19% Positiveness
9% Popularity • 60% Danceability • 82% Energy • 7% Liveness
73% Instrumentalness • 19% Positiveness
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Michael Klein
Boiling - Mixed
133 bpm • F min • 03:48 • -12.78db
22% Popularity • 68% Danceability • 62% Energy • 13% Liveness
82% Instrumentalness • 50% Positiveness
22% Popularity • 68% Danceability • 62% Energy • 13% Liveness
82% Instrumentalness • 50% Positiveness
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Ben Dust
Endo - N.O.B.A Remix
131 bpm • F# Maj • 07:06 • -9.98db
15% Popularity • 86% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
15% Popularity • 86% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Klaudia Gawlas
The Matrix
131 bpm • E Maj • 06:22 • -9.74db
8% Popularity • 74% Danceability • 77% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 74% Danceability • 77% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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KUSP (UK)
I Wanna Rock
133 bpm • B min • 05:19 • -7.42db
2% Popularity • 75% Danceability • 88% Energy • 10% Liveness
50% Instrumentalness • 43% Positiveness
2% Popularity • 75% Danceability • 88% Energy • 10% Liveness
50% Instrumentalness • 43% Positiveness
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Hanubis
Rave Game - Original Mix
131 bpm • C# Maj • 03:35 • -6.94db
15% Popularity • 71% Danceability • 77% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 71% Danceability • 77% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Ignacio Arfeli
In My Heart - Vocal Mix
133 bpm • A# min • 04:31 • -7.57db
14% Popularity • 62% Danceability • 96% Energy • 4% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 62% Danceability • 96% Energy • 4% Liveness
81% Instrumentalness • 4% Positiveness
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Gaston Zani
Anomaly - Original Mix
133 bpm • B Maj • 06:19 • -6.54db
15% Popularity • 56% Danceability • 90% Energy • 12% Liveness
83% Instrumentalness • 12% Positiveness
15% Popularity • 56% Danceability • 90% Energy • 12% Liveness
83% Instrumentalness • 12% Positiveness
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Bruce Zalcer
Primordial - Original Mix
131 bpm • D Maj • 04:13 • -5.29db
11% Popularity • 67% Danceability • 97% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
11% Popularity • 67% Danceability • 97% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Shadym
Attention - N.O.B.A Remix
131 bpm • G Maj • 06:39 • -9db
26% Popularity • 69% Danceability • 86% Energy • 11% Liveness
81% Instrumentalness • 12% Positiveness
26% Popularity • 69% Danceability • 86% Energy • 11% Liveness
81% Instrumentalness • 12% Positiveness
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KUSP (UK)
Exhale
133 bpm • G Maj • 04:16 • -7.45db
2% Popularity • 62% Danceability • 100% Energy • 12% Liveness
83% Instrumentalness • 43% Positiveness
2% Popularity • 62% Danceability • 100% Energy • 12% Liveness
83% Instrumentalness • 43% Positiveness
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Alex Lentini
Expanders
131 bpm • F# Maj • 06:44 • -11.72db
10% Popularity • 75% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 75% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Ignacio Arfeli
Now I'm Free - Original Mix
131 bpm • C Maj • 03:56 • -5.85db
9% Popularity • 61% Danceability • 98% Energy • 25% Liveness
75% Instrumentalness • 53% Positiveness
9% Popularity • 61% Danceability • 98% Energy • 25% Liveness
75% Instrumentalness • 53% Positiveness
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D.Mongelos
Panic
131 bpm • G Maj • 06:39 • -7.87db
19% Popularity • 59% Danceability • 88% Energy • 9% Liveness
82% Instrumentalness • 62% Positiveness
19% Popularity • 59% Danceability • 88% Energy • 9% Liveness
82% Instrumentalness • 62% Positiveness
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Giacomo Renzi
Burian
131 bpm • F Maj • 05:56 • -6.91db
9% Popularity • 68% Danceability • 95% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
9% Popularity • 68% Danceability • 95% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Flug
ADSR - Mixed
133 bpm • G# min • 05:06 • -11.4db
20% Popularity • 76% Danceability • 86% Energy • 38% Liveness
89% Instrumentalness • 28% Positiveness
20% Popularity • 76% Danceability • 86% Energy • 38% Liveness
89% Instrumentalness • 28% Positiveness
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KUSP (UK)
Overload - Original Mix
133 bpm • F# Maj • 06:52 • -7.34db
0% Popularity • 73% Danceability • 92% Energy • 6% Liveness
89% Instrumentalness • 24% Positiveness
0% Popularity • 73% Danceability • 92% Energy • 6% Liveness
89% Instrumentalness • 24% Positiveness
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Uto Karem
Pisces
133 bpm • D Maj • 07:14 • -8.08db
14% Popularity • 76% Danceability • 84% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
14% Popularity • 76% Danceability • 84% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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John P
Krisis - Original Mix
133 bpm • F# Maj • 03:51 • -9.17db
13% Popularity • 57% Danceability • 89% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
13% Popularity • 57% Danceability • 89% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
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Hollen
No Limits
133 bpm • A# min • 04:00 • -7.53db
28% Popularity • 53% Danceability • 98% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 53% Danceability • 98% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Rudosa
Extinction
131 bpm • C# min • 07:09 • -7.32db
14% Popularity • 71% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 71% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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SRVD
Talking 2 B Mad
133 bpm • D Maj • 09:09 • -9.97db
19% Popularity • 71% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
19% Popularity • 71% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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KUSP (UK)
Folding - KUSP 'After Dark' Mix
133 bpm • C# Maj • 06:44 • -6.88db
3% Popularity • 62% Danceability • 94% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
3% Popularity • 62% Danceability • 94% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Belocca
Human Progress - Original Mix
131 bpm • C# min • 03:50 • -6.91db
15% Popularity • 67% Danceability • 99% Energy • 34% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 67% Danceability • 99% Energy • 34% Liveness
88% Instrumentalness • 3% Positiveness
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Sisko Electrofanatik
Anasthasia - Original Mix
131 bpm • G Maj • 06:56 • -5db
13% Popularity • 81% Danceability • 90% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
13% Popularity • 81% Danceability • 90% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Anfisa Letyago
Electrifying
133 bpm • G Maj • 06:29 • -7.26db
17% Popularity • 74% Danceability • 98% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
17% Popularity • 74% Danceability • 98% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Giacomo Renzi
Magnetic Eyes
131 bpm • C# Maj • 06:41 • -9.77db
10% Popularity • 74% Danceability • 86% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 74% Danceability • 86% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Keith Carnal
Body Brain
133 bpm • C# Maj • 05:36 • -12db
17% Popularity • 76% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 76% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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KUSP (UK)
Follow Us
133 bpm • A# min • 04:00 • -7.37db
6% Popularity • 50% Danceability • 96% Energy • 12% Liveness
45% Instrumentalness • 34% Positiveness
6% Popularity • 50% Danceability • 96% Energy • 12% Liveness
45% Instrumentalness • 34% Positiveness
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Luigi Madonna
This Is the Future
133 bpm • G Maj • 06:16 • -9.14db
13% Popularity • 72% Danceability • 91% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
13% Popularity • 72% Danceability • 91% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Tiger Stripes
Jack the Garage
133 bpm • G Maj • 06:47 • -6.74db
12% Popularity • 58% Danceability • 86% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
12% Popularity • 58% Danceability • 86% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Pan-Pot
Confronted - Frazi.Er Raw Remix
133 bpm • G# Maj • 07:25 • -7.55db
15% Popularity • 79% Danceability • 91% Energy • 5% Liveness
55% Instrumentalness • 22% Positiveness
15% Popularity • 79% Danceability • 91% Energy • 5% Liveness
55% Instrumentalness • 22% Positiveness
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Abstract Division
Discharge - Original Mix
133 bpm • E min • 05:46 • -9.83db
11% Popularity • 50% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
11% Popularity • 50% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
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Joyhauser
Molly
133 bpm • C# Maj • 07:14 • -8db
23% Popularity • 72% Danceability • 83% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
23% Popularity • 72% Danceability • 83% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Sisko Electrofanatik
Heavy Line
131 bpm • G Maj • 06:50 • -5.8db
10% Popularity • 69% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
10% Popularity • 69% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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The Southern
Do It Now - Radio Edit
131 bpm • A# min • 04:12 • -9.08db
14% Popularity • 58% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
14% Popularity • 58% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
