Songs like Yaksa by David Charrier
Based on a tempo of (+/- 10%) and a similar genre
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Hang Drum Social Club
Are We Dreaming
180 bpm • E min • 02:12 • -18.51db
32% Popularity • 38% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Handpan Mystic Flow
The Shaman
180 bpm • C Maj • 02:16 • -19db
35% Popularity • 74% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
35% Popularity • 74% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Masood Ali Khan
Gaia Nector
180 bpm • D Maj • 05:07 • -12.01db
30% Popularity • 49% Danceability • 42% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
30% Popularity • 49% Danceability • 42% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Apuna
Cajamarca
180 bpm • A# min • 03:22 • -16db
30% Popularity • 62% Danceability • 31% Energy • 34% Liveness
93% Instrumentalness • 18% Positiveness
30% Popularity • 62% Danceability • 31% Energy • 34% Liveness
93% Instrumentalness • 18% Positiveness
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Lemon And Soul
Adva
180 bpm • D# Maj • 04:48 • -28.04db
30% Popularity • 12% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
30% Popularity • 12% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Sergio Huerta
Relative Humidity
180 bpm • A min • 04:52 • -18.84db
21% Popularity • 35% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 28% Positiveness
21% Popularity • 35% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 28% Positiveness
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Jai Uttal
Nataraja - Lifeline Mix
180 bpm • B min • 08:30 • -14.02db
33% Popularity • 43% Danceability • 28% Energy • 9% Liveness
4% Instrumentalness • 23% Positiveness
33% Popularity • 43% Danceability • 28% Energy • 9% Liveness
4% Instrumentalness • 23% Positiveness
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Daniel Waples
Midnite
179 bpm • D min • 07:18 • -19.47db
14% Popularity • 24% Danceability • 9% Energy • 36% Liveness
56% Instrumentalness • 23% Positiveness
14% Popularity • 24% Danceability • 9% Energy • 36% Liveness
56% Instrumentalness • 23% Positiveness
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Masood Ali Khan
Indu
180 bpm • C min • 05:54 • -17db
33% Popularity • 38% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 38% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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David Charrier
Merry-Go-Round
179 bpm • F# min • 03:13 • -12.51db
13% Popularity • 26% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
13% Popularity • 26% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Animara
Little Buddha
178 bpm • G# min • 01:25 • -15db
31% Popularity • 48% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 67% Positiveness
31% Popularity • 48% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 67% Positiveness
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Hang Massive
Here Comes The Badger
178 bpm • C# min • 04:56 • -15.94db
27% Popularity • 63% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
27% Popularity • 63% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Jeremy Arndt
Final Day
178 bpm • C min • 03:38 • -18.33db
14% Popularity • 48% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
14% Popularity • 48% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
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Handpan Mystic Flow
Flying Around
178 bpm • C# Maj • 04:09 • -20db
23% Popularity • 35% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 82% Positiveness
23% Popularity • 35% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 82% Positiveness
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Masood Ali Khan
Flowing Ganga
182 bpm • D min • 06:50 • -14db
34% Popularity • 43% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 74% Positiveness
34% Popularity • 43% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 74% Positiveness
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Hang in Balance
Bello Revive
178 bpm • F min • 05:25 • -13.01db
19% Popularity • 38% Danceability • 47% Energy • 7% Liveness
78% Instrumentalness • 50% Positiveness
19% Popularity • 38% Danceability • 47% Energy • 7% Liveness
78% Instrumentalness • 50% Positiveness
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David Charrier
Lafa
182 bpm • A min • 04:55 • -13db
36% Popularity • 38% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
36% Popularity • 38% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Daniel Waples
Einsof - Endless Origin
183 bpm • D min • 08:10 • -21.45db
17% Popularity • 28% Danceability • 7% Energy • 20% Liveness
16% Instrumentalness • 17% Positiveness
17% Popularity • 28% Danceability • 7% Energy • 20% Liveness
16% Instrumentalness • 17% Positiveness
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David Kuckhermann
Asymetric Refraction
177 bpm • C# Maj • 02:28 • -20.1db
21% Popularity • 42% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
21% Popularity • 42% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
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Sergio Huerta
The Serenity of the Valley
184 bpm • A# Maj • 03:11 • -20.03db
23% Popularity • 25% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
23% Popularity • 25% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Danny Cudd
Raindrops
184 bpm • A# min • 05:53 • -18.77db
19% Popularity • 53% Danceability • 26% Energy • 40% Liveness
86% Instrumentalness • 48% Positiveness
19% Popularity • 53% Danceability • 26% Energy • 40% Liveness
86% Instrumentalness • 48% Positiveness
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Hang in Balance
Einsof
177 bpm • D min • 04:42 • -16.13db
35% Popularity • 29% Danceability • 21% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
35% Popularity • 29% Danceability • 21% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
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Garth Stevenson
Journey
176 bpm • C# Maj • 04:59 • -20.13db
40% Popularity • 55% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
40% Popularity • 55% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Colin Foulke
Emergence
184 bpm • G# Maj • 03:36 • -28.37db
17% Popularity • 13% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 13% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Handpan Mystic Flow
Melancholie
176 bpm • C# min • 03:50 • -18.15db
22% Popularity • 40% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 64% Positiveness
22% Popularity • 40% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 64% Positiveness
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Parra for Cuva
Mood in A
176 bpm • D Maj • 02:12 • -36db
47% Popularity • 17% Danceability • 1% Energy • 7% Liveness
43% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 1% Energy • 7% Liveness
43% Instrumentalness • 4% Positiveness
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Jeremy Arndt
Monarch
175 bpm • G# Maj • 04:15 • -22.6db
13% Popularity • 43% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 67% Positiveness
13% Popularity • 43% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 67% Positiveness
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The Hang Drum Project
First Rain
175 bpm • C Maj • 03:32 • -12.41db
32% Popularity • 57% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
32% Popularity • 57% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
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Kumea Sound
A Sparrow Speaks (and for a Millisecond ...
186 bpm • A min • 02:19 • -14.71db
49% Popularity • 51% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 31% Positiveness
49% Popularity • 51% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 31% Positiveness
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Colin Foulke
Limoncé
174 bpm • C min • 03:48 • -37.9db
22% Popularity • 21% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
22% Popularity • 21% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Anand Anugruh
Gratitude Joy, Pt. 3
174 bpm • C# Maj • 07:21 • -22.18db
26% Popularity • 47% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
26% Popularity • 47% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
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Michael Mandrell and Benjy Wertheimer
Santosa (Contentment)
173 bpm • F Maj • 08:36 • -21.3db
43% Popularity • 8% Danceability • 6% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 6% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Jeremy Arndt
September Kisses
175 bpm • G# Maj • 04:24 • -22.26db
13% Popularity • 52% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 66% Positiveness
13% Popularity • 52% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 66% Positiveness
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The Hang Drum Project
Endless
173 bpm • D min • 04:42 • -13.52db
32% Popularity • 30% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
32% Popularity • 30% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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David Charrier
Mad World
172 bpm • D Maj • 03:03 • -13.78db
7% Popularity • 41% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 41% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Nadayana
Coming Home
172 bpm • E min • 07:15 • -30.09db
33% Popularity • 16% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Dan Mulqueen
Red Rocks
172 bpm • F min • 04:49 • -13.47db
39% Popularity • 52% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
39% Popularity • 52% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Qsa
Mañana
172 bpm • D min • 04:16 • -16.24db
28% Popularity • 75% Danceability • 30% Energy • 8% Liveness
38% Instrumentalness • 11% Positiveness
28% Popularity • 75% Danceability • 30% Energy • 8% Liveness
38% Instrumentalness • 11% Positiveness
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Kumea Sound
A Quantum of Joy
172 bpm • A min • 05:05 • -17.34db
41% Popularity • 32% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
41% Popularity • 32% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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Sunniai
Alchemy
172 bpm • D min • 01:59 • -15.53db
49% Popularity • 71% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
49% Popularity • 71% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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Secretpath
Dharawi Nights
172 bpm • F min • 03:57 • -17.44db
46% Popularity • 39% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
46% Popularity • 39% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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David Kuckhermann
Khubananukh - Solo Version
171 bpm • C# Maj • 04:39 • -18.14db
22% Popularity • 37% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
22% Popularity • 37% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Daniel Waples
Gozo
171 bpm • A min • 05:37 • -19.13db
34% Popularity • 28% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
34% Popularity • 28% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Bastien Deshayes
Tribal Journey
171 bpm • C# Maj • 02:01 • -17.61db
33% Popularity • 51% Danceability • 39% Energy • 18% Liveness
91% Instrumentalness • 9% Positiveness
33% Popularity • 51% Danceability • 39% Energy • 18% Liveness
91% Instrumentalness • 9% Positiveness
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Deya Dova
The Pacific Portal
170 bpm • G min • 05:45 • -13.93db
29% Popularity • 54% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 31% Positiveness
29% Popularity • 54% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 31% Positiveness
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The Mirror
Orange Moon, Pt. 7
170 bpm • D# min • 01:30 • -16.33db
42% Popularity • 63% Danceability • 34% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
42% Popularity • 63% Danceability • 34% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
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Kabeção
Nánita
170 bpm • C# min • 05:09 • -19.02db
21% Popularity • 37% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
21% Popularity • 37% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Jeremy Nattagh
Little Melancholy
168 bpm • E min • 03:24 • -17.85db
11% Popularity • 31% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
11% Popularity • 31% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
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Ancestral Elephants
Indigena - ALUNA Revision
170 bpm • C# Maj • 08:16 • -10.61db
38% Popularity • 56% Danceability • 54% Energy • 36% Liveness
69% Instrumentalness • 34% Positiveness
38% Popularity • 56% Danceability • 54% Energy • 36% Liveness
69% Instrumentalness • 34% Positiveness
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Davide Friello
Immersion
168 bpm • D min • 04:43 • -18.33db
22% Popularity • 27% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
22% Popularity • 27% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Brice Davoli
Steel water
168 bpm • C# min • 01:54 • -23.56db
47% Popularity • 47% Danceability • 32% Energy • 20% Liveness
96% Instrumentalness • 13% Positiveness
47% Popularity • 47% Danceability • 32% Energy • 20% Liveness
96% Instrumentalness • 13% Positiveness
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David Charrier
Once Upon a Time
194 bpm • D min • 04:27 • -14.2db
19% Popularity • 38% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 71% Positiveness
19% Popularity • 38% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 71% Positiveness
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Quentin Kayser
Temazcal
166 bpm • G# Maj • 03:48 • -21.23db
18% Popularity • 42% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
18% Popularity • 42% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
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Jeremy Nattagh
Skystruck
195 bpm • F min • 03:42 • -17.2db
33% Popularity • 35% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
33% Popularity • 35% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
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Hang Massive
Moon's Reflection on Countless Ponds
166 bpm • F# min • 07:26 • -23.48db
33% Popularity • 34% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 34% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Davide Swarup
Moods-Bottom
196 bpm • D min • 07:10 • -31.94db
23% Popularity • 29% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Morgentau
Ganges
166 bpm • F Maj • 04:28 • -11.52db
40% Popularity • 64% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
40% Popularity • 64% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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David Charrier
Oré
195 bpm • G min • 04:10 • -12.91db
20% Popularity • 42% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 66% Positiveness
20% Popularity • 42% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 66% Positiveness
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Bird Tribe
Ye Yemanja
165 bpm • C min • 07:38 • -13db
37% Popularity • 48% Danceability • 45% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
37% Popularity • 48% Danceability • 45% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
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Dan Mulqueen
Real Life
196 bpm • C# min • 04:24 • -15.91db
25% Popularity • 51% Danceability • 32% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
25% Popularity • 51% Danceability • 32% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Drums On Earth
Emotions
165 bpm • F Maj • 06:15 • -12.39db
34% Popularity • 68% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
34% Popularity • 68% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Wolfgang Ohmer
Selfie with Handpan
164 bpm • F Maj • 02:37 • -15.37db
36% Popularity • 52% Danceability • 30% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
36% Popularity • 52% Danceability • 30% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
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Al Gromer Khan
Moon Retros
164 bpm • A# Maj • 02:47 • -24.06db
41% Popularity • 79% Danceability • 40% Energy • 13% Liveness
36% Instrumentalness • 40% Positiveness
41% Popularity • 79% Danceability • 40% Energy • 13% Liveness
36% Instrumentalness • 40% Positiveness
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The Gaudan Project
Bamboodancer
200 bpm • A# Maj • 06:24 • -20.75db
13% Popularity • 48% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
13% Popularity • 48% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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Hang Drum Social Club
Tongue Drum Players
160 bpm • G min • 03:09 • -14.18db
15% Popularity • 64% Danceability • 42% Energy • 21% Liveness
78% Instrumentalness • 22% Positiveness
15% Popularity • 64% Danceability • 42% Energy • 21% Liveness
78% Instrumentalness • 22% Positiveness
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The Sinis Spirit
Hope
160 bpm • D Maj • 03:42 • -16.36db
36% Popularity • 44% Danceability • 48% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
36% Popularity • 44% Danceability • 48% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
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Drums On Earth
Emotions Reprise
165 bpm • C Maj • 03:02 • -14.39db
24% Popularity • 70% Danceability • 59% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
24% Popularity • 70% Danceability • 59% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Jeremy Nattagh
Transcendence Pt. 2
199 bpm • E min • 04:34 • -17.5db
23% Popularity • 47% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
23% Popularity • 47% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Yaima
Citadella
160 bpm • D Maj • 04:33 • -11.3db
45% Popularity • 58% Danceability • 59% Energy • 10% Liveness
38% Instrumentalness • 31% Positiveness
45% Popularity • 58% Danceability • 59% Energy • 10% Liveness
38% Instrumentalness • 31% Positiveness
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Benjy Wertheimer
Nine
160 bpm • D Maj • 10:41 • -24.58db
30% Popularity • 63% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
30% Popularity • 63% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Hang Massive
Luminous Emptiness
160 bpm • C# min • 10:03 • -21.59db
40% Popularity • 61% Danceability • 2% Energy • 13% Liveness
89% Instrumentalness • 15% Positiveness
40% Popularity • 61% Danceability • 2% Energy • 13% Liveness
89% Instrumentalness • 15% Positiveness
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Shamanic Journey Drumming
Shamanic Journeywork
160 bpm • C# Maj • 03:54 • -25.91db
40% Popularity • 72% Danceability • 34% Energy • 7% Liveness
81% Instrumentalness • 96% Positiveness
40% Popularity • 72% Danceability • 34% Energy • 7% Liveness
81% Instrumentalness • 96% Positiveness
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Robyn Goodall
Sun Salutations
160 bpm • F Maj • 03:35 • -16.49db
29% Popularity • 55% Danceability • 30% Energy • 12% Liveness
42% Instrumentalness • 19% Positiveness
29% Popularity • 55% Danceability • 30% Energy • 12% Liveness
42% Instrumentalness • 19% Positiveness
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Tanpura Express
Mystery Location Chillgroove
158 bpm • G Maj • 01:58 • -17.01db
28% Popularity • 73% Danceability • 37% Energy • 10% Liveness
76% Instrumentalness • 70% Positiveness
28% Popularity • 73% Danceability • 37% Energy • 10% Liveness
76% Instrumentalness • 70% Positiveness
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Yaima
Ke Ahi
160 bpm • G Maj • 05:30 • -9.94db
28% Popularity • 64% Danceability • 47% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
28% Popularity • 64% Danceability • 47% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
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Kumea Sound
The Best Day of Your Life
158 bpm • A min • 03:43 • -13.8db
23% Popularity • 50% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
23% Popularity • 50% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Pasha Aeon
Banyan Om Space
158 bpm • D Maj • 02:38 • -19.4db
17% Popularity • 39% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 68% Positiveness
17% Popularity • 39% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 68% Positiveness
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Tommy Brunjes
Tenfold
157 bpm • F Maj • 07:28 • -16.57db
32% Popularity • 75% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 84% Positiveness
32% Popularity • 75% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 84% Positiveness
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Suzanne Sterling
Tap Root
156 bpm • C min • 06:19 • -14db
24% Popularity • 66% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
24% Popularity • 66% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
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Benjy Wertheimer
One RIver
155 bpm • D Maj • 07:04 • -18.38db
50% Popularity • 69% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
50% Popularity • 69% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Dante Bucci
Julia Delaney / Star of the County Down
155 bpm • A min • 02:59 • -6.59db
11% Popularity • 53% Danceability • 54% Energy • 9% Liveness
51% Instrumentalness • 48% Positiveness
11% Popularity • 53% Danceability • 54% Energy • 9% Liveness
51% Instrumentalness • 48% Positiveness
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Kumea Sound
The Mass of the Sun Caused a Tear in Tim...
158 bpm • C Maj • 03:58 • -17.74db
39% Popularity • 26% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
39% Popularity • 26% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
