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Ye Toh Sach Hai Ke Bhagwan
Songs like
Ye Toh Sach Hai Ke Bhagwan
by
Hariharan
Based on a tempo of (+/- 10%) and a similar genre
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Sumangaly
Nuvvu Nuvvu
95 bpm • C# min • 05:33 • -8.55db
60% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Sooraj Santhosh
Enthaavo
95 bpm • E Maj • 04:29 • -9.82db
54% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Hariharan
Mona Mona
95 bpm • B min • 05:39 • -6.58db
44% Popularity • 68% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Anuradha Paudwal
Sirf Tum
95 bpm • C min • 06:00 • -8.3db
50% Popularity • 62% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Yuvan Shankar Raja
Palakkattu Pakkathile
95 bpm • G Maj • 04:47 • -2.79db
45% Popularity • 75% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Adnan Sami
O Madhu
95 bpm • B min • 04:03 • -4.24db
58% Popularity • 84% Danceability • 65% Energy • 16% Liveness
12% Instrumentalness • 96% Positiveness
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Vineeth Sreenivasan
Janah Meri janah
95 bpm • B Maj • 03:19 • -8.02db
53% Popularity • 62% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Srinivas
Sotta Sotta
95 bpm • F# Maj • 05:34 • -12db
61% Popularity • 73% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Shankar Mahadevan
Konji Konji Chirichal
95 bpm • E Maj • 04:20 • -8db
45% Popularity • 40% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Karthik
Niluvaddham
95 bpm • D Maj • 05:57 • -7.79db
64% Popularity • 83% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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G. V. Prakash
Iravaaga Nee
95 bpm • C# min • 05:49 • -10db
55% Popularity • 33% Danceability • 37% Energy • 39% Liveness
0% Instrumentalness • 27% Positiveness
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Deva
Manam Virumbuthey (Female)
95 bpm • E Maj • 06:00 • -10.73db
33% Popularity • 77% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Devi Sri Prasad
Unn Paarvaiyil
95 bpm • D min • 05:58 • -9.57db
33% Popularity • 82% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Pushpavanam Kuppusamy
Gongoora Thota
95 bpm • A# min • 04:51 • -7.66db
46% Popularity • 75% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Harish Raghavendra
Thottu Thottu
95 bpm • C# Maj • 05:15 • -10db
51% Popularity • 79% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Himesh Reshammiya
Rayini Maatram
95 bpm • C# Maj • 05:28 • -6.77db
52% Popularity • 60% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Vineeth Sreenivasan
Anuraghathin Velayil
95 bpm • D Maj • 04:58 • -10.14db
58% Popularity • 33% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Karthik
Adigaa
94 bpm • G Maj • 03:30 • -11.15db
67% Popularity • 58% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Harris Jayaraj
Thee Illai
96 bpm • A min • 05:27 • -9db
58% Popularity • 69% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Rinu Razak
Sneham Cherum Neram
94 bpm • F# Maj • 03:11 • -13.74db
55% Popularity • 26% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Padmalatha
Pareshanura
94 bpm • G# Maj • 03:13 • -5.13db
55% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Himesh Reshammiya
Kallai Mattum Kandal [From "Dasavathaara...
95 bpm • C# Maj • 05:28 • -7.64db
38% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Hariharan
Oru Ponnu Onnu
94 bpm • G# min • 05:36 • -10.15db
47% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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G. V. Prakash
Unn Perai Sollum
94 bpm • E min • 06:08 • -5.8db
56% Popularity • 47% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Vishal Bhardwaj
Chhod Aaye Hum
94 bpm • C Maj • 05:12 • -7.95db
55% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Venu Srirangam
Gundello Emundho
94 bpm • C# min • 04:19 • -12.17db
58% Popularity • 80% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Karthik
Chilipiga
93 bpm • C Maj • 05:28 • -10db
60% Popularity • 66% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Sriram Parthasarathy
Suttum Vizhi
97 bpm • G min • 05:18 • -7db
63% Popularity • 79% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Hariharan
Andagathi
96 bpm • G min • 05:10 • -6.63db
7% Popularity • 72% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Vijay Prakash
Guruvaram
97 bpm • C min • 03:36 • -7.77db
60% Popularity • 81% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Harish Raghavendra
Hrudayam Ekkadunnadi
97 bpm • A min • 05:15 • -5.79db
59% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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P. Jayachandran
Aararum - Male Version
93 bpm • C Maj • 04:36 • -8db
57% Popularity • 68% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Suchitra
Sir Osthara
93 bpm • C# Maj • 03:51 • -7.98db
57% Popularity • 78% Danceability • 74% Energy • 13% Liveness
32% Instrumentalness • 75% Positiveness
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S. P. Balasubrahmanyam
Anbay
93 bpm • G Maj • 05:41 • -11db
60% Popularity • 69% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Hariharan
Te Le Phone
93 bpm • C Maj • 06:26 • -17.33db
42% Popularity • 80% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Harris Jayaraj
Hasili Fisiliye
97 bpm • G Maj • 05:18 • -9.39db
60% Popularity • 77% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Vijay Prakash
Belageddu
97 bpm • C min • 03:37 • -7.31db
53% Popularity • 80% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Vineeth Sreenivasan
Aluva Puzha
97 bpm • C Maj • 03:03 • -7db
52% Popularity • 45% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Vidyasagar
Malai Kaatru
97 bpm • D min • 05:21 • -13.32db
28% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Kamal Haasan
Neela Vaanam
92 bpm • C Maj • 04:27 • -5.2db
57% Popularity • 49% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Devi Sri Prasad
Super Machi
98 bpm • G Maj • 04:38 • -4.31db
55% Popularity • 76% Danceability • 95% Energy • 3% Liveness
3% Instrumentalness • 91% Positiveness
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Harris Jayaraj
Amali Thumali
97 bpm • A# min • 05:44 • -6.82db
46% Popularity • 84% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Sagar
Nuvvunte
98 bpm • F min • 05:11 • -9.89db
61% Popularity • 80% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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S.P. Charan
Ekkada Ekkada
98 bpm • A min • 06:11 • -7.38db
58% Popularity • 63% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Benny Dayal
Jennifer Lopez
92 bpm • B min • 04:18 • -7.91db
59% Popularity • 79% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Najim Arshad
Aaro Aaro Chare
98 bpm • C Maj • 04:28 • -9.02db
49% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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P. Unnikrishnan
Verenna (Ivan Yaro)
98 bpm • G min • 05:24 • -14.5db
43% Popularity • 81% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Sooraj Santhosh
Kanave Nee Naan
98 bpm • B min • 02:04 • -9.32db
50% Popularity • 58% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Hariharan
Vasthane Vasthane
92 bpm • F Maj • 04:41 • -6.85db
39% Popularity • 75% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Afsal
Chempaneer Poove
92 bpm • A# Maj • 04:48 • -7db
53% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Devi Sri Prasad
Karige Loga
92 bpm • C min • 06:03 • -4db
58% Popularity • 69% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Thaman S
Gore Gore
92 bpm • G# Maj • 05:07 • -5.94db
56% Popularity • 79% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 85% Positiveness
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Guru Randhawa
Ye Chota Nuvvunna
92 bpm • G# min • 03:14 • -6.23db
58% Popularity • 72% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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G. V. Prakash
Inka Edho
92 bpm • G Maj • 05:15 • -6.67db
61% Popularity • 64% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Harris Jayaraj
Ennai Saaithaalae
92 bpm • D Maj • 05:29 • -9.16db
54% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Hariharan
Irupathu Kodi - Language: Tamil; Film: T...
92 bpm • C Maj • 05:04 • -4.17db
53% Popularity • 61% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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P. Jayachandran
Aaruparanju
92 bpm • F min • 04:20 • -6.3db
56% Popularity • 67% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Harish Raghavendra
Melliname
92 bpm • A Maj • 05:26 • -11.24db
64% Popularity • 66% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Sreekumar
Nenichapadi
99 bpm • F# Maj • 07:42 • -12.32db
50% Popularity • 66% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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G. V. Prakash
Mastaaru Mastaaru
91 bpm • A min • 03:45 • -8.01db
63% Popularity • 59% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
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Shankar Mahadevan
Uppu Karuvaadu ( From "Mudhalvan")
99 bpm • G Maj • 05:34 • -9.87db
54% Popularity • 73% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Hariharan
Rosappu Chinna Rosappu
91 bpm • B min • 04:09 • -7.58db
48% Popularity • 70% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Yuvan Shankar Raja
Sollamal Thottu Chellum Thendral
91 bpm • F min • 05:24 • -10.58db
48% Popularity • 76% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Haricharan
Lailakame
100 bpm • E Maj • 04:16 • -7.03db
58% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gana Bala
En Veetula
100 bpm • B min • 04:09 • -6db
54% Popularity • 76% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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G. V. Prakash
Vaa Vaathi (Dhanush Reprise Version)
91 bpm • A min • 03:43 • -12.03db
57% Popularity • 59% Danceability • 37% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
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Deva
Oh Sona
100 bpm • A# min • 06:03 • -8.47db
39% Popularity • 62% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Hariharan
Tajmahal Ondru ( From "Kannodu Kanbathel...
91 bpm • F min • 05:47 • -5.56db
42% Popularity • 69% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Yuvan Shankar Raja
Ottraikkannale
100 bpm • D min • 04:04 • -11.05db
50% Popularity • 79% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Adnan Sami
Choolenge Aasma
100 bpm • B min • 04:10 • -8db
56% Popularity • 87% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Nivas K Prasanna
Vinmeen
100 bpm • B min • 04:56 • -8db
62% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Vijay Yesudas
Neeyam Thanalinu (Duet)
100 bpm • F min • 05:29 • -5.87db
55% Popularity • 79% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Haricharan
Mozhikalum - Duet Version
100 bpm • B Maj • 06:01 • -5.88db
57% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Hariharan
Vaaji Vaaji
100 bpm • B min • 05:46 • -11.27db
59% Popularity • 77% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Harris Jayaraj
Iyengaaru Veetu
100 bpm • D Maj • 06:07 • -6.87db
36% Popularity • 40% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Karthik
Oorugalle
90 bpm • E min • 05:42 • -6.53db
54% Popularity • 74% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Yuvan Shankar Raja
Kaadhal Vaithu
100 bpm • A# min • 05:09 • -11.74db
63% Popularity • 68% Danceability • 65% Energy • 19% Liveness
12% Instrumentalness • 66% Positiveness
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Sriram Parthasarathy
Pudhu Malar Thottu
90 bpm • G Maj • 04:41 • -5.48db
50% Popularity • 75% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 89% Positiveness
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Naresh Iyer
Naan Sonnadhum Mazhai
90 bpm • C# Maj • 05:29 • -7.57db
59% Popularity • 77% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Hariharan
Oru Poiyavathu
90 bpm • E min • 06:00 • -5db
48% Popularity • 62% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Harris Jayaraj
Ottaiyanum Senja Thara
100 bpm • A# min • 05:01 • -6.62db
34% Popularity • 78% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Sagar
Nammaka Tappani
90 bpm • A min • 04:32 • -8db
59% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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A.R. Rahman
Roja Roja
90 bpm • D Maj • 05:46 • -18.77db
55% Popularity • 68% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Pradeep Kumar
Life Of Ram
90 bpm • E min • 06:04 • -8.83db
59% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Vijay Prakash
Niharika
90 bpm • A min • 04:17 • -5db
56% Popularity • 74% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Hariharan
Nanu Preminchananu-Sad
90 bpm • A Maj • 06:13 • -8.91db
43% Popularity • 59% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Vidyasagar
Enthe Innum Vanneela
90 bpm • E Maj • 07:28 • -8.56db
29% Popularity • 50% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Srinivas
Cheliya
101 bpm • E min • 05:40 • -5db
60% Popularity • 63% Danceability • 88% Energy • 5% Liveness
4% Instrumentalness • 78% Positiveness
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A.R. Rahman
Uyire Uyire
101 bpm • D# Maj • 07:17 • -7.41db
38% Popularity • 50% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Mickey J. Meyer
Inka Cheppale
101 bpm • A# min • 03:40 • -8db
51% Popularity • 88% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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Hemachandra Vedala
Prema Desam
101 bpm • E min • 04:34 • -7.08db
57% Popularity • 81% Danceability • 70% Energy • 25% Liveness
2% Instrumentalness • 62% Positiveness
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Hariharan
Yamaha Nagari
101 bpm • D Maj • 06:19 • -7.53db
51% Popularity • 75% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mani Sharma
Pileche
101 bpm • G min • 05:40 • -7.5db
58% Popularity • 57% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Udit Narayan
Ammaye
101 bpm • F Maj • 04:51 • -2db
56% Popularity • 86% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Nihal
Gala Gala Paruthunna
101 bpm • A min • 04:33 • -5db
57% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Vidyasagar
Walking In The Moonlight
89 bpm • F Maj • 05:36 • -11db
51% Popularity • 74% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Anuj Gurwara
Panchadaara
101 bpm • C Maj • 04:47 • -8db
49% Popularity • 73% Danceability • 69% Energy • 50% Liveness
1% Instrumentalness • 79% Positiveness
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Harris Jayaraj
Yamma Yamma
89 bpm • D Maj • 06:06 • -10.36db
64% Popularity • 58% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Deva
Meenamma Athikalayilum
89 bpm • E min • 05:32 • -7.07db
55% Popularity • 73% Danceability • 88% Energy • 9% Liveness
11% Instrumentalness • 76% Positiveness
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Naresh Iyer
Arere Yekkada
102 bpm • C Maj • 03:56 • -6db
63% Popularity • 79% Danceability • 79% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
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Ye Toh Sach Hai Ke Bhagwan