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Songs like
Yes
by
William Finn
Based on a tempo of (+/- 10%) and a similar genre
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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William Finn
Yes
133 bpm • E Maj • 03:51 • -4.02db
16% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Phillipa Soo
Take Me to the Fair
134 bpm • C Maj • 04:56 • -9.34db
23% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Andrew Underberg
Finale
133 bpm • G# Maj • 03:50 • -5.52db
77% Popularity • 47% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
All About Ruprecht
132 bpm • G Maj • 03:51 • -15.53db
15% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Rebecca Naomi Jones
Out Of My Dreams
134 bpm • C Maj • 03:23 • -11.39db
17% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Christopher Walken
Hook's Tarantella
134 bpm • D# min • 02:13 • -7.59db
19% Popularity • 58% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Christian Borle
He Lied When He Said Hello
132 bpm • B min • 04:27 • -7.56db
26% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Mary Faber
Cinderella, Darling
134 bpm • B Maj • 03:48 • -9.68db
15% Popularity • 52% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Will Van Dyke
The Legend of Wonderboy
132 bpm • E Maj • 05:55 • -8.27db
0% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Santino Fontana
Arrivederci!
132 bpm • B Maj • 00:55 • -8.21db
12% Popularity • 73% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Tammy Blanchard
Skid Row (Downtown)
134 bpm • A# Maj • 04:12 • -9db
40% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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William Finn
Yes
132 bpm • E Maj • 03:17 • -10.72db
10% Popularity • 55% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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'[title of show]' Original Cast
Filling out the Form
131 bpm • G# Maj • 01:52 • -10.89db
14% Popularity • 60% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Bryce Pinkham
Poison in My Pocket - Reprise
131 bpm • C# Maj • 00:55 • -13.28db
20% Popularity • 79% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Kevin Chamberlin
Horton Sits On The Egg / Act I Finale - ...
135 bpm • F Maj • 02:21 • -10.48db
31% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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2021 London Cast of Cabaret
It Couldn't Please Me More
131 bpm • A# Maj • 03:31 • -15.01db
29% Popularity • 41% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 39% Positiveness
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Tommy Hollis
Look What You've Done
131 bpm • F# min • 06:01 • -11.6db
17% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
46% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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William Finn
Roger Arrives
136 bpm • D Maj • 02:12 • -6.7db
15% Popularity • 52% Danceability • 42% Energy • 76% Liveness
0% Instrumentalness • 49% Positiveness
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Jonathan Groff
Opening Doors
130 bpm • G# Maj • 07:17 • -8.4db
36% Popularity • 66% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Adrianna Hicks
Dance The World Away
130 bpm • F min • 04:26 • -9.53db
22% Popularity • 45% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Peter Friedman
Gliding
136 bpm • F# Maj • 03:51 • -13.73db
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Francine Lefrak
My Father's A Homo / Everyone Tells Jaso...
130 bpm • D Maj • 07:16 • -13.88db
21% Popularity • 60% Danceability • 26% Energy • 65% Liveness
0% Instrumentalness • 58% Positiveness
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Tammy Blanchard
Finch Is In Love
130 bpm • C min • 00:58 • -15.26db
15% Popularity • 49% Danceability • 15% Energy • 43% Liveness
0% Instrumentalness • 19% Positiveness
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William Finn
Round Tables, Square Tables
131 bpm • C# Maj • 02:23 • -17.57db
15% Popularity • 66% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Lesli Margherita
Firewall Ball
130 bpm • C# min • 04:16 • -7.09db
4% Popularity • 79% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
35% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Peter Friedman
Success
136 bpm • A# Maj • 05:25 • -11.56db
20% Popularity • 52% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Taylor Trensch
The Seven Deadly Virtues
137 bpm • C# Maj • 01:39 • -10.93db
19% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Cry-Baby Original Studio Cast
Thanks for the Nifty Country
137 bpm • A Maj • 01:48 • -5.42db
15% Popularity • 89% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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William Finn
Don't Give In
130 bpm • E Maj • 03:27 • -6.7db
17% Popularity • 53% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Roger Bart
Man About Town
137 bpm • F Maj • 01:48 • -8.75db
22% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Jonathan Groff
Totally Fucked - Original Broadway Cast ...
129 bpm • A# Maj • 03:18 • -7.23db
42% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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John Cariani
To Thine Own Self
129 bpm • G min • 03:58 • -7.8db
36% Popularity • 63% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Will Reynolds
Sail On, Santa Maria!
137 bpm • G Maj • 03:05 • -10.13db
20% Popularity • 50% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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William Finn
Everyone Hates His Parents
129 bpm • C Maj • 02:33 • -15.35db
15% Popularity • 65% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Neil Bartram
Lipstick
138 bpm • G min • 02:50 • -13db
15% Popularity • 59% Danceability • 36% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Stephanie J. Block
Trina's Song / March of the Falsettos / ...
128 bpm • B Maj • 06:44 • -9.28db
39% Popularity • 52% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
34% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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William Finn
An Invitation to Sleep in My Arms
129 bpm • A# Maj • 04:29 • -12db
12% Popularity • 49% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Krystina Alabado
Sam Failed Her Driver’s Test
138 bpm • A# min • 02:06 • -7.57db
18% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Daniel Radcliffe
Bobby and Jackie and Jack
138 bpm • D# Maj • 04:14 • -9.59db
31% Popularity • 67% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Katie Thompson
Aurora - Reprise 1
138 bpm • F Maj • 00:56 • -7.21db
18% Popularity • 62% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Michael Wartella
You Can't Trust a Man
128 bpm • C Maj • 03:26 • -10.79db
26% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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NaTasha Yvette Williams
I'm California Bound
138 bpm • B min • 04:32 • -6.85db
27% Popularity • 76% Danceability • 61% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
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William Finn
In the Middle of the Room (Part II)
129 bpm • D Maj • 01:26 • -8.09db
12% Popularity • 37% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jeanine Tesori
"A Flair for the Dramatic..."
138 bpm • F# Maj • 02:42 • -19.99db
19% Popularity • 68% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Santino Fontana
The Pursuit
138 bpm • C Maj • 04:26 • -8.98db
26% Popularity • 53% Danceability • 38% Energy • 5% Liveness
8% Instrumentalness • 32% Positiveness
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Megan Hilty, Marc Kudisch and Ensemble
Cowgirl's Revenge
128 bpm • C# Maj • 02:03 • -7.72db
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
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Christopher J. Hanke
The Company Way (Reprise)
128 bpm • A min • 01:39 • -9.65db
17% Popularity • 80% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Penny Fuller
Beautiful
139 bpm • D Maj • 03:46 • -14.7db
17% Popularity • 33% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Francine Lefrak
Trina's Song / March Of The Falsettos
139 bpm • B min • 04:11 • -17.48db
18% Popularity • 59% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Caroline Innerbichler
I Do
127 bpm • E Maj • 02:57 • -5.93db
28% Popularity • 62% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Bryce Pinkham
Stop! Wait! What?!
127 bpm • G min • 01:48 • -10.89db
25% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Lanning
God's Arms Are Always Open
126 bpm • G Maj • 04:55 • -9.87db
29% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Sara Bareilles
A Very Nice Prince
126 bpm • C# Maj • 01:09 • -10.73db
36% Popularity • 54% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 58% Positiveness
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SMASH Cast
Don't Say Yes Until I Finish Talking (SM...
140 bpm • C# Maj • 02:42 • -6.72db
44% Popularity • 59% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Andrew Durand
Holy Shit
126 bpm • C Maj • 01:20 • -6.53db
28% Popularity • 78% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Christian Borle
It Must Be Believed To Be Seen
126 bpm • F min • 04:22 • -6db
24% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
46% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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William Finn
Prologue: Prologue: Frogs Have So Much S...
126 bpm • E Maj • 01:16 • -18.13db
12% Popularity • 71% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Jonathan Groff
Our Time
125 bpm • C# Maj • 05:30 • -10.78db
34% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm (Reprise)
141 bpm • A Maj • 01:00 • -13.25db
16% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Peter Bartlett
A Romantic Atmosphere
142 bpm • G Maj • 04:50 • -10.65db
19% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Alix Korey
The Rumor
142 bpm • C Maj • 02:18 • -8.1db
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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William Finn
What Would I Do?
142 bpm • F# min • 04:59 • -16.97db
18% Popularity • 35% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Jeanine Tesori
Maps
125 bpm • G Maj • 02:32 • -15db
28% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Christopher Walken
Hook's Tango
142 bpm • C# min • 02:16 • -8.35db
18% Popularity • 59% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Christian Borle
What Would I Do?
142 bpm • A Maj • 04:06 • -10.78db
42% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jay Armstrong Johnson
Real Big News
124 bpm • A min • 03:16 • -4.11db
27% Popularity • 53% Danceability • 72% Energy • 61% Liveness
0% Instrumentalness • 87% Positiveness
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Jake Gyllenhaal
The Dog Song
142 bpm • E min • 03:35 • -11.76db
17% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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William Finn
Gordons Gesetz der Vererbung
142 bpm • G Maj • 02:43 • -12.26db
0% Popularity • 60% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Santino Fontana
Who Are You?
124 bpm • C# Maj • 03:22 • -14.08db
14% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jeanine Tesori
Raise Me Up
143 bpm • F Maj • 06:42 • -8.26db
11% Popularity • 46% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Oompa-Loompas
Vidiots
124 bpm • F# Maj • 02:42 • -7.39db
31% Popularity • 88% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Tanisha Moore
It's Just so Great to Be Alive (Reprise)
124 bpm • G min • 01:52 • -9.17db
4% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Taylor Trensch
Fie on Goodness
143 bpm • D# Maj • 03:21 • -8.29db
16% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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James Moye
That Face
123 bpm • A Maj • 03:11 • -6.65db
26% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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'Falsettos' 2016 Broadway Company
A Day in Falsettoland
143 bpm • F# Maj • 07:39 • -7.97db
41% Popularity • 58% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Jefferson Mays
Lady Hyacinth Abroad
123 bpm • A Maj • 05:05 • -9.52db
20% Popularity • 62% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
29% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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J. Harrison Ghee
Zee Bap
144 bpm • C Maj • 02:52 • -5.71db
25% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Dakin Matthews
Guenevere
123 bpm • G Maj • 04:01 • -8.35db
17% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Douglas Hodge
Simply Second Nature
144 bpm • D min • 03:33 • -13.92db
23% Popularity • 40% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
19% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Yes