Songs like Yo tengo un puñal by Orquesta Rodolfo Biagi
Based on a tempo of (+/- 10%) and a similar genre
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Orquesta Juan D' Arienzo
Quejas de bandoneon
128 bpm • D min • 02:33 • -6.67db
17% Popularity • 63% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
17% Popularity • 63% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
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Pedro Laurenz
Todo
128 bpm • G min • 02:35 • -7.03db
21% Popularity • 60% Danceability • 39% Energy • 15% Liveness
12% Instrumentalness • 60% Positiveness
21% Popularity • 60% Danceability • 39% Energy • 15% Liveness
12% Instrumentalness • 60% Positiveness
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Edgardo Donato & his orchestra
A Media Luz
128 bpm • D Maj • 02:32 • -12db
16% Popularity • 79% Danceability • 27% Energy • 9% Liveness
48% Instrumentalness • 93% Positiveness
16% Popularity • 79% Danceability • 27% Energy • 9% Liveness
48% Instrumentalness • 93% Positiveness
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Los Reyes Del Tango
Bien Porteña
128 bpm • C Maj • 02:02 • -8.57db
18% Popularity • 83% Danceability • 52% Energy • 45% Liveness
28% Instrumentalness • 95% Positiveness
18% Popularity • 83% Danceability • 52% Energy • 45% Liveness
28% Instrumentalness • 95% Positiveness
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Orquesta Rodolfo Biagi
Como El Hornero
128 bpm • F Maj • 02:33 • -10.28db
0% Popularity • 55% Danceability • 26% Energy • 4% Liveness
25% Instrumentalness • 58% Positiveness
0% Popularity • 55% Danceability • 26% Energy • 4% Liveness
25% Instrumentalness • 58% Positiveness
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Francisco Canaro Y Su Orquesta
Tiempos Viejos
127 bpm • D min • 02:48 • -11db
13% Popularity • 60% Danceability • 35% Energy • 6% Liveness
5% Instrumentalness • 81% Positiveness
13% Popularity • 60% Danceability • 35% Energy • 6% Liveness
5% Instrumentalness • 81% Positiveness
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Orquesta Juan D' Arienzo
La viruta
128 bpm • G Maj • 02:25 • -3.87db
14% Popularity • 66% Danceability • 53% Energy • 34% Liveness
87% Instrumentalness • 55% Positiveness
14% Popularity • 66% Danceability • 53% Energy • 34% Liveness
87% Instrumentalness • 55% Positiveness
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Orquesta TÃpica "Osmar Maderna"
FantasÃa En Tango (Sobre Motivos De Bra...
129 bpm • G min • 02:58 • -6.88db
18% Popularity • 41% Danceability • 39% Energy • 16% Liveness
25% Instrumentalness • 61% Positiveness
18% Popularity • 41% Danceability • 39% Energy • 16% Liveness
25% Instrumentalness • 61% Positiveness
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Argentino Ledesma
Y Decime Que Pasó
129 bpm • A Maj • 02:54 • -7.77db
10% Popularity • 48% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 48% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Nina Miranda
Venganza
129 bpm • D min • 02:24 • -7db
15% Popularity • 58% Danceability • 52% Energy • 29% Liveness
6% Instrumentalness • 67% Positiveness
15% Popularity • 58% Danceability • 52% Energy • 29% Liveness
6% Instrumentalness • 67% Positiveness
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Orquesta Francini-Pontier
Taquito Militar
127 bpm • A min • 02:20 • -10db
20% Popularity • 68% Danceability • 56% Energy • 8% Liveness
89% Instrumentalness • 84% Positiveness
20% Popularity • 68% Danceability • 56% Energy • 8% Liveness
89% Instrumentalness • 84% Positiveness
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La Juan D'Arienzo
Gallo Ciego
129 bpm • F Maj • 02:15 • -5.48db
20% Popularity • 77% Danceability • 37% Energy • 5% Liveness
88% Instrumentalness • 84% Positiveness
20% Popularity • 77% Danceability • 37% Energy • 5% Liveness
88% Instrumentalness • 84% Positiveness
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Orquesta Juan D' Arienzo
Don Juan
128 bpm • A Maj • 02:36 • -3.72db
12% Popularity • 76% Danceability • 60% Energy • 4% Liveness
84% Instrumentalness • 67% Positiveness
12% Popularity • 76% Danceability • 60% Energy • 4% Liveness
84% Instrumentalness • 67% Positiveness
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Orquesta Rodolfo Biagi
Esta Noche Me Emborracho
127 bpm • C# min • 02:49 • -13.92db
0% Popularity • 65% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 65% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Hyperion Ensemble
La MelodÃa del Corazon
129 bpm • C Maj • 03:15 • -8.22db
10% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Fulvio Salamanca
Chique
129 bpm • G min • 03:32 • -11.49db
14% Popularity • 57% Danceability • 33% Energy • 8% Liveness
43% Instrumentalness • 55% Positiveness
14% Popularity • 57% Danceability • 33% Energy • 8% Liveness
43% Instrumentalness • 55% Positiveness
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Osmar Maderna
Concierto En La Luna
127 bpm • D Maj • 02:45 • -12db
13% Popularity • 50% Danceability • 39% Energy • 34% Liveness
76% Instrumentalness • 54% Positiveness
13% Popularity • 50% Danceability • 39% Energy • 34% Liveness
76% Instrumentalness • 54% Positiveness
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La Juan D'Arienzo
Re Fa Si
129 bpm • A Maj • 03:07 • -5.18db
16% Popularity • 78% Danceability • 31% Energy • 3% Liveness
51% Instrumentalness • 78% Positiveness
16% Popularity • 78% Danceability • 31% Energy • 3% Liveness
51% Instrumentalness • 78% Positiveness
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Orquesta Juan D' Arienzo
Loca
129 bpm • A min • 02:36 • -5db
26% Popularity • 65% Danceability • 40% Energy • 43% Liveness
79% Instrumentalness • 57% Positiveness
26% Popularity • 65% Danceability • 40% Energy • 43% Liveness
79% Instrumentalness • 57% Positiveness
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Orquesta Rodolfo Biagi
Arlette
127 bpm • D min • 03:23 • -14.15db
0% Popularity • 65% Danceability • 14% Energy • 10% Liveness
49% Instrumentalness • 42% Positiveness
0% Popularity • 65% Danceability • 14% Energy • 10% Liveness
49% Instrumentalness • 42% Positiveness
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Hyperion Ensemble
Ventarron
129 bpm • C min • 02:53 • -7.59db
13% Popularity • 66% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 66% Positiveness
13% Popularity • 66% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 66% Positiveness
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Orquesta Roberto Zerrillo
Melodia Oriental
129 bpm • B min • 02:31 • -9.9db
8% Popularity • 46% Danceability • 39% Energy • 12% Liveness
12% Instrumentalness • 70% Positiveness
8% Popularity • 46% Danceability • 39% Energy • 12% Liveness
12% Instrumentalness • 70% Positiveness
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Donato Racciatti y Su Orquesta TÃpica
Historia de un Amor
127 bpm • D Maj • 02:34 • -10.56db
7% Popularity • 65% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 65% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Trio Hugo Diaz
Comme il Faut
129 bpm • A min • 02:13 • -8.16db
21% Popularity • 64% Danceability • 30% Energy • 9% Liveness
54% Instrumentalness • 62% Positiveness
21% Popularity • 64% Danceability • 30% Energy • 9% Liveness
54% Instrumentalness • 62% Positiveness
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Orquesta Fulvio Salamanca
Mano cruel
127 bpm • F Maj • 03:09 • -10.53db
5% Popularity • 48% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
5% Popularity • 48% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Orquesta Rodolfo Biagi
Yo Tengo Un Puñal
129 bpm • G Maj • 02:42 • -8.19db
0% Popularity • 66% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 80% Positiveness
0% Popularity • 66% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 80% Positiveness
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Francisco Fiorentino
No le Digas Que la Quiero
129 bpm • D min • 02:53 • -6db
14% Popularity • 64% Danceability • 38% Energy • 28% Liveness
11% Instrumentalness • 69% Positiveness
14% Popularity • 64% Danceability • 38% Energy • 28% Liveness
11% Instrumentalness • 69% Positiveness
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Héctor Varela y su Orquesta TÃpica
Pa' Que Te Oigan Bandoneón - '56 Versio...
127 bpm • F# min • 02:51 • -4db
8% Popularity • 46% Danceability • 59% Energy • 24% Liveness
59% Instrumentalness • 73% Positiveness
8% Popularity • 46% Danceability • 59% Energy • 24% Liveness
59% Instrumentalness • 73% Positiveness
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Orquesta Juan D' Arienzo
Re - Fa - Si
127 bpm • A Maj • 03:08 • -3.96db
8% Popularity • 75% Danceability • 55% Energy • 18% Liveness
87% Instrumentalness • 62% Positiveness
8% Popularity • 75% Danceability • 55% Energy • 18% Liveness
87% Instrumentalness • 62% Positiveness
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Angel D'Agostino Y Su Orquesta TÃpica
Una Pena
127 bpm • A# Maj • 02:52 • -9db
9% Popularity • 66% Danceability • 20% Energy • 17% Liveness
6% Instrumentalness • 69% Positiveness
9% Popularity • 66% Danceability • 20% Energy • 17% Liveness
6% Instrumentalness • 69% Positiveness
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Domingo Federico
Yo
127 bpm • G# Maj • 02:28 • -12db
17% Popularity • 58% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 59% Positiveness
17% Popularity • 58% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 59% Positiveness
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Pablo Ramos & los Herederos del Compás
Mi Dolor
127 bpm • D min • 03:04 • -9db
18% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Francisco Fiorentino
Tabernero
129 bpm • D Maj • 03:19 • -7db
12% Popularity • 64% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
12% Popularity • 64% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
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Ricardo Tanturi y Enrique Campos
Dos palabras por favor
127 bpm • G# Maj • 02:30 • -14db
12% Popularity • 59% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 59% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Nina Miranda
Gloria
130 bpm • G min • 02:44 • -6.34db
27% Popularity • 67% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 81% Positiveness
27% Popularity • 67% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 81% Positiveness
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Edgardo Donato & his orchestra
Mi Serenata
130 bpm • D Maj • 03:03 • -10db
14% Popularity • 57% Danceability • 22% Energy • 25% Liveness
10% Instrumentalness • 55% Positiveness
14% Popularity • 57% Danceability • 22% Energy • 25% Liveness
10% Instrumentalness • 55% Positiveness
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Domingo Federico
El Maraja (Tango)
126 bpm • D min • 02:50 • -7.53db
26% Popularity • 62% Danceability • 27% Energy • 9% Liveness
24% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 27% Energy • 9% Liveness
24% Instrumentalness • 56% Positiveness
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Orquesta Juan D' Arienzo
El gran hotel Victoria
130 bpm • E Maj • 02:43 • -6.06db
20% Popularity • 74% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 47% Positiveness
20% Popularity • 74% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 47% Positiveness
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Héctor Varela y su Orquesta TÃpica
Don Goyo
130 bpm • G Maj • 02:29 • -7db
10% Popularity • 54% Danceability • 48% Energy • 11% Liveness
44% Instrumentalness • 85% Positiveness
10% Popularity • 54% Danceability • 48% Energy • 11% Liveness
44% Instrumentalness • 85% Positiveness
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Anibal Troilo y su orquesta
Los Mareados
126 bpm • D min • 02:35 • -7db
27% Popularity • 56% Danceability • 32% Energy • 15% Liveness
21% Instrumentalness • 55% Positiveness
27% Popularity • 56% Danceability • 32% Energy • 15% Liveness
21% Instrumentalness • 55% Positiveness
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Domingo Federico y su Orquesta TÃpica
Leyenda Gaucha
126 bpm • E min • 03:05 • -10.46db
16% Popularity • 55% Danceability • 41% Energy • 22% Liveness
95% Instrumentalness • 57% Positiveness
16% Popularity • 55% Danceability • 41% Energy • 22% Liveness
95% Instrumentalness • 57% Positiveness
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Edgardo Donato & his orchestra
Se Va La Vida
130 bpm • E Maj • 02:40 • -7db
12% Popularity • 76% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 76% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Ricardo Tanturi y Enrique Campos
Que nunca me falte
130 bpm • C# min • 02:36 • -10db
13% Popularity • 62% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 62% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Nina Miranda
Sin Estrellas
126 bpm • A min • 02:47 • -5.58db
10% Popularity • 47% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 47% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Orquesta TÃpica Tanturi
Oigo Tu Voz
130 bpm • E Maj • 03:06 • -11db
13% Popularity • 57% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 57% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Orquesta Anibal Troilo
Colorao, Colorao
126 bpm • D Maj • 02:37 • -12.14db
10% Popularity • 66% Danceability • 26% Energy • 15% Liveness
52% Instrumentalness • 59% Positiveness
10% Popularity • 66% Danceability • 26% Energy • 15% Liveness
52% Instrumentalness • 59% Positiveness
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Pablo Ramos & los Herederos del Compás
Quiero Verte una Vez Más
130 bpm • A min • 03:34 • -8.04db
10% Popularity • 52% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 52% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Orquesta Rodolfo Biagi
La Copa Del Olvido
126 bpm • D min • 02:42 • -11.28db
0% Popularity • 65% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 65% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 74% Positiveness
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Adolfo Carabelli
Felicia
126 bpm • D min • 02:36 • -10.48db
17% Popularity • 79% Danceability • 28% Energy • 6% Liveness
22% Instrumentalness • 89% Positiveness
17% Popularity • 79% Danceability • 28% Energy • 6% Liveness
22% Instrumentalness • 89% Positiveness
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Orquesta Juan D' Arienzo
El internado
130 bpm • D Maj • 02:33 • -4db
10% Popularity • 72% Danceability • 51% Energy • 3% Liveness
58% Instrumentalness • 48% Positiveness
10% Popularity • 72% Danceability • 51% Energy • 3% Liveness
58% Instrumentalness • 48% Positiveness
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Edgardo Donato & his orchestra
Alas Rotas
130 bpm • A Maj • 02:33 • -8db
18% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Angel D'Agostino
A Quién Le Puede Importar
126 bpm • E Maj • 03:14 • -7.84db
9% Popularity • 66% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 66% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Angel D'Agostino Y Su Orquesta TÃpica
Solo Compasion
126 bpm • C min • 02:56 • -7db
15% Popularity • 80% Danceability • 25% Energy • 35% Liveness
5% Instrumentalness • 75% Positiveness
15% Popularity • 80% Danceability • 25% Energy • 35% Liveness
5% Instrumentalness • 75% Positiveness
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Osmar Maderna
Aromas
126 bpm • F min • 02:38 • -10.19db
26% Popularity • 56% Danceability • 26% Energy • 32% Liveness
24% Instrumentalness • 52% Positiveness
26% Popularity • 56% Danceability • 26% Energy • 32% Liveness
24% Instrumentalness • 52% Positiveness
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Fulvio Salamanca
El Taita
126 bpm • F min • 02:58 • -10.42db
11% Popularity • 64% Danceability • 41% Energy • 12% Liveness
68% Instrumentalness • 83% Positiveness
11% Popularity • 64% Danceability • 41% Energy • 12% Liveness
68% Instrumentalness • 83% Positiveness
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Orquesta Juan D' Arienzo
Jueves
126 bpm • B min • 03:08 • -5.45db
15% Popularity • 71% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
15% Popularity • 71% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
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Héctor Varela y su Orquesta TÃpica
Historia de un Amor
126 bpm • F min • 02:51 • -7.8db
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Orquesta Carlos di Sarli
Duerme Mi Amor
130 bpm • F Maj • 02:55 • -8db
19% Popularity • 36% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 36% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Orquesta Rodolfo Biagi
Y A Mi Que
126 bpm • C# Maj • 02:46 • -9.04db
0% Popularity • 62% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 62% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Adolfo Carabelli
El Trece
126 bpm • C Maj • 02:36 • -12db
9% Popularity • 75% Danceability • 27% Energy • 22% Liveness
21% Instrumentalness • 88% Positiveness
9% Popularity • 75% Danceability • 27% Energy • 22% Liveness
21% Instrumentalness • 88% Positiveness
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Orquesta Fulvio Salamanca
Gallo ciego
126 bpm • F Maj • 02:16 • -11.09db
9% Popularity • 48% Danceability • 40% Energy • 8% Liveness
50% Instrumentalness • 72% Positiveness
9% Popularity • 48% Danceability • 40% Energy • 8% Liveness
50% Instrumentalness • 72% Positiveness
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Domingo Federico
Para Que Te Quiero Tanto
126 bpm • C# min • 02:36 • -9db
29% Popularity • 66% Danceability • 20% Energy • 30% Liveness
24% Instrumentalness • 47% Positiveness
29% Popularity • 66% Danceability • 20% Energy • 30% Liveness
24% Instrumentalness • 47% Positiveness
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Héctor Varela y su Orquesta TÃpica
Y TodavÃa Te Quiero
130 bpm • A min • 03:03 • -9db
22% Popularity • 51% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 51% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Orquesta TÃpica Sans Souci
Remolino
126 bpm • G Maj • 03:13 • -6.93db
11% Popularity • 54% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 54% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Orquesta Rodolfo Biagi
La Viruta
126 bpm • G min • 02:27 • -9.09db
0% Popularity • 78% Danceability • 32% Energy • 24% Liveness
16% Instrumentalness • 78% Positiveness
0% Popularity • 78% Danceability • 32% Energy • 24% Liveness
16% Instrumentalness • 78% Positiveness
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Orquesta Juan D' Arienzo
A la gran muñeca
126 bpm • A min • 02:49 • -7.98db
14% Popularity • 77% Danceability • 39% Energy • 14% Liveness
94% Instrumentalness • 48% Positiveness
14% Popularity • 77% Danceability • 39% Energy • 14% Liveness
94% Instrumentalness • 48% Positiveness
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Osvaldo Fresedo y su Orquesta TÃpica
Telon
131 bpm • A min • 02:45 • -8.82db
17% Popularity • 67% Danceability • 31% Energy • 15% Liveness
6% Instrumentalness • 74% Positiveness
17% Popularity • 67% Danceability • 31% Energy • 15% Liveness
6% Instrumentalness • 74% Positiveness
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Orquesta TÃpica Tanturi
Recién
131 bpm • G Maj • 02:42 • -11.76db
11% Popularity • 55% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 55% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Osvaldo Ramos
Mi Dolor
125 bpm • D min • 03:09 • -13.09db
18% Popularity • 65% Danceability • 35% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
18% Popularity • 65% Danceability • 35% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
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Ricardo Tanturi y Enrique Campos
La abandone y no sabia
125 bpm • E min • 02:49 • -13db
11% Popularity • 60% Danceability • 23% Energy • 9% Liveness
26% Instrumentalness • 72% Positiveness
11% Popularity • 60% Danceability • 23% Energy • 9% Liveness
26% Instrumentalness • 72% Positiveness
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José GarcÃa Y Sus Zorros Grises
Tristeza Marina
125 bpm • A# Maj • 02:51 • -8.17db
30% Popularity • 70% Danceability • 32% Energy • 15% Liveness
35% Instrumentalness • 77% Positiveness
30% Popularity • 70% Danceability • 32% Energy • 15% Liveness
35% Instrumentalness • 77% Positiveness
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Edgardo Donato & his orchestra
Un Libro
131 bpm • B Maj • 02:32 • -10db
9% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Orquesta Typica Osvaldo Fresedo
Despues del Carnaval
131 bpm • C min • 02:44 • -18.8db
10% Popularity • 69% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 94% Positiveness
10% Popularity • 69% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 94% Positiveness
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Orquesta Rodolfo Biagi
Te Odio
131 bpm • B Maj • 02:31 • -11.15db
0% Popularity • 71% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 71% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Domingo Federico
Y Todavia Te Quiero
125 bpm • A min • 03:09 • -11db
15% Popularity • 60% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 60% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Pablo Valle Sexteto
Yuyo Brujo
131 bpm • C min • 02:30 • -7.17db
10% Popularity • 61% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 61% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Osvaldo Pugliese y su Orquesta
Recuerdo
125 bpm • G min • 02:42 • -8.36db
18% Popularity • 52% Danceability • 26% Energy • 24% Liveness
50% Instrumentalness • 51% Positiveness
18% Popularity • 52% Danceability • 26% Energy • 24% Liveness
50% Instrumentalness • 51% Positiveness
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Orquesta Juan D' Arienzo
Organito de la tarde
125 bpm • C Maj • 02:21 • -8.08db
14% Popularity • 66% Danceability • 37% Energy • 31% Liveness
95% Instrumentalness • 58% Positiveness
14% Popularity • 66% Danceability • 37% Energy • 31% Liveness
95% Instrumentalness • 58% Positiveness
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Domingo Federico Y Su
Senda Florida
125 bpm • D Maj • 02:52 • -11.11db
10% Popularity • 62% Danceability • 28% Energy • 9% Liveness
27% Instrumentalness • 59% Positiveness
10% Popularity • 62% Danceability • 28% Energy • 9% Liveness
27% Instrumentalness • 59% Positiveness
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Orquesta Rodolfo Biagi
Cuando Llora La Milonga
125 bpm • E min • 02:55 • -10.51db
0% Popularity • 68% Danceability • 23% Energy • 32% Liveness
72% Instrumentalness • 73% Positiveness
0% Popularity • 68% Danceability • 23% Energy • 32% Liveness
72% Instrumentalness • 73% Positiveness
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Rodolfo Biagi
Todo Te Nombra
131 bpm • G min • 03:30 • -15db
9% Popularity • 64% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 64% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Domingo Federico
Cualquier Cosa
125 bpm • E min • 03:19 • -10db
21% Popularity • 55% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 55% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Angel D'Agostino Y Su Orquesta TÃpica
Ahora No Me Conoces
125 bpm • A min • 02:32 • -9.52db
21% Popularity • 76% Danceability • 13% Energy • 39% Liveness
4% Instrumentalness • 63% Positiveness
21% Popularity • 76% Danceability • 13% Energy • 39% Liveness
4% Instrumentalness • 63% Positiveness
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Rodolfo Biagi y su orquesta
Solamente Dios y Yo - Tango
125 bpm • F min • 02:27 • -8db
10% Popularity • 50% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 50% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Florindo Sassone
La Trilla
125 bpm • A# Maj • 02:38 • -10db
34% Popularity • 66% Danceability • 24% Energy • 30% Liveness
78% Instrumentalness • 76% Positiveness
34% Popularity • 66% Danceability • 24% Energy • 30% Liveness
78% Instrumentalness • 76% Positiveness
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Rodolfo Biagi Y Su Orquesta Tipica
Didi
131 bpm • A Maj • 02:30 • -9db
17% Popularity • 78% Danceability • 23% Energy • 9% Liveness
29% Instrumentalness • 74% Positiveness
17% Popularity • 78% Danceability • 23% Energy • 9% Liveness
29% Instrumentalness • 74% Positiveness
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Fulvio Salamanca
La Cachila
125 bpm • F min • 02:36 • -10.99db
19% Popularity • 61% Danceability • 28% Energy • 32% Liveness
64% Instrumentalness • 55% Positiveness
19% Popularity • 61% Danceability • 28% Energy • 32% Liveness
64% Instrumentalness • 55% Positiveness
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Orquesta Rodolfo Biagi
Didi
131 bpm • A Maj • 02:32 • -14.78db
1% Popularity • 78% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 68% Positiveness
1% Popularity • 78% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 68% Positiveness
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Angel D'Agostino
Ahora No Me Conocés
125 bpm • A min • 02:37 • -9.07db
13% Popularity • 72% Danceability • 23% Energy • 35% Liveness
1% Instrumentalness • 81% Positiveness
13% Popularity • 72% Danceability • 23% Energy • 35% Liveness
1% Instrumentalness • 81% Positiveness
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Orquesta TÃpica Sans Souci
PorteñÃsimo
125 bpm • D Maj • 02:44 • -8.36db
17% Popularity • 63% Danceability • 35% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
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Lucio Demare
No Te Apures Cara Blanca
125 bpm • G min • 03:29 • -12db
24% Popularity • 69% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
24% Popularity • 69% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Ricardo Tanturi y Enrique Campos
Muchachos comienza la ronda
125 bpm • D Maj • 02:37 • -13.6db
10% Popularity • 54% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
10% Popularity • 54% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
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Domingo Federico
Yo (Tango)
124 bpm • D Maj • 02:30 • -8.98db
23% Popularity • 68% Danceability • 26% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 68% Danceability • 26% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
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Orquesta Rodolfo Biagi
Y Volvemos A Querernos
125 bpm • G# Maj • 02:57 • -11.37db
0% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Sexteto Carlos Di Sarli
Chau Pinela
124 bpm • F# Maj • 02:40 • -10db
28% Popularity • 74% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 74% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Osvaldo Fresedo y su Orquesta TÃpica
Vida Querida
132 bpm • C min • 02:27 • -6.25db
15% Popularity • 49% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 49% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Pablo Valle Sexteto
Todo Te Nombra
132 bpm • A min • 03:30 • -8.09db
8% Popularity • 69% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 69% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Ricardo Tanturi y Enrique Campos
Malvon
124 bpm • D Maj • 03:01 • -9.02db
9% Popularity • 48% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 48% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness