Songs like Yo Vivire (I Will Survive) by Jose Prieto
Based on a tempo of (+/- 10%) and a similar genre
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Jose Prieto
Confidential Investigation
94 bpm • E min • 02:46 • -19.23db
0% Popularity • 58% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
0% Popularity • 58% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Andrea Bonini
You Got to Keep Moving On
94 bpm • G Maj • 03:09 • -13.27db
16% Popularity • 65% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 65% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Lesley Gore
You Don't Own Me - Rainier Scott Remix
94 bpm • G# Maj • 03:15 • -5.58db
25% Popularity • 45% Danceability • 68% Energy • 62% Liveness
1% Instrumentalness • 28% Positiveness
25% Popularity • 45% Danceability • 68% Energy • 62% Liveness
1% Instrumentalness • 28% Positiveness
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Ennio Morricone
Death Rides a Horse - Version 2
94 bpm • D Maj • 02:02 • -3.72db
8% Popularity • 63% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 63% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jaymay
Tombstone Every Mile
94 bpm • A# Maj • 03:01 • -17.11db
19% Popularity • 71% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 71% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Mindy Jones
Where Is My Mind
94 bpm • C# min • 03:07 • -11.94db
27% Popularity • 26% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Jose Prieto
Risky Business
94 bpm • D min • 03:00 • -16.01db
0% Popularity • 52% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
0% Popularity • 52% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Pavlo
Zorba
94 bpm • G Maj • 03:56 • -5.19db
14% Popularity • 44% Danceability • 68% Energy • 95% Liveness
85% Instrumentalness • 72% Positiveness
14% Popularity • 44% Danceability • 68% Energy • 95% Liveness
85% Instrumentalness • 72% Positiveness
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James Earl Jones II
Sunday Morning
94 bpm • F min • 02:41 • -12.1db
16% Popularity • 52% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 52% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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The Righteous Brothers
You’ve Lost That Lovin Feelin’
95 bpm • B Maj • 07:04 • -12.94db
18% Popularity • 34% Danceability • 40% Energy • 94% Liveness
1% Instrumentalness • 57% Positiveness
18% Popularity • 34% Danceability • 40% Energy • 94% Liveness
1% Instrumentalness • 57% Positiveness
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George Kahumoku, Jr.
E Ho'i I Ka Pili
93 bpm • G Maj • 07:24 • -11.84db
8% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Nate The Great
Good Bye
95 bpm • E Maj • 03:54 • -11.04db
11% Popularity • 54% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 54% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Jose Prieto
Yo Vivire (I Will Survive)
94 bpm • A min • 05:23 • -8.76db
14% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Terry Crews
Love Is a Many Splendored Thing
95 bpm • D# min • 02:00 • -8.33db
20% Popularity • 40% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 40% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Richard 'Jah' Ace & Sons of Ace
I Got You Babe
93 bpm • D Maj • 03:27 • -4.55db
16% Popularity • 74% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 74% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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![Heaven Is A Place On Earth (Acoustic) [Bonus Track] cover art](https://i.scdn.co/image/ab67616d00001e0245ba272b533bea1cfef15104)
Belinda Carlisle
Heaven Is A Place On Earth (Acoustic) [B...
95 bpm • D Maj • 04:01 • -10.82db
14% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Yearning
You Stopped The World
95 bpm • G Maj • 02:23 • -8db
13% Popularity • 50% Danceability • 26% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
13% Popularity • 50% Danceability • 26% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
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Nik Ammar
Histori
95 bpm • E min • 02:30 • -5.83db
13% Popularity • 61% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 61% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Jose Prieto
Vientos de Tarifa
95 bpm • A min • 02:49 • -6.71db
0% Popularity • 62% Danceability • 71% Energy • 13% Liveness
70% Instrumentalness • 74% Positiveness
0% Popularity • 62% Danceability • 71% Energy • 13% Liveness
70% Instrumentalness • 74% Positiveness
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TT The Artist
Bass Drop Bigger
95 bpm • B Maj • 03:09 • -9.63db
29% Popularity • 82% Danceability • 57% Energy • 8% Liveness
44% Instrumentalness • 18% Positiveness
29% Popularity • 82% Danceability • 57% Energy • 8% Liveness
44% Instrumentalness • 18% Positiveness
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Will Grove-White
Looking at Me
93 bpm • E Maj • 02:17 • -12.43db
10% Popularity • 87% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 87% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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susie wilkins
The Gambler
95 bpm • C Maj • 02:44 • -15.05db
20% Popularity • 56% Danceability • 45% Energy • 18% Liveness
31% Instrumentalness • 29% Positiveness
20% Popularity • 56% Danceability • 45% Energy • 18% Liveness
31% Instrumentalness • 29% Positiveness
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Elk Eyes
It Goes Dark
95 bpm • D min • 03:19 • -12.77db
11% Popularity • 59% Danceability • 25% Energy • 18% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 59% Danceability • 25% Energy • 18% Liveness
1% Instrumentalness • 17% Positiveness
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Dionne Warwick
Always Something There to Remind Me
93 bpm • C Maj • 04:46 • -9.43db
15% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Psychological Backlash
Future Past
93 bpm • G Maj • 04:30 • -14.68db
10% Popularity • 37% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
10% Popularity • 37% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Mauricio Yazigi
Un nuevo miembro
92 bpm • G Maj • 02:26 • -12.67db
0% Popularity • 57% Danceability • 39% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
0% Popularity • 57% Danceability • 39% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
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Ras Sinai Project
Sud El Ayun
92 bpm • C# Maj • 05:20 • -15.88db
7% Popularity • 61% Danceability • 52% Energy • 11% Liveness
46% Instrumentalness • 37% Positiveness
7% Popularity • 61% Danceability • 52% Energy • 11% Liveness
46% Instrumentalness • 37% Positiveness
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Jose Prieto
Doubt
96 bpm • B min • 02:58 • -13.92db
0% Popularity • 69% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
0% Popularity • 69% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Deron Johnson
O Mary Don't You Weep
92 bpm • A Maj • 03:17 • -11.15db
13% Popularity • 55% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 55% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Reytoon
Hurt
92 bpm • G Maj • 03:44 • -7.06db
11% Popularity • 76% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 76% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Don Ho
Hawaii
92 bpm • D# Maj • 02:48 • -14.76db
10% Popularity • 42% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 42% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Chingon
Cuka Rocka - Extended
96 bpm • B Maj • 06:11 • -10.32db
17% Popularity • 29% Danceability • 84% Energy • 63% Liveness
38% Instrumentalness • 51% Positiveness
17% Popularity • 29% Danceability • 84% Energy • 63% Liveness
38% Instrumentalness • 51% Positiveness
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Harleighblu
Casanova
97 bpm • A# min • 04:03 • -7.88db
9% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jose Prieto
Broken Honor
96 bpm • G Maj • 03:20 • -16.32db
0% Popularity • 44% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 44% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Peret
Para poder olvidarla
91 bpm • E min • 03:19 • -6db
18% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Aaron Akins
I Just Wanna Love You
97 bpm • D Maj • 02:29 • -7.22db
8% Popularity • 86% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 86% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Alfonso de Vilallonga
Feeling Lonely on a Sunday Afternoon
98 bpm • C min • 02:21 • -10.19db
26% Popularity • 46% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 46% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Frankie Flowers
Feeling Good
91 bpm • C# Maj • 04:51 • -12.9db
16% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Havana Maestros
We Are Young
90 bpm • F Maj • 04:03 • -5.98db
22% Popularity • 35% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 35% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Jose Prieto
Nuevos Horizontes
92 bpm • C# min • 03:04 • -7.25db
0% Popularity • 68% Danceability • 64% Energy • 13% Liveness
92% Instrumentalness • 78% Positiveness
0% Popularity • 68% Danceability • 64% Energy • 13% Liveness
92% Instrumentalness • 78% Positiveness
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Adriano Celentano
Piccola
98 bpm • C Maj • 01:38 • -4db
16% Popularity • 70% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 70% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Armik
Golden Waves
98 bpm • E min • 04:41 • -4.27db
14% Popularity • 78% Danceability • 73% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
14% Popularity • 78% Danceability • 73% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
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The Ambience Affair
Parting Patterns
98 bpm • F# min • 02:23 • -7.81db
11% Popularity • 48% Danceability • 92% Energy • 36% Liveness
92% Instrumentalness • 49% Positiveness
11% Popularity • 48% Danceability • 92% Energy • 36% Liveness
92% Instrumentalness • 49% Positiveness
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Sukhwinder Singh
Chaiyya Chaiyya Bollywood Joint
90 bpm • G Maj • 06:10 • -11.61db
39% Popularity • 74% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 74% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Rabia Ciega
El Rey De La Calle
90 bpm • G Maj • 02:34 • -6.12db
9% Popularity • 74% Danceability • 89% Energy • 5% Liveness
19% Instrumentalness • 68% Positiveness
9% Popularity • 74% Danceability • 89% Energy • 5% Liveness
19% Instrumentalness • 68% Positiveness
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Jose Prieto
Theory of Happiness
98 bpm • C Maj • 02:56 • -15.57db
0% Popularity • 48% Danceability • 30% Energy • 13% Liveness
92% Instrumentalness • 34% Positiveness
0% Popularity • 48% Danceability • 30% Energy • 13% Liveness
92% Instrumentalness • 34% Positiveness
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Enzo & su Clan
Tu Mi Corazon
90 bpm • G Maj • 03:05 • -8.28db
18% Popularity • 76% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 76% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Pater Gregorian
Faded
90 bpm • F# Maj • 04:14 • -9.94db
7% Popularity • 65% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 65% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Brice Davoli
Amore Mio
90 bpm • D min • 03:07 • -4.68db
27% Popularity • 33% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 33% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Jennifer Ann
Mad World
98 bpm • B Maj • 04:04 • -11.67db
35% Popularity • 29% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 29% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Pink Martini
But Now I'm Back
98 bpm • G# Maj • 03:01 • -9.21db
32% Popularity • 71% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 71% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jose Prieto
Deep River
98 bpm • A min • 02:08 • -16.02db
0% Popularity • 57% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
0% Popularity • 57% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Candy Says
Running Up That Hill
90 bpm • G min • 04:40 • -13.8db
37% Popularity • 43% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
37% Popularity • 43% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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Tonebenders
Lucy, Suzy, Cindy
99 bpm • D Maj • 03:32 • -8.7db
14% Popularity • 72% Danceability • 50% Energy • 8% Liveness
26% Instrumentalness • 82% Positiveness
14% Popularity • 72% Danceability • 50% Energy • 8% Liveness
26% Instrumentalness • 82% Positiveness
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Alan Silvestri
Oye, Oye
89 bpm • A Maj • 01:30 • -10.41db
8% Popularity • 47% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 47% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Diz and the Fam
The Evil That Men Do
89 bpm • G# Maj • 03:45 • -5.99db
16% Popularity • 65% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 65% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Jack Hylton & His Orchestra
Over the Rainbow
89 bpm • C# Maj • 04:35 • -16.84db
13% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Jose Prieto
Paseo en Las Ramblas
90 bpm • G Maj • 02:22 • -7.27db
0% Popularity • 62% Danceability • 66% Energy • 7% Liveness
76% Instrumentalness • 81% Positiveness
0% Popularity • 62% Danceability • 66% Energy • 7% Liveness
76% Instrumentalness • 81% Positiveness
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Kristina Train
Sunny Side Of The Street
100 bpm • D Maj • 03:09 • -8.89db
17% Popularity • 71% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 71% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Alejandra Ribera
500 Miles
100 bpm • E Maj • 05:12 • -13.15db
19% Popularity • 26% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 9% Positiveness
19% Popularity • 26% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 9% Positiveness
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Johnny Mathis
On a Cold and Rainy Day
89 bpm • F Maj • 03:07 • -9.37db
10% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Chamanas
Embrujo
100 bpm • C min • 03:28 • -7.39db
26% Popularity • 58% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 58% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Jain
Come - Extended Version
100 bpm • G# min • 04:47 • -7.1db
30% Popularity • 80% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 80% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Jose Prieto
Time Served
90 bpm • D# min • 02:25 • -18.05db
0% Popularity • 54% Danceability • 35% Energy • 15% Liveness
93% Instrumentalness • 9% Positiveness
0% Popularity • 54% Danceability • 35% Energy • 15% Liveness
93% Instrumentalness • 9% Positiveness
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Onyay Pheori
No More Waiting
100 bpm • G min • 04:05 • -11.39db
10% Popularity • 64% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 64% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Manzanita
Arranca
100 bpm • E min • 04:03 • -12.94db
35% Popularity • 80% Danceability • 74% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
35% Popularity • 80% Danceability • 74% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
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Jigz
Fast Car
100 bpm • E Maj • 02:32 • -10.61db
8% Popularity • 63% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 63% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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17 Hippies
Across Waters
88 bpm • C Maj • 04:41 • -15.3db
13% Popularity • 54% Danceability • 37% Energy • 11% Liveness
76% Instrumentalness • 40% Positiveness
13% Popularity • 54% Danceability • 37% Energy • 11% Liveness
76% Instrumentalness • 40% Positiveness
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Juan Pablo Compaired
Cabecera
88 bpm • D Maj • 01:04 • -8.65db
26% Popularity • 77% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 77% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Jose Prieto
El sonido de la espera
90 bpm • E Maj • 02:21 • -14.96db
0% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 59% Positiveness
0% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 59% Positiveness
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Baz Corden
Hearts and Rainbows
100 bpm • G Maj • 04:18 • -7db
18% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Mauricio Yazigi
La ruta de Los Caracoles
88 bpm • C# min • 02:09 • -9.17db
2% Popularity • 78% Danceability • 59% Energy • 9% Liveness
83% Instrumentalness • 86% Positiveness
2% Popularity • 78% Danceability • 59% Energy • 9% Liveness
83% Instrumentalness • 86% Positiveness
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Dick Walter
Happy Jack
101 bpm • C Maj • 01:52 • -17.06db
12% Popularity • 53% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 53% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Greg Hale Jones
She Began To Lie
100 bpm • G# Maj • 02:39 • -20.56db
22% Popularity • 94% Danceability • 28% Energy • 16% Liveness
14% Instrumentalness • 49% Positiveness
22% Popularity • 94% Danceability • 28% Energy • 16% Liveness
14% Instrumentalness • 49% Positiveness
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DJ Tom Select
Strike Out
88 bpm • E Maj • 01:24 • -6.38db
8% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Los Pinguos
Soluna
101 bpm • A min • 03:11 • -7.38db
24% Popularity • 71% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 71% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Randy Newman
Introduction / I Love to See You Smile
101 bpm • G Maj • 03:24 • -16.46db
9% Popularity • 64% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 64% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Luigi Tenco
Il mio regno
87 bpm • C Maj • 04:08 • -17.24db
15% Popularity • 21% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 21% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Texas Sapphires
Bring Out the Bible (We Ain't Got a Pray...
102 bpm • D Maj • 04:14 • -7.29db
11% Popularity • 60% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 60% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Nil Lara
Vida Mas Simple
102 bpm • D# min • 03:37 • -11.01db
16% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Kimberly Hall
Blackout
102 bpm • E min • 03:45 • -8.92db
14% Popularity • 45% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 45% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Lincoln Grounds
Have A Dream
86 bpm • F Maj • 02:59 • -9.33db
22% Popularity • 35% Danceability • 43% Energy • 11% Liveness
33% Instrumentalness • 64% Positiveness
22% Popularity • 35% Danceability • 43% Energy • 11% Liveness
33% Instrumentalness • 64% Positiveness
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Natalia Clavier
El Tren
86 bpm • E min • 03:29 • -7.27db
11% Popularity • 57% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 57% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Hien
Crazy Beautiful Life
103 bpm • A# Maj • 02:56 • -10db
32% Popularity • 69% Danceability • 60% Energy • 11% Liveness
18% Instrumentalness • 63% Positiveness
32% Popularity • 69% Danceability • 60% Energy • 11% Liveness
18% Instrumentalness • 63% Positiveness
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Safaree
Bitch Betta Have My Money
103 bpm • C# Maj • 03:56 • -8db
20% Popularity • 80% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 80% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jim Bianco
I Got A Thing For You
103 bpm • A min • 03:31 • -8.93db
9% Popularity • 73% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 73% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Tony Crown
Killing Machine
103 bpm • E min • 03:29 • -12.47db
28% Popularity • 58% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 58% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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EMET (THE TRUTH)
Summer Breeze
86 bpm • C# min • 03:38 • -8.16db
12% Popularity • 39% Danceability • 54% Energy • 34% Liveness
4% Instrumentalness • 51% Positiveness
12% Popularity • 39% Danceability • 54% Energy • 34% Liveness
4% Instrumentalness • 51% Positiveness
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ETA
Kill Me
85 bpm • F# min • 04:21 • -7.47db
14% Popularity • 62% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 62% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Dusty Springfield
Yesterday When I Was Young
85 bpm • A min • 03:39 • -11db
31% Popularity • 35% Danceability • 45% Energy • 84% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 35% Danceability • 45% Energy • 84% Liveness
0% Instrumentalness • 57% Positiveness
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Bobby & The Demons
Oh Dale
103 bpm • G min • 02:14 • -9db
23% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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April Anderson
Weeks (Down) - Edit
85 bpm • C# Maj • 04:00 • -6.95db
4% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
4% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Alexiane
A Million on My Soul (Radio Edit)
85 bpm • A min • 02:57 • -4.8db
40% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Milagros
For Ever 3
104 bpm • C Maj • 03:00 • -9db
19% Popularity • 61% Danceability • 92% Energy • 22% Liveness
30% Instrumentalness • 12% Positiveness
19% Popularity • 61% Danceability • 92% Energy • 22% Liveness
30% Instrumentalness • 12% Positiveness
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Priest
Days Go By
85 bpm • C Maj • 04:19 • -7db
14% Popularity • 79% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 79% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Club des Belugas
Straight to Memphis
104 bpm • A# min • 05:14 • -8.88db
15% Popularity • 83% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 83% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Barns Courtney
Fire - Remix
104 bpm • A# min • 03:08 • -9db
27% Popularity • 32% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 32% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Driven the rockstar kid
Rock Intro
104 bpm • E min • 01:42 • -6.53db
17% Popularity • 29% Danceability • 64% Energy • 11% Liveness
21% Instrumentalness • 9% Positiveness
17% Popularity • 29% Danceability • 64% Energy • 11% Liveness
21% Instrumentalness • 9% Positiveness
