Songs like You Ain't Getting A Song by Taylor Moss
Based on a tempo of (+/- 10%) and a similar genre
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Abbie Ferris
For a Moment
87 bpm • G# Maj • 03:52 • -6.41db
18% Popularity • 65% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 65% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Brad Cox
Beer and Fishin'
87 bpm • C# Maj • 02:52 • -4.38db
38% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Jaden Michaels
Mama's Girl
87 bpm • G# Maj • 03:00 • -5db
25% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Zac & George
Beer On The Water
88 bpm • G# Maj • 02:27 • -5.35db
39% Popularity • 52% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 52% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Taylor Moss
You Ain't Getting A Song
87 bpm • G Maj • 02:44 • -3.89db
27% Popularity • 70% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 70% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Jade Gibson
Wildfires
88 bpm • E Maj • 03:27 • -8.48db
10% Popularity • 60% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 60% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Chevel Shepherd
Be Cowboy (PBR Anthem)
86 bpm • D Maj • 02:41 • -5.05db
18% Popularity • 53% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 53% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Bryce Sainty
Do You Remember
88 bpm • F Maj • 03:23 • -6.51db
9% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Brad Cox
Feathered Indians
88 bpm • A# Maj • 03:57 • -4.45db
34% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Sara Berki
Quicksand
88 bpm • A Maj • 04:10 • -9.22db
24% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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RaeLynn
Still Smokin'
88 bpm • A Maj • 02:57 • -6db
30% Popularity • 67% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 67% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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The Wolfe Brothers
What You Make It
86 bpm • A Maj • 03:05 • -6.06db
30% Popularity • 60% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 60% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Tebey
Good Jeans
89 bpm • D Maj • 02:42 • -3.91db
23% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The Buckleys
Daydream
89 bpm • C# Maj • 03:08 • -7.62db
17% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Shires
On the Day I Die
85 bpm • G# Maj • 03:31 • -11.53db
28% Popularity • 51% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 51% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Berki
Favour
89 bpm • F min • 03:02 • -3.66db
29% Popularity • 62% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 62% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Morgan Evans
American Dream Truck
89 bpm • D Maj • 03:33 • -6.04db
36% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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RaeLynn
Fake Girl Town
86 bpm • B Maj • 03:23 • -8.56db
25% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Brock Colley
One Kind Of Beautiful
85 bpm • G Maj • 02:50 • -7.26db
10% Popularity • 58% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 58% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Lindsay Ell
good on you
85 bpm • A Maj • 03:17 • -5.56db
27% Popularity • 64% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 64% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Tebey
Song of the Summer
90 bpm • B Maj • 03:06 • -5.51db
15% Popularity • 59% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 59% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Josh Setterfield
Broke
90 bpm • F# Maj • 03:26 • -5.33db
23% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Catherine Britt
I Am A Country Song
90 bpm • D Maj • 04:20 • -5.35db
20% Popularity • 50% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 50% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Walker County
Someone's Someone
90 bpm • F# Maj • 02:51 • -6db
21% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Southbound xo
Get Drunk On Me
90 bpm • E min • 03:13 • -6.49db
18% Popularity • 56% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 56% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Lindsay Ell
get oveR you
90 bpm • E Maj • 03:04 • -5.13db
13% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Jade Gibson
Unforgivingly Me
90 bpm • A Maj • 02:56 • -3.57db
27% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Britnee Kellogg
Gimme Some Whiskey-Stripped
90 bpm • D Maj • 02:53 • -5.95db
14% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Hurricane Fall
Top Down
90 bpm • C# min • 03:12 • -3.88db
25% Popularity • 60% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 60% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Catherine Britt
Country Fan
90 bpm • G# Maj • 03:11 • -4.61db
19% Popularity • 53% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 53% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Alli Walker
Country Music
90 bpm • F# Maj • 03:31 • -4.06db
30% Popularity • 58% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 58% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Casey Barnes
A Little More
90 bpm • G Maj • 03:19 • -4.28db
32% Popularity • 56% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 56% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Emily Ann Roberts
Wide Open Spaces
90 bpm • F# Maj • 03:48 • -4.96db
27% Popularity • 56% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 56% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Tyra Madison
Ain't That Lonely Tonight
90 bpm • E Maj • 03:01 • -5db
15% Popularity • 48% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 48% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Nice Horse
Cowgirl
84 bpm • A Maj • 03:12 • -6.19db
33% Popularity • 57% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 57% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Britnee Kellogg
Honey
84 bpm • G Maj • 02:45 • -5.35db
24% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Max Jackson
Little More Country
90 bpm • G# Maj • 03:19 • -2.03db
37% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Sara Berki
Good Enough
84 bpm • A Maj • 03:42 • -4.91db
31% Popularity • 55% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 55% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Gabby Barrett
Jesus & My Mama
91 bpm • F# Maj • 03:30 • -4.45db
31% Popularity • 42% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 42% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Rachael Fahim
Iconic
83 bpm • B min • 02:35 • -4.98db
10% Popularity • 55% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 55% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Sammy White
Countryside
91 bpm • D# Maj • 03:30 • -3.75db
24% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Max Jackson
Bad Idea (Single Version)
84 bpm • G# Maj • 02:57 • -5.97db
16% Popularity • 55% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 55% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Abby Anderson
Flowers
91 bpm • A Maj • 03:04 • -5.32db
26% Popularity • 72% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Priscilla Block
Tip of My Tongue
83 bpm • E Maj • 03:05 • -8.24db
16% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Zac & George
Red Wine & Roses
83 bpm • F Maj • 03:12 • -5.13db
37% Popularity • 59% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 59% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Tenille Arts
Everybody Knows Everybody
83 bpm • F# Maj • 03:19 • -5.84db
30% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Sammy White
Diamonds And Dolly
91 bpm • F Maj • 03:02 • -4.35db
20% Popularity • 56% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 56% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Tigirlily Gold
My Thang
83 bpm • C Maj • 02:57 • -5.39db
31% Popularity • 63% Danceability • 85% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 63% Danceability • 85% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
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Hayley Marsten
Spectacular Heartbreak
83 bpm • G Maj • 04:46 • -5.16db
19% Popularity • 47% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
19% Popularity • 47% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Priscilla Block
Thick Thighs
83 bpm • G Maj • 02:54 • -3.83db
46% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Jade Gibson
'Til We Fly
83 bpm • C Maj • 03:43 • -7.43db
10% Popularity • 50% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 50% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Caitlyn Shadbolt
Bones
91 bpm • D Maj • 02:46 • -7.33db
9% Popularity • 64% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 64% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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James Johnston
ANYTHING LIKE ME
83 bpm • A# Maj • 03:35 • -4.26db
36% Popularity • 41% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 41% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Runaway June
Good, Bad & Ugly
82 bpm • A Maj • 03:04 • -5.75db
23% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Buckleys
Breathe
82 bpm • B min • 03:24 • -9.24db
15% Popularity • 45% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 45% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Priscilla Block
Different Route
82 bpm • A Maj • 03:21 • -5.42db
15% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tigirlily Gold
Dig Yourself
92 bpm • C# min • 03:07 • -5db
26% Popularity • 60% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 60% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Maddie & Tae
New Dog Old Tricks
92 bpm • B Maj • 03:09 • -4.88db
29% Popularity • 61% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 61% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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James Johnston
SMALL TOWN GIRL
92 bpm • A# Maj • 02:52 • -4.34db
43% Popularity • 65% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 65% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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The McClymonts
Open Heart
92 bpm • D Maj • 02:50 • -5.22db
14% Popularity • 56% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 56% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Taylor Moss
Guitar & A Suitcase
92 bpm • D Maj • 03:15 • -4.95db
23% Popularity • 63% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 63% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Reyna Roberts
Stompin' Grounds
92 bpm • C Maj • 03:19 • -1db
39% Popularity • 60% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 60% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Rachael Fahim
Middle Ground
82 bpm • D Maj • 02:50 • -1.58db
18% Popularity • 49% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 49% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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The Viper Creek Band
Australian Girls
82 bpm • G Maj • 03:52 • -5db
23% Popularity • 53% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 53% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Route 33
Quarter Past You
82 bpm • F Maj • 03:35 • -5.36db
11% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Brooke McClymont & Adam Eckersley
Country Music, You And Beer
82 bpm • A Maj • 03:35 • -4.76db
27% Popularity • 50% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 50% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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American Young
Say It To Me Sober
82 bpm • F Maj • 03:08 • -5.39db
9% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Lily Rose
Green Light
93 bpm • C# min • 03:13 • -6db
31% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lindsay Ell
ReadY to love
93 bpm • F Maj • 03:15 • -5.62db
21% Popularity • 42% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 42% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Josh Setterfield
Blow Our Cover
93 bpm • G# Maj • 02:48 • -3.69db
31% Popularity • 52% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 52% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Kalsey Kulyk
Who I Was
93 bpm • G Maj • 02:55 • -6.1db
31% Popularity • 60% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 60% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Brooke McClymont & Adam Eckersley
Nothing Left To Win
82 bpm • D# Maj • 03:25 • -10.86db
23% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The Band McMillan
Only Thing Missin'
93 bpm • D# Maj • 03:23 • -4.41db
25% Popularity • 59% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 59% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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James Johnston
A COUNTRY GIRL CAN
93 bpm • C Maj • 03:21 • -4.36db
40% Popularity • 65% Danceability • 88% Energy • 85% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 65% Danceability • 88% Energy • 85% Liveness
0% Instrumentalness • 81% Positiveness
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Lindsay Ell
how good
93 bpm • B min • 02:42 • -4.52db
14% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Brad Cox
Now She Ain't
93 bpm • A# min • 02:55 • -4.81db
44% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jayne Denham
Car Trouble
93 bpm • C Maj • 02:56 • -5.13db
25% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Kylie Morgan
Boys Girl
93 bpm • C min • 02:44 • -4.19db
33% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Hinterland
In The Hinterland
81 bpm • B Maj • 03:18 • -5db
17% Popularity • 55% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 55% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 90% Positiveness
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Melanie Dyer
Dust
81 bpm • F# min • 02:57 • -1.56db
25% Popularity • 50% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 50% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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TracieLynn
Fat, Drunk, & Pregnant
81 bpm • C Maj • 02:56 • -4.29db
18% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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The Wolfe Brothers
Hey Brother
81 bpm • C# Maj • 03:45 • -7db
27% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jasmine Rae
Party on the Couch
81 bpm • E Maj • 02:38 • -5db
11% Popularity • 65% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 65% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Abby Christo
Cooler Than Me
94 bpm • C# Maj • 02:56 • -9.25db
11% Popularity • 54% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 54% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Abby Anderson
GOOD LORD
94 bpm • B Maj • 03:10 • -4.81db
30% Popularity • 68% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 68% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Sara Berki
Drinking In The Summertime
94 bpm • B Maj • 03:41 • -4.71db
26% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:21 • -5.18db
27% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Travis Collins
Happy
80 bpm • F# Maj • 03:19 • -6.11db
25% Popularity • 56% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 56% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Zac & George
Sleep On It
80 bpm • C min • 03:11 • -4.47db
33% Popularity • 55% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 55% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Harper Grae
Muddy Water
80 bpm • A min • 03:07 • -8.51db
27% Popularity • 60% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 60% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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The Viper Creek Band
Blue Jean Jacket
80 bpm • A Maj • 03:54 • -4.51db
19% Popularity • 36% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 36% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Moss
Real Man
80 bpm • C# Maj • 03:28 • -7.26db
33% Popularity • 43% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 43% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Swift
Say the Word
95 bpm • A Maj • 03:40 • -5db
14% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Dan Davidson
Role Models
95 bpm • C# Maj • 02:51 • -6.01db
35% Popularity • 68% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 68% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Christina Taylor
Settin' Myself on Fire
95 bpm • D Maj • 02:48 • -4.49db
22% Popularity • 68% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 68% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
48% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Josh Setterfield
Right About Now
95 bpm • E Maj • 03:09 • -5.09db
33% Popularity • 70% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 70% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
