Songs like You Can't Hurt Me Anymore (feat. Jaguar Jonze) by Kate Miller-Heidke
Based on a tempo of (+/- 10%) and a similar genre
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Michel van der Aa
Queen of the Night
104 bpm • G Maj • 04:05 • -9.54db
1% Popularity • 73% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 73% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Kate Miller-Heidke
You Can't Hurt Me Anymore
104 bpm • G# Maj • 03:25 • -5.89db
11% Popularity • 67% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 67% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Indy
Threads
105 bpm • C Maj • 03:52 • -12.71db
33% Popularity • 64% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
33% Popularity • 64% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Jaguar Jonze
TRIGGER HAPPY
103 bpm • G Maj • 03:39 • -6.56db
8% Popularity • 57% Danceability • 90% Energy • 34% Liveness
8% Instrumentalness • 58% Positiveness
8% Popularity • 57% Danceability • 90% Energy • 34% Liveness
8% Instrumentalness • 58% Positiveness
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Katie Noonan
Throw Your Arms Around Me
102 bpm • D Maj • 04:15 • -14.19db
22% Popularity • 41% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 41% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Telenova
Haunted
106 bpm • G min • 03:23 • -4.24db
30% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Michel van der Aa
Asterion
104 bpm • G min • 03:30 • -11.59db
0% Popularity • 55% Danceability • 44% Energy • 10% Liveness
22% Instrumentalness • 29% Positiveness
0% Popularity • 55% Danceability • 44% Energy • 10% Liveness
22% Instrumentalness • 29% Positiveness
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Kate Miller-Heidke
Ghost
105 bpm • B min • 03:47 • -8.79db
8% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Abraham
Boy In A Bubble
102 bpm • B min • 04:11 • -8.21db
16% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Emeli Sandé
There Isn't Much
106 bpm • G Maj • 03:47 • -5.33db
39% Popularity • 66% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
39% Popularity • 66% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Chela
Cool 2B Queer
102 bpm • A Maj • 03:20 • -5.08db
16% Popularity • 81% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 81% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Isabella Manfredi
One Hit Wonder
102 bpm • C# Maj • 02:56 • -2.55db
8% Popularity • 68% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 68% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Meg Mac
Understand
106 bpm • D min • 02:57 • -4db
29% Popularity • 57% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 57% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Kate Miller-Heidke
You Can't Hurt Me Anymore
104 bpm • A# min • 03:42 • -6.87db
16% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Vera Blue
The Curse
106 bpm • F Maj • 02:44 • -5db
24% Popularity • 67% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 67% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Eliza & The Delusionals
Nothing Yet
106 bpm • F Maj • 04:33 • -4db
20% Popularity • 26% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 26% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Michel van der Aa
Mirrors at Night
101 bpm • F min • 05:27 • -13.45db
1% Popularity • 21% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 21% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ralph
Gasoline
107 bpm • F min • 03:40 • -8.06db
9% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Delta Goodrem
Everyone's Famous
107 bpm • A# Maj • 04:09 • -9.25db
18% Popularity • 31% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 31% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Kate Miller-Heidke
I Got The Way
102 bpm • D Maj • 03:09 • -7.98db
16% Popularity • 64% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 64% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Ivory Layne
God Save the Queens
101 bpm • F Maj • 03:23 • -6.78db
11% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Eliza & The Delusionals
Give You Everything
101 bpm • A Maj • 03:23 • -3db
19% Popularity • 46% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 46% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Aly & AJ
Way Way Back
107 bpm • C Maj • 03:57 • -7.88db
26% Popularity • 63% Danceability • 51% Energy • 11% Liveness
23% Instrumentalness • 32% Positiveness
26% Popularity • 63% Danceability • 51% Energy • 11% Liveness
23% Instrumentalness • 32% Positiveness
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Mvlholland
Foreign Obstacles
101 bpm • C Maj • 03:47 • -5.87db
12% Popularity • 72% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 72% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Meg Mac
Head On The Pillow
107 bpm • D Maj • 02:54 • -6.38db
19% Popularity • 50% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 50% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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KT Tunstall
Tiger Suit
107 bpm • B min • 03:40 • -10.82db
10% Popularity • 60% Danceability • 63% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
10% Popularity • 60% Danceability • 63% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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RocKwiz
Crazy in Love
101 bpm • F Maj • 02:59 • -2.31db
12% Popularity • 51% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 51% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Azure Ryder
Some Kind Of Love
108 bpm • A min • 03:48 • -7db
31% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Nina Nesbitt
Dinner Table
100 bpm • E Maj • 03:30 • -7.27db
20% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Kate Miller-Heidke
Simpatico
108 bpm • F Maj • 03:43 • -7db
29% Popularity • 79% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 79% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Hermitage Green
Got to Give
108 bpm • G min • 03:58 • -7.09db
18% Popularity • 76% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 76% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Bobbi Arlo
FEVER THOUGHTS
100 bpm • D Maj • 03:24 • -7.4db
19% Popularity • 60% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 60% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Self Esteem
Hobbies 2
100 bpm • C# min • 03:46 • -7.73db
31% Popularity • 78% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 78% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Darren Hayes
Poison Blood
100 bpm • F# min • 04:02 • -6.79db
14% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Ward Thomas
Music In The Madness
100 bpm • G Maj • 03:09 • -6.4db
23% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Owen
Boy
100 bpm • D# Maj • 03:47 • -6.6db
17% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Jess Day
Naked
100 bpm • A# Maj • 03:12 • -3.83db
16% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Tori Amos
Speaking With Trees
100 bpm • C# min • 03:55 • -8.77db
35% Popularity • 62% Danceability • 63% Energy • 10% Liveness
62% Instrumentalness • 59% Positiveness
35% Popularity • 62% Danceability • 63% Energy • 10% Liveness
62% Instrumentalness • 59% Positiveness
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Delta Goodrem
Kill Them With Kindness
100 bpm • F Maj • 03:25 • -3.66db
24% Popularity • 65% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 65% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Sigrid
Risk Of Getting Hurt
100 bpm • C# Maj • 03:00 • -5.99db
35% Popularity • 56% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 56% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Kyla La Grange
Neverland
100 bpm • B Maj • 04:15 • -6.33db
26% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Thelma Plum
Body Do The Talking
100 bpm • G Maj • 02:26 • -8.84db
36% Popularity • 83% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 83% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Tim Chadwick
You're (Still) in Love
100 bpm • G Maj • 04:20 • -8.23db
12% Popularity • 58% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 58% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Imogen Clark
First Class Man
100 bpm • D min • 03:40 • -6.59db
17% Popularity • 55% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 55% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Miller-Heidke
Deluded
100 bpm • F Maj • 03:26 • -6.6db
23% Popularity • 69% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 69% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Georgia Lines
Faith
109 bpm • F Maj • 03:25 • -6.96db
14% Popularity • 76% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 76% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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King Princess
Change the Locks
109 bpm • F Maj • 04:29 • -7.8db
36% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Kat Cunning
Boys
109 bpm • E Maj • 03:35 • -5.5db
22% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Azure Ryder
Ladder to the Moon
99 bpm • E min • 03:31 • -6.37db
27% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Telenova
Bones (Edit)
99 bpm • E min • 03:57 • -5.24db
15% Popularity • 67% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 67% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Lexi Berg
Into the Sea
109 bpm • G min • 04:23 • -7.33db
9% Popularity • 59% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 59% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Meg Mac
Letter
110 bpm • C Maj • 03:09 • -7db
36% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Florrie
Communicate
98 bpm • C Maj • 02:50 • -4.89db
30% Popularity • 67% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 67% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Gin Wigmore
Hand Over Heart
110 bpm • F Maj • 03:22 • -4.83db
20% Popularity • 67% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 67% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Nash
Imperfect
110 bpm • C Maj • 02:56 • -3.2db
36% Popularity • 80% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 80% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Emma Blackery
More Fool Me
110 bpm • C Maj • 04:02 • -9.08db
9% Popularity • 70% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 70% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Pyke
Your Heart Won't Always Weigh a Tonne
110 bpm • F# Maj • 03:43 • -7.09db
9% Popularity • 54% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 54% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Azure Ryder
Stir The Dust
110 bpm • C Maj • 03:15 • -7.71db
29% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Caveboy
Find Me
98 bpm • F Maj • 03:31 • -6.46db
11% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Benjamin Northey
Elysian Fields - Live at the Sydney Oper...
98 bpm • F Maj • 04:11 • -17.47db
4% Popularity • 30% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 30% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 7% Positiveness
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Pillow Queens
When You're Gone
98 bpm • D# Maj • 04:25 • -6.42db
23% Popularity • 52% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 52% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Delta Goodrem
Billionaire
98 bpm • E min • 04:14 • -4.43db
22% Popularity • 51% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 51% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Hermitude
Heart-Shaped Box - triple j Like A Versi...
98 bpm • G# min • 04:11 • -10.85db
32% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Meg Mac
Is It Worth Being Sad
98 bpm • F Maj • 04:01 • -7db
29% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Greta Stanley
Plant My Feet
98 bpm • C Maj • 03:33 • -8db
19% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Emily Wurramara
Blue Moon, Black Sea
98 bpm • G min • 04:06 • -14db
24% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Kate Miller-Heidke
Ernie
111 bpm • C Maj • 03:32 • -8.28db
15% Popularity • 44% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 44% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Double Dragon
Asena
98 bpm • G# Maj • 07:32 • -5.68db
0% Popularity • 27% Danceability • 96% Energy • 7% Liveness
7% Instrumentalness • 17% Positiveness
0% Popularity • 27% Danceability • 96% Energy • 7% Liveness
7% Instrumentalness • 17% Positiveness
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Meg Washington
Mr Brightside
111 bpm • C# Maj • 04:26 • -10db
20% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Delta Rae
Take Me There (OurVinyl Sessions)
111 bpm • F Maj • 03:58 • -7.86db
11% Popularity • 58% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 58% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Delta Goodrem
I Believe In a Thing Called Love
111 bpm • D# Maj • 03:35 • -6.35db
29% Popularity • 38% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 38% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Sophie Auster
Let's Get Lost
97 bpm • E Maj • 03:36 • -10.54db
15% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ward Thomas
Don't Be a Stranger
97 bpm • C# min • 03:18 • -5.05db
24% Popularity • 68% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 68% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Germein
Good For A Girl
97 bpm • B Maj • 02:50 • -9.11db
16% Popularity • 73% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 73% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Lisa Mitchell
Everything Is Free
112 bpm • C Maj • 04:17 • -9db
33% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Azure Ryder
Feeling Good
112 bpm • G min • 02:51 • -7db
21% Popularity • 43% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 43% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Alisa Xayalith
High Fidelity
112 bpm • A Maj • 03:30 • -8.11db
24% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kate Miller-Heidke
Beautiful Darling
112 bpm • C Maj • 04:01 • -8db
11% Popularity • 52% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 52% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Heather Small
Love Me or Not
112 bpm • F# Maj • 03:38 • -4.54db
20% Popularity • 65% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 65% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Greta Stanley
Hope It Lands
112 bpm • C Maj • 03:55 • -6.73db
15% Popularity • 76% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 76% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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bexx
Hard To Love
112 bpm • F Maj • 03:42 • -6.49db
24% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Olivia Broadfield
Close Up
112 bpm • C# min • 03:38 • -12.44db
25% Popularity • 62% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 62% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Sigrid
Grow
96 bpm • E Maj • 03:13 • -10.66db
35% Popularity • 29% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 29% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Kate Miller-Heidke
The Devil Wears A Suit
112 bpm • A min • 04:45 • -10.86db
19% Popularity • 38% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 38% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Griff
Head On Fire
96 bpm • D Maj • 03:31 • -5.04db
36% Popularity • 66% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 66% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Thelma Plum
Homecoming Queen Strings
96 bpm • B Maj • 04:22 • -9.57db
24% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Benjamin Northey
Humiliation - Live at the Sydney Opera H...
113 bpm • F Maj • 06:33 • -14.75db
2% Popularity • 76% Danceability • 43% Energy • 71% Liveness
2% Instrumentalness • 53% Positiveness
2% Popularity • 76% Danceability • 43% Energy • 71% Liveness
2% Instrumentalness • 53% Positiveness
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Serena Ryder
Waterfall
95 bpm • E min • 02:38 • -5.38db
16% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Johnson
Where? - Live in Sydney, 2015
95 bpm • C# Maj • 05:23 • -9.56db
3% Popularity • 24% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
3% Popularity • 24% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Kate Miller-Heidke
Child Of Divorce
95 bpm • E Maj • 03:22 • -8.38db
12% Popularity • 79% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 79% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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Florrie
What If I'm Wrong
95 bpm • C# min • 02:52 • -7.13db
19% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Griff
Head on Fire
96 bpm • D Maj • 03:08 • -6.07db
57% Popularity • 69% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 69% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Delta Goodrem
The Power
114 bpm • E min • 03:46 • -4.67db
28% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Vera Blue
Feel Better
114 bpm • B min • 03:07 • -8db
33% Popularity • 77% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 77% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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newfamiliar
Trust
115 bpm • C# min • 02:56 • -8.16db
13% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Charlotte OC
Bad Bitch
114 bpm • C Maj • 02:34 • -7.32db
27% Popularity • 62% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 62% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Azure Ryder
Lover Be Brave
115 bpm • A Maj • 03:15 • -8.31db
21% Popularity • 55% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 55% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Sophie Blair
It's Okay to Cry
115 bpm • D Maj • 04:10 • -11.28db
10% Popularity • 73% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 73% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
