Songs like You Expect Me To Not Be Inlove? by BEXY
Based on a tempo of (+/- 10%) and a similar genre
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N. Kerbin
Everything Hurts
140 bpm • F Maj • 03:44 • -18.97db
11% Popularity • 47% Danceability • 20% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
11% Popularity • 47% Danceability • 20% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
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BEXY
You Expect Me To Not Be Inlove?
139 bpm • D Maj • 03:01 • -10.91db
3% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
3% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Boundary Run
Ready To Fall
140 bpm • D Maj • 02:54 • -11.76db
48% Popularity • 28% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
48% Popularity • 28% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
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Fiona Harte
Permanent
140 bpm • E Maj • 03:33 • -11.92db
12% Popularity • 68% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 68% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Haiva Ru
Wildflowers
140 bpm • B Maj • 03:34 • -10.84db
30% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Nick Ward
Holding The Man
140 bpm • B Maj • 03:03 • -10.44db
18% Popularity • 70% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 70% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
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Rod Coote
Easy to Love
140 bpm • G Maj • 03:58 • -14.05db
22% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Chris Lanzon
Always Forever
140 bpm • E Maj • 02:34 • -13.43db
25% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Boundary Run
Keep Me Safe
140 bpm • G Maj • 03:29 • -12.27db
37% Popularity • 49% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
37% Popularity • 49% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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SYML
Harvest Moon
138 bpm • C Maj • 03:43 • -15db
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 18% Positiveness
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 18% Positiveness
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Jenny Kern
Coming Back For Me
140 bpm • E Maj • 03:02 • -10.94db
13% Popularity • 64% Danceability • 48% Energy • 9% Liveness
18% Instrumentalness • 42% Positiveness
13% Popularity • 64% Danceability • 48% Energy • 9% Liveness
18% Instrumentalness • 42% Positiveness
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Benji Lewis
Peaceful
140 bpm • C# Maj • 03:02 • -7.94db
33% Popularity • 77% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 77% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Bre Kennedy
Progress
140 bpm • G# Maj • 03:55 • -11.23db
30% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Delacey
Boy With The Blues
138 bpm • A Maj • 02:55 • -11.53db
42% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Alexander Biggs
Laundromat
140 bpm • E Maj • 03:55 • -12.62db
27% Popularity • 56% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 56% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Emma Bradley
Perfumed by You
140 bpm • A min • 03:08 • -11.73db
19% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
41% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Tom Young
Lost in Blue
138 bpm • B Maj • 02:40 • -13.34db
28% Popularity • 56% Danceability • 36% Energy • 6% Liveness
5% Instrumentalness • 22% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 6% Liveness
5% Instrumentalness • 22% Positiveness
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Justin Lee
Come Away With Me
140 bpm • C# min • 02:11 • -19.55db
45% Popularity • 66% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 66% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Emmit Fenn
Lullaby
140 bpm • D# Maj • 04:30 • -23db
36% Popularity • 52% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 52% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Gordi
Volcanic
140 bpm • C Maj • 03:13 • -11.94db
18% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Portair
Alaska
140 bpm • G min • 03:22 • -8.29db
38% Popularity • 37% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 37% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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George David
Gin & Tonics
138 bpm • D# min • 02:31 • -13.56db
31% Popularity • 46% Danceability • 28% Energy • 27% Liveness
9% Instrumentalness • 40% Positiveness
31% Popularity • 46% Danceability • 28% Energy • 27% Liveness
9% Instrumentalness • 40% Positiveness
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Mountain Boy
Morning Heat
141 bpm • D# Maj • 04:12 • -15.47db
29% Popularity • 32% Danceability • 26% Energy • 12% Liveness
40% Instrumentalness • 14% Positiveness
29% Popularity • 32% Danceability • 26% Energy • 12% Liveness
40% Instrumentalness • 14% Positiveness
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Bootstraps
I'd Rather Be Blue
141 bpm • A# Maj • 03:43 • -9.77db
20% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Hayden Everett
Loud
141 bpm • F# min • 05:22 • -9.44db
32% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Emilee Moore
I Need Some Air
137 bpm • B Maj • 04:11 • -9.89db
14% Popularity • 58% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 58% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Lucy Blue
First Man On The Moon
137 bpm • A Maj • 03:31 • -11.26db
21% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Matt Ryder
A New Way Home
141 bpm • A Maj • 02:34 • -16.24db
25% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Charli Adams
Seventeen Again
141 bpm • D# Maj • 03:24 • -10.9db
40% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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LAUREL
Empty Kisses
136 bpm • F min • 04:23 • -7.31db
29% Popularity • 71% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 71% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Lennon Stella
Pretty Boy - Acoustic
136 bpm • F min • 03:03 • -11.05db
20% Popularity • 46% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 46% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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LUME
Silent
136 bpm • D Maj • 03:32 • -8.83db
19% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Blakey
Age
142 bpm • G# Maj • 02:54 • -12.46db
26% Popularity • 72% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 72% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Paige Valentine
Don’t Tell Her
142 bpm • G Maj • 04:23 • -7.03db
29% Popularity • 28% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 28% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Rod Coote
Wild Pine
136 bpm • D Maj • 03:49 • -12.25db
31% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Gretta Ray
Re: Stacks
136 bpm • F Maj • 04:25 • -16.29db
39% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Gordi
Radiator
136 bpm • G Maj • 02:55 • -14.22db
13% Popularity • 43% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 43% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Olivia Dean
What Am I Gonna Do On Sundays?
136 bpm • A# Maj • 03:29 • -9db
49% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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LUME
Edge of My Seat
143 bpm • B Maj • 03:40 • -12db
31% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Lonas
Quiver
143 bpm • E Maj • 04:11 • -11db
36% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Charli Adams
Superpowers
143 bpm • B Maj • 03:04 • -14.33db
27% Popularity • 54% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 54% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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mou
either way
135 bpm • F min • 03:39 • -12.51db
17% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Julia Wallace
Warm Light
135 bpm • F# Maj • 02:57 • -14.13db
23% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lilly Carron
ugly cry
143 bpm • F# Maj • 03:24 • -12.41db
12% Popularity • 64% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 64% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Billie Flynn
Someone's Daughter
135 bpm • D Maj • 03:32 • -11.83db
14% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lonas
Wasted
135 bpm • D Maj • 03:41 • -11.38db
21% Popularity • 57% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
21% Popularity • 57% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Cooza
I Can See New Zealand From Here
135 bpm • F Maj • 02:03 • -16.03db
36% Popularity • 58% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 58% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Becca Roth
Find Me
144 bpm • C Maj • 03:24 • -8.93db
35% Popularity • 49% Danceability • 47% Energy • 10% Liveness
64% Instrumentalness • 33% Positiveness
35% Popularity • 49% Danceability • 47% Energy • 10% Liveness
64% Instrumentalness • 33% Positiveness
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NIKKITA
Postcard Lover
143 bpm • A# Maj • 03:15 • -17.15db
31% Popularity • 33% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
31% Popularity • 33% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Lo Beeston
together, you and i
144 bpm • E min • 02:51 • -11db
31% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
31% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Julia Church
Let Me Down (Easy)
144 bpm • C Maj • 04:04 • -8.39db
9% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Little Green
the night
144 bpm • A# Maj • 03:11 • -10.65db
13% Popularity • 36% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 28% Positiveness
13% Popularity • 36% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 28% Positiveness
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Nathan Ball
Right Place
134 bpm • E Maj • 03:45 • -14.9db
26% Popularity • 64% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
26% Popularity • 64% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Lilly Carron
Talk To Me
134 bpm • C Maj • 02:50 • -7.78db
23% Popularity • 33% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 33% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
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Jackson Wooten
Flower
144 bpm • C Maj • 04:26 • -11.53db
23% Popularity • 51% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
23% Popularity • 51% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Mathilda Homer
Too Much
134 bpm • C min • 03:41 • -10.56db
29% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
29% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Julia Church
Cups and Balloons
144 bpm • C# min • 04:04 • -8db
34% Popularity • 30% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 30% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kevin Paris
Loneliness
144 bpm • G# Maj • 04:46 • -15.19db
12% Popularity • 56% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 56% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ewan J Phillips
Would You Love Me the Same
134 bpm • F# min • 03:02 • -7.69db
23% Popularity • 36% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 36% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Harvest Son
Back to Life
144 bpm • F Maj • 03:27 • -13.88db
33% Popularity • 52% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 52% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Ok Moon
Just in Time
134 bpm • G Maj • 04:28 • -11.75db
16% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ocean Pleasant
Undone
134 bpm • E min • 02:58 • -10.33db
39% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
39% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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The Kite String Tangle
KILLING TIME - Acoustic
134 bpm • D Maj • 02:43 • -8.03db
28% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sierra Eagleson
Midnight Hour
134 bpm • F Maj • 03:42 • -17.87db
32% Popularity • 59% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 36% Positiveness
32% Popularity • 59% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 36% Positiveness
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The Paper Kites
Lonely
145 bpm • A# Maj • 03:42 • -13.56db
25% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
35% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
35% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Dylan Fraser
Losing Sleep
145 bpm • A Maj • 03:42 • -6db
28% Popularity • 64% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 64% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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BEXY
Bury Me in Flowers
133 bpm • E Maj • 03:27 • -16.3db
3% Popularity • 67% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 67% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Hayden Everett
Kennecott
133 bpm • G Maj • 03:28 • -10.21db
28% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Be Charlotte
i need the lights off
145 bpm • F# min • 03:10 • -11.82db
40% Popularity • 39% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 39% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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George Taylor
Roses
133 bpm • C Maj • 04:22 • -6.64db
44% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Nick Wilson
Yours to Take
146 bpm • A# Maj • 02:57 • -10.25db
19% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
38% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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BEXY
Love Like the Movies
133 bpm • C Maj • 02:58 • -7.43db
2% Popularity • 58% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
2% Popularity • 58% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Gretta Ray
Heal You in Time
132 bpm • G min • 03:56 • -12.81db
19% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kathleen
Asking the Aspens
132 bpm • D# Maj • 02:49 • -10db
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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REUNIØN
Way Out West
146 bpm • F Maj • 03:54 • -12.27db
23% Popularity • 31% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 31% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nick Wilson
Enough to Know You
146 bpm • D# Maj • 03:25 • -9db
31% Popularity • 48% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 48% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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alayna
Tender
132 bpm • F# min • 03:16 • -9.24db
39% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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sød ven
reborn
132 bpm • C min • 03:44 • -16.35db
34% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Ocie Elliott
Back Door Run
132 bpm • B min • 03:33 • -11.95db
45% Popularity • 70% Danceability • 27% Energy • 8% Liveness
35% Instrumentalness • 30% Positiveness
45% Popularity • 70% Danceability • 27% Energy • 8% Liveness
35% Instrumentalness • 30% Positiveness
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Cj Pandit
New York Time
132 bpm • A Maj • 04:12 • -12.55db
16% Popularity • 56% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 56% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Abby Wolfe
Held by You
132 bpm • E min • 04:04 • -7.49db
16% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Nick Wilson
Into You
132 bpm • G Maj • 04:46 • -5.54db
32% Popularity • 34% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 34% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Emmit Fenn
What Falling in Love Is For - Acoustic
132 bpm • F Maj • 02:17 • -17.74db
40% Popularity • 58% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 58% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Paige Valentine
Pure
147 bpm • F# Maj • 03:39 • -8.92db
19% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rona Mac
Smoke
131 bpm • E Maj • 03:38 • -13.54db
32% Popularity • 53% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 53% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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sød ven
feel it all
148 bpm • G# Maj • 03:14 • -12.53db
42% Popularity • 52% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 30% Positiveness
42% Popularity • 52% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 30% Positiveness
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Greta Stanley
Somebodies
148 bpm • A# Maj • 02:20 • -16.27db
45% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lydia Clowes
Hymn for Her
130 bpm • G min • 03:18 • -11db
30% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Ewan J Phillips
The Art Of Letting You Go
148 bpm • A Maj • 03:33 • -12.11db
39% Popularity • 52% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 52% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander Biggs
Madeleine
130 bpm • G# Maj • 03:00 • -9.89db
29% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Luca George
All For You
130 bpm • C Maj • 03:33 • -12.73db
34% Popularity • 32% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 32% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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I See Rivers
We Don't Get More Time
130 bpm • A min • 02:36 • -12.44db
22% Popularity • 57% Danceability • 36% Energy • 23% Liveness
2% Instrumentalness • 9% Positiveness
22% Popularity • 57% Danceability • 36% Energy • 23% Liveness
2% Instrumentalness • 9% Positiveness
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Tornado Club
No Surprise - Stripped Back
130 bpm • G Maj • 03:49 • -9.88db
8% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Haux
Salt
130 bpm • G min • 04:07 • -17.99db
45% Popularity • 54% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
45% Popularity • 54% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
