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You Go to My Head
Songs like
You Go to My Head
by
Betty Carter
Based on a tempo of (+/- 10%) and a similar genre
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Billy Taylor
Solace
83 bpm • G# Maj • 02:35 • -19db
42% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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Anita O'Day
Beautiful Love
83 bpm • F min • 02:40 • -17.68db
47% Popularity • 65% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Ben Webster Quintet
Where Are You?
83 bpm • G# min • 04:43 • -21.06db
28% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Morgana King
Bill
83 bpm • G Maj • 02:47 • -18.36db
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Carmen McRae
Something To Live For
84 bpm • C Maj • 03:11 • -14.28db
35% Popularity • 33% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Roy Eldridge
Echoes of Harlem
82 bpm • F min • 02:48 • -10.45db
19% Popularity • 60% Danceability • 23% Energy • 12% Liveness
24% Instrumentalness • 49% Positiveness
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Cyrille Aimee
Softly, as in a Morning Sunrise
82 bpm • G min • 04:35 • -16.09db
33% Popularity • 59% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Eddie "Lockjaw" Davis
You Stepped Out Of A Dream
82 bpm • G# Maj • 03:04 • -9.82db
27% Popularity • 63% Danceability • 29% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
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Betty Carter
Everybody's Somebody's Fool
85 bpm • A# Maj • 02:46 • -17.73db
5% Popularity • 38% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lou Donaldson
Green Eyes
82 bpm • F min • 05:19 • -13.57db
44% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Gloria Lynne
I'm Gonna Laugh You Right Out Of My Life
81 bpm • C Maj • 02:56 • -13.21db
9% Popularity • 32% Danceability • 20% Energy • 23% Liveness
2% Instrumentalness • 10% Positiveness
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Ahmad Jamal
It Ain't Necessarily So
85 bpm • A min • 03:00 • -15.16db
38% Popularity • 52% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 22% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
49% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Johnny Hodges & His Orchestra
Satin Doll
85 bpm • D Maj • 05:01 • -19db
35% Popularity • 60% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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Scott Hamilton
Maybe September
85 bpm • F min • 03:40 • -22.44db
38% Popularity • 36% Danceability • 3% Energy • 13% Liveness
24% Instrumentalness • 23% Positiveness
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Benny Golson
Thursday's Theme
81 bpm • C Maj • 07:38 • -22.11db
33% Popularity • 48% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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The Ben Webster Quintet
Time On My Hands
85 bpm • D Maj • 04:19 • -20.78db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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The Modern Jazz Quartet
Softly As In A Morning Sunrise
81 bpm • C min • 03:29 • -10db
48% Popularity • 63% Danceability • 33% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Ferber
Waiter, Ask The Man To Play The Blues
81 bpm • G min • 02:17 • -17.97db
33% Popularity • 60% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Carmen McRae
What a Little Moonlight Can Do
81 bpm • G Maj • 03:31 • -10.69db
41% Popularity • 56% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
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Ethel Waters
Baby, What Else Can I Do?
80 bpm • F Maj • 02:57 • -15.73db
35% Popularity • 49% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Margaret Whiting
You Couldn't Be Cuter
80 bpm • C# Maj • 02:02 • -13.81db
43% Popularity • 72% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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James Moody
Moody's Mood For Love (I'm In The Mood F...
86 bpm • C# Maj • 03:13 • -10.79db
19% Popularity • 50% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Eckstine
Days of Wine and Roses
86 bpm • G# Maj • 02:50 • -15db
32% Popularity • 37% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Irene Kral
Love Came On Stealthy Fingers
80 bpm • D min • 03:10 • -16.79db
31% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Betty Carter
When I Fall in Love
86 bpm • C Maj • 03:00 • -14.84db
6% Popularity • 29% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Jimmy Scott
Our Day Will Come
86 bpm • A# min • 03:50 • -14.69db
31% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Dean Martin
I've Grown Accustomed To Her Face - Rema...
79 bpm • C Maj • 02:42 • -16db
51% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ahmad Jamal
For All We Know
80 bpm • C Maj • 02:47 • -20.31db
51% Popularity • 60% Danceability • 13% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
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Dorothy Dandridge
I've Grown Accustomed To Your Face
87 bpm • D# Maj • 01:51 • -16.81db
32% Popularity • 42% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Vanessa Rubin
Comes Love
79 bpm • A# Maj • 03:14 • -14db
29% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Morgana King
Frankie And Johnny
87 bpm • D# Maj • 02:40 • -12.92db
25% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ray Charles
Cocktails for Two
79 bpm • C min • 03:12 • -17.58db
28% Popularity • 40% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sheila Jordan
Let's Face The Music And Dance
79 bpm • A min • 01:14 • -12.31db
25% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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King Pleasure
Farmer's Market
88 bpm • C# Maj • 02:43 • -11.71db
29% Popularity • 64% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Dorothy Dandridge
That Old Feeling
88 bpm • C min • 03:08 • -16db
28% Popularity • 44% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Gene Ammons
Angel Eyes
88 bpm • C min • 08:48 • -15.13db
36% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Morgana King
For You, For Me, For Evermore
78 bpm • A# Maj • 03:07 • -18db
26% Popularity • 26% Danceability • 15% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
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Jane Monheit
The Man That Got Away
78 bpm • A# Maj • 05:29 • -12.33db
35% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Veronica Swift
Confession / The Other Woman
78 bpm • G min • 06:43 • -15.4db
39% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Shelly Manne
Slowly
78 bpm • F min • 05:33 • -18.16db
31% Popularity • 37% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 34% Positiveness
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Dorothy Dandridge
The Nearness Of You
88 bpm • G Maj • 03:20 • -18.34db
25% Popularity • 42% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Stanley Turrentine
Dorene Don't Cry, I - Remastered
78 bpm • A# Maj • 06:14 • -11db
42% Popularity • 36% Danceability • 14% Energy • 24% Liveness
29% Instrumentalness • 14% Positiveness
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Shirley Horn
Do It Again
78 bpm • C Maj • 02:57 • -21db
47% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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John Lewis
I Remember Clifford
78 bpm • D# Maj • 03:30 • -28.19db
39% Popularity • 47% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
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Dakota Staton
In the Night
78 bpm • F# min • 02:04 • -9db
36% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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McCoy Tyner
We'll Be Together Again
78 bpm • G# Maj • 03:40 • -20.72db
51% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Lou Donaldson
Play Ray
78 bpm • D# Maj • 05:31 • -17.34db
41% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Sonny Rollins Quartet
Paul's Pal - Rudy Van Gelder Remaster
77 bpm • G Maj • 05:09 • -12.71db
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Joe Williams
A Woman - Remastered
89 bpm • F# Maj • 02:45 • -22.18db
20% Popularity • 39% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Betty Carter
All I've Got - Digitally Remastered
89 bpm • C min • 02:15 • -12.03db
0% Popularity • 66% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Dorothy Dandridge
It's A Beautiful Evening
77 bpm • G Maj • 02:40 • -12.13db
26% Popularity • 20% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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John Coltrane Quartet
They Say It's Wonderful
77 bpm • F# Maj • 03:02 • -17.22db
53% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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The Cannonball Adderley Quintet
Stars Fell On Alabama
77 bpm • A# Maj • 06:14 • -15db
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Jackie Paris
If Love Is Good To Me
90 bpm • A# Maj • 03:13 • -19.15db
32% Popularity • 31% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Cyrille Aimee
I'll Be Seeing You
90 bpm • F min • 03:19 • -18.35db
43% Popularity • 58% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Betty Carter
Jazz (Ain't Nothin' But Soul)
77 bpm • C min • 01:56 • -10.63db
43% Popularity • 63% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Dorothy Dandridge
It's Easy To Remember
90 bpm • F min • 02:25 • -19.62db
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sonny Rollins
Manhattan
90 bpm • G# Maj • 04:30 • -16db
37% Popularity • 60% Danceability • 14% Energy • 21% Liveness
9% Instrumentalness • 38% Positiveness
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Karrin Allyson
How Long Has This Been Going On?
76 bpm • A# min • 05:39 • -21.29db
44% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Mark Murphy
I Got Rhythm
76 bpm • A min • 02:24 • -15.59db
26% Popularity • 45% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Art Tatum
Stormy Weather
75 bpm • F min • 03:14 • -19.61db
37% Popularity • 54% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 34% Positiveness
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Jeri Southern
Weren't We Fools
91 bpm • C Maj • 02:49 • -12.57db
32% Popularity • 25% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 11% Positiveness
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Shirley Horn
Love For Sale
75 bpm • F min • 03:51 • -20.39db
42% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sonny Rollins
Solitude
76 bpm • F# Maj • 07:51 • -20.19db
43% Popularity • 48% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
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Betty Carter
Some Other Time
92 bpm • C Maj • 03:48 • -19db
24% Popularity • 29% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Gerry Mulligan Quartet
The Nearness Of You
75 bpm • D# Maj • 02:53 • -15.44db
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Irene Kral
Memphis In June
92 bpm • G# Maj • 02:55 • -13.85db
27% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Margaret Whiting
A Fine Romance
75 bpm • G min • 03:35 • -14.67db
20% Popularity • 74% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Mary Lou Williams
Love Roots
75 bpm • C Maj • 02:02 • -17.76db
23% Popularity • 36% Danceability • 25% Energy • 13% Liveness
93% Instrumentalness • 12% Positiveness
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Stanley Turrentine & The Three Sounds
Willow Weep For Me - Remastered/2000
92 bpm • D min • 09:55 • -16db
31% Popularity • 56% Danceability • 9% Energy • 27% Liveness
77% Instrumentalness • 26% Positiveness
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Lena Horne
How Long Has This Been Going On?
75 bpm • A min • 03:23 • -14db
35% Popularity • 47% Danceability • 10% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Hank Mobley
Little Girl Blue
92 bpm • G# Maj • 08:43 • -20db
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Irene Kral
I'd Know You Anywhere
75 bpm • G Maj • 02:11 • -6.41db
37% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Fred Astaire
Isn't This A Lovely Day
75 bpm • C Maj • 04:23 • -23db
44% Popularity • 49% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sheila Jordan
If You Could See Me Now
93 bpm • A min • 04:32 • -23.03db
10% Popularity • 28% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Gene Ammons
You Go To My Head
74 bpm • F min • 05:56 • -18db
29% Popularity • 61% Danceability • 8% Energy • 14% Liveness
36% Instrumentalness • 30% Positiveness
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Abbey Lincoln
Do Nothing 'Til You Hear From Me
74 bpm • G Maj • 02:16 • -10db
39% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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The Ben Webster Quintet
Makin' Whoopee
93 bpm • G# Maj • 04:31 • -19.13db
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
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Veronica Swift
Prisoner of Love
74 bpm • C# Maj • 04:16 • -12.57db
41% Popularity • 47% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Jimmy Scott
I Wish I Knew
94 bpm • G Maj • 04:24 • -15.52db
17% Popularity • 39% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sheila Jordan
Am I Blue
74 bpm • C Maj • 04:12 • -22.77db
12% Popularity • 29% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Betty Carter
It's A Big Wide Wonderful World
94 bpm • F Maj • 01:50 • -13.19db
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Gene Ammons
My Foolish Heart
74 bpm • C min • 02:46 • -13db
38% Popularity • 31% Danceability • 12% Energy • 16% Liveness
33% Instrumentalness • 26% Positiveness
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Chris Connor
I've Got A Crush On You
94 bpm • D min • 02:18 • -20db
38% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Miles Davis Quintet
It Could Happen To You
94 bpm • F min • 06:36 • -11db
47% Popularity • 62% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
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Red Garland Trio
Rain
94 bpm • G# Maj • 04:14 • -13.33db
39% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
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Anita O'Day
Angel Eyes
95 bpm • D# Maj • 03:39 • -21.54db
40% Popularity • 37% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Hank Mobley
A Dab Of This And That
94 bpm • F min • 05:12 • -10.5db
40% Popularity • 59% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Gloria Lynne
April in Paris
95 bpm • G# Maj • 03:06 • -12.02db
29% Popularity • 62% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Morgana King
Everything I Love
96 bpm • A# Maj • 03:19 • -17.16db
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Dakota Staton
I Hear Music
96 bpm • F min • 02:33 • -6.8db
33% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Red Garland Trio
'Tis Autumn
72 bpm • C min • 09:07 • -18db
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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Jeri Southern
You Better Go Now
72 bpm • G# Maj • 03:02 • -16db
40% Popularity • 18% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Hank Mobley
My Sin - Remastered 2000/Rudy Van Gelder...
95 bpm • G# min • 06:53 • -17.37db
41% Popularity • 50% Danceability • 8% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Gene Ammons
Here's That Rainy Day
96 bpm • F Maj • 06:07 • -15db
42% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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You Go to My Head