Songs like You Got Me Reeling and Rocking - Remastered by Roy Milton
Based on a tempo of (+/- 10%) and a similar genre
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Roy Milton
So Tired
168 bpm • D# Maj • 03:28 • -19.81db
0% Popularity • 40% Danceability • 10% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
0% Popularity • 40% Danceability • 10% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
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Bull Moose Jackson
Why Don't You Haul Off And Love Me
168 bpm • D# Maj • 03:02 • -10.04db
11% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Larry Williams
Little School Girl
168 bpm • G Maj • 01:53 • -10.36db
17% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Calvin Boze and His All Stars
Safronia B
168 bpm • G# Maj • 02:23 • -10db
27% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
27% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
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Ray Collins' Hot Club
Bopland
168 bpm • C Maj • 03:34 • -15.69db
9% Popularity • 47% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 47% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Don & Dewey
Justine
169 bpm • E Maj • 02:06 • -11db
12% Popularity • 53% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 53% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Roy Milton
You Got Me Reeling and Rocking - Remaste...
168 bpm • F Maj • 02:05 • -7.99db
22% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Wynona Carr
'Til The Well Runs Dry
167 bpm • G Maj • 02:04 • -8db
31% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
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Boyd Bennett
Seventeen
169 bpm • G min • 02:07 • -11db
15% Popularity • 52% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 52% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Calvin Boze and His All Stars
Safronia B
167 bpm • G# Maj • 02:23 • -11db
8% Popularity • 55% Danceability • 43% Energy • 34% Liveness
10% Instrumentalness • 83% Positiveness
8% Popularity • 55% Danceability • 43% Energy • 34% Liveness
10% Instrumentalness • 83% Positiveness
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Clarence "Frogman" Henry
Loving Cajun Style
167 bpm • F Maj • 01:58 • -10.74db
29% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Wild Bill Moore
We're Gonna Rock. We're Gonna Roll
169 bpm • C Maj • 02:37 • -10db
23% Popularity • 48% Danceability • 45% Energy • 10% Liveness
75% Instrumentalness • 75% Positiveness
23% Popularity • 48% Danceability • 45% Energy • 10% Liveness
75% Instrumentalness • 75% Positiveness
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Roy Milton
Camille's Boogie
167 bpm • G Maj • 02:29 • -13.21db
1% Popularity • 50% Danceability • 32% Energy • 11% Liveness
25% Instrumentalness • 69% Positiveness
1% Popularity • 50% Danceability • 32% Energy • 11% Liveness
25% Instrumentalness • 69% Positiveness
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Tiny Bradshaw
Bradshaw Boogie
167 bpm • G Maj • 01:54 • -6db
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Howlin' Wolf
Oh Red
166 bpm • C min • 02:44 • -8db
22% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Sid King & The Five Strings
Purr, Kitty, Purr
166 bpm • A Maj • 03:08 • -9.6db
12% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Bull Moose Jackson
Big Fat Mamas Are Back In Style Again
170 bpm • C Maj • 02:23 • -10db
12% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Wild Bill Moore
We're Gonna Rock, We're Gonna Roll
169 bpm • C Maj • 02:38 • -13db
9% Popularity • 45% Danceability • 33% Energy • 20% Liveness
87% Instrumentalness • 67% Positiveness
9% Popularity • 45% Danceability • 33% Energy • 20% Liveness
87% Instrumentalness • 67% Positiveness
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Jerry Reed
When I Found You
170 bpm • A Maj • 02:29 • -6.14db
20% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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H-Bomb Ferguson
Rock H-Bomb Rock
170 bpm • G# Maj • 02:07 • -3.84db
14% Popularity • 42% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 42% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Roy Milton
Hop Skip & Jump
170 bpm • G# Maj • 02:35 • -11db
9% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Clovers
Love Bug
170 bpm • A# min • 02:41 • -11.42db
10% Popularity • 56% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 56% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Five Keys
She's the Most
170 bpm • G# Maj • 02:12 • -9.92db
15% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Boyd Bennett
My Boy Flat Top
166 bpm • C min • 02:30 • -9db
13% Popularity • 68% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 68% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Ella Mae Morse
Razzle Dazzle
166 bpm • G# Maj • 02:45 • -8.1db
12% Popularity • 54% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 54% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Billy Lee Riley
Flyin' Saucers Rock 'n' Roll - Remastere...
165 bpm • D Maj • 02:02 • -8.97db
36% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Moon Mullican
Seven Nights To Rock
171 bpm • F min • 02:27 • -10db
20% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Clarence "Frogman" Henry
I'm in Love
165 bpm • C min • 02:31 • 2.62db
8% Popularity • 35% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 35% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 95% Positiveness
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The Five Keys
She's the Most
170 bpm • G# Maj • 02:08 • -8.59db
15% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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The Clovers
Hey, Miss Fannie
165 bpm • C# Maj • 02:26 • -12.2db
26% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Roy Milton
You Got Me Reelin' & Rockin'
171 bpm • F Maj • 02:03 • -11.41db
2% Popularity • 58% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
2% Popularity • 58% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Wynonie Harris
Wasn't That Good
165 bpm • D min • 02:26 • -6db
17% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Daddy Cleanhead
Something's Going On In My Room
165 bpm • F min • 02:13 • -13db
9% Popularity • 61% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 61% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Brook Benton
Hurtin’ Inside
171 bpm • C# Maj • 02:10 • -7.03db
5% Popularity • 47% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
5% Popularity • 47% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Jimmy Liggins and His Drops Of Joy
Drunk
164 bpm • C min • 02:30 • -14.28db
22% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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The Clovers
Love Love Love
171 bpm • F# Maj • 02:05 • -14.94db
21% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Champion Jack Dupree
Shake Baby Shake
172 bpm • C# Maj • 02:25 • -11db
20% Popularity • 53% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 85% Positiveness
20% Popularity • 53% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 85% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:24 • -9.79db
8% Popularity • 35% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 35% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Ray Collins' Hot Club
Right Eye's Jumping
172 bpm • A# Maj • 03:24 • -9.91db
14% Popularity • 49% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 49% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Roy Milton
Little Boy Blue
172 bpm • C Maj • 02:38 • -9.34db
1% Popularity • 49% Danceability • 56% Energy • 12% Liveness
76% Instrumentalness • 90% Positiveness
1% Popularity • 49% Danceability • 56% Energy • 12% Liveness
76% Instrumentalness • 90% Positiveness
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Dorothy Ellis
Drill, Daddy, Drill
172 bpm • C# Maj • 02:56 • -4.69db
7% Popularity • 53% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 53% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Bull Moose Jackson
Big Ten Inch Record
172 bpm • G# Maj • 02:15 • -7db
23% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Searchers
Wow Wow Baby
172 bpm • C Maj • 02:33 • -7db
16% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:27 • -8.55db
33% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Larry Williams
Peaches And Cream
172 bpm • G Maj • 02:01 • -13.78db
15% Popularity • 52% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 52% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Gene
Bom Bom Lulu
163 bpm • G min • 02:36 • -6.2db
14% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Hollywood Flames
Buzz, Buzz, Buzz
173 bpm • C Maj • 02:16 • -10db
35% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Mario Bradley
She's Got Me Hypnotised
174 bpm • F min • 03:13 • -6.42db
14% Popularity • 63% Danceability • 90% Energy • 51% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 63% Danceability • 90% Energy • 51% Liveness
0% Instrumentalness • 79% Positiveness
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The Searchers
Ooo Wee aka Ooo Nee
173 bpm • A# Maj • 02:13 • -6.96db
10% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Nappy Brown
Love Locks
173 bpm • G# Maj • 02:46 • -9.35db
16% Popularity • 67% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 67% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Paul Gayten
You Better Believe It
162 bpm • G Maj • 02:21 • -8.76db
8% Popularity • 60% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 60% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Lloyd Price
Mailman Blues
162 bpm • F min • 02:12 • -8.34db
30% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
30% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
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Wynonie Harris
Lovin' Machine
162 bpm • G# Maj • 02:30 • -2db
19% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Flamingos
Vooit Vooit (Jump Children)
162 bpm • G# Maj • 02:34 • -4.79db
8% Popularity • 55% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 55% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Wynona Carr
Boppity Bop (Boogity Boog)
162 bpm • G Maj • 02:27 • -8.65db
24% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Rogers
Rock This House
174 bpm • C Maj • 02:50 • -6.2db
32% Popularity • 62% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
32% Popularity • 62% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
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Billy Lee Riley
Red Hot - Remastered 2022
174 bpm • C Maj • 02:29 • -9.34db
41% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Roy Milton
Porter's Love Song
162 bpm • G min • 02:34 • -10.57db
1% Popularity • 53% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 53% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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The Hollywood Flames
Buzz Buzz Buzz
175 bpm • C Maj • 02:20 • -7.59db
14% Popularity • 45% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 45% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Clyde McPhatter
Deep Sea Ball
175 bpm • G min • 02:21 • -8.99db
14% Popularity • 58% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 58% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket
161 bpm • C Maj • 02:20 • -4.57db
28% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Cherry Casino & The Gamblers
She Loves To Rock
175 bpm • A Maj • 02:32 • -1.95db
10% Popularity • 69% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 69% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Rosco Gordon
Sally Jo
175 bpm • A Maj • 02:06 • -11.04db
14% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Ruth Brown
Lucky Lips
161 bpm • A# Maj • 02:09 • -12.04db
33% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Hall
Three Alley Cats
175 bpm • F min • 02:28 • -4db
26% Popularity • 65% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 65% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Stick McGhee & His Buddies
Drinkin' Wine Spo-Dee-O-Dee
176 bpm • C min • 03:15 • -13db
19% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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The Videos
Trickle, Trickle - Alternate Take
176 bpm • A# Maj • 02:00 • -8.86db
23% Popularity • 49% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 49% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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The Silhouettes
Heading for the Poorhouse
161 bpm • C Maj • 02:23 • -8.96db
9% Popularity • 64% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 64% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Joe Liggins
The Honeydripper
176 bpm • G Maj • 03:10 • -11.3db
16% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
16% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
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Ruth Brown
I Want to Do More
175 bpm • C Maj • 02:52 • -8db
20% Popularity • 78% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 78% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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H-Bomb Ferguson
Good Lovin'
176 bpm • D# Maj • 02:20 • -8.24db
9% Popularity • 49% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 49% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Lucky Millinder
Adam, Come and Get Your Rib
176 bpm • G# Maj • 02:23 • -4db
17% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny Otis
Good Golly
160 bpm • F min • 01:52 • -12.43db
18% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket (Alternate T...
159 bpm • F Maj • 02:22 • -7.9db
20% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
20% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Wynonie Harris
Blood Shot Eyes
177 bpm • G# Maj • 02:46 • -2db
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Brown
I Want To Do More (10-22-55)
176 bpm • C Maj • 02:50 • -5.81db
8% Popularity • 73% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 73% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Tiny Bradshaw
Breaking Up The House
177 bpm • G# Maj • 02:41 • -13.95db
10% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Smiley Lewis
Mama Don't Like It
159 bpm • G# Maj • 02:35 • -7db
13% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Roy Milton
Cryin' Won't Help You - Take 1
178 bpm • C Maj • 03:39 • -14.24db
1% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby Day
You Made a Boo Boo
178 bpm • C Maj • 01:59 • -6.07db
11% Popularity • 62% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 62% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
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Don & Dewey
Bim Bam
178 bpm • C Maj • 02:02 • -8.07db
7% Popularity • 50% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 50% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Brown
Mama, He Treats Your Daughter Mean
177 bpm • C Maj • 02:16 • -9.52db
17% Popularity • 60% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 60% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Tiny Bradshaw
Two Dry Bones On the Pantry Shelf (01-16...
178 bpm • G Maj • 01:55 • -7.24db
12% Popularity • 61% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 61% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Joe Liggins
Going Back To New Orleans
178 bpm • A min • 02:50 • -13db
28% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
28% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
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The Du Droppers
Boot 'Em Up
178 bpm • F min • 02:40 • -8.42db
8% Popularity • 56% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 56% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 81% Positiveness
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Larry Williams
Bony Moronie
158 bpm • C# Maj • 03:07 • -12db
42% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
42% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Bob Gaddy
I Love My Baby
157 bpm • G Maj • 02:30 • -12db
20% Popularity • 55% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 55% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Oscar McLollie
Hey Boy Hey Girl
157 bpm • C Maj • 02:41 • -10.95db
17% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Moon Mullican
Rock "N" Roll Mr. Bullfrog
180 bpm • D min • 02:46 • -10.41db
7% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Nappy Brown
Little By Little
179 bpm • F Maj • 02:34 • -9.81db
28% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Dean Beard
Rakin' And Scrapin'
180 bpm • G Maj • 02:19 • -9.1db
11% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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The Du Droppers
I Wanna Know
157 bpm • C min • 02:17 • -10.05db
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Wynona Carr
Nursery Rhyme Rock
181 bpm • C Maj • 01:56 • -9.03db
36% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Larry Williams
Slow Down
181 bpm • D Maj • 02:46 • -13db
33% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Archibald
Great Big Eyes (Those Little Reds) - Rem...
156 bpm • G Maj • 02:32 • -8db
11% Popularity • 56% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 56% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Bobby Charles
Later Alligator (See You Later, Alligato...
156 bpm • C Maj • 03:45 • -11.84db
25% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Smiley Lewis
She's Got Me Hook, Line and Sinker
181 bpm • G# Maj • 02:24 • -7.51db
13% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Treniers
Rock-A-Beatin' Boogie - 78rpm Version
156 bpm • C# Maj • 02:15 • -8.54db
8% Popularity • 53% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 53% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
