Songs like You Make Me Feel so Good by Clarence Nelson
Based on a tempo of (+/- 10%) and a similar genre
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Ruth Brown
Love Contest
120 bpm • A# min • 02:59 • -12db
11% Popularity • 76% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 76% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Glen Campbell
Rhinestone Cowboy
120 bpm • C Maj • 03:49 • -9.44db
14% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jr. Walker & The All Stars
Shotgun - The Motown Story: The 60s Vers...
120 bpm • C# Maj • 04:11 • -10.92db
7% Popularity • 76% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 76% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Clarence Nelson
You Make Me Feel so Good
120 bpm • B Maj • 02:45 • -4.84db
2% Popularity • 53% Danceability • 85% Energy • 65% Liveness
23% Instrumentalness • 74% Positiveness
2% Popularity • 53% Danceability • 85% Energy • 65% Liveness
23% Instrumentalness • 74% Positiveness
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Marvin Gaye
Pride And Joy - Album Version / Mono
119 bpm • D# Maj • 02:35 • -8.64db
32% Popularity • 62% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 62% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The Shirelles
Stop the Music
121 bpm • D Maj • 02:08 • -8.78db
16% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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James Brown
Papa's Got A Brand New Bag
119 bpm • G# Maj • 05:33 • -8.15db
18% Popularity • 87% Danceability • 89% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
18% Popularity • 87% Danceability • 89% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Thelma Jones
Only Yesterday
119 bpm • G Maj • 04:41 • -9.94db
23% Popularity • 43% Danceability • 38% Energy • 51% Liveness
9% Instrumentalness • 32% Positiveness
23% Popularity • 43% Danceability • 38% Energy • 51% Liveness
9% Instrumentalness • 32% Positiveness
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Tony Allan
Stick Around
119 bpm • G min • 02:29 • -11.7db
10% Popularity • 64% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 64% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Tommy Ridgley
I Want Some Money Baby
119 bpm • C min • 02:39 • -9.22db
11% Popularity • 60% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 60% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Peggy Lee
The Glory Of Love
119 bpm • C Maj • 02:36 • -10.33db
21% Popularity • 60% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 60% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Gladys Knight & The Pips
I've Got to Use My Imagination
121 bpm • A min • 03:30 • -12.11db
39% Popularity • 93% Danceability • 76% Energy • 7% Liveness
5% Instrumentalness • 97% Positiveness
39% Popularity • 93% Danceability • 76% Energy • 7% Liveness
5% Instrumentalness • 97% Positiveness
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Irma Thomas
Break-A-Way - Remastered
121 bpm • D# Maj • 02:33 • -10.25db
30% Popularity • 69% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 69% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 95% Positiveness
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Marvin Gaye
Pride And Joy - Mono
121 bpm • D# Maj • 02:06 • -7db
31% Popularity • 67% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 67% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Amiri Baraka
Who Will Survive America
122 bpm • A# Maj • 03:17 • -10.28db
13% Popularity • 62% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 62% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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The Snaptones
Up Down Back Around
118 bpm • G# Maj • 03:35 • -5.35db
12% Popularity • 76% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 76% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Fern Jones
I Am A Pilgrim
122 bpm • D Maj • 02:30 • -9.41db
10% Popularity • 61% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 61% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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The Clickettes
Because Of My Best Friend
122 bpm • G Maj • 02:01 • -7.36db
1% Popularity • 43% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 43% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Lyle Lovett
M- O- N- E- Y
118 bpm • D min • 03:17 • -15.4db
27% Popularity • 77% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 77% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Big Maybelle
Candy
122 bpm • C Maj • 02:42 • -9.46db
21% Popularity • 40% Danceability • 24% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 40% Danceability • 24% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Sonny & Cher
Baby Don't Go
122 bpm • C Maj • 03:10 • -18db
11% Popularity • 44% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 44% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Ray Charles
Ain't That Love
118 bpm • A# Maj • 02:53 • -10db
43% Popularity • 75% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 75% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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The Monkees
Goin' Down - Single Version
118 bpm • C# min • 03:53 • -5.76db
13% Popularity • 66% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 66% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Swan
Don't Be Cruel
122 bpm • E Maj • 04:30 • -19db
12% Popularity • 69% Danceability • 26% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 69% Danceability • 26% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Sam & Dave
I Thank You - LP / Single Version
118 bpm • A# min • 02:54 • -14db
37% Popularity • 82% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 82% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Dion
Drip Drop
122 bpm • D Maj • 02:32 • -7.74db
19% Popularity • 57% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 57% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Jerry Fuller
Through Eternity
118 bpm • A# Maj • 02:40 • -10.36db
14% Popularity • 56% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 56% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Howard Tate
Get It While You Can
118 bpm • C Maj • 03:49 • -11.24db
24% Popularity • 61% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 61% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Kelly
One Little Kiss Will Do It
123 bpm • G min • 02:31 • -7.84db
11% Popularity • 72% Danceability • 36% Energy • 11% Liveness
73% Instrumentalness • 67% Positiveness
11% Popularity • 72% Danceability • 36% Energy • 11% Liveness
73% Instrumentalness • 67% Positiveness
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Dobie Gray
The "In" Crowd
117 bpm • C# Maj • 02:55 • -7.85db
22% Popularity • 68% Danceability • 80% Energy • 14% Liveness
2% Instrumentalness • 79% Positiveness
22% Popularity • 68% Danceability • 80% Energy • 14% Liveness
2% Instrumentalness • 79% Positiveness
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The Manhattans
I Wanna Be (Your Everything)
117 bpm • C min • 02:40 • -10.46db
10% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Dan Moxon
Take The Good With The Bad
117 bpm • C# Maj • 02:52 • -8.19db
14% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Betty Everett
The Shoop Shoop Song (It's in His Kiss) ...
123 bpm • A Maj • 02:12 • -2.68db
26% Popularity • 54% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 54% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Jr. Walker & The All Stars
Anyway You Wannta
117 bpm • A Maj • 02:40 • -10db
22% Popularity • 70% Danceability • 51% Energy • 4% Liveness
14% Instrumentalness • 91% Positiveness
22% Popularity • 70% Danceability • 51% Energy • 4% Liveness
14% Instrumentalness • 91% Positiveness
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The Tams
What Kind Of Fool (Do You Think I Am)
117 bpm • C# Maj • 02:04 • -13.96db
30% Popularity • 71% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 71% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Lemonsprayers
Sea Of Love
123 bpm • G# Maj • 03:07 • -10.34db
4% Popularity • 32% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
4% Popularity • 32% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Little Freddie King
Pocket Full of Money
123 bpm • B min • 03:57 • -9.41db
15% Popularity • 57% Danceability • 62% Energy • 10% Liveness
60% Instrumentalness • 55% Positiveness
15% Popularity • 57% Danceability • 62% Energy • 10% Liveness
60% Instrumentalness • 55% Positiveness
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We The People
People Open Your Eyes and See
124 bpm • A# Maj • 02:48 • -7.76db
7% Popularity • 32% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 32% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Howard Marren
The Phantom Strikes Again
117 bpm • F Maj • 02:12 • -12.05db
8% Popularity • 86% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 54% Positiveness
8% Popularity • 86% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 54% Positiveness
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Captain & Tennille
Feel Like A Man
124 bpm • F Maj • 03:16 • -5.92db
12% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Frank Williams
Show Me What You Got
124 bpm • D Maj • 02:32 • -7db
12% Popularity • 48% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 48% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Hope
A Fool No More
123 bpm • G Maj • 02:23 • -10.38db
23% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Peggy Lee
San Francisco Blues - Remastered
124 bpm • A# Maj • 02:37 • -9.09db
14% Popularity • 65% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 65% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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SATV Music
I Feel Good - Upbeat
124 bpm • C Maj • 02:20 • -11.28db
14% Popularity • 74% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 74% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Bobby Hebb
Night Train To Memphis
116 bpm • D# min • 01:49 • -7.99db
11% Popularity • 60% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 60% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Befun
Befun
124 bpm • D Maj • 02:40 • -5.23db
14% Popularity • 83% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 83% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Little Anthony
Shimmy Shimmy Ko Ko Bop (Alternate Take)
116 bpm • G min • 02:09 • -9.5db
23% Popularity • 70% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 70% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Huey Lewis & The News
We're Not Here for a Long Time (We're He...
124 bpm • C Maj • 03:53 • -4.1db
28% Popularity • 67% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 67% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 71% Positiveness
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Anders Lewén
Colours out of Grey
116 bpm • D Maj • 02:36 • -8.46db
14% Popularity • 74% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 74% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Crush Effect
I Got This Feeling
116 bpm • F Maj • 03:20 • -5.86db
11% Popularity • 70% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 70% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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SURGEONS IN HEAT
Addressed to Me
116 bpm • A# Maj • 01:21 • -6.87db
14% Popularity • 93% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 93% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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The Staple Singers
Heavy Makes You Happy (Sha-Na-Boom Boom)
124 bpm • C Maj • 03:07 • -10db
32% Popularity • 67% Danceability • 68% Energy • 36% Liveness
9% Instrumentalness • 97% Positiveness
32% Popularity • 67% Danceability • 68% Energy • 36% Liveness
9% Instrumentalness • 97% Positiveness
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Badfinger
No Matter What - Rerecording
116 bpm • B min • 02:58 • -12db
19% Popularity • 69% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 69% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Aaron Neville
Let's Live - 2002 Remaster
116 bpm • F Maj • 02:49 • -8.09db
9% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Tomar and the FCs
Day by Day
115 bpm • G Maj • 03:38 • -7.35db
10% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Big Mama Thornton
Hound Dog
125 bpm • G# min • 02:26 • -11.07db
25% Popularity • 59% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 59% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Inez & Charlie Foxx
You Are The Man
125 bpm • G Maj • 03:38 • -6.72db
9% Popularity • 42% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 42% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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The Sparklers
Dreamy Eyes
125 bpm • G# Maj • 01:56 • -11.93db
9% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Soul Scratch
Be Kind
115 bpm • G# min • 02:48 • -6.57db
26% Popularity • 84% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 84% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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The Coasters
Yakety Yak
125 bpm • G Maj • 01:48 • -11.15db
17% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
17% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
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Brandon Combs
Tears
115 bpm • D Maj • 02:27 • -6.37db
11% Popularity • 70% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 70% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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The Flares
Foot Stomping - Pt. 1
125 bpm • G Maj • 02:17 • -6db
20% Popularity • 76% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 98% Positiveness
20% Popularity • 76% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 98% Positiveness
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Eddie Kendricks
Boogie Down
115 bpm • F min • 06:59 • -11.62db
16% Popularity • 74% Danceability • 60% Energy • 11% Liveness
70% Instrumentalness • 95% Positiveness
16% Popularity • 74% Danceability • 60% Energy • 11% Liveness
70% Instrumentalness • 95% Positiveness
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Bobby "Blue" Bland
Ain't Nothing You Can Do - Single Versio...
115 bpm • E Maj • 02:38 • -8.68db
29% Popularity • 61% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 61% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The McCoys
Hang on Sloopy
115 bpm • G Maj • 03:01 • -9.01db
31% Popularity • 75% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 75% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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![Turn Back the Hands of Time cover art]()
Tyrone Davis
Turn Back the Hands of Time
115 bpm • C# Maj • 03:23 • -10.6db
8% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Shorty Long
Function At The Junction
115 bpm • G Maj • 02:56 • -14db
26% Popularity • 82% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 82% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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James Brown
Super Bad - Pt. 1 & 2
125 bpm • B min • 04:09 • -6.09db
18% Popularity • 90% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
18% Popularity • 90% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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The Chambers Brothers
Time Has Come Today - Single Version One
125 bpm • G Maj • 03:52 • -9.46db
19% Popularity • 48% Danceability • 79% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
19% Popularity • 48% Danceability • 79% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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The Temptations
Superstar (Remember How You Got Where Yo...
126 bpm • A# min • 02:53 • -15.03db
31% Popularity • 68% Danceability • 59% Energy • 32% Liveness
1% Instrumentalness • 97% Positiveness
31% Popularity • 68% Danceability • 59% Energy • 32% Liveness
1% Instrumentalness • 97% Positiveness
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Irma Thomas
Live Again
126 bpm • G Maj • 02:19 • -15.06db
26% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Little Junior Parker
Next Time You See Me
115 bpm • D Maj • 02:43 • -11.7db
17% Popularity • 61% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 61% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Lee
Lookin' For Love
126 bpm • D Maj • 03:36 • -8.58db
13% Popularity • 79% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 79% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Edd Henry
Your Replacement Is Here
126 bpm • F min • 02:51 • -4.24db
21% Popularity • 56% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 56% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Sam & Dave
Soothe Me - Single Version; 2006 Remaste...
126 bpm • F# Maj • 02:36 • -20.15db
12% Popularity • 73% Danceability • 22% Energy • 9% Liveness
52% Instrumentalness • 70% Positiveness
12% Popularity • 73% Danceability • 22% Energy • 9% Liveness
52% Instrumentalness • 70% Positiveness
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The Flares
Foot Stompin'
126 bpm • G Maj • 02:11 • -8.8db
10% Popularity • 82% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 82% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Todd Carlon
Go With the Flow
114 bpm • F min • 02:49 • -8.97db
13% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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The Clovers
Pennies from Heaven - Remastered
126 bpm • D min • 02:30 • -9.39db
3% Popularity • 72% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
3% Popularity • 72% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Mathis
The Twelfth Of Never
126 bpm • E Maj • 03:12 • -19.24db
8% Popularity • 33% Danceability • 29% Energy • 96% Liveness
1% Instrumentalness • 19% Positiveness
8% Popularity • 33% Danceability • 29% Energy • 96% Liveness
1% Instrumentalness • 19% Positiveness
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Martha Reeves & The Vandellas
Dancing In The Street - The Motown Story...
126 bpm • B min • 03:10 • -8db
9% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Blenders
Daughter
126 bpm • G Maj • 02:10 • -9.07db
13% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Mavis Staples
In Times Like These
126 bpm • G Maj • 03:50 • -8.8db
20% Popularity • 66% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 66% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Eli "Paperboy" Reed
Come And Get It
114 bpm • E min • 03:31 • -4.76db
30% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Dion
The Wanderer
114 bpm • D Maj • 03:12 • -3db
8% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Lloyd Price
Just Because
114 bpm • D# Maj • 02:46 • -9.29db
34% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Derek Martin
Daddy Rollin' Stone
127 bpm • F min • 02:28 • -9db
25% Popularity • 56% Danceability • 87% Energy • 35% Liveness
16% Instrumentalness • 84% Positiveness
25% Popularity • 56% Danceability • 87% Energy • 35% Liveness
16% Instrumentalness • 84% Positiveness
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Mel Tormé
Comin' Home Baby
127 bpm • C min • 03:22 • -15.74db
25% Popularity • 67% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 67% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Four Tops
I Can't Help Myself (Sugar Pie, Honey Bu...
127 bpm • C Maj • 03:19 • -9.55db
8% Popularity • 72% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 72% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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The Du-Ettes
Every Beat of My Heart
127 bpm • B min • 02:42 • -12.03db
12% Popularity • 47% Danceability • 51% Energy • 11% Liveness
73% Instrumentalness • 83% Positiveness
12% Popularity • 47% Danceability • 51% Energy • 11% Liveness
73% Instrumentalness • 83% Positiveness
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Rosco Gordon
No More Doggin'
113 bpm • D# Maj • 03:06 • -7.35db
13% Popularity • 59% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 59% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Marvin Gaye
Hitch Hike - Single Version / Mono
113 bpm • C# Maj • 02:32 • -8.44db
28% Popularity • 83% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 83% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Elvis Presley
Night Life
127 bpm • F# Maj • 01:50 • -10.08db
25% Popularity • 73% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 73% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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James King
A Beautiful Day
113 bpm • B Maj • 02:52 • -4.48db
15% Popularity • 72% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 72% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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The Campbell Brothers
I've Got a Feeling
128 bpm • A Maj • 03:59 • -17.9db
15% Popularity • 48% Danceability • 41% Energy • 10% Liveness
74% Instrumentalness • 54% Positiveness
15% Popularity • 48% Danceability • 41% Energy • 10% Liveness
74% Instrumentalness • 54% Positiveness
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Diana Ross
When We Grow Up
128 bpm • D Maj • 02:08 • -10.08db
23% Popularity • 65% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 65% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Jack Scott
Save My Soul
128 bpm • E Maj • 01:52 • -12.21db
6% Popularity • 82% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
6% Popularity • 82% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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L.c. Cooke
Put Me Down Easy
113 bpm • C Maj • 02:32 • -4.61db
22% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Dean
Under the Sun
112 bpm • B Maj • 02:34 • -10db
25% Popularity • 54% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 54% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
