Songs like You Must Be Foolin by Willie Egan
Based on a tempo of (+/- 10%) and a similar genre
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Willie Egan
You Must Be Foolin
122 bpm • D# Maj • 02:18 • -10.28db
0% Popularity • 75% Danceability • 70% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 75% Danceability • 70% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
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Dave Bartholomew
Single Life
122 bpm • F Maj • 02:15 • -10.01db
26% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
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The Kokomo Kings
I´m Your Plumber
122 bpm • C Maj • 02:24 • -3.7db
7% Popularity • 65% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 65% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Brown
I Hope We Meet - On the Road Some Day
122 bpm • F min • 02:44 • -13.72db
7% Popularity • 73% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 73% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Darts
Jump Children Jump
121 bpm • D Maj • 02:33 • -7.79db
12% Popularity • 80% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 80% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Pee Wee Crayton
You Know-Yeah
123 bpm • C Maj • 02:33 • -9.17db
16% Popularity • 78% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 78% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Benny Joy
Button Nose
121 bpm • B min • 02:50 • -5db
9% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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LaVern Baker
I'm Leavin' You
123 bpm • D# Maj • 02:23 • -10.62db
8% Popularity • 84% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 84% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Black's Combo
Raunchy
123 bpm • E min • 02:03 • -16db
8% Popularity • 73% Danceability • 34% Energy • 15% Liveness
81% Instrumentalness • 77% Positiveness
8% Popularity • 73% Danceability • 34% Energy • 15% Liveness
81% Instrumentalness • 77% Positiveness
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Charles Sheffield
Rock 'n' Roll Train
123 bpm • D# Maj • 02:15 • -8.46db
11% Popularity • 64% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 64% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Frank Frost
Jack's Jump
121 bpm • A# Maj • 02:14 • -7.25db
13% Popularity • 71% Danceability • 66% Energy • 13% Liveness
51% Instrumentalness • 68% Positiveness
13% Popularity • 71% Danceability • 66% Energy • 13% Liveness
51% Instrumentalness • 68% Positiveness
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Huey "Piano" Smith
Would You Believe It (I Have a Cold)
120 bpm • F min • 02:21 • -8.44db
25% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Skee Brothers
That's All She Wrote
124 bpm • E Maj • 02:10 • -4.77db
8% Popularity • 66% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 66% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Esquerita
Hey Miss Lucy
120 bpm • G min • 02:07 • -11.72db
10% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Amos Milburn
Let'S Have A Party (06-30-53)
120 bpm • G Maj • 02:33 • -11.97db
11% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
11% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Roy Milton
I Have News For You
120 bpm • C Maj • 02:31 • -11.29db
10% Popularity • 62% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 62% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Spunyboys
Losing At Your Own Game
120 bpm • B min • 02:03 • -5.64db
22% Popularity • 68% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 68% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:10 • -7.59db
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
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Willie Egan
She's Gone Away But
124 bpm • C Maj • 02:07 • -10.49db
0% Popularity • 60% Danceability • 35% Energy • 20% Liveness
5% Instrumentalness • 79% Positiveness
0% Popularity • 60% Danceability • 35% Energy • 20% Liveness
5% Instrumentalness • 79% Positiveness
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Brook Benton
Ninety-Nine Percent - Remastered
125 bpm • C# min • 02:03 • -7.57db
9% Popularity • 60% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 60% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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The Clovers
Rock And Roll Tango
125 bpm • G Maj • 02:07 • -11.52db
7% Popularity • 69% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 69% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Fenton Robinson
Mississippi Steamboat
125 bpm • D# Maj • 02:48 • -11db
7% Popularity • 57% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 57% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Rich
Dance Of Love
125 bpm • C Maj • 02:11 • -7.68db
9% Popularity • 72% Danceability • 89% Energy • 6% Liveness
6% Instrumentalness • 98% Positiveness
9% Popularity • 72% Danceability • 89% Energy • 6% Liveness
6% Instrumentalness • 98% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:13 • -4.51db
24% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
24% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
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The Hi-Stakes
Why Do I Have To Give A Reason
119 bpm • F min • 02:34 • -8.07db
8% Popularity • 86% Danceability • 42% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
8% Popularity • 86% Danceability • 42% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
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The "5" Royales
I Ain't Getting Caught
125 bpm • F min • 02:40 • -5.54db
12% Popularity • 63% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 63% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Sammy Price And The Rock Band
Rib Joint
119 bpm • G# Maj • 02:39 • -5db
9% Popularity • 60% Danceability • 70% Energy • 4% Liveness
55% Instrumentalness • 96% Positiveness
9% Popularity • 60% Danceability • 70% Energy • 4% Liveness
55% Instrumentalness • 96% Positiveness
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Anna Dukke
If It's News to You
125 bpm • E Maj • 02:46 • -5.68db
16% Popularity • 65% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 65% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Little Milton
Lookin For My Baby
119 bpm • D# Maj • 02:35 • -7.05db
1% Popularity • 43% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 43% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Huey "Piano" Smith
I Think You're Jiving Me
119 bpm • C Maj • 02:27 • -9.14db
19% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Paolo Mizzau & the Doctor Love Band
Hard Lovin'
126 bpm • A min • 04:19 • -7.76db
0% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Lou Monte
Maybe
118 bpm • C# Maj • 02:30 • -8.8db
7% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Bill Black's Combo
Accentuate the Positive
118 bpm • C Maj • 01:53 • -6.69db
18% Popularity • 87% Danceability • 56% Energy • 6% Liveness
91% Instrumentalness • 86% Positiveness
18% Popularity • 87% Danceability • 56% Energy • 6% Liveness
91% Instrumentalness • 86% Positiveness
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The Big Bopper
It's The Thruth, Ruth
118 bpm • E min • 02:16 • -9.06db
9% Popularity • 85% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 85% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Risk Hapless
Describe Winner
118 bpm • D Maj • 03:41 • -10.49db
16% Popularity • 72% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 72% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Pat Capocci
I’ll Take Em All
118 bpm • A Maj • 02:05 • -7.26db
23% Popularity • 86% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 86% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Liggins
Pink Champagne
117 bpm • F Maj • 02:44 • -14.56db
9% Popularity • 77% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
9% Popularity • 77% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
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Clyde McPhatter
Money Honey
127 bpm • F Maj • 02:54 • -5.59db
21% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
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Bob Wills
Li'l Liza Jane
117 bpm • D Maj • 02:21 • -12.56db
8% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Little Rachel
Your Baby's My Baby Now
117 bpm • F min • 02:41 • -6.02db
8% Popularity • 51% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 51% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Flat Duo Jets
Party Kiss
127 bpm • A Maj • 02:10 • -9.73db
11% Popularity • 42% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 42% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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Charlie Rich
Finally Found Out - Remastered 2023
127 bpm • F Maj • 02:21 • -4.83db
12% Popularity • 73% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
12% Popularity • 73% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Joe Liggins
Daddy On My Mind
127 bpm • C Maj • 02:42 • -12.66db
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Coasters
Charlie Brown
127 bpm • D# Maj • 02:19 • -9.75db
11% Popularity • 65% Danceability • 55% Energy • 1% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 65% Danceability • 55% Energy • 1% Liveness
0% Instrumentalness • 92% Positiveness
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Mack Allen Smith
I Got My Mojo Working
117 bpm • A Maj • 02:20 • -2.55db
8% Popularity • 71% Danceability • 94% Energy • 29% Liveness
1% Instrumentalness • 81% Positiveness
8% Popularity • 71% Danceability • 94% Energy • 29% Liveness
1% Instrumentalness • 81% Positiveness
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Champion Jack Dupree
Daybreak Rock
128 bpm • E Maj • 02:33 • -9.39db
18% Popularity • 66% Danceability • 61% Energy • 33% Liveness
76% Instrumentalness • 84% Positiveness
18% Popularity • 66% Danceability • 61% Energy • 33% Liveness
76% Instrumentalness • 84% Positiveness
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Linda Martell
The Things I'd Do for You - 1962
127 bpm • C Maj • 02:05 • -14.37db
11% Popularity • 67% Danceability • 54% Energy • 41% Liveness
1% Instrumentalness • 85% Positiveness
11% Popularity • 67% Danceability • 54% Energy • 41% Liveness
1% Instrumentalness • 85% Positiveness
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Ivory Joe Hunter
Shooty Booty - Bonus Track
128 bpm • G Maj • 02:03 • -6db
27% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
27% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
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Jimmy McCracklin
The Wobble
116 bpm • D min • 02:18 • -8.9db
7% Popularity • 73% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
7% Popularity • 73% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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Little Willie John
I'm Stickin' With You Baby
129 bpm • C# Maj • 02:53 • -8.77db
9% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Cookie & The Cupcakes
I Cried
129 bpm • C Maj • 02:36 • -6.75db
7% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
7% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
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Papa Lightfoot
Wine, Women, Whiskey
129 bpm • D Maj • 02:14 • -9.7db
9% Popularity • 74% Danceability • 62% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
9% Popularity • 74% Danceability • 62% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
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Wynona Carr
What Do You Know (About Love)
115 bpm • F Maj • 02:47 • -12.53db
9% Popularity • 69% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 69% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Sanford Clark
Nine Pound Hammer
129 bpm • E Maj • 02:23 • -6db
9% Popularity • 66% Danceability • 93% Energy • 21% Liveness
25% Instrumentalness • 96% Positiveness
9% Popularity • 66% Danceability • 93% Energy • 21% Liveness
25% Instrumentalness • 96% Positiveness
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Brook Benton
Ain't It Good - Remastered
115 bpm • G Maj • 02:35 • -6.18db
9% Popularity • 78% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 78% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Sammy Price And The Rock Band
After Hour Swing
115 bpm • G Maj • 02:41 • -6.59db
7% Popularity • 74% Danceability • 70% Energy • 14% Liveness
74% Instrumentalness • 92% Positiveness
7% Popularity • 74% Danceability • 70% Energy • 14% Liveness
74% Instrumentalness • 92% Positiveness
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Roy Brown
Good Looking and Foxy Too
130 bpm • F Maj • 02:14 • -8.61db
8% Popularity • 63% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 63% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Clarence "Frogman" Henry
Why Cant You - Remastered
115 bpm • A Maj • 01:21 • -8.94db
12% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Peppermint Harris
Cadillac Funeral
130 bpm • B Maj • 01:56 • -10.7db
20% Popularity • 66% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 66% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Ivory Joe Hunter
It's a Doggone Crying Shame
115 bpm • A# Maj • 02:39 • -9.54db
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Willie Egan
Oh Baby
115 bpm • F# Maj • 02:16 • -10.85db
0% Popularity • 63% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 79% Positiveness
0% Popularity • 63% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 79% Positiveness
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G.L. Crockett
Look Out Mabel
115 bpm • D Maj • 02:39 • -9.01db
9% Popularity • 52% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
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Little Victor
Help Me Forget Her
114 bpm • A# Maj • 02:23 • -5.05db
8% Popularity • 50% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 50% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Rufus Thomas
Yeah, Yea-Ah
130 bpm • D# min • 02:14 • -10.07db
2% Popularity • 81% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
2% Popularity • 81% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Ike Turner
Cubano Jump
131 bpm • G# Maj • 02:17 • -5.82db
9% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
9% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
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Jack Scott
The Way I Walk
130 bpm • E Maj • 02:38 • -13.42db
12% Popularity • 69% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 69% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Willie Egan
I Can't Understand It
114 bpm • F# Maj • 01:47 • -10.33db
0% Popularity • 65% Danceability • 52% Energy • 22% Liveness
10% Instrumentalness • 97% Positiveness
0% Popularity • 65% Danceability • 52% Energy • 22% Liveness
10% Instrumentalness • 97% Positiveness
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Little Willie John
Look What You've Done To Me
131 bpm • A# min • 02:13 • -6.66db
9% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
9% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
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Wynn Stewart
School Bus Love Affair
114 bpm • C Maj • 02:00 • -14.05db
13% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Bill Black's Combo
Do It - Rat Now
114 bpm • G Maj • 02:11 • -4.01db
9% Popularity • 86% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
9% Popularity • 86% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
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Rosco Gordon
Surely I Love You
131 bpm • G# Maj • 02:25 • -14.49db
18% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
18% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
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Charlie Rich
Midnite Blues - Remastered 2023
131 bpm • G# Maj • 02:55 • -6.22db
8% Popularity • 74% Danceability • 76% Energy • 9% Liveness
21% Instrumentalness • 97% Positiveness
8% Popularity • 74% Danceability • 76% Energy • 9% Liveness
21% Instrumentalness • 97% Positiveness
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Sam Butera & The Witnesses
Oh Ma-Ma Twist
113 bpm • A# Maj • 01:58 • -8.94db
9% Popularity • 51% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 51% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Clay
You Look That Good to Me
113 bpm • A Maj • 01:35 • -9.18db
16% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Art Neville
The Dummy
132 bpm • G# Maj • 01:53 • -9db
12% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Snow
Bring Your Love Back Home
113 bpm • C Maj • 03:14 • -8.87db
11% Popularity • 59% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 59% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Amos Milburn
My Happiness Depends on You
113 bpm • G Maj • 02:13 • -11.47db
10% Popularity • 76% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 76% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Rosco Gordon
Bop With Me Baby
132 bpm • A# min • 02:36 • -9db
17% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Champion Jack Dupree
Blues For Everybody
132 bpm • F min • 02:36 • -12.34db
4% Popularity • 65% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 65% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Clarence "Frogman" Henry
It Went to Your Head
132 bpm • G Maj • 02:10 • -11.55db
12% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Swing Shouters
Buckets Got A Hole In It
133 bpm • G min • 04:08 • -7.54db
8% Popularity • 67% Danceability • 59% Energy • 12% Liveness
7% Instrumentalness • 97% Positiveness
8% Popularity • 67% Danceability • 59% Energy • 12% Liveness
7% Instrumentalness • 97% Positiveness
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Roy Brown
Good Looking And Foxy Too
133 bpm • F Maj • 02:11 • -18.07db
7% Popularity • 63% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 63% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Don Johnson
I'm Hypnotized
133 bpm • C Maj • 02:34 • -3.67db
12% Popularity • 55% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 55% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Huelyn Duvall
Friday Night On a Dollar Bill
133 bpm • C min • 02:13 • -7.16db
13% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Bill Black's Combo
Blue Tango
133 bpm • G Maj • 02:04 • -2.34db
10% Popularity • 70% Danceability • 89% Energy • 24% Liveness
94% Instrumentalness • 96% Positiveness
10% Popularity • 70% Danceability • 89% Energy • 24% Liveness
94% Instrumentalness • 96% Positiveness
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Dave Appell
Ooh, Baby, Ooh
133 bpm • D Maj • 02:45 • -10db
7% Popularity • 53% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 53% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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The Clovers
Stay Awhile
133 bpm • G# Maj • 02:28 • -5.04db
15% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Ray Sharpe
Oh, My Baby's Gone
133 bpm • C Maj • 02:08 • -6db
16% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
16% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
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Joe Hill Louis
I'm A Poor Boy
112 bpm • G Maj • 03:04 • -10.41db
19% Popularity • 70% Danceability • 59% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
19% Popularity • 70% Danceability • 59% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
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The Hi-Stakes
Be My Girl
112 bpm • G min • 03:13 • -8.47db
12% Popularity • 58% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 58% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Gene Vincent
Maybelline - Take 9
111 bpm • C Maj • 02:27 • -6.12db
7% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Charles Sheffield
I Would Be A Sinner
111 bpm • F Maj • 02:03 • -8.64db
14% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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James & Bobby Purify
Sixteen Tons
133 bpm • C# Maj • 02:25 • -12.68db
7% Popularity • 78% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 78% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Sister Rosetta Tharpe
Don't Leave Me Here To Cry
111 bpm • F Maj • 03:07 • -4.68db
1% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:03 • -8.33db
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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The Clovers
Little Mama
134 bpm • F# min • 02:56 • -11db
13% Popularity • 76% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 76% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
10% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
10% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
