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You Must Meet My Wife
Songs like
You Must Meet My Wife
by
Len Cariou
Based on a tempo of (+/- 10%) and a similar genre
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
31% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Pirates Of Penzance
Oh, False One, You Have Deceived
76 bpm • G Maj • 03:40 • -12db
22% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
20% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Douglas Sills
She Was There
76 bpm • B Maj • 03:07 • -11db
22% Popularity • 32% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Len Cariou
You Must Meet My Wife
76 bpm • G Maj • 03:51 • -16.8db
3% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
22% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
31% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Groban
Pierre & Anatole
75 bpm • C# min • 03:56 • -7.22db
34% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Meredith Willson
Piano Lesson
75 bpm • C# Maj • 01:56 • -17db
15% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Faith Prince
Entr'acte / Take Back Your Mink
77 bpm • C min • 05:20 • -15.45db
27% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
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Maury Yeston
Still
77 bpm • F Maj • 02:31 • -19.43db
22% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
36% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
31% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
29% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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John Tartaglia
There's a Fine, Fine Line (Reprise) / Wh...
78 bpm • A min • 01:43 • -16.92db
10% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Cody Green
Cool
78 bpm • C Maj • 04:31 • -14.22db
21% Popularity • 55% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Maury Yeston
Dressed in Your Pyjamas in the Grand Sal...
78 bpm • G# Maj • 04:41 • -19.24db
21% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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"Les Misérables Original London Cast" Ensemble
Lovely Ladies
78 bpm • C Maj • 04:07 • -10.05db
37% Popularity • 68% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Stephen Sondheim
A Little Night Music: You Must Meet My W...
79 bpm • G Maj • 04:07 • -9.39db
19% Popularity • 35% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
27% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Len Cariou
Tradition
79 bpm • G Maj • 07:33 • -13.68db
2% Popularity • 50% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Groban
Pierre & Natasha
78 bpm • D Maj • 07:50 • -18db
34% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Hunter Parrish
Tower of Babble
79 bpm • A Maj • 04:30 • -12.59db
30% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Patrick Vaill
Lonely Room
79 bpm • G Maj • 02:56 • -10.3db
23% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
25% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
28% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
35% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Sacha Baron Cohen
The Contest
79 bpm • G Maj • 03:39 • -15.45db
20% Popularity • 67% Danceability • 25% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
26% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Bebe Neuwirth
Finale
79 bpm • A# Maj • 01:05 • -10.82db
29% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Len Cariou
Sunrise, Sunset
79 bpm • F min • 04:09 • -22.54db
0% Popularity • 22% Danceability • 31% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Jekyll, Emma
I Must Go On
79 bpm • A Maj • 01:32 • -12.04db
26% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Groban
Pierre & Andrey
73 bpm • C min • 03:04 • -11.63db
32% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Stephen Sondheim
Johanna - Quartet
80 bpm • G# Maj • 05:29 • -14.76db
28% Popularity • 38% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
30% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Marcia Lewis
When You're Good to Mama
80 bpm • C# Maj • 03:22 • -12.88db
34% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Derek Klena
Dreamer in Disguise - Reprise
80 bpm • F Maj • 01:48 • -13.86db
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Len Cariou
There's Always One You Can't Forget
81 bpm • A# min • 03:47 • -22.02db
2% Popularity • 20% Danceability • 12% Energy • 15% Liveness
40% Instrumentalness • 12% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
21% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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'Falsettos' 2016 Broadway Company
Days Like This
81 bpm • D Maj • 03:18 • -7.33db
35% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
27% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
27% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Carrie: The Musical Ensemble
Alma Mater
71 bpm • C Maj • 00:59 • -7.44db
26% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
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Fred Applegate
He's Loose
81 bpm • A# min • 01:56 • -6.61db
21% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Peter Friedman
A Shtetl Iz Amereke
81 bpm • C Maj • 01:16 • -8.95db
23% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Barbara Bryne
Gossip
81 bpm • B min • 01:01 • -12.21db
23% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Stephanie J. Block
Holding to the Ground
81 bpm • B Maj • 02:34 • -10db
35% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
24% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Alice Ripley
Why Stay? / A Promise
71 bpm • F Maj • 02:35 • -7db
30% Popularity • 47% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Simon Stride, Emma Carew
Emma's Reasons
71 bpm • F# Maj • 01:40 • -15.3db
26% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
29% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gary Beach
You Never Say Good Luck on Opening Night
82 bpm • G# Maj • 01:35 • -11.56db
23% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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'Falsettos' 2016 Broadway Company
Jason's Bar Mitzvah
82 bpm • E Maj • 05:08 • -8.72db
33% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
22% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Denée Benton
Sunday Morning
82 bpm • G# min • 02:05 • -9.24db
35% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Merle Louise
You Could Never Shame Me
82 bpm • A# Maj • 02:59 • -21.48db
9% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
34% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
21% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Marcia Lewis
After Autumn
70 bpm • C# Maj • 02:44 • -12.58db
8% Popularity • 32% Danceability • 17% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
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Lewis Cleale
Yesterday I Loved You
83 bpm • A# Maj • 02:33 • -14.31db
19% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Len Cariou
Dance a Little Closer
83 bpm • B Maj • 02:36 • -18.19db
1% Popularity • 23% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Nathan Lane
'Til Him
82 bpm • F Maj • 03:42 • -15.21db
21% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
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Stephen Sondheim
Pretty Women
83 bpm • G Maj • 04:38 • -15.17db
29% Popularity • 36% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
25% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
35% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
23% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
29% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Brittain Ashford
Sonya & Natasha
83 bpm • C min • 04:12 • -8.61db
35% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Utterson, Jekyll, Emma, Sir Danvers
Your Work--And Nothing More
83 bpm • G min • 02:47 • -9.98db
26% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Barbara Rosenblat
Scene: A Train Platform in Yorkshire / T...
83 bpm • D# min • 03:08 • -18.32db
22% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Brandon Uranowitz
Making a Home
84 bpm • G min • 03:07 • -10.26db
34% Popularity • 27% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
31% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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John Benjamin Hickey
Finale
84 bpm • G min • 04:29 • -12.32db
26% Popularity • 52% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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The Original Broadway Cast Of 'Curtains'
The Woman's Dead
84 bpm • C min • 03:36 • -14.97db
22% Popularity • 47% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Mark Harelik
Let's Walk
84 bpm • D# Maj • 03:08 • -20.69db
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
35% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
33% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Len Cariou
Dimitri Weismann's Welcome
84 bpm • C Maj • 00:57 • -28.29db
0% Popularity • 67% Danceability • 30% Energy • 75% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Bowen
Tomorrow Belongs to Me
84 bpm • G Maj • 01:10 • -28.39db
25% Popularity • 41% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Josh Groban
The Great Comet of 1812
69 bpm • D Maj • 05:02 • -11.8db
35% Popularity • 34% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
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Marcia Lewis
Anyone Would Love You
84 bpm • C min • 02:16 • -11.96db
15% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Walter Charles
Public Enemy Number One
85 bpm • F Maj • 01:37 • -13.41db
27% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
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Ensemble
The Happiest Town In Town
85 bpm • D Maj • 02:53 • -8.89db
24% Popularity • 52% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 41% Positiveness
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D. Sabella
A Little Bit of Good
85 bpm • D# Maj • 03:14 • -13.63db
29% Popularity • 41% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Stephen Sondheim
My Friends
85 bpm • G# Maj • 02:43 • -10.5db
30% Popularity • 32% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
29% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Andrew Rannells
The Games I Play
85 bpm • A Maj • 02:45 • -9db
41% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
19% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Kirby Ward
What Causes That?
85 bpm • C Maj • 03:42 • -21db
20% Popularity • 60% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Heidi Blickenstaff
Right Hand Man - Reprise
68 bpm • C# Maj • 01:21 • -14db
34% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sherman Edwards
1776: He Plays the Violin
68 bpm • C min • 03:03 • -11db
25% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
26% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Sondheim
A Little Night Music: Now / Later / Soon
85 bpm • C# Maj • 10:37 • -13.85db
23% Popularity • 37% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Jeanine Tesori
"This Is What I Have of You..."
85 bpm • A min • 01:44 • -21.9db
23% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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You Must Meet My Wife