Songs like You Sound Like Louis Burdett by The Whitlams
Based on a tempo of (+/- 10%) and a similar genre
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Pete Murray
Feeler - Michael Brauer Mix
98 bpm • G Maj • 04:21 • -6.51db
40% Popularity • 43% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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The Whitlams
You Sound Like Louis Burdett
98 bpm • C# Maj • 04:01 • -6.66db
38% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Mavis's
Thunder
98 bpm • D Maj • 03:32 • -6.1db
18% Popularity • 53% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 53% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Spiderbait
Stevie
98 bpm • D Maj • 03:00 • -2db
29% Popularity • 56% Danceability • 97% Energy • 34% Liveness
62% Instrumentalness • 46% Positiveness
29% Popularity • 56% Danceability • 97% Energy • 34% Liveness
62% Instrumentalness • 46% Positiveness
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Split Enz
Shark Attack
99 bpm • D Maj • 03:00 • -5db
28% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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The Grates
Aw Yeah
97 bpm • G# Maj • 02:41 • -2.8db
14% Popularity • 58% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 58% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Whitlams
You Sound Like Louis Burdett
98 bpm • F# Maj • 04:01 • -5.79db
18% Popularity • 59% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 59% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Pete Murray
Bail Me Out
100 bpm • A Maj • 04:03 • -10db
37% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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The Herd
0.77
100 bpm • G# Maj • 04:42 • -5.33db
17% Popularity • 64% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 64% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
37% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Grinspoon
No Reason
96 bpm • E Maj • 03:49 • -6.43db
36% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Machine Gun Fellatio
Just B'coz
96 bpm • E min • 04:10 • -8.33db
16% Popularity • 63% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 63% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Faker
Hurricane
96 bpm • C# min • 03:19 • -2.07db
34% Popularity • 41% Danceability • 91% Energy • 28% Liveness
4% Instrumentalness • 59% Positiveness
34% Popularity • 41% Danceability • 91% Energy • 28% Liveness
4% Instrumentalness • 59% Positiveness
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Area-7
Second Class Citizen
96 bpm • E Maj • 03:37 • -4.16db
27% Popularity • 44% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 44% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Ben Folds
Rockin' the Suburbs
95 bpm • C Maj • 04:58 • -5db
40% Popularity • 61% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 61% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Grinspoon
Just Ace
100 bpm • D Maj • 01:48 • -6.83db
48% Popularity • 59% Danceability • 86% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
48% Popularity • 59% Danceability • 86% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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Machine Gun Fellatio
100 Fresh Disciples
101 bpm • B Maj • 03:04 • -5.22db
19% Popularity • 57% Danceability • 96% Energy • 35% Liveness
20% Instrumentalness • 69% Positiveness
19% Popularity • 57% Danceability • 96% Energy • 35% Liveness
20% Instrumentalness • 69% Positiveness
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The Bens
Just Pretend - E.P. Version
102 bpm • G Maj • 03:01 • -8.18db
31% Popularity • 60% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 60% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Whitlams
Laugh In Their Faces
102 bpm • F min • 04:13 • -7.8db
18% Popularity • 58% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 58% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Radio Birdman
Aloha Steve & Danno
102 bpm • D Maj • 03:59 • -2.12db
28% Popularity • 35% Danceability • 95% Energy • 30% Liveness
10% Instrumentalness • 52% Positiveness
28% Popularity • 35% Danceability • 95% Energy • 30% Liveness
10% Instrumentalness • 52% Positiveness
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Ben Lee
We're All In This Together
102 bpm • C# min • 04:39 • -8.94db
34% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Area-7
Start Making sense
94 bpm • G Maj • 03:30 • -5.05db
23% Popularity • 54% Danceability • 92% Energy • 41% Liveness
10% Instrumentalness • 67% Positiveness
23% Popularity • 54% Danceability • 92% Energy • 41% Liveness
10% Instrumentalness • 67% Positiveness
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Things Of Stone and Wood
Rock This Boat
102 bpm • F min • 03:38 • -7db
11% Popularity • 59% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
11% Popularity • 59% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Herd
I Was Only 19 - triple j Like A Version
94 bpm • A Maj • 04:29 • -9db
36% Popularity • 63% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 63% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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End Of Fashion
Lock Up Your Daughters
94 bpm • D Maj • 03:34 • -6.04db
14% Popularity • 43% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 43% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Darren Hanlon
Falling Aeroplanes
94 bpm • D Maj • 03:32 • -10.24db
19% Popularity • 57% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 57% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Skunkhour
Treacherous Head
103 bpm • B min • 03:12 • -7.51db
11% Popularity • 73% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 75% Positiveness
11% Popularity • 73% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 75% Positiveness
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The Presidents Of The United States Of America
Dune Buggy
93 bpm • C# Maj • 02:44 • -3db
46% Popularity • 69% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 69% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Bluejuice
Work
103 bpm • D# Maj • 02:47 • -5.59db
30% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Blue King Brown
Come and Check Your Head
103 bpm • C min • 04:01 • -4.9db
23% Popularity • 61% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 61% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Weddings Parties Anything
The Rain In My Heart
103 bpm • F Maj • 03:59 • -14.17db
16% Popularity • 74% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 74% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Butterfingers
Get Up Outta The Dirt
103 bpm • E min • 04:13 • -3.94db
31% Popularity • 74% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 74% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
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Skunkhour
Weightlessness
103 bpm • F min • 03:57 • -7.55db
27% Popularity • 61% Danceability • 88% Energy • 21% Liveness
45% Instrumentalness • 72% Positiveness
27% Popularity • 61% Danceability • 88% Energy • 21% Liveness
45% Instrumentalness • 72% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
50% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Spiderbait
Calypso
93 bpm • A Maj • 01:51 • -7db
53% Popularity • 38% Danceability • 74% Energy • 10% Liveness
22% Instrumentalness • 31% Positiveness
53% Popularity • 38% Danceability • 74% Energy • 10% Liveness
22% Instrumentalness • 31% Positiveness
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Skin
Muppet Song (Mah-Na-Mah-Na)
103 bpm • A Maj • 01:39 • -6.78db
21% Popularity • 58% Danceability • 87% Energy • 9% Liveness
5% Instrumentalness • 75% Positiveness
21% Popularity • 58% Danceability • 87% Energy • 9% Liveness
5% Instrumentalness • 75% Positiveness
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Little Red
Coca Cola
104 bpm • G Maj • 02:22 • -5.38db
26% Popularity • 64% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
26% Popularity • 64% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Butterfingers
FIGJAM
103 bpm • G# Maj • 03:34 • -4.07db
44% Popularity • 80% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 80% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Skunkhour
Up To Our Necks In It
93 bpm • A# Maj • 04:47 • -9db
29% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Folds Five
Underground
104 bpm • E Maj • 04:11 • -7.3db
38% Popularity • 57% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 57% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Darren Hanlon
Punk's Not Dead
105 bpm • F# Maj • 03:21 • -4.68db
20% Popularity • 59% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
20% Popularity • 59% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
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Taxiride
Get Set
92 bpm • E Maj • 03:13 • -5db
43% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
56% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Butterfingers
Hook Up
105 bpm • C Maj • 03:55 • -6.13db
28% Popularity • 82% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 82% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Ben Folds Five
Song for the Dumped
105 bpm • G Maj • 03:51 • -6.62db
37% Popularity • 55% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 55% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Frenzal Rhomb
Never Had So Much Fun
105 bpm • G Maj • 02:01 • -4.8db
40% Popularity • 40% Danceability • 96% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
40% Popularity • 40% Danceability • 96% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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The Whitlams
Year of the Rat
106 bpm • F Maj • 03:53 • -6.36db
10% Popularity • 54% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 54% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Bernard Fanning
The Strangest Thing
91 bpm • G Maj • 03:14 • -7db
38% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
38% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Bluejuice
Facelift
91 bpm • D Maj • 02:08 • -4.27db
12% Popularity • 68% Danceability • 92% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
12% Popularity • 68% Danceability • 92% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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The Grates
19-20-20
91 bpm • F# Maj • 02:05 • -3.38db
31% Popularity • 65% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 65% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Basement Birds
Bus Stop
91 bpm • B Maj • 02:47 • -7db
15% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Hoodoo Gurus
I Want You Back - Remaster 2005
91 bpm • D Maj • 03:10 • -2.88db
40% Popularity • 41% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 41% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Whitlams
The Lights Are Back On
91 bpm • G min • 03:44 • -8.58db
12% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Split Enz
I See Red
91 bpm • C Maj • 03:14 • -4.65db
37% Popularity • 30% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 30% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Bernard Fanning
Tell Me How It Ends
106 bpm • D Maj • 03:41 • -5.14db
30% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Area-7
Nobody Likes A Bogan
91 bpm • D Maj • 02:21 • -3.98db
38% Popularity • 60% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 60% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Sunnyboys
Tunnel of Love - 2014 Remaster
90 bpm • G Maj • 03:13 • -3.91db
28% Popularity • 40% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 40% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Skunkhour
Morning Rolls
90 bpm • B min • 04:38 • -11.02db
13% Popularity • 66% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 66% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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The Whitlams
Tangled Up In Blue
91 bpm • G Maj • 05:39 • -7db
30% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bob Evans
Not Fair - triple j Like A Version
107 bpm • D min • 03:45 • -11.82db
24% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Butterfingers
Everytime
90 bpm • F# Maj • 04:22 • -5.17db
33% Popularity • 69% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 69% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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George
Special Ones
90 bpm • G Maj • 03:46 • -11db
32% Popularity • 54% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 54% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Machine Gun Fellatio
Mutha Fukka On A Motorcycle
90 bpm • G Maj • 02:20 • -4.83db
30% Popularity • 65% Danceability • 91% Energy • 83% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 65% Danceability • 91% Energy • 83% Liveness
0% Instrumentalness • 70% Positiveness
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Spiderbait
Outta My Head
107 bpm • B Maj • 02:32 • -5.01db
29% Popularity • 52% Danceability • 91% Energy • 26% Liveness
41% Instrumentalness • 65% Positiveness
29% Popularity • 52% Danceability • 91% Energy • 26% Liveness
41% Instrumentalness • 65% Positiveness
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Eskimo Joe
Who Sold Her Out
107 bpm • E Maj • 03:10 • -5.5db
28% Popularity • 50% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 50% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Grinspoon
More Than You Are
107 bpm • F# min • 03:11 • -3.01db
40% Popularity • 45% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 45% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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The Whitlams
Life's A Beach
107 bpm • C Maj • 03:39 • -10.73db
20% Popularity • 78% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
20% Popularity • 78% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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The Badloves
Slave
89 bpm • E min • 05:24 • -6.91db
16% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Sonic Animation
Theophilus Thistler (An Exercise in Vowe...
107 bpm • C Maj • 03:54 • -8.96db
28% Popularity • 75% Danceability • 59% Energy • 7% Liveness
4% Instrumentalness • 45% Positiveness
28% Popularity • 75% Danceability • 59% Energy • 7% Liveness
4% Instrumentalness • 45% Positiveness
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Dana Lyons
Cows with Guns
89 bpm • A min • 05:14 • -12db
40% Popularity • 56% Danceability • 29% Energy • 67% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 56% Danceability • 29% Energy • 67% Liveness
0% Instrumentalness • 30% Positiveness
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Things Of Stone and Wood
Single Perfect Raindrop
89 bpm • F Maj • 04:06 • -9.11db
15% Popularity • 47% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 47% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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The Superjesus
Shut My Eyes
89 bpm • G Maj • 03:50 • -6db
30% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Eskimo Joe
Don't Let Me Down
108 bpm • F# Maj • 03:38 • -7.13db
28% Popularity • 66% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 66% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Skunkhour
That's the Way
88 bpm • C Maj • 04:31 • -10.62db
14% Popularity • 74% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 74% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Machine Gun Fellatio
Mouth
110 bpm • F# min • 03:15 • -6.36db
13% Popularity • 74% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 74% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Bernard Fanning
Yesterday's Gone
87 bpm • A Maj • 02:32 • -9db
40% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Dan Sultan
Southern Sun - triple j Like A Version
110 bpm • A min • 06:11 • -4.41db
32% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Painters and Dockers
The Boy Who Lost His Jocks on Flinders S...
87 bpm • D min • 04:33 • -7.3db
11% Popularity • 28% Danceability • 55% Energy • 32% Liveness
8% Instrumentalness • 23% Positiveness
11% Popularity • 28% Danceability • 55% Energy • 32% Liveness
8% Instrumentalness • 23% Positiveness
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Custard
The New Matthew
111 bpm • F Maj • 04:17 • -6.45db
18% Popularity • 42% Danceability • 85% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 42% Danceability • 85% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
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The Grates
Sukkafish
86 bpm • C Maj • 03:57 • -5db
11% Popularity • 55% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 55% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Thirsty Merc
Emancipate Myself
111 bpm • B Maj • 04:11 • -3.72db
27% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Bernard Fanning
Isn't It A Pity
88 bpm • A min • 03:42 • -5db
30% Popularity • 50% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 50% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Even
Black Umbrella
111 bpm • D Maj • 03:22 • -7db
23% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Saints
The Music Goes Round My Head
111 bpm • D Maj • 03:45 • -13.37db
26% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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The Herd
Unpredictable
111 bpm • E min • 04:05 • -8db
26% Popularity • 60% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 60% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 84% Positiveness
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Crowded House
Distant Sun
111 bpm • D# Maj • 03:49 • -7.97db
54% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Bernard Fanning
How Many Times?
86 bpm • A Maj • 04:18 • -6db
27% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Eskimo Joe
Foreign Land
86 bpm • A min • 04:30 • -5db
40% Popularity • 40% Danceability • 94% Energy • 88% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 40% Danceability • 94% Energy • 88% Liveness
0% Instrumentalness • 31% Positiveness
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Painters and Dockers
You're Going Home in the Back of a Divi ...
85 bpm • B min • 03:30 • -4.82db
17% Popularity • 45% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 45% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Whitlams
I Was Alive
113 bpm • F Maj • 03:06 • -6.72db
19% Popularity • 55% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 55% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
