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you were good to me
Songs like
you were good to me
by
Jeremy Zucker
Based on a tempo of (+/- 10%) and a similar genre
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Jeremy Zucker
you were good to me - live in new york
102 bpm • D Maj • 03:51 • -12.42db
30% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Maisie Peters
Worst of You
102 bpm • E Maj • 03:17 • -7.26db
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Coldplay
Sparks
103 bpm • C# Maj • 03:47 • -10.51db
87% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
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Sofia Mills
Coffee Breath
101 bpm • A Maj • 02:43 • -13.19db
65% Popularity • 87% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Jeremy Zucker
orchid
102 bpm • C Maj • 04:28 • -14.51db
37% Popularity • 42% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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NIKI
La La Lost You - Acoustic Version
101 bpm • C# Maj • 03:28 • -11.65db
66% Popularity • 62% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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flora cash
You're Somebody Else
103 bpm • C# Maj • 03:39 • -9.06db
69% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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EDEN
sex
103 bpm • A Maj • 03:38 • -4.47db
60% Popularity • 41% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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gnash
the broken hearts club
100 bpm • E Maj • 03:04 • -9.43db
52% Popularity • 62% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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NF
Trauma
104 bpm • F Maj • 04:07 • -15.33db
60% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Chelsea Cutler
You Are Losing Me
100 bpm • G Maj • 03:27 • -9db
41% Popularity • 63% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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SYML
Where's My Love
104 bpm • C min • 03:22 • -10.11db
81% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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ayokay
Stay With Me
100 bpm • D Maj • 03:09 • -6.61db
49% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Bazzi
Beautiful
100 bpm • D Maj • 02:58 • -5.74db
62% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Harry Styles
Sweet Creature
104 bpm • G Maj • 03:44 • -8.54db
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Anson Seabra
Hindenburg Lover
100 bpm • G# Maj • 05:02 • -13db
47% Popularity • 52% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Jeremy Zucker
HONEST
100 bpm • B Maj • 02:56 • -7.23db
40% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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SYML
Where's My Love - Acoustic
104 bpm • D# Maj • 03:59 • -11.32db
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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SZA
Nobody Gets Me
100 bpm • G Maj • 03:00 • -8.29db
85% Popularity • 36% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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keshi
drunk
105 bpm • E Maj • 03:47 • -8.25db
65% Popularity • 69% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Bazzi
I.F.L.Y.
105 bpm • D Maj • 02:45 • -4.82db
69% Popularity • 81% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Jeremy Zucker
circles (stripped.)
100 bpm • F# Maj • 02:49 • -12db
28% Popularity • 50% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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LANY
I Don't Wanna Love You Anymore
105 bpm • C Maj • 03:21 • -8.36db
63% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Dean Lewis
7 Minutes
105 bpm • A# Maj • 03:31 • -6.48db
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Kygo
Not Ok
105 bpm • B min • 03:30 • -8.14db
54% Popularity • 62% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Quinn XCII
Stacy
105 bpm • G# Maj • 02:48 • -6.97db
59% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Tate McRae
that way
105 bpm • C Maj • 02:55 • -11.02db
77% Popularity • 45% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Jeremy Zucker
thinking 2 much
105 bpm • F# Maj • 03:49 • -11.85db
42% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Chelsea Cutler
Your Bones
105 bpm • E Maj • 02:39 • -7.7db
66% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jeremy Zucker
better off
99 bpm • G# min • 03:13 • -12.46db
60% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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PRETTYMUCH
Phases
106 bpm • B min • 03:35 • -6.72db
60% Popularity • 77% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Kays
Smaller Than This
106 bpm • C# Maj • 03:28 • -9.18db
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Chelsea Cutler
please
98 bpm • F# min • 03:39 • -15.82db
53% Popularity • 72% Danceability • 17% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jeremy Zucker
always, i'll care
105 bpm • F# Maj • 02:26 • -12.62db
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Tate McRae
chaotic
107 bpm • F Maj • 02:55 • -6.99db
69% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Avery Lynch
all i need (the distance song)
97 bpm • G# Maj • 04:04 • -16.58db
47% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:25 • -7.06db
59% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Maddie Zahm
Fat Funny Friend
108 bpm • C Maj • 03:19 • -7.89db
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Sleeping At Last
Chasing Cars
108 bpm • B Maj • 04:02 • -9.65db
59% Popularity • 47% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jeremy Zucker
hello old friend
108 bpm • C Maj • 03:18 • -12.58db
41% Popularity • 65% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Lennon Stella
Like Everybody Else - Acoustic
96 bpm • A# min • 03:14 • -15.23db
45% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Niall Horan
Put A Little Love On Me
96 bpm • A# Maj • 03:44 • -4.91db
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Emma Sameth
Spin With You
96 bpm • F min • 03:32 • -7.47db
42% Popularity • 82% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Vancouver Sleep Clinic
Someone To Stay
109 bpm • C# Maj • 04:14 • -7.24db
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jeremy Zucker
scared
108 bpm • F Maj • 03:27 • -15.84db
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Dhruv
double take
109 bpm • G# Maj • 02:51 • -11.14db
79% Popularity • 66% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Kelsea Ballerini
I Quit Drinking
95 bpm • C# Maj • 02:51 • -7db
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Frank Ocean
Godspeed
110 bpm • F# Maj • 02:57 • -12.58db
75% Popularity • 40% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Lauren Spencer Smith
Fingers Crossed
110 bpm • F Maj • 02:55 • -7.17db
74% Popularity • 61% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Jeremy Zucker
parent song
96 bpm • G Maj • 04:23 • -12.99db
46% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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NF
Lie
95 bpm • F Maj • 03:29 • -6.42db
75% Popularity • 51% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Moodie
drunk text
95 bpm • C Maj • 03:07 • -5.36db
82% Popularity • 61% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Schulte
Falling Apart
110 bpm • G min • 03:18 • -9.36db
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Jeremy Zucker
keep my head afloat (stripped.)
96 bpm • B Maj • 03:40 • -9.71db
28% Popularity • 46% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Daughter
Medicine
95 bpm • D# Maj • 04:18 • -12.2db
65% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
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Kina
Can We Kiss Forever?
110 bpm • E Maj • 03:07 • -18.72db
73% Popularity • 52% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
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Jeremy Zucker
somebody loves you
95 bpm • G Maj • 03:26 • -8db
45% Popularity • 74% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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NIKI
Oceans & Engines
95 bpm • C# Maj • 05:36 • -8.91db
69% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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One Direction
Little Things
110 bpm • G Maj • 03:39 • -11.86db
73% Popularity • 71% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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David Kushner
Miserable Man
110 bpm • A# Maj • 03:52 • -10.29db
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Alec Benjamin
Jesus in LA
94 bpm • C Maj • 02:51 • -5.24db
60% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Jeremy Zucker
comethru
94 bpm • C Maj • 03:01 • -11.84db
56% Popularity • 76% Danceability • 19% Energy • 61% Liveness
0% Instrumentalness • 60% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 05:04 • -13.08db
48% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Jeremy Zucker
comethru
94 bpm • C Maj • 03:01 • -11.99db
74% Popularity • 80% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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The Kid LAROI
WITHOUT YOU
93 bpm • C Maj • 02:41 • -7.36db
76% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Taylor Swift
All Too Well (10 Minute Version) (Taylor...
93 bpm • C Maj • 10:13 • -8.77db
83% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Quinn XCII
Flare Guns
93 bpm • C# min • 04:00 • -6.81db
56% Popularity • 81% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Dawes
Teenage Dream
112 bpm • A# Maj • 02:58 • -9.07db
72% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 04:24 • -13.53db
64% Popularity • 64% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Charlotte Lawrence
Everybody Loves You
112 bpm • D Maj • 03:24 • -10.28db
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Jeremy Zucker
every day (stripped.)
94 bpm • E Maj • 03:57 • -6.7db
35% Popularity • 41% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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gnash
i hate u, i love u
93 bpm • F# min • 04:11 • -13.4db
76% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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you were good to me