Songs like You by Ross Copperman
Based on a tempo of (+/- 10%) and a similar genre
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Ross Copperman
You
122 bpm • A# Maj • 03:16 • -9.5db
9% Popularity • 58% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 58% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Andrew Belle
The Enemy
122 bpm • C# Maj • 04:46 • -5.22db
52% Popularity • 54% Danceability • 89% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
52% Popularity • 54% Danceability • 89% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
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Matthew Perryman Jones
Waiting On the Light to Change
122 bpm • B Maj • 03:30 • -9db
29% Popularity • 84% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 84% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Isak Danielson
Hold My Hand
122 bpm • G min • 03:21 • -9.58db
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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The Wealthy West
The Highest Tide
122 bpm • A Maj • 04:32 • -11.67db
23% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Mikky Ekko
Time
122 bpm • F# Maj • 04:14 • -12db
39% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ross Copperman
Talk
122 bpm • C# Maj • 04:30 • -5.94db
6% Popularity • 49% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
6% Popularity • 49% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jason Walker
Suddenly
123 bpm • E Maj • 03:42 • -9db
21% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Liz Lawrence
When I Was Younger
123 bpm • B Maj • 03:24 • -9.36db
37% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Erin McCarley
I'll Never Go Away
121 bpm • C# Maj • 03:45 • -13.99db
24% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Adam Agin
Please Don't Leave Quite Yet
121 bpm • E Maj • 03:29 • -7.92db
34% Popularity • 53% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 53% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Luke Sital-Singh
Benediction
121 bpm • D Maj • 03:39 • -11.37db
27% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ross Copperman
Someone to Someone
122 bpm • F Maj • 04:15 • -8.7db
10% Popularity • 46% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 46% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Kaleb Jones
Till the World Stops Turning
120 bpm • E Maj • 03:47 • -11.85db
36% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Dave Thomas Junior
I Can't Make You Love Me
124 bpm • D# min • 05:30 • -14.02db
47% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
47% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Chord Overstreet
Hold On - Acoustic
120 bpm • D Maj • 03:20 • -9.73db
45% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Kodaline
Brother - Acoustic
120 bpm • D# Maj • 03:22 • -8.55db
52% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Greg Laswell
For You
124 bpm • C Maj • 04:14 • -10.2db
27% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Hannah Ellis
You Were Never Gone
124 bpm • G Maj • 05:14 • -13.79db
33% Popularity • 42% Danceability • 18% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
33% Popularity • 42% Danceability • 18% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
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Andrew Belle
The Ladder
124 bpm • G# Maj • 03:47 • -8db
41% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Katie Herzig
Lost and Found
120 bpm • C Maj • 04:47 • -7.69db
37% Popularity • 70% Danceability • 76% Energy • 29% Liveness
14% Instrumentalness • 29% Positiveness
37% Popularity • 70% Danceability • 76% Energy • 29% Liveness
14% Instrumentalness • 29% Positiveness
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Plumb
Cut
124 bpm • E min • 04:01 • -8.26db
49% Popularity • 58% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 58% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Josh Auer
Something Worth Fighting For
120 bpm • D Maj • 04:41 • -6.71db
27% Popularity • 52% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 52% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Scars On 45
Golden
124 bpm • D Maj • 03:27 • -5.98db
22% Popularity • 53% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 53% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Kodaline
Talk
120 bpm • C# Maj • 04:28 • -7.31db
46% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Ross Copperman
Roses
120 bpm • E Maj • 03:00 • -4.49db
3% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
3% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Early Winters
Count Me In
120 bpm • A# Maj • 04:01 • -13.18db
37% Popularity • 62% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
37% Popularity • 62% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Andrew Belle
The Daylight
120 bpm • C# Maj • 04:42 • -6db
28% Popularity • 72% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 57% Positiveness
28% Popularity • 72% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 57% Positiveness
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Imaginary Future
We Are the Love We Give
120 bpm • D Maj • 03:40 • -6.57db
22% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Secret Nation
Tonight
120 bpm • F# Maj • 03:49 • -9.27db
33% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ross Copperman
Love Never Fails
120 bpm • C Maj • 03:12 • -8.75db
9% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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James Vincent McMorrow
We Don't Eat
124 bpm • G Maj • 04:55 • -12db
30% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
30% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Allman Brown
Between the Wars
124 bpm • A min • 04:17 • -14.55db
36% Popularity • 47% Danceability • 29% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
36% Popularity • 47% Danceability • 29% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Ella Henderson
Yours
125 bpm • C Maj • 02:48 • -10.41db
47% Popularity • 58% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 58% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Kevin Daniel
Guarded
125 bpm • E Maj • 04:25 • -9.47db
27% Popularity • 52% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
27% Popularity • 52% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Ross Copperman
Not Believe
120 bpm • C# Maj • 03:25 • -8.34db
12% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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James Blunt
Always Hate Me
125 bpm • F Maj • 03:37 • -7db
50% Popularity • 75% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 75% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Rosi Golan
Can't Go Back
119 bpm • D# Maj • 03:47 • -11db
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Chord Overstreet
Wreck Me
119 bpm • C Maj • 04:07 • -9.63db
26% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Lea Michele
Run to You
126 bpm • F# Maj • 03:37 • -8.37db
53% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Forest Blakk
Fall Into Me
118 bpm • D Maj • 03:46 • -6.75db
63% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Ross Copperman
Feels Like I'm Home
120 bpm • C Maj • 02:53 • -10.49db
9% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew Perryman Jones
I Don't Want to Leave
118 bpm • G Maj • 03:25 • -12.09db
20% Popularity • 53% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 53% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jacob Lee
I Belong to You
118 bpm • C# min • 05:48 • -8db
48% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Chord Overstreet
Take Me Home
119 bpm • C Maj • 04:35 • -9.11db
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sanders Bohlke
The Weight Of Us
126 bpm • D# Maj • 05:35 • -12db
42% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
42% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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Scars On 45
Wrecking Ball
118 bpm • A Maj • 04:11 • -10db
37% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ross Copperman
Guilty Pleasure
125 bpm • C Maj • 03:42 • -3.44db
3% Popularity • 38% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 38% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Matthew Perryman Jones
Looking For You Again
126 bpm • C# Maj • 04:23 • -10.71db
30% Popularity • 48% Danceability • 51% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
30% Popularity • 48% Danceability • 51% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
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Sleeping Wolf
The Wreck of Our Hearts
126 bpm • A Maj • 03:47 • -8db
37% Popularity • 62% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
37% Popularity • 62% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Jacob Lee
With You
118 bpm • A Maj • 03:45 • -9db
37% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Chord Overstreet
What's Left of You
118 bpm • C Maj • 02:58 • -6db
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Cary Brothers
Ride
118 bpm • G Maj • 03:38 • -7.76db
41% Popularity • 50% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 50% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ross Copperman
Sorry
126 bpm • B Maj • 03:50 • -7.05db
11% Popularity • 52% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 52% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Eli Lieb
Safe in My Hands
118 bpm • D# Maj • 03:21 • -7.04db
33% Popularity • 52% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 52% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Logen
Breaking Your Own Heart
118 bpm • G Maj • 03:44 • -12.16db
10% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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A Great Big World
I Don't Wanna Love Somebody Else
127 bpm • F Maj • 02:43 • -11.16db
38% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Belle
Make It Without You
118 bpm • C# Maj • 04:32 • -8.44db
41% Popularity • 46% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 46% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Unkle Bob
Swans
117 bpm • B min • 02:30 • -8.12db
40% Popularity • 39% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
40% Popularity • 39% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Ross Copperman
Can't Live Without Your Love
126 bpm • F Maj • 04:22 • -8.57db
16% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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X Ambassadors
Unsteady
117 bpm • C Maj • 03:13 • -6.17db
74% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
74% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Chord Overstreet
Screw Paris
117 bpm • C# min • 04:06 • -7.61db
29% Popularity • 65% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 65% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Trent Dabbs
Your Side Now
117 bpm • A Maj • 03:24 • -7.63db
25% Popularity • 55% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 20% Positiveness
25% Popularity • 55% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 20% Positiveness
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We Three
Heaven's Not Too Far
117 bpm • A Maj • 04:02 • -6.58db
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Erin McCarley
Into the Fire
128 bpm • D# min • 03:29 • -12.14db
40% Popularity • 30% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 30% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ross Copperman
Enough Is Never Gonna Be Enough
117 bpm • E Maj • 03:35 • -6.06db
8% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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X Ambassadors
Unsteady - Erich Lee Gravity Remix
117 bpm • D Maj • 03:24 • -7.43db
57% Popularity • 34% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
57% Popularity • 34% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Claire Guerreso
Skipping Stones
128 bpm • G Maj • 03:52 • -9.48db
37% Popularity • 50% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 44% Positiveness
37% Popularity • 50% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 44% Positiveness
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Damien Rice
Colour Me In
116 bpm • D# Maj • 05:18 • -14.06db
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
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One Direction
Fool's Gold
128 bpm • F# Maj • 03:30 • -4.85db
65% Popularity • 52% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 52% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Amy Stroup
With Wings
116 bpm • C# Maj • 04:36 • -11.84db
21% Popularity • 49% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 13% Positiveness
21% Popularity • 49% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 13% Positiveness
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Andrew Belle
In My Veins - Erin Mccarley
128 bpm • C Maj • 05:18 • -7.84db
59% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Cary Brothers
Belong
116 bpm • C Maj • 04:15 • -8.45db
48% Popularity • 42% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 42% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jon McLaughlin
I Want You Anyway
116 bpm • A# Maj • 03:52 • -9.24db
28% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Us The Duo
Already Mine
129 bpm • G# Maj • 04:33 • -12db
38% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Greg Laswell
This Woman's Work
129 bpm • G# Maj • 03:12 • -11db
42% Popularity • 35% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 35% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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Iko
Heart of Stone
129 bpm • A# min • 03:53 • -13db
36% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Wayfarers
Swimming in Stars
115 bpm • F# Maj • 03:18 • -6.04db
43% Popularity • 56% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 56% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Chord Overstreet
Stone Man
115 bpm • C Maj • 02:36 • -13.71db
41% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Leah Nobel
Not Ready to Say Goodbye
115 bpm • A min • 03:50 • -11db
34% Popularity • 52% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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The Wanted
Heartbreak Story
129 bpm • B Maj • 03:00 • -7.02db
37% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The Icarus Account
Oceans Between Us
115 bpm • B Maj • 04:35 • -9.81db
32% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Bombs Over Nowhere
It's Gonna Find You
115 bpm • A Maj • 03:45 • -7db
19% Popularity • 56% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 56% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Amy Stroup
Redeeming Love
130 bpm • C Maj • 03:41 • -10db
22% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Aron Wright
Make It Easy on You
130 bpm • A# Maj • 03:26 • -10db
32% Popularity • 61% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 61% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Ross Copperman
They'll Never Know
130 bpm • E Maj • 10:47 • -8.08db
27% Popularity • 44% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 44% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Jake Etheridge
Summer Storms
130 bpm • B Maj • 03:49 • -13db
25% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Tommee Profitt
Hurts Like Hell
130 bpm • A min • 03:52 • -12.88db
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Erin McCarley
Re-Arrange Again
130 bpm • A Maj • 04:04 • -7db
18% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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RAIGN
When It's All Over
130 bpm • A min • 03:46 • -8db
46% Popularity • 38% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 38% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Aron Wright
Song for the Waiting
130 bpm • G Maj • 03:20 • -12db
28% Popularity • 65% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
28% Popularity • 65% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Gold Brother
Part of Me
130 bpm • F# Maj • 03:23 • -8db
39% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Michael Logen
St. Christopher (On My Way)
130 bpm • G Maj • 03:16 • -8db
29% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Plumb
Don't Deserve You
130 bpm • B Maj • 04:11 • -5db
43% Popularity • 46% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
43% Popularity • 46% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Greg Laswell
Off I Go - 2010 Mix
130 bpm • B Maj • 04:18 • -7.6db
43% Popularity • 53% Danceability • 75% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
43% Popularity • 53% Danceability • 75% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
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Skylar Grey
Coming Home - Part II / Bonus Track
130 bpm • E Maj • 02:44 • -9.61db
52% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
