Songs like You'd Be So Nice To Come Home To by Coleman Hawkins
Based on a tempo of (+/- 10%) and a similar genre
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Coleman Hawkins
You'd Be So Nice To Come Home To
80 bpm • A min • 04:15 • -14db
48% Popularity • 66% Danceability • 24% Energy • 18% Liveness
38% Instrumentalness • 50% Positiveness
48% Popularity • 66% Danceability • 24% Energy • 18% Liveness
38% Instrumentalness • 50% Positiveness
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Charlie Parker Quartet
Laird Baird
80 bpm • C min • 02:46 • -13db
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Ben Webster
That's All
80 bpm • G min • 03:47 • -13db
47% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ahmad Jamal
For All We Know
80 bpm • C Maj • 02:47 • -20.31db
52% Popularity • 60% Danceability • 13% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
52% Popularity • 60% Danceability • 13% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Carmen McRae
What a Little Moonlight Can Do
81 bpm • G Maj • 03:31 • -10.69db
41% Popularity • 56% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 56% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
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Miles Davis Quintet
Trane's Blues
81 bpm • C min • 08:32 • -10.21db
34% Popularity • 55% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 55% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ray Brown
Upstairs Blues
81 bpm • A min • 06:38 • -21.29db
25% Popularity • 52% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
25% Popularity • 52% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
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Coleman Hawkins
O Pato (The Duck)
79 bpm • G Maj • 04:12 • -15.25db
24% Popularity • 71% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 71% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Freddie Hubbard
The Things We Did Last Summer
79 bpm • F Maj • 07:19 • -20db
44% Popularity • 31% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
44% Popularity • 31% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
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Lee Konitz
Topsy
81 bpm • A# min • 05:24 • -15.21db
34% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Ben Webster
Love Is Here To Stay
79 bpm • A Maj • 03:21 • -7.27db
22% Popularity • 30% Danceability • 33% Energy • 29% Liveness
1% Instrumentalness • 29% Positiveness
22% Popularity • 30% Danceability • 33% Energy • 29% Liveness
1% Instrumentalness • 29% Positiveness
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Chick Corea
My One And Only Love
79 bpm • F min • 03:34 • -16.05db
50% Popularity • 41% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
50% Popularity • 41% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Jackie McLean
Greasy
79 bpm • D# Maj • 07:25 • -14.2db
34% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Don Byas
Candy
79 bpm • A# Maj • 03:18 • -15.39db
28% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
28% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Lou Donaldson
Green Eyes
82 bpm • F min • 05:19 • -13.57db
44% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Chet Baker Quartet
But Not for Me (Instrumental)
82 bpm • F min • 03:05 • -11.85db
33% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
33% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
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Duke Ellington
Solitude
78 bpm • C# Maj • 05:51 • -15.15db
18% Popularity • 45% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
18% Popularity • 45% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Freddie Hubbard
Up Jumped Spring
78 bpm • G min • 06:41 • -22db
30% Popularity • 51% Danceability • 15% Energy • 18% Liveness
34% Instrumentalness • 55% Positiveness
30% Popularity • 51% Danceability • 15% Energy • 18% Liveness
34% Instrumentalness • 55% Positiveness
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Coleman Hawkins
Picasso
82 bpm • C# Maj • 03:14 • -12.2db
18% Popularity • 48% Danceability • 8% Energy • 30% Liveness
80% Instrumentalness • 79% Positiveness
18% Popularity • 48% Danceability • 8% Energy • 30% Liveness
80% Instrumentalness • 79% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Don Byas
Georgia On My Mind
82 bpm • F Maj • 02:52 • -12.69db
38% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
38% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
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Stanley Turrentine
Dorene Don't Cry, I - Remastered
78 bpm • A# Maj • 06:14 • -11db
42% Popularity • 36% Danceability • 14% Energy • 24% Liveness
29% Instrumentalness • 14% Positiveness
42% Popularity • 36% Danceability • 14% Energy • 24% Liveness
29% Instrumentalness • 14% Positiveness
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Johnny Hodges
The Last Time I Saw Paris
82 bpm • C Maj • 02:54 • -21.43db
53% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
53% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
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Shirley Horn
Do It Again
78 bpm • C Maj • 02:57 • -21db
47% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Coleman Hawkins
I Remember You
82 bpm • G Maj • 03:59 • -15.55db
35% Popularity • 72% Danceability • 21% Energy • 26% Liveness
1% Instrumentalness • 66% Positiveness
35% Popularity • 72% Danceability • 21% Energy • 26% Liveness
1% Instrumentalness • 66% Positiveness
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Sonny Clark
Somebody Loves Me
82 bpm • D min • 04:15 • -14db
30% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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McCoy Tyner
We'll Be Together Again
78 bpm • G# Maj • 03:40 • -20.72db
52% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
52% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Lou Donaldson
Play Ray
78 bpm • D# Maj • 05:31 • -17.34db
41% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Ben Webster Quintet
Where Are You?
83 bpm • G# min • 04:43 • -21.06db
28% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
28% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Sonny Rollins Quartet
Paul's Pal - Rudy Van Gelder Remaster
77 bpm • G Maj • 05:09 • -12.71db
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
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Johnny Hodges & His Orchestra
Jeep's Blues
83 bpm • A# Maj • 02:56 • -14.01db
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Jackie McLean
Yams
83 bpm • C min • 08:00 • -11.91db
46% Popularity • 57% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
46% Popularity • 57% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
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Sonny Clark
Melody For C
83 bpm • C Maj • 07:45 • -13db
30% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Lee Konitz
Almost Like Being In Love
77 bpm • D Maj • 02:58 • -12.91db
32% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Duke Ellington
Self Portrait (Of The Bean)
77 bpm • F min • 03:53 • -14.97db
38% Popularity • 38% Danceability • 12% Energy • 17% Liveness
64% Instrumentalness • 24% Positiveness
38% Popularity • 38% Danceability • 12% Energy • 17% Liveness
64% Instrumentalness • 24% Positiveness
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Coleman Hawkins
Blues For Yolande
77 bpm • G Maj • 06:44 • -12.42db
30% Popularity • 47% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 61% Positiveness
30% Popularity • 47% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 61% Positiveness
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Oscar Pettiford
Rhumblues
77 bpm • A# Maj • 04:27 • -17db
14% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
14% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
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Sidney Bechet
Summertime
83 bpm • D# Maj • 04:11 • -17db
43% Popularity • 61% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
43% Popularity • 61% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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John Coltrane Quartet
They Say It's Wonderful
77 bpm • F# Maj • 03:02 • -17.22db
52% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
52% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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Wayne Shorter
Black Orpheus
83 bpm • F min • 04:35 • -15db
33% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
33% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
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Oscar Peterson Trio
Days Of Wine And Roses
77 bpm • F Maj • 02:42 • -11.37db
44% Popularity • 60% Danceability • 37% Energy • 14% Liveness
10% Instrumentalness • 59% Positiveness
44% Popularity • 60% Danceability • 37% Energy • 14% Liveness
10% Instrumentalness • 59% Positiveness
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Coleman Hawkins
Someone To Watch Over Me
77 bpm • D# Maj • 02:50 • -12.09db
14% Popularity • 52% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
14% Popularity • 52% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
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Lester Young
There Will Never Be Another You
83 bpm • C min • 03:25 • -17.94db
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Betty Carter
Jazz (Ain't Nothin' But Soul)
77 bpm • C min • 01:56 • -10.63db
44% Popularity • 63% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 63% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
30% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Sonny Criss
Willow Weep For Me
77 bpm • G Maj • 03:50 • -11.02db
36% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
36% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Thad Jones
I've Got A Crush On You
83 bpm • A# Maj • 07:36 • -10.91db
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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The Cannonball Adderley Quintet
Stars Fell On Alabama
77 bpm • A# Maj • 06:14 • -15db
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Coleman Hawkins
Cocktails For Two
84 bpm • C Maj • 02:39 • -14.43db
45% Popularity • 59% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
45% Popularity • 59% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
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Carmen McRae
Something To Live For
84 bpm • C Maj • 03:11 • -14.28db
35% Popularity • 33% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 33% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Randy Brecker
Morning Song
84 bpm • D Maj • 04:09 • -15.9db
41% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
41% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
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Gerry Mulligan
Stardust
84 bpm • C# Maj • 04:46 • -18.63db
51% Popularity • 54% Danceability • 7% Energy • 10% Liveness
78% Instrumentalness • 32% Positiveness
51% Popularity • 54% Danceability • 7% Energy • 10% Liveness
78% Instrumentalness • 32% Positiveness
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Gerry Mulligan Quartet
Nights At The Turntable
76 bpm • G Maj • 02:55 • -10db
31% Popularity • 56% Danceability • 31% Energy • 29% Liveness
6% Instrumentalness • 55% Positiveness
31% Popularity • 56% Danceability • 31% Energy • 29% Liveness
6% Instrumentalness • 55% Positiveness
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Coleman Hawkins
Blues For Yolande - Incomplete Takes
76 bpm • D Maj • 02:59 • -21.79db
19% Popularity • 71% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 71% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Hodges & His Orchestra
Satin Doll
85 bpm • D Maj • 05:01 • -19db
34% Popularity • 60% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
34% Popularity • 60% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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Kenny Dorham
Mack The Knife
75 bpm • D min • 03:03 • -17db
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
48% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
48% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Ben Webster
Danny Boy
85 bpm • D Maj • 03:36 • -17.17db
27% Popularity • 34% Danceability • 9% Energy • 10% Liveness
14% Instrumentalness • 21% Positiveness
27% Popularity • 34% Danceability • 9% Energy • 10% Liveness
14% Instrumentalness • 21% Positiveness
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Don Byas
Stardust (09-06-45)
75 bpm • C# Maj • 03:05 • -15.33db
16% Popularity • 36% Danceability • 14% Energy • 11% Liveness
52% Instrumentalness • 56% Positiveness
16% Popularity • 36% Danceability • 14% Energy • 11% Liveness
52% Instrumentalness • 56% Positiveness
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Coleman Hawkins
Tangerine
76 bpm • A min • 05:20 • -15db
45% Popularity • 48% Danceability • 20% Energy • 11% Liveness
48% Instrumentalness • 40% Positiveness
45% Popularity • 48% Danceability • 20% Energy • 11% Liveness
48% Instrumentalness • 40% Positiveness
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Shirley Horn
Love For Sale
75 bpm • F min • 03:51 • -20.39db
42% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Art Tatum
All The Things You Are
75 bpm • G# Maj • 07:12 • -15.2db
19% Popularity • 44% Danceability • 16% Energy • 10% Liveness
6% Instrumentalness • 33% Positiveness
19% Popularity • 44% Danceability • 16% Energy • 10% Liveness
6% Instrumentalness • 33% Positiveness
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The Ben Webster Quintet
Time On My Hands
85 bpm • D Maj • 04:19 • -20.78db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Gerry Mulligan & Johnny Hodges
Shady Side
75 bpm • C Maj • 07:04 • -17.66db
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
27% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Coleman Hawkins
I'm Looking Over A Four Leaf Clover (Jaz...
85 bpm • F Maj • 02:53 • -16db
47% Popularity • 62% Danceability • 20% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
47% Popularity • 62% Danceability • 20% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
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Gene Ammons
You Go To My Head
74 bpm • F min • 05:56 • -18db
30% Popularity • 61% Danceability • 8% Energy • 14% Liveness
36% Instrumentalness • 30% Positiveness
30% Popularity • 61% Danceability • 8% Energy • 14% Liveness
36% Instrumentalness • 30% Positiveness
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Gerry Mulligan Quartet
The Nearness Of You
75 bpm • D# Maj • 02:53 • -15.44db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Art Pepper
Four Brothers
74 bpm • G# Maj • 02:58 • -9.93db
46% Popularity • 49% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 49% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Charles Mingus
Goodbye Pork Pie Hat
87 bpm • G# min • 05:42 • -16.64db
53% Popularity • 36% Danceability • 9% Energy • 21% Liveness
10% Instrumentalness • 28% Positiveness
53% Popularity • 36% Danceability • 9% Energy • 21% Liveness
10% Instrumentalness • 28% Positiveness
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Johnny Hodges & His Orchestra
Cool Your Motor
73 bpm • A# Maj • 03:36 • -13.7db
30% Popularity • 52% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 61% Positiveness
30% Popularity • 52% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 61% Positiveness
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Coleman Hawkins
Prisoner Of Love
85 bpm • D# Maj • 04:12 • -15db
39% Popularity • 57% Danceability • 16% Energy • 14% Liveness
59% Instrumentalness • 34% Positiveness
39% Popularity • 57% Danceability • 16% Energy • 14% Liveness
59% Instrumentalness • 34% Positiveness
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Gene Ammons
My Foolish Heart
74 bpm • C min • 02:46 • -13db
38% Popularity • 31% Danceability • 12% Energy • 16% Liveness
33% Instrumentalness • 26% Positiveness
38% Popularity • 31% Danceability • 12% Energy • 16% Liveness
33% Instrumentalness • 26% Positiveness
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Keith Jarrett
So Tender
87 bpm • C# min • 07:15 • -20db
52% Popularity • 37% Danceability • 30% Energy • 17% Liveness
84% Instrumentalness • 35% Positiveness
52% Popularity • 37% Danceability • 30% Energy • 17% Liveness
84% Instrumentalness • 35% Positiveness
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Coleman Hawkins' 52nd Street All-Stars
Say It Isn't So - 1996 Remastered
73 bpm • A# Maj • 02:53 • -11.31db
17% Popularity • 59% Danceability • 22% Energy • 16% Liveness
8% Instrumentalness • 55% Positiveness
17% Popularity • 59% Danceability • 22% Energy • 16% Liveness
8% Instrumentalness • 55% Positiveness
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Miles Davis Quartet
Old Devil Moon
88 bpm • F min • 03:22 • -13.6db
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Lovano
Stella By Starlight
88 bpm • C min • 05:47 • -17db
44% Popularity • 58% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
44% Popularity • 58% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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Coleman Hawkins
When Day Is Done
88 bpm • C Maj • 04:25 • -14.89db
37% Popularity • 48% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 30% Positiveness
37% Popularity • 48% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 30% Positiveness
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Gene Ammons
Angel Eyes
88 bpm • C min • 08:48 • -15.13db
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Dave Brubeck Trio
Laura
72 bpm • G# Maj • 02:42 • -12.1db
36% Popularity • 65% Danceability • 43% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
36% Popularity • 65% Danceability • 43% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
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The Cannonball Adderley Quintet
You're A Weaver Of Dreams
88 bpm • C min • 05:34 • -14db
36% Popularity • 54% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
36% Popularity • 54% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Red Garland Trio
'Tis Autumn
72 bpm • C min • 09:07 • -18db
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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Coleman Hawkins
How Strange - 1996 Remastered
73 bpm • F min • 03:03 • -14.84db
30% Popularity • 45% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 44% Positiveness
30% Popularity • 45% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 44% Positiveness
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Sonny Clark
All Of You
89 bpm • F min • 03:53 • -15.28db
39% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
39% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Charles Mingus
Better Git It in Your Soul
89 bpm • F min • 07:20 • -12db
48% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
42% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
42% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Ben Webster
When Your Lover Has Gone - Remastered
72 bpm • G min • 03:59 • -12.69db
38% Popularity • 52% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
38% Popularity • 52% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Coleman Hawkins
A Fellow Needs A Girl
72 bpm • F Maj • 04:46 • -22.59db
7% Popularity • 38% Danceability • 3% Energy • 10% Liveness
23% Instrumentalness • 16% Positiveness
7% Popularity • 38% Danceability • 3% Energy • 10% Liveness
23% Instrumentalness • 16% Positiveness
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Bud Shank
Just In Time
89 bpm • C min • 03:45 • -12.34db
37% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
37% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
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Art Pepper
You'd Be So Nice to Come Home To
89 bpm • F Maj • 05:27 • -11.74db
46% Popularity • 66% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 66% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Lee Konitz
Someone To Watch Over Me
72 bpm • C Maj • 03:36 • -24db
45% Popularity • 42% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 12% Positiveness
45% Popularity • 42% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 12% Positiveness