Songs like You'll Never Know - It Might As Well Be Spring by Charlie Shaffer
Based on a tempo of (+/- 10%) and a similar genre
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Charlie Shaffer
You'll Never Know - It Might As Well Be ...
95 bpm • D# Maj • 03:26 • -17db
21% Popularity • 60% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 45% Positiveness
21% Popularity • 60% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 45% Positiveness
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David Rose Orchestra
The Very Thought of You
95 bpm • B Maj • 02:32 • -14.56db
18% Popularity • 44% Danceability • 30% Energy • 23% Liveness
94% Instrumentalness • 17% Positiveness
18% Popularity • 44% Danceability • 30% Energy • 23% Liveness
94% Instrumentalness • 17% Positiveness
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Alfred Hause
Mattinata
95 bpm • C Maj • 03:48 • -12db
36% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
36% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
SMILE
95 bpm • D Maj • 03:37 • -12.17db
10% Popularity • 67% Danceability • 39% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
10% Popularity • 67% Danceability • 39% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Ricci Ferra
La Playa
95 bpm • D min • 03:08 • -18.72db
28% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
28% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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Living Strings
I Have Confidence
96 bpm • G Maj • 02:30 • -12.52db
34% Popularity • 45% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 52% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 52% Positiveness
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Francis Pourcel Orchestra
Dejé Mi Corazón en San Francisco
96 bpm • F min • 02:53 • -15db
31% Popularity • 41% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
31% Popularity • 41% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
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Lennart Axelsson
Sprich Zu Mir Von Liebe, Mariu
96 bpm • G Maj • 03:26 • -13db
18% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
18% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
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Russ Conway
The Westminster Waltz
94 bpm • D Maj • 02:34 • -11.3db
26% Popularity • 45% Danceability • 56% Energy • 6% Liveness
83% Instrumentalness • 65% Positiveness
26% Popularity • 45% Danceability • 56% Energy • 6% Liveness
83% Instrumentalness • 65% Positiveness
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Sounds Orchestral
Carnival (Manha de Carnaval)
96 bpm • G min • 02:34 • -17.85db
28% Popularity • 44% Danceability • 15% Energy • 35% Liveness
94% Instrumentalness • 32% Positiveness
28% Popularity • 44% Danceability • 15% Energy • 35% Liveness
94% Instrumentalness • 32% Positiveness
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Victor Silvester
All Of You (Quickstep)
96 bpm • F Maj • 02:14 • -15.23db
23% Popularity • 41% Danceability • 28% Energy • 11% Liveness
43% Instrumentalness • 63% Positiveness
23% Popularity • 41% Danceability • 28% Energy • 11% Liveness
43% Instrumentalness • 63% Positiveness
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The Strings Of Paris
Blueberry Hill
94 bpm • D# Maj • 02:38 • -12.54db
16% Popularity • 39% Danceability • 37% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
16% Popularity • 39% Danceability • 37% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
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Al Hirt
The World We Knew (Over and Over)
96 bpm • D# Maj • 02:39 • -14.57db
33% Popularity • 26% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
33% Popularity • 26% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Al Di La
94 bpm • F Maj • 02:39 • -10.85db
34% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Klaus Wunderlich
Shuffle-Fox-Medley - All of Me / You're ...
94 bpm • D min • 05:04 • -13.12db
9% Popularity • 74% Danceability • 36% Energy • 25% Liveness
76% Instrumentalness • 72% Positiveness
9% Popularity • 74% Danceability • 36% Energy • 25% Liveness
76% Instrumentalness • 72% Positiveness
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Kai Warner
So In Love
96 bpm • G# Maj • 02:34 • -12db
26% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
26% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
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101 String Royal Orchestra
It'S Almost Like Being In Love
94 bpm • A# Maj • 03:30 • -12.27db
13% Popularity • 21% Danceability • 36% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
13% Popularity • 21% Danceability • 36% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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Alfred Hause
Wine Woman And Song, Waltz op. 333 - Aim...
96 bpm • A# Maj • 02:40 • -12.91db
34% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
34% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
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Botticelli
Never Never Never
94 bpm • C# Maj • 02:45 • -14.89db
27% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
27% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Norman Candler
Tea for Two - Remastered
96 bpm • C Maj • 02:32 • -7db
29% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
29% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
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Living Strings
Faraway Places
96 bpm • A# Maj • 09:02 • -19db
22% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
22% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
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The Fantasy Strings
You Belong to My Heart
97 bpm • A# Maj • 02:58 • -8.71db
20% Popularity • 52% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 52% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Claudius Alzner
Ich tanze mit dir in den Himmel hinein -...
94 bpm • G Maj • 04:23 • -12db
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
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Victor Silvester
Theme From “Limelight” (Eternally) (...
93 bpm • G Maj • 02:32 • -18.85db
19% Popularity • 28% Danceability • 20% Energy • 38% Liveness
95% Instrumentalness • 42% Positiveness
19% Popularity • 28% Danceability • 20% Energy • 38% Liveness
95% Instrumentalness • 42% Positiveness
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Alfred Hause
Beautiful Dreamer
97 bpm • A# Maj • 02:49 • -10db
27% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
27% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
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Henry Salomon y su Orquesta
El Amor Es Algo Maravilloso
97 bpm • D Maj • 02:14 • -11.44db
45% Popularity • 31% Danceability • 33% Energy • 22% Liveness
93% Instrumentalness • 28% Positiveness
45% Popularity • 31% Danceability • 33% Energy • 22% Liveness
93% Instrumentalness • 28% Positiveness
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Billy Vaughn y su Orquesta
Theme From "A Summer Place"
97 bpm • C Maj • 02:44 • -8db
29% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
29% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
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Ballroom Dance Orchestra
If You Don't Know Me By Now
93 bpm • A# Maj • 03:28 • -21db
21% Popularity • 47% Danceability • 14% Energy • 26% Liveness
85% Instrumentalness • 18% Positiveness
21% Popularity • 47% Danceability • 14% Energy • 26% Liveness
85% Instrumentalness • 18% Positiveness
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John Fox
Ferry 'Cross the Mersey
97 bpm • F# min • 02:41 • -16.54db
19% Popularity • 35% Danceability • 32% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
19% Popularity • 35% Danceability • 32% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
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Melodías Mágicas
Estrellas de Paris
97 bpm • C Maj • 02:57 • -13.34db
43% Popularity • 52% Danceability • 37% Energy • 39% Liveness
37% Instrumentalness • 44% Positiveness
43% Popularity • 52% Danceability • 37% Energy • 39% Liveness
37% Instrumentalness • 44% Positiveness
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101 String Royal Orchestra
Over The Rainbow
93 bpm • C Maj • 02:01 • -12.13db
20% Popularity • 16% Danceability • 30% Energy • 20% Liveness
90% Instrumentalness • 7% Positiveness
20% Popularity • 16% Danceability • 30% Energy • 20% Liveness
90% Instrumentalness • 7% Positiveness
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Francis Dupont
Strangers in the night
93 bpm • F Maj • 02:38 • -12.82db
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
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The Melachrino Strings and Orchestra
Goodnight My Love
93 bpm • C Maj • 02:50 • -12.53db
19% Popularity • 16% Danceability • 30% Energy • 7% Liveness
54% Instrumentalness • 17% Positiveness
19% Popularity • 16% Danceability • 30% Energy • 7% Liveness
54% Instrumentalness • 17% Positiveness
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Victor Silvester
The Song From “Moulin Rouge” (Waltz)
93 bpm • D Maj • 02:26 • -19.44db
38% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
38% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
MACK THE KNIFE
93 bpm • F Maj • 03:30 • -9.16db
12% Popularity • 70% Danceability • 50% Energy • 8% Liveness
16% Instrumentalness • 67% Positiveness
12% Popularity • 70% Danceability • 50% Energy • 8% Liveness
16% Instrumentalness • 67% Positiveness
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Norman Candler
Beautiful Dreamer - Remastered
92 bpm • C Maj • 02:40 • -8db
27% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
27% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
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101 String Royal Orchestra
Around The World
93 bpm • C# Maj • 02:37 • -10.36db
15% Popularity • 26% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
15% Popularity • 26% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
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Francis Pourcel Orchestra
Un Extraño en la Playa
98 bpm • A# Maj • 02:51 • -13.3db
31% Popularity • 35% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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Alfred Hause
Nadia´s Theme
98 bpm • A min • 02:39 • -11db
34% Popularity • 42% Danceability • 31% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
34% Popularity • 42% Danceability • 31% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
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Eddie Fernandez Quintet
Sabor a Mi
92 bpm • G Maj • 03:04 • -13db
25% Popularity • 74% Danceability • 44% Energy • 24% Liveness
95% Instrumentalness • 74% Positiveness
25% Popularity • 74% Danceability • 44% Energy • 24% Liveness
95% Instrumentalness • 74% Positiveness
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Günter Noris
This Is Love (English Waltz)
92 bpm • D# Maj • 02:56 • -9.7db
16% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
16% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
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The Richard Romance Orchestra
Guantanamera
98 bpm • D Maj • 03:08 • -11.47db
27% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Billy May
Till There Was You
92 bpm • D# Maj • 02:45 • -14.4db
28% Popularity • 39% Danceability • 19% Energy • 22% Liveness
36% Instrumentalness • 33% Positiveness
28% Popularity • 39% Danceability • 19% Energy • 22% Liveness
36% Instrumentalness • 33% Positiveness
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Ron Goodwin
True Love Ways
92 bpm • D Maj • 02:31 • -14.38db
22% Popularity • 21% Danceability • 30% Energy • 36% Liveness
27% Instrumentalness • 20% Positiveness
22% Popularity • 21% Danceability • 30% Energy • 36% Liveness
27% Instrumentalness • 20% Positiveness
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Alfred Hause
Blue Gipsy Eyes
92 bpm • D min • 03:04 • -13db
35% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
35% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Victor Silvester
Around The World (Waltz)
92 bpm • C min • 02:22 • -15.57db
32% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
32% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
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Joaquin Borges
Charmaine
91 bpm • A min • 03:06 • -12db
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
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Tony Mottola y Su Orquesta
The Poor People of Paris
99 bpm • A# min • 02:11 • -10.72db
35% Popularity • 88% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 72% Positiveness
35% Popularity • 88% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 72% Positiveness
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Billy May
My Last Affair
99 bpm • G Maj • 02:43 • -11.71db
33% Popularity • 48% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 48% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Living Strings
My Favourite Things
91 bpm • B min • 03:10 • -12.74db
19% Popularity • 35% Danceability • 18% Energy • 6% Liveness
64% Instrumentalness • 25% Positiveness
19% Popularity • 35% Danceability • 18% Energy • 6% Liveness
64% Instrumentalness • 25% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
WHO SORRY NOW
91 bpm • C Maj • 02:40 • -9.74db
14% Popularity • 68% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 77% Positiveness
14% Popularity • 68% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 77% Positiveness
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Ballroom Dance Orchestra
Sail Along Silvery Moon
99 bpm • F Maj • 02:05 • -11.61db
38% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
38% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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Les & Larry Elgart
You Made Me Love You (I Didn't Want to D...
91 bpm • F min • 02:28 • -17.77db
16% Popularity • 60% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
16% Popularity • 60% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
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Kai Warner
Summerwind
91 bpm • F Maj • 02:11 • -15.41db
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
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Melodías Mágicas
La Vida en Rosa
91 bpm • D Maj • 02:15 • -15.16db
55% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
55% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
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Joaquin Borges
Tu Iluminas Mi Vida
91 bpm • E min • 02:36 • -8.51db
24% Popularity • 14% Danceability • 32% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
24% Popularity • 14% Danceability • 32% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Rubén Ochoa
Anónimo Veneciano (Pasión de un Gran A...
99 bpm • F min • 03:01 • -12.83db
19% Popularity • 53% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
19% Popularity • 53% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Jean Paul Ventura Orchestra
Puente Sobre Aguas Turbulentas (Bridge O...
99 bpm • C Maj • 04:02 • -15.35db
16% Popularity • 37% Danceability • 23% Energy • 22% Liveness
91% Instrumentalness • 35% Positiveness
16% Popularity • 37% Danceability • 23% Energy • 22% Liveness
91% Instrumentalness • 35% Positiveness
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Bob Docker And His Orchestra
A Summer Place Theme
91 bpm • C# Maj • 02:59 • -10db
27% Popularity • 19% Danceability • 36% Energy • 16% Liveness
90% Instrumentalness • 32% Positiveness
27% Popularity • 19% Danceability • 36% Energy • 16% Liveness
90% Instrumentalness • 32% Positiveness
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Kai Warner
My Prayer
99 bpm • C Maj • 02:41 • -15.86db
20% Popularity • 62% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 60% Positiveness
20% Popularity • 62% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 60% Positiveness
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Orquestra Românticos de Cuba
Amor, Amor, Amor / Quiereme Mucho
99 bpm • D Maj • 03:33 • -6db
36% Popularity • 20% Danceability • 50% Energy • 42% Liveness
82% Instrumentalness • 13% Positiveness
36% Popularity • 20% Danceability • 50% Energy • 42% Liveness
82% Instrumentalness • 13% Positiveness
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Al Hirt
Al Di Là
99 bpm • F Maj • 02:19 • -10.89db
30% Popularity • 39% Danceability • 25% Energy • 21% Liveness
94% Instrumentalness • 19% Positiveness
30% Popularity • 39% Danceability • 25% Energy • 21% Liveness
94% Instrumentalness • 19% Positiveness
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Melodías Mágicas
Maria Elena
100 bpm • G min • 02:38 • -14db
50% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
50% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
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Victor Silvester
Fascination (Waltz)
91 bpm • E min • 02:25 • -16.31db
43% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
43% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
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Charlie Shaffer
Careless - Be Anything, But Be Mine
100 bpm • C Maj • 02:42 • -16.51db
14% Popularity • 62% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 43% Positiveness
14% Popularity • 62% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 43% Positiveness
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Kai Warner
As Time Goes By
100 bpm • D# Maj • 02:38 • -8.97db
31% Popularity • 46% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
31% Popularity • 46% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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The Melachrino Strings and Orchestra
The Night Is Young and You're So Beautif...
100 bpm • C Maj • 03:02 • -13db
15% Popularity • 27% Danceability • 34% Energy • 14% Liveness
95% Instrumentalness • 12% Positiveness
15% Popularity • 27% Danceability • 34% Energy • 14% Liveness
95% Instrumentalness • 12% Positiveness
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Geoff Love
The Last Waltz
90 bpm • D Maj • 03:20 • -16.2db
20% Popularity • 12% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
20% Popularity • 12% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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The Fantasy Strings
La Mer
90 bpm • D# Maj • 03:51 • -7.38db
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
STRANGERS IN THE NIGHT
100 bpm • C Maj • 02:25 • -9db
22% Popularity • 60% Danceability • 40% Energy • 16% Liveness
82% Instrumentalness • 44% Positiveness
22% Popularity • 60% Danceability • 40% Energy • 16% Liveness
82% Instrumentalness • 44% Positiveness
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Ballroom Dance Orchestra
The Last Waltz
100 bpm • C Maj • 03:19 • -16.18db
34% Popularity • 62% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 39% Positiveness
34% Popularity • 62% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 39% Positiveness
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Kai Warner
What A Wonderful World
100 bpm • G# Maj • 02:19 • -10.77db
25% Popularity • 43% Danceability • 45% Energy • 25% Liveness
50% Instrumentalness • 38% Positiveness
25% Popularity • 43% Danceability • 45% Energy • 25% Liveness
50% Instrumentalness • 38% Positiveness
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Alan Alonmoore
Come Prima
100 bpm • C Maj • 02:29 • -10db
37% Popularity • 72% Danceability • 35% Energy • 14% Liveness
66% Instrumentalness • 76% Positiveness
37% Popularity • 72% Danceability • 35% Energy • 14% Liveness
66% Instrumentalness • 76% Positiveness
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Charlie Shaffer
We Three - Maybe - Time Out For Tears
100 bpm • C Maj • 04:05 • -16.44db
14% Popularity • 71% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
14% Popularity • 71% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
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Eddie Fernandez Quintet
Solamente una Vez
100 bpm • C Maj • 02:49 • -11.59db
26% Popularity • 70% Danceability • 51% Energy • 11% Liveness
88% Instrumentalness • 89% Positiveness
26% Popularity • 70% Danceability • 51% Energy • 11% Liveness
88% Instrumentalness • 89% Positiveness
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Das Orchester Claudius Alzner
Sentimental Journey - I left my heart in...
90 bpm • F Maj • 03:20 • -17.41db
10% Popularity • 70% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
10% Popularity • 70% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
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The Richard Romance Orchestra
All Kinds of Everything
100 bpm • A# Maj • 02:10 • -13db
33% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
33% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
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Al Hirt
Strangers In the Night
90 bpm • G Maj • 02:41 • -13.41db
29% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
29% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
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The Strings Of Paris
Sleep Shores
90 bpm • C Maj • 03:27 • -16db
45% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Charlie Shaffer
I Apologize - Everything I Have Is Yours
100 bpm • D min • 02:46 • -17.63db
17% Popularity • 44% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 42% Positiveness
17% Popularity • 44% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 42% Positiveness
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Francis Dupont
Berlin Melodie
90 bpm • F Maj • 03:13 • -13db
21% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
21% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
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Eddie Fernandez Quintet
Noche de Ronda
100 bpm • D Maj • 03:42 • -10.82db
28% Popularity • 70% Danceability • 55% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
28% Popularity • 70% Danceability • 55% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Russ Conway
Party Pops (Part 2)
90 bpm • A# Maj • 02:16 • -11.27db
27% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
27% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
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101 String Royal Orchestra
Hey There
90 bpm • D# Maj • 02:44 • -9.87db
13% Popularity • 12% Danceability • 36% Energy • 35% Liveness
61% Instrumentalness • 6% Positiveness
13% Popularity • 12% Danceability • 36% Energy • 35% Liveness
61% Instrumentalness • 6% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
All Night
100 bpm • C Maj • 04:54 • -20.06db
25% Popularity • 31% Danceability • 31% Energy • 94% Liveness
38% Instrumentalness • 34% Positiveness
25% Popularity • 31% Danceability • 31% Energy • 94% Liveness
38% Instrumentalness • 34% Positiveness
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Ballroom Dance Orchestra
Spring Waltz - Vienna Waltz
90 bpm • F# Maj • 02:28 • -11db
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Tony Mottola
La Strada
101 bpm • C Maj • 03:00 • -14.2db
25% Popularity • 47% Danceability • 28% Energy • 14% Liveness
84% Instrumentalness • 49% Positiveness
25% Popularity • 47% Danceability • 28% Energy • 14% Liveness
84% Instrumentalness • 49% Positiveness
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Francisco Garcia
Blue Moon
101 bpm • F Maj • 02:52 • -15db
22% Popularity • 54% Danceability • 33% Energy • 16% Liveness
95% Instrumentalness • 38% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 16% Liveness
95% Instrumentalness • 38% Positiveness
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John Fox
More Than a Woman
101 bpm • G# Maj • 03:25 • -14db
18% Popularity • 50% Danceability • 45% Energy • 31% Liveness
87% Instrumentalness • 62% Positiveness
18% Popularity • 50% Danceability • 45% Energy • 31% Liveness
87% Instrumentalness • 62% Positiveness
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The Melachrino Strings and Orchestra
You and the Night and the Music
89 bpm • D min • 02:48 • -9.71db
21% Popularity • 12% Danceability • 38% Energy • 24% Liveness
56% Instrumentalness • 6% Positiveness
21% Popularity • 12% Danceability • 38% Energy • 24% Liveness
56% Instrumentalness • 6% Positiveness
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Ballroom Dance Orchestra
That Old Devil Called Love
101 bpm • G# Maj • 03:08 • -12.46db
26% Popularity • 55% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 38% Positiveness
26% Popularity • 55% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 38% Positiveness
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Billy May & His Orchestra
Lovewise
89 bpm • A Maj • 02:34 • -14.31db
32% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
32% Popularity • 24% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 32% Positiveness
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Al Caiola
De Nina a Mujer
102 bpm • F Maj • 03:34 • -20.89db
26% Popularity • 50% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
26% Popularity • 50% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Tony Mottola y Su Orquesta
Violetta
102 bpm • A# Maj • 02:03 • -7.8db
20% Popularity • 60% Danceability • 43% Energy • 9% Liveness
93% Instrumentalness • 92% Positiveness
20% Popularity • 60% Danceability • 43% Energy • 9% Liveness
93% Instrumentalness • 92% Positiveness
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John Fox
Woman
89 bpm • C min • 03:03 • -16.55db
13% Popularity • 39% Danceability • 29% Energy • 16% Liveness
97% Instrumentalness • 35% Positiveness
13% Popularity • 39% Danceability • 29% Energy • 16% Liveness
97% Instrumentalness • 35% Positiveness
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Joaquin Borges
Deje Mi Corazón En San Francisco
88 bpm • A# Maj • 02:37 • -25.46db
17% Popularity • 23% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 19% Positiveness
17% Popularity • 23% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 19% Positiveness
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Combo Alfredo
Chanson d'Amour
102 bpm • G min • 02:49 • -7db
24% Popularity • 56% Danceability • 56% Energy • 7% Liveness
68% Instrumentalness • 46% Positiveness
24% Popularity • 56% Danceability • 56% Energy • 7% Liveness
68% Instrumentalness • 46% Positiveness
