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Your Girl
Songs like
Your Girl
by
Basia Bulat
Based on a tempo of (+/- 10%) and a similar genre
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Taylor Janzen
Dennis Quaid
135 bpm • B Maj • 04:18 • -5.98db
15% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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This Is The Kit
This Is What You Did
135 bpm • G Maj • 03:12 • -9db
36% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
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M. Ward
Unreal City
135 bpm • F Maj • 04:05 • -8db
17% Popularity • 56% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Basia Bulat
Your Girl
135 bpm • C min • 02:46 • -5.28db
25% Popularity • 61% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Rufus Wainwright
Trouble In Paradise
135 bpm • A# Maj • 03:05 • -6.02db
25% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Jennah Barry
The Real Moon
136 bpm • D min • 02:58 • -11.01db
25% Popularity • 51% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 88% Positiveness
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The Secret Sisters
Hand Over My Heart
134 bpm • D# Maj • 04:17 • -8db
41% Popularity • 60% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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TORRES
Gracious Day
136 bpm • C Maj • 02:34 • -11.43db
25% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Sophia Kennedy
Being Special
134 bpm • A Maj • 03:04 • -9.15db
29% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Basia Bulat
Love is at the End of the World
136 bpm • G Maj • 04:11 • -7.74db
14% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
43% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Perfume Genius
Without You
134 bpm • A Maj • 02:35 • -5.33db
37% Popularity • 65% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 83% Positiveness
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Kristofer Åström
Inbetweener
133 bpm • C# min • 06:11 • -9.32db
9% Popularity • 55% Danceability • 48% Energy • 17% Liveness
13% Instrumentalness • 27% Positiveness
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Sarah Harmer
Just Get Here
137 bpm • G Maj • 03:41 • -11.77db
24% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Weather Station
Parking Lot
133 bpm • C Maj • 04:06 • -9.72db
33% Popularity • 70% Danceability • 52% Energy • 9% Liveness
42% Instrumentalness • 76% Positiveness
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Basia Bulat
La La Lie
136 bpm • G# min • 03:45 • -5.13db
21% Popularity • 62% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Neko Case
This Tornado Loves You
133 bpm • G Maj • 03:19 • -5db
43% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Tallest Man On Earth
I’m A Stranger Now
137 bpm • C Maj • 04:21 • -7.85db
39% Popularity • 56% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mina Tindle
Give a Little Love
132 bpm • D# Maj • 03:37 • -10.56db
24% Popularity • 56% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Molly Sarlé
This Close
138 bpm • G Maj • 04:04 • -9.52db
21% Popularity • 58% Danceability • 46% Energy • 15% Liveness
5% Instrumentalness • 44% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
41% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Basia Bulat
Go On - The Garden Version
138 bpm • F# min • 03:34 • -9.39db
13% Popularity • 43% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Frazey Ford
The Kids Are Having None Of It
138 bpm • A min • 04:49 • -10.01db
35% Popularity • 77% Danceability • 38% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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Hannah Georgas
Love Is A Stranger
132 bpm • C Maj • 03:38 • -7.1db
26% Popularity • 59% Danceability • 63% Energy • 15% Liveness
10% Instrumentalness • 24% Positiveness
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Nadia Reid
Right on Time
132 bpm • D Maj • 04:22 • -7.73db
21% Popularity • 53% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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The Wild Reeds
Telepathic Mail
132 bpm • B min • 03:48 • -5db
15% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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The Adam Brown
Give Back My Heart
138 bpm • A Maj • 03:46 • -3.96db
7% Popularity • 49% Danceability • 95% Energy • 49% Liveness
0% Instrumentalness • 55% Positiveness
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Basia Bulat
Go On
138 bpm • F# min • 03:28 • -5.71db
29% Popularity • 31% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Waiting for Smith
Monkeys in My Head
139 bpm • B Maj • 03:13 • -15db
14% Popularity • 87% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 79% Positiveness
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The Leisure Society
Overheard
139 bpm • G Maj • 04:22 • -11.4db
19% Popularity • 52% Danceability • 57% Energy • 9% Liveness
35% Instrumentalness • 58% Positiveness
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The Weather Station
Tried to Tell You
131 bpm • C Maj • 03:38 • -8.77db
33% Popularity • 78% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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This Is The Kit
Was Magician
139 bpm • C min • 04:26 • -11.96db
30% Popularity • 66% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 28% Positiveness
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Ten Fé
Coasting
131 bpm • G Maj • 04:19 • -6.6db
37% Popularity • 64% Danceability • 59% Energy • 22% Liveness
2% Instrumentalness • 46% Positiveness
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The Wild Reeds
Be The Change
131 bpm • D Maj • 03:08 • -10db
32% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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The Shins
New Slang (When You Notice The Stripes)
130 bpm • B Maj • 03:49 • -12db
32% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Lily & Madeleine
Self Care
140 bpm • F# Maj • 02:56 • -7db
16% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lucius
Ghosting
130 bpm • A# Maj • 03:22 • -11.79db
20% Popularity • 67% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Leisure Society
God Has Taken A Vacation
140 bpm • E Maj • 02:39 • -10.44db
33% Popularity • 58% Danceability • 48% Energy • 12% Liveness
27% Instrumentalness • 67% Positiveness
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Ten Fé
Here Again
140 bpm • D Maj • 04:07 • -6.27db
20% Popularity • 61% Danceability • 80% Energy • 21% Liveness
12% Instrumentalness • 40% Positiveness
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SOAK
Maybe
130 bpm • G Maj • 04:30 • -6.34db
33% Popularity • 56% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 24% Positiveness
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Eleanor Friedberger
Make Me A Song
130 bpm • D Maj • 05:32 • -8db
23% Popularity • 73% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Sorcha Richardson
False Alarm
130 bpm • B min • 03:56 • -6.93db
10% Popularity • 63% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Hiss Golden Messenger
Everybody Needs Somebody
129 bpm • B Maj • 03:30 • -7db
36% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Basia Bulat
In the Name Of - The Garden Version
130 bpm • G Maj • 04:36 • -10.92db
12% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Good Wilson
Walk the Talk
129 bpm • F Maj • 03:16 • -7.55db
18% Popularity • 55% Danceability • 77% Energy • 12% Liveness
79% Instrumentalness • 68% Positiveness
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Charlotte Cornfield
Silver Civic
142 bpm • C# Maj • 04:37 • -13.41db
22% Popularity • 55% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Slow Leaves
Miss You
142 bpm • G Maj • 03:18 • -6.65db
9% Popularity • 51% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Nadia Reid
Other Side Of The Wheel
128 bpm • A Maj • 04:00 • -10.11db
12% Popularity • 63% Danceability • 59% Energy • 12% Liveness
22% Instrumentalness • 64% Positiveness
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Frazey Ford
Everywhere
128 bpm • A# Maj • 04:44 • -12.27db
24% Popularity • 76% Danceability • 34% Energy • 10% Liveness
13% Instrumentalness • 41% Positiveness
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Basia Bulat
Love is at the End of the World - The Ga...
141 bpm • G Maj • 03:54 • -9.32db
13% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Kathleen Edwards
Options Open
127 bpm • E Maj • 03:48 • -5db
26% Popularity • 60% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Ten Fé
Candidate
127 bpm • D Maj • 03:55 • -6.22db
25% Popularity • 86% Danceability • 73% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
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Pearl Charles
What I Need
127 bpm • D Maj • 03:24 • -8.5db
25% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Kate Davis
Open Heart
127 bpm • F# Maj • 03:51 • -12.56db
14% Popularity • 68% Danceability • 44% Energy • 11% Liveness
63% Instrumentalness • 40% Positiveness
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Great Lake Swimmers
Swimming Away
126 bpm • A Maj • 03:08 • -8.97db
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Basia Bulat
In the Name Of
142 bpm • G Maj • 04:17 • -5.09db
14% Popularity • 52% Danceability • 81% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
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Saint Sister
Twin Peaks
126 bpm • D Maj • 03:18 • -11.69db
21% Popularity • 67% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Frazey Ford
Saul
126 bpm • A Maj • 03:50 • -12.78db
36% Popularity • 77% Danceability • 24% Energy • 11% Liveness
56% Instrumentalness • 34% Positiveness
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Pearl Charles
Slipping Away
126 bpm • A min • 03:49 • -7.47db
12% Popularity • 58% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Stipe
No Time For Love Like Now
126 bpm • F min • 04:20 • -6db
34% Popularity • 70% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
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Hurray For The Riff Raff
Living In The City
126 bpm • C# Maj • 03:16 • -4.94db
36% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Basia Bulat
Why Can't It Be Mine
127 bpm • E Maj • 03:29 • -7.97db
17% Popularity • 79% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Sylvan Esso
Frequency - WITH LOVE
126 bpm • B Maj • 03:05 • -12.28db
18% Popularity • 57% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Amelia Curran
Gravity
145 bpm • B Maj • 02:23 • -9.11db
13% Popularity • 59% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
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The Be Good Tanyas
Light Enough to Travel
126 bpm • G Maj • 04:58 • -9db
34% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Edwyn Collins
It's All About You
126 bpm • A min • 03:37 • -7.4db
13% Popularity • 60% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 85% Positiveness
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Joan Shelley
The Push and Pull
126 bpm • F# Maj • 02:33 • -13db
34% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ten Fé
Won't Happen - Stripped-Back
145 bpm • F Maj • 03:25 • -10.18db
9% Popularity • 79% Danceability • 43% Energy • 33% Liveness
1% Instrumentalness • 20% Positiveness
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Peter Bjorn and John
Endless Reruns
145 bpm • G Maj • 03:31 • -5.82db
17% Popularity • 65% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Basia Bulat
Heart Of My Own
145 bpm • G min • 03:49 • -8db
46% Popularity • 53% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sarah Harmer
St. Peter's Bay
125 bpm • B min • 03:14 • -9db
30% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Nadia Reid
The Future
125 bpm • G min • 03:32 • -9.48db
10% Popularity • 56% Danceability • 68% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
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The Weather Station
Atlantic
125 bpm • C Maj • 03:53 • -9.57db
26% Popularity • 62% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 46% Positiveness
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Matthew And The Atlas
Pyres
125 bpm • A# Maj • 03:41 • -9.15db
19% Popularity • 80% Danceability • 52% Energy • 6% Liveness
60% Instrumentalness • 72% Positiveness
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The Staves
Satisfied
125 bpm • C Maj • 03:40 • -8.27db
28% Popularity • 45% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Basia Bulat
The Shore - The Garden Version
125 bpm • C Maj • 04:28 • -11.69db
15% Popularity • 57% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Deep Sea Diver
Impossible Weight - Sharon Van Etten
124 bpm • G# Maj • 03:22 • -5.79db
42% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Nadia Reid
The Arrow and the Aim
125 bpm • G min • 03:06 • -7db
26% Popularity • 41% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Father John Misty
Main Man
124 bpm • C Maj • 03:22 • -7.51db
29% Popularity • 72% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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TORRES
Dressing America
124 bpm • B Maj • 03:59 • -7db
20% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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TOKUNBO
Rebecca
124 bpm • G min • 03:56 • -8.98db
7% Popularity • 78% Danceability • 57% Energy • 14% Liveness
2% Instrumentalness • 85% Positiveness
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Basia Bulat
Tall Tall Shadow
125 bpm • E Maj • 04:03 • -4.63db
36% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Rina Mushonga
4qrtrs
147 bpm • F# Maj • 03:24 • -10.48db
10% Popularity • 67% Danceability • 67% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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A Girl Called Eddy
Someone’s Gonna Break Your Heart
124 bpm • G Maj • 02:57 • -4.65db
10% Popularity • 60% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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EmilÃana Torrini
Crossroads (Duet Version)
124 bpm • F Maj • 03:50 • -10.55db
12% Popularity • 69% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 77% Positiveness
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Lily & Madeleine
Can't Help the Way I Feel
124 bpm • C Maj • 03:13 • -4.18db
28% Popularity • 62% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Begonia
Beats
124 bpm • C Maj • 03:31 • -7.58db
28% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Basia Bulat
Time
125 bpm • F Maj • 03:05 • -7.03db
13% Popularity • 63% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Vetiver
Wanted, Never Asked
148 bpm • E Maj • 03:42 • -13.28db
19% Popularity • 69% Danceability • 62% Energy • 8% Liveness
35% Instrumentalness • 79% Positiveness
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Lola Kirke
Omens
123 bpm • C Maj • 03:24 • -9db
11% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Kathleen Edwards
Hard On Everyone
148 bpm • F# Maj • 05:32 • -7.12db
30% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Palace Winter
The Deeper End
123 bpm • F Maj • 04:37 • -6.67db
9% Popularity • 51% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Emma Elisabeth
Heart On A String
123 bpm • D Maj • 03:34 • -8.76db
10% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Basia Bulat
December
124 bpm • B min • 02:49 • -7.9db
15% Popularity • 44% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
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Emmy The Great
Writer
123 bpm • C Maj • 04:21 • -11.63db
9% Popularity • 74% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Great Lake Swimmers
The Great Exhale
123 bpm • G Maj • 04:38 • -7.75db
9% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Kathleen Edwards
Glenfern
123 bpm • D Maj • 04:30 • -6.16db
34% Popularity • 67% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Savannah Conley
Dream Boy
122 bpm • C Maj • 03:14 • -8.11db
21% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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La Force
The Tide
149 bpm • G# Maj • 04:20 • -8.34db
25% Popularity • 46% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Basia Bulat
Homesick
124 bpm • G Maj • 02:42 • -5.57db
12% Popularity • 55% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Your Girl