Songs like Your Life Your Time by Christian Leave
Based on a tempo of (+/- 10%) and a similar genre
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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Aidan Bissett
Worst Girls of All Time
159 bpm • F# Maj • 02:53 • -5.97db
35% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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WILLIS
Cj's Van
160 bpm • C# min • 02:51 • -6.88db
44% Popularity • 53% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 53% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Colony House
You Know It
158 bpm • D# Maj • 03:02 • -2.9db
60% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Lunar Vacation
Blue Honey
160 bpm • F# min • 02:34 • -13.84db
53% Popularity • 44% Danceability • 58% Energy • 34% Liveness
2% Instrumentalness • 50% Positiveness
53% Popularity • 44% Danceability • 58% Energy • 34% Liveness
2% Instrumentalness • 50% Positiveness
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Greer
Understand
158 bpm • A Maj • 03:18 • -6.32db
41% Popularity • 44% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 44% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Christian Leave
Coming In
160 bpm • A Maj • 03:36 • -5.05db
18% Popularity • 37% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 37% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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dad sports
dog cuddles
158 bpm • C# Maj • 02:31 • -11.98db
49% Popularity • 64% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 92% Positiveness
49% Popularity • 64% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 92% Positiveness
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Aidan Bissett
Different
160 bpm • B min • 03:20 • -5.51db
41% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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sunflower tape machine
sophomore sweetheart
160 bpm • E Maj • 03:37 • -7.67db
34% Popularity • 54% Danceability • 96% Energy • 10% Liveness
68% Instrumentalness • 95% Positiveness
34% Popularity • 54% Danceability • 96% Energy • 10% Liveness
68% Instrumentalness • 95% Positiveness
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Hall Johnson
City Lights
160 bpm • G Maj • 02:44 • -6.94db
52% Popularity • 55% Danceability • 85% Energy • 26% Liveness
11% Instrumentalness • 92% Positiveness
52% Popularity • 55% Danceability • 85% Energy • 26% Liveness
11% Instrumentalness • 92% Positiveness
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The Happy Fits
Too Late
160 bpm • G Maj • 03:21 • -10.48db
59% Popularity • 69% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
59% Popularity • 69% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Kevin Walkman
its alright :)
158 bpm • D# Maj • 03:22 • -6db
58% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
58% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Wallows
Treacherous Doctor
160 bpm • F# min • 02:43 • -6db
54% Popularity • 46% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 77% Positiveness
54% Popularity • 46% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 77% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Neighbourhood
Stargazing
160 bpm • C Maj • 03:37 • -7.8db
71% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
71% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Ax and the Hatchetmen
Silhouette
160 bpm • E Maj • 04:05 • -10.11db
40% Popularity • 59% Danceability • 71% Energy • 24% Liveness
1% Instrumentalness • 64% Positiveness
40% Popularity • 59% Danceability • 71% Energy • 24% Liveness
1% Instrumentalness • 64% Positiveness
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Ashes To Amber
Sun Punks
158 bpm • F# Maj • 03:44 • -8.12db
44% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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second thoughts
nicotine stains
158 bpm • D Maj • 03:44 • -5db
44% Popularity • 44% Danceability • 92% Energy • 10% Liveness
47% Instrumentalness • 66% Positiveness
44% Popularity • 44% Danceability • 92% Energy • 10% Liveness
47% Instrumentalness • 66% Positiveness
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Daffodils
A Leo Underwater
160 bpm • G Maj • 05:00 • -8.42db
35% Popularity • 44% Danceability • 77% Energy • 30% Liveness
18% Instrumentalness • 64% Positiveness
35% Popularity • 44% Danceability • 77% Energy • 30% Liveness
18% Instrumentalness • 64% Positiveness
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Ian Hugel
SUMMER GIRL
160 bpm • E Maj • 02:48 • -13.11db
47% Popularity • 56% Danceability • 43% Energy • 27% Liveness
1% Instrumentalness • 21% Positiveness
47% Popularity • 56% Danceability • 43% Energy • 27% Liveness
1% Instrumentalness • 21% Positiveness
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Elevator Fight Club
Call Me
157 bpm • C Maj • 03:44 • -7.99db
40% Popularity • 44% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 44% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Ax and the Hatchetmen
Grace
160 bpm • D# min • 02:30 • -5.27db
49% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Oscar Lang
I've Never Been To LA
161 bpm • E Maj • 03:06 • -4db
38% Popularity • 46% Danceability • 73% Energy • 44% Liveness
2% Instrumentalness • 54% Positiveness
38% Popularity • 46% Danceability • 73% Energy • 44% Liveness
2% Instrumentalness • 54% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Dominic Fike
Falling Asleep
161 bpm • G Maj • 01:48 • -5.95db
56% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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dad sports
if u want to !
161 bpm • G Maj • 03:08 • -7db
28% Popularity • 48% Danceability • 77% Energy • 36% Liveness
68% Instrumentalness • 63% Positiveness
28% Popularity • 48% Danceability • 77% Energy • 36% Liveness
68% Instrumentalness • 63% Positiveness
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Rec Hall
She Doesn't Get It
156 bpm • E Maj • 03:31 • -5.15db
55% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Headon
Bored
162 bpm • D Maj • 02:39 • -6.54db
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Oscar Lang
I've Never Been To LA (Edit)
161 bpm • E Maj • 02:39 • -3.18db
33% Popularity • 51% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 51% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Peter McPoland
Tonight
157 bpm • G Maj • 03:30 • -3.05db
39% Popularity • 48% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 48% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Wallows
I Don't Want to Talk
162 bpm • G Maj • 03:43 • -3.22db
56% Popularity • 46% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 46% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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flipturn
Nickel
156 bpm • F# Maj • 03:57 • -5db
48% Popularity • 65% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 65% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Breakup Shoes
Breakup Shoes
156 bpm • F# Maj • 03:05 • -9db
41% Popularity • 44% Danceability • 44% Energy • 18% Liveness
1% Instrumentalness • 44% Positiveness
41% Popularity • 44% Danceability • 44% Energy • 18% Liveness
1% Instrumentalness • 44% Positiveness
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Plums
Parking Lots
156 bpm • C# min • 03:26 • -5.33db
61% Popularity • 49% Danceability • 76% Energy • 34% Liveness
37% Instrumentalness • 72% Positiveness
61% Popularity • 49% Danceability • 76% Energy • 34% Liveness
37% Instrumentalness • 72% Positiveness
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Lunar Vacation
Cutting Corners
162 bpm • E Maj • 02:04 • -5.94db
13% Popularity • 47% Danceability • 88% Energy • 30% Liveness
2% Instrumentalness • 86% Positiveness
13% Popularity • 47% Danceability • 88% Energy • 30% Liveness
2% Instrumentalness • 86% Positiveness
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Yot Club
u dont kno me
155 bpm • E Maj • 03:59 • -6db
43% Popularity • 62% Danceability • 89% Energy • 9% Liveness
94% Instrumentalness • 77% Positiveness
43% Popularity • 62% Danceability • 89% Energy • 9% Liveness
94% Instrumentalness • 77% Positiveness
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Mickey Darling
FIND OUT THE HARD WAY
163 bpm • A Maj • 03:10 • -8.73db
35% Popularity • 46% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 46% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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half•alive
Never Been Better
155 bpm • G# min • 03:08 • -6.58db
44% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Breakup Shoes
How It Goes
163 bpm • E min • 02:02 • -6.64db
44% Popularity • 47% Danceability • 77% Energy • 54% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 47% Danceability • 77% Energy • 54% Liveness
0% Instrumentalness • 66% Positiveness
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Peter McPoland
Come Around
155 bpm • G Maj • 02:53 • -3db
38% Popularity • 50% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 50% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lunar Vacation
Swimming
155 bpm • E Maj • 04:40 • -13.25db
45% Popularity • 44% Danceability • 40% Energy • 12% Liveness
35% Instrumentalness • 37% Positiveness
45% Popularity • 44% Danceability • 40% Energy • 12% Liveness
35% Instrumentalness • 37% Positiveness
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Wallows
Pictures of Girls
155 bpm • F# Maj • 03:24 • -5.5db
59% Popularity • 44% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
59% Popularity • 44% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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Wallice
Wisdom Tooth
155 bpm • A Maj • 02:36 • -4.13db
31% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Ritt Momney
Young Adult
163 bpm • E Maj • 04:32 • -11db
47% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Miniature Tigers
Lavender Boombox
164 bpm • E Maj • 05:07 • -7.92db
29% Popularity • 52% Danceability • 72% Energy • 24% Liveness
72% Instrumentalness • 34% Positiveness
29% Popularity • 52% Danceability • 72% Energy • 24% Liveness
72% Instrumentalness • 34% Positiveness
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Breakup Shoes
Playing With Fire
164 bpm • G Maj • 04:23 • -5db
25% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Moss
Grand Hoodoo
164 bpm • G Maj • 02:35 • -6.45db
50% Popularity • 59% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
50% Popularity • 59% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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JAWNY
adios
164 bpm • F# min • 03:23 • -5db
57% Popularity • 52% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 52% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
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M.A.G.S.
Wait
164 bpm • B Maj • 03:57 • -6db
26% Popularity • 24% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 24% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
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HARBOUR
With Love
154 bpm • D Maj • 03:37 • -4.33db
42% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Landon Conrath
2AM
154 bpm • G Maj • 02:33 • -7.04db
59% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
59% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
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Dominic Fike
Double Negative (Skeleton Milkshake)
154 bpm • E Maj • 02:06 • -2.87db
60% Popularity • 69% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
60% Popularity • 69% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Greer
Bye Bye Baby
154 bpm • D Maj • 03:07 • -5.8db
32% Popularity • 46% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 46% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Ax and the Hatchetmen
Existential Crisis, Pt. 1
154 bpm • C# min • 04:15 • -4.15db
32% Popularity • 38% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 38% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
36% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Wallows
Only Friend
154 bpm • E Maj • 03:01 • -5db
55% Popularity • 30% Danceability • 84% Energy • 34% Liveness
91% Instrumentalness • 8% Positiveness
55% Popularity • 30% Danceability • 84% Energy • 34% Liveness
91% Instrumentalness • 8% Positiveness
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Edgehill
Shooting Glances
165 bpm • C# min • 02:58 • -6.98db
41% Popularity • 43% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 43% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Coastal Club
honey
165 bpm • A Maj • 04:10 • -3.62db
52% Popularity • 49% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 49% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Cannibal Kids
Troubled Mind
165 bpm • C Maj • 03:33 • -10.64db
43% Popularity • 57% Danceability • 54% Energy • 7% Liveness
3% Instrumentalness • 61% Positiveness
43% Popularity • 57% Danceability • 54% Energy • 7% Liveness
3% Instrumentalness • 61% Positiveness
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flipturn
Whales
165 bpm • F Maj • 03:29 • -9db
48% Popularity • 48% Danceability • 65% Energy • 8% Liveness
49% Instrumentalness • 19% Positiveness
48% Popularity • 48% Danceability • 65% Energy • 8% Liveness
49% Instrumentalness • 19% Positiveness
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Make Friends
Ellie
153 bpm • D Maj • 03:54 • -8db
34% Popularity • 56% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 56% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Ritt Momney
Escalator
153 bpm • C Maj • 02:26 • -8.4db
42% Popularity • 79% Danceability • 30% Energy • 11% Liveness
57% Instrumentalness • 50% Positiveness
42% Popularity • 79% Danceability • 30% Energy • 11% Liveness
57% Instrumentalness • 50% Positiveness
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ROLE MODEL
if jesus saves, she's my type
153 bpm • G Maj • 03:37 • -8.34db
44% Popularity • 76% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
44% Popularity • 76% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
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Matilda Mann
Bloom
166 bpm • F min • 02:46 • -7.08db
45% Popularity • 50% Danceability • 84% Energy • 35% Liveness
2% Instrumentalness • 56% Positiveness
45% Popularity • 50% Danceability • 84% Energy • 35% Liveness
2% Instrumentalness • 56% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Runner and Bobby
Fall for Her (Nobody Else)
166 bpm • C Maj • 03:48 • -9.63db
39% Popularity • 56% Danceability • 82% Energy • 8% Liveness
4% Instrumentalness • 21% Positiveness
39% Popularity • 56% Danceability • 82% Energy • 8% Liveness
4% Instrumentalness • 21% Positiveness
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spill tab
Grade A
152 bpm • A Maj • 01:46 • -8.6db
50% Popularity • 72% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
50% Popularity • 72% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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Phoneboy
1987
152 bpm • C# min • 02:42 • -12.8db
49% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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The Moss
Chaparral
152 bpm • E min • 02:46 • -6.12db
45% Popularity • 43% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 43% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Mickey Darling
Wallows Song
152 bpm • B min • 03:55 • -4.44db
36% Popularity • 58% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 58% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
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WILLIS
Fight the Vegans
167 bpm • C Maj • 03:16 • -10.82db
51% Popularity • 64% Danceability • 51% Energy • 9% Liveness
5% Instrumentalness • 46% Positiveness
51% Popularity • 64% Danceability • 51% Energy • 9% Liveness
5% Instrumentalness • 46% Positiveness
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flipturn
The Fall
151 bpm • D Maj • 03:54 • -6.98db
41% Popularity • 52% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 52% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Ax and the Hatchetmen
Peach Trees
167 bpm • A Maj • 01:50 • -9.12db
58% Popularity • 50% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 50% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Christian Leave
Beside You
151 bpm • B Maj • 04:34 • -8.54db
18% Popularity • 35% Danceability • 43% Energy • 9% Liveness
23% Instrumentalness • 6% Positiveness
18% Popularity • 35% Danceability • 43% Energy • 9% Liveness
23% Instrumentalness • 6% Positiveness
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The Grinns
Mona Lisa Lamborghini
168 bpm • G min • 03:26 • -5.83db
34% Popularity • 50% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 50% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Tommy Newport
Mr. Angel
168 bpm • C Maj • 04:00 • -7db
39% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Headon
UrbanAngel1999
168 bpm • F Maj • 03:10 • -11.71db
42% Popularity • 58% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 58% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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The Moss
Insomnia
168 bpm • B Maj • 03:12 • -5.78db
57% Popularity • 54% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
57% Popularity • 54% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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ROLE MODEL
forever&more
168 bpm • A Maj • 02:56 • -5.84db
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Greer
Bittersweet
150 bpm • F Maj • 03:55 • -7.84db
41% Popularity • 29% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 29% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Wallice
Off the Rails
168 bpm • C# Maj • 02:20 • -4.21db
36% Popularity • 48% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 48% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Cardinal Bloom
She’s Just a Friend
150 bpm • C# Maj • 04:12 • -4.47db
51% Popularity • 52% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 52% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Boy Called Cute
Lobster
150 bpm • G# min • 04:08 • -4db
45% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Mickey Darling
SAY THAT YOU MISS ME
150 bpm • G# Maj • 03:48 • -6.84db
44% Popularity • 54% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 54% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Palmer
PEOPLE FUEL
150 bpm • A# Maj • 02:53 • -7db
37% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
50% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Vista Kicks
Baja (Only Wanna Be with You)
169 bpm • A# Maj • 05:37 • -5.12db
35% Popularity • 46% Danceability • 92% Energy • 34% Liveness
2% Instrumentalness • 47% Positiveness
35% Popularity • 46% Danceability • 92% Energy • 34% Liveness
2% Instrumentalness • 47% Positiveness
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flipturn
Playground
169 bpm • E Maj • 04:09 • -6db
43% Popularity • 44% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 44% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Mickey Darling
Reverse Cowgirl
169 bpm • F# min • 03:39 • -8.93db
47% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Blondes
Coming of Age
149 bpm • D Maj • 04:08 • -2.31db
51% Popularity • 52% Danceability • 87% Energy • 21% Liveness
6% Instrumentalness • 50% Positiveness
51% Popularity • 52% Danceability • 87% Energy • 21% Liveness
6% Instrumentalness • 50% Positiveness
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Visit Neptune
Change the Times
149 bpm • C# min • 03:00 • -10.94db
39% Popularity • 43% Danceability • 76% Energy • 15% Liveness
6% Instrumentalness • 39% Positiveness
39% Popularity • 43% Danceability • 76% Energy • 15% Liveness
6% Instrumentalness • 39% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
66% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Sun Room
Fun
170 bpm • A Maj • 02:29 • -13.81db
49% Popularity • 43% Danceability • 57% Energy • 10% Liveness
62% Instrumentalness • 65% Positiveness
49% Popularity • 43% Danceability • 57% Energy • 10% Liveness
62% Instrumentalness • 65% Positiveness
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Peter McPoland
Shit Show
170 bpm • C# Maj • 03:20 • -3.64db
52% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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THE DRIVER ERA
A Kiss
170 bpm • F# Maj • 04:31 • -4.65db
62% Popularity • 70% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 70% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
